Leonard Bernstein: The Remastered Edition
AlbumTracklist 5170:00
CD 1
| 1 | Histoire du soldat: The Soldier’s March Igor Stravinsky | 1:42 | |
| 2 | Histoire du soldat: Music to Scene I Igor Stravinsky | 2:50 | |
| 3 | Histoire du soldat: The Royal March Igor Stravinsky | 2:48 | |
| 4 | Histoire du soldat: Music to Scene II Igor Stravinsky | 2:36 | |
| 5 | Histoire du soldat: The Little Concert Igor Stravinsky | 3:19 | |
| 6 | Histoire du soldat: 3 Dances: Tango – Waltz – Ragtime Igor Stravinsky | 6:23 | |
| 7 | Histoire du soldat: Little Chorale Igor Stravinsky | 0:40 | |
| 8 | Histoire du soldat: The Devil's Dance Igor Stravinsky | 1:28 | |
| 9 | Histoire du soldat: Great Chorale Igor Stravinsky | 2:55 | |
| 10 | Histoire du soldat: Triumphal March of the Devil Igor Stravinsky | 2:20 | |
| 11 | Octet for Wind Instruments: I. Sinfonia Igor Stravinsky | 4:02 | |
| 12 | Octet for Wind Instruments: II. Tema con variazioni Igor Stravinsky | 7:47 | |
| 13 | Octet for Wind Instruments: III. Finale Igor Stravinsky | 3:42 | |
| 14 | La Création du monde, Ballet, op. 81 Darius Milhaud | 15:57 | |
| 15 | Afterthought | 3:22 |
CD 2
| 1 | The Age of Anxiety (Symphony no. 2 for Piano and Orchestra): Part I. The Prologue. Lento moderato | 2:21 | |
| 2 | The Age of Anxiety (Symphony no. 2 for Piano and Orchestra): Part I. The Seven Ages. Variations 1–7 | 8:22 | |
| 3 | The Age of Anxiety (Symphony no. 2 for Piano and Orchestra): Part I. The Seven Stages. Variations 8–14 | 5:51 | |
| 4 | The Age of Anxiety (Symphony no. 2 for Piano and Orchestra): Part II. The Dirge. Largo | 5:38 | |
| 5 | The Age of Anxiety (Symphony no. 2 for Piano and Orchestra): Part II. The Masque. Extremely fast | 4:26 | |
| 6 | The Age of Anxiety (Symphony no. 2 for Piano and Orchestra): Part II. The Epilogue. L’istesso tempo – Adagio – Con moto | 5:27 | |
| 7 | Serenade for Solo Violin, Strings, Harp and Percussion: I. Phaedrus - Pausanias. Lento – Allegro marcato | 7:01 | |
| 8 | Serenade for Solo Violin, Strings, Harp and Percussion: II. Aristophanes. Allegretto | 4:18 | |
| 9 | Serenade for Solo Violin, Strings, Harp and Percussion: III. Eryximachus. Presto | 1:28 | |
| 10 | Serenade for Solo Violin, Strings, Harp and Percussion: IV. Agathon. Adagio | 7:34 | |
| 11 | Serenade for Solo Violin, Strings, Harp and Percussion: V. Socrates - Alcibiades. Molto tenuto – Adagio – Allegro molto vivace - Molto giocoso | 10:33 |
CD 3
| 1 | Symphony for Classical Orchestra: I. Adagio – Allegro Harold Shapero | 12:13 | |
| 2 | Symphony for Classical Orchestra: II. Adagietto Harold Shapero | 15:29 | |
| 3 | Symphony for Classical Orchestra: III. Scherzo Harold Shapero | 5:18 | |
| 4 | Symphony for Classical Orchestra: IV. Finale. Allegro con spirito Harold Shapero | 10:53 |
CD 4
| 1 | Concerto for Piano and Orchestra no. 17 in G major, K. 453: I. Allegro Wolfgang Amadeus Mozart | 12:44 | |
| 2 | Concerto for Piano and Orchestra no. 17 in G major, K. 453: II. Andante Wolfgang Amadeus Mozart | 12:16 | |
| 3 | Concerto for Piano and Orchestra no. 17 in G major, K. 453: III. Allegretto – Presto Wolfgang Amadeus Mozart | 8:00 | |
| 4 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: I. Allegro Wolfgang Amadeus Mozart | 11:23 | |
| 5 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: II. [Andante] Wolfgang Amadeus Mozart | 8:00 | |
| 6 | Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: III. Allegro Wolfgang Amadeus Mozart | 8:26 |
CD 5
| 1 | L'Oiseau de feu, Suite (1919 version): Introduction Igor Stravinsky | 3:21 | |
| 2 | L'Oiseau de feu, Suite (1919 version): L’Oiseau de feu et sa danse Igor Stravinsky | 0:14 | |
| 3 | L'Oiseau de feu, Suite (1919 version): Variation de l’Oiseau de feu Igor Stravinsky | 1:09 | |
| 4 | L'Oiseau de feu, Suite (1919 version): Ronde des princesses Igor Stravinsky | 5:14 | |
| 5 | L'Oiseau de feu, Suite (1919 version): Danse infernale du roi Kachtcheï Igor Stravinsky | 3:56 | |
| 6 | L'Oiseau de feu, Suite (1919 version): Berceuse Igor Stravinsky | 3:50 | |
| 7 | L'Oiseau de feu, Suite (1919 version): Finale Igor Stravinsky | 3:33 | |
| 8 | Romeo and Juliet: Fantasy Overture after Shakespeare Pyotr Ilyich Tchaikovsky | 19:21 |
CD 6
| 1 | Concerto for Violin and Orchestra no. 2, Sz 112: I. Allegro non troppo Béla Bartók | 15:20 | |
| 2 | Concerto for Violin and Orchestra no. 2, Sz 112: II. Andante tranquillo – Allegro scherzando – Tempo I Béla Bartók | 10:04 | |
| 3 | Concerto for Violin and Orchestra no. 2, Sz 112: III. Allegro molto Béla Bartók | 10:56 |
CD 7
| 1 | Le Sacre du printemps: Part I: L’Adoration de la terre. Introduction Igor Stravinsky | 3:29 | |
| 2 | Le Sacre du printemps: Part I: L’Adoration de la terre. Les Augures printaniers (Danses des adolescentes) Igor Stravinsky | 3:17 | |
| 3 | Le Sacre du printemps: Part I: L’Adoration de la terre. Jeu du rapt Igor Stravinsky | 1:16 | |
| 4 | Le Sacre du printemps: Part I: L’Adoration de la terre. Rondes printanières Igor Stravinsky | 3:41 | |
| 5 | Le Sacre du printemps: Part I: L’Adoration de la terre. Jeux des cités rivales Igor Stravinsky | 1:51 | |
| 6 | Le Sacre du printemps: Part I: L’Adoration de la terre. Cortège du Sage Igor Stravinsky | 0:39 | |
| 7 | Le Sacre du printemps: Part I: L’Adoration de la terre. Adoration de la terre (Le Sage) Igor Stravinsky | 0:22 | |
| 8 | Le Sacre du printemps: Part I: L’Adoration de la terre. Danse de la terre Igor Stravinsky | 1:11 | |
| 9 | Le Sacre du printemps: Part II: Le Sacrifice. Introduction Igor Stravinsky | 5:13 | |
| 10 | Le Sacre du printemps: Part II: Le Sacrifice. Cercles mystérieux des adolescentes Igor Stravinsky | 3:18 | |
| 11 | Le Sacre du printemps: Part II: Le Sacrifice. Glorification de l’Élue Igor Stravinsky | 1:30 | |
| 12 | Le Sacre du printemps: Part II: Le Sacrifice. Évocation des ancêtres Igor Stravinsky | 0:52 | |
| 13 | Le Sacre du printemps: Part II: Le Sacrifice. Action rituelle des ancêtres Igor Stravinsky | 3:23 | |
| 14 | Le Sacre du printemps: Part II: Le Sacrifice. Danse sacrale (L’Élue) Igor Stravinsky | 4:32 |
CD 8
| 1 | Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo Ludwig van Beethoven | 23:43 | |
| 2 | Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto Ludwig van Beethoven | 10:47 | |
| 3 | Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro Ludwig van Beethoven | 9:10 |
CD 9
| 1 | Symphony no. 5 in D minor, op. 47: I. Moderato Dmitri Shostakovich | 16:19 | |
| 2 | Symphony no. 5 in D minor, op. 47: II. Allegretto Dmitri Shostakovich | 4:57 | |
| 3 | Symphony no. 5 in D minor, op. 47: III. Largo Dmitri Shostakovich | 15:39 | |
| 4 | Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo Dmitri Shostakovich | 8:59 |
CD 10
| 1 | Rhapsody in Blue George Gershwin | 16:33 | |
| 2 | An American in Paris George Gershwin | 18:29 | |
| 3 | Grand Canyon Suite: I. Sunrise Ferde Grofé | 5:16 | |
| 4 | Grand Canyon Suite: II. Painted Desert Ferde Grofé | 5:47 | |
| 5 | Grand Canyon Suite: III. On the Trail Ferde Grofé | 7:22 | |
| 6 | Grand Canyon Suite: IV. Sunset Ferde Grofé | 5:26 | |
| 7 | Grand Canyon Suite: V. Cloudburst Ferde Grofé | 9:00 |
CD 11
| 1 | Images pour orchestre: I. Gigues Claude Debussy | 8:23 | |
| 2 | Images pour orchestre: II. Ibéria: Par les rues et par les chemins Claude Debussy | 6:52 | |
| 3 | Images pour orchestre: II. Ibéria: Les Parfums de la nuit Claude Debussy | 9:37 | |
| 4 | Images pour orchestre: II. Ibéria: Le Matin d’un jour de fête Claude Debussy | 4:13 | |
| 5 | Images pour orchestre: III. Rondes de printemps Claude Debussy | 7:59 |
CD 12
| 1 | Concerto for Diverse Instruments in C major, RV 558: I. Allegro molto Antonio Vivaldi | 5:50 | |
| 2 | Concerto for Diverse Instruments in C major, RV 558: II. Andante molto Antonio Vivaldi | 2:10 | |
| 3 | Concerto for Diverse Instruments in C major, RV 558: III. Allegro Antonio Vivaldi | 2:59 | |
| 4 | Concerto for Oboe, Strings and Basso continuo in D minor, RV 454: I. Allegro Antonio Vivaldi | 4:50 | |
| 5 | Concerto for Oboe, Strings and Basso continuo in D minor, RV 454: II. Largo Antonio Vivaldi | 2:15 | |
| 6 | Concerto for Oboe, Strings and Basso continuo in D minor, RV 454: III. Allegro Antonio Vivaldi | 3:15 | |
| 7 | Concerto for Flute, Strings and Basso continuo in C minor, RV 441: I. Allegro non molto Antonio Vivaldi | 5:24 | |
| 8 | Concerto for Flute, Strings and Basso continuo in C minor, RV 441: II. Largo Antonio Vivaldi | 3:10 | |
| 9 | Concerto for Flute, Strings and Basso continuo in C minor, RV 441: III. [Allegro] Antonio Vivaldi | 4:37 | |
| 10 | Concerto for Piccolo (Flautino), Strings and Basso continuo in C major, RV 443: I. [Allegro] Antonio Vivaldi | 4:21 | |
| 11 | Concerto for Piccolo (Flautino), Strings and Basso continuo in C major, RV 443: II. Largo Antonio Vivaldi | 4:05 | |
| 12 | Concerto for Piccolo (Flautino), Strings and Basso continuo in C major, RV 443: III. Allegro molto Antonio Vivaldi | 3:12 |
CD 13
| 1 | Symphony no. 2: I. Andante moderato Charles Ives | 5:56 | |
| 2 | Symphony no. 2: II. Allegro Charles Ives | 10:20 | |
| 3 | Symphony no. 2: III. Adagio cantabile Charles Ives | 10:43 | |
| 4 | Symphony no. 2: IV. Lento (maestoso) Charles Ives | 2:58 | |
| 5 | Symphony no. 2: V. Allegro molto vivace Charles Ives | 9:15 | |
| 6 | Symphony no. 3 “The Camp Meeting”: I. Old Folks Gatherin’. Andante maestoso Charles Ives | 8:49 | |
| 7 | Symphony no. 3 “The Camp Meeting”: II. Children’s Day. Allegro Charles Ives | 7:23 | |
| 8 | Symphony no. 3 “The Camp Meeting”: III. Communion. Largo Charles Ives | 8:46 | |
| 9 | The Unanswered Question Charles Ives | 5:33 | |
| 10 | Central Park in the Dark Charles Ives | 7:54 |
CD 14
| 1 | 4 Dance Episodes from Rodeo: Buckaroo Holiday. Allegro con spirito Aaron Copland | 7:03 | |
| 2 | 4 Dance Episodes from Rodeo: Corral Nocturne. Moderato Aaron Copland | 4:05 | |
| 3 | 4 Dance Episodes from Rodeo: Saturday Night Waltz. Introduction - Slow Waltz Aaron Copland | 4:14 | |
| 4 | 4 Dance Episodes from Rodeo: Hoe‐Down. Allegro Aaron Copland | 3:13 | |
| 5 | Billy the Kid: Introduction. The Open Prairie Aaron Copland | 3:15 | |
| 6 | Billy the Kid: Street in a Frontier Town Aaron Copland | 3:22 | |
| 7 | Billy the Kid: Mexican Dance and Finale Aaron Copland | 3:10 | |
| 8 | Billy the Kid: Prairie Night (Card Game at Night) Aaron Copland | 3:12 | |
| 9 | Billy the Kid: Gun Battle Aaron Copland | 1:49 | |
| 10 | Billy the Kid: Celebration (after Billy's Capture) Aaron Copland | 2:21 | |
| 11 | Billy the Kid: Billy’s Death Aaron Copland | 1:19 | |
| 12 | Billy the Kid: The Open Prairie Again Aaron Copland | 1:48 |
CD 15
| 1 | Peter and the Wolf, op. 67 Sergei Prokofiev | 27:10 | |
| 2 | The Nutcracker, Suite, op. 71a: I. Ouverture miniature. Allegro giusto Pyotr Ilyich Tchaikovsky | 3:16 | |
| 3 | The Nutcracker, Suite, op. 71a: II. Danses caractéristiques: Marche. Tempo di marcia viva Pyotr Ilyich Tchaikovsky | 2:31 | |
| 4 | The Nutcracker, Suite, op. 71a: II. Danses caractéristiques: Danse de la fée Dragée. Andante non troppo Pyotr Ilyich Tchaikovsky | 1:41 | |
| 5 | The Nutcracker, Suite, op. 71a: II. Danses caractéristiques: Danse russe Trépak. Tempo di Trépak, molto vivace Pyotr Ilyich Tchaikovsky | 1:02 | |
| 6 | The Nutcracker, Suite, op. 71a: II. Danses caractéristiques: Danse arabe. Allegretto Pyotr Ilyich Tchaikovsky | 2:56 | |
| 7 | The Nutcracker, Suite, op. 71a: II. Danses caractéristiques: Danse chinoise. Allegro moderato Pyotr Ilyich Tchaikovsky | 1:08 | |
| 8 | The Nutcracker, Suite, op. 71a: II. Danses caractéristiques: Danse des mirlitons. Moderato assai Pyotr Ilyich Tchaikovsky | 2:07 | |
| 9 | The Nutcracker, Suite, op. 71a: III. Valse des fleurs. Tempo di valse Pyotr Ilyich Tchaikovsky | 6:25 |
CD 16
| 1 | Kindertotenlieder: “Nun will die Sonn’ so hell aufgehn” Gustav Mahler | 5:59 | |
| 2 | Kindertotenlieder: “Nun seh ich wohl, warum so dunkle Flammen” Gustav Mahler | 5:08 | |
| 3 | Kindertotenlieder: “Wenn dein Mütterlein” Gustav Mahler | 5:38 | |
| 4 | Kindertotenlieder: “Oft denk ich, sie sind nur ausgegangen” Gustav Mahler | 2:44 | |
| 5 | Kindertotenlieder: “In diesem Wetter, in diesem Braus” Gustav Mahler | 6:38 | |
| 6 | 5 Lieder nach Texten von Friedrich Rückert: “Ich atmet’ einen linden Duft” Gustav Mahler | 2:55 | |
| 7 | 5 Lieder nach Texten von Friedrich Rückert: “Ich bin der Welt abhanden gekommen” Gustav Mahler | 6:32 | |
| 8 | Lieder nach Gedichten aus »Des Knaben Wunderhorn«: “Das irdische Leben” Gustav Mahler | 2:33 | |
| 9 | 5 Lieder nach Texten von Friedrich Rückert: “Um Mitternacht” Gustav Mahler | 7:00 |
CD 17
| 1 | On the Town: Act I. Opening: New York, New York - Gabey's Comin’ - Dance: Miss Turnstiles (Variations) (Gabey, Chip, Ozzie, ensemble, announcer) | 11:31 | |
| 2 | On the Town: Act I. Taxi Number: Come Up to My Place (Hildy, Chip) | 2:47 | |
| 3 | On the Town: Act I. Carried Away (Claire, Ozzie) | 3:01 | |
| 4 | On the Town: Act I. Lonely Town - High School Girls - Pas de deux (ballet music) (Gabey) | 6:46 | |
| 5 | On the Town: Act I. Carnegie Hall Pavane (Do‐Do‐Re‐Do) (ensemble) | 2:37 | |
| 6 | On the Town: Act I. I Can Cook, Too (Hildy) | 2:30 | |
| 7 | On the Town: Act I. Lucky to Be Me (Gabey, ensemble) | 2:57 | |
| 8 | On the Town: Act I. Times Square Ballet: Finale, Act I | 4:03 | |
| 9 | On the Town: Act II. Nightclub Sequence: a) So Long, Baby - b) I’m Blue - c) Ya Got Me (ensemble, nightclub singer, Hildy, Claire, Chip, Ozzie) | 4:51 | |
| 10 | On the Town: Act II. I Understand (Pitkin) | 2:10 | |
| 11 | On the Town: Act II. Ballet: The Imaginary Coney Island: a) Subway Ride - b) The Great Lover Displays Himself - c) Pas de deux | 7:50 | |
| 12 | On the Town: Act II. Some Other Time (Claire, Hildy, Chip, Ozzie) | 4:25 | |
| 13 | On the Town: Act II. Dance: The Real Coney Island - Finale (Coney Island barker, ensemble) | 5:30 |
CD 18
| 1 | Ode for St. Cecilia’s Day, HWV 76 “From Harmony, from Heav’nly Harmony”: Overture George Frideric Handel | 6:10 | |
| 2 | Ode for St. Cecilia’s Day, HWV 76 “From Harmony, from Heav’nly Harmony”: Recitative: “From harmony” (tenor) George Frideric Handel | 0:23 | |
| 3 | Ode for St. Cecilia’s Day, HWV 76 “From Harmony, from Heav’nly Harmony”: no. 1 Accompanied Recitative: “When Nature” (tenor) George Frideric Handel | 3:32 | |
| 4 | Ode for St. Cecilia’s Day, HWV 76 “From Harmony, from Heav’nly Harmony”: no. 2: “From Harmony, from Heav’nly Harmony” (chorus) George Frideric Handel | 4:02 | |
| 5 | Ode for St. Cecilia’s Day, HWV 76 “From Harmony, from Heav’nly Harmony”: no. 3 Aria: “What Passion Cannot Music Raise” (soprano) George Frideric Handel | 9:35 | |
| 6 | Ode for St. Cecilia’s Day, HWV 76 “From Harmony, from Heav’nly Harmony”: no. 4: “The Trumpet’s Loud Clangour” (tenor, chorus) George Frideric Handel | 4:47 | |
| 7 | Ode for St. Cecilia’s Day, HWV 76 “From Harmony, from Heav’nly Harmony”: no. 5: March George Frideric Handel | 2:10 | |
| 8 | Ode for St. Cecilia’s Day, HWV 76 “From Harmony, from Heav’nly Harmony”: no. 6a Aria: “The Soft Complaining Flute” (soprano) George Frideric Handel | 6:14 | |
| 9 | Ode for St. Cecilia’s Day, HWV 76 “From Harmony, from Heav’nly Harmony”: no. 7 Aria: “Sharp Violins Proclaim Their Jealous Pangs” (tenor) George Frideric Handel | 5:39 | |
| 10 | Ode for St. Cecilia’s Day, HWV 76 “From Harmony, from Heav’nly Harmony”: no. 8 Aria: “But Oh! What Art Can Teach” (soprano, organ obbligato) George Frideric Handel | 5:16 | |
| 11 | Ode for St. Cecilia’s Day, HWV 76 “From Harmony, from Heav’nly Harmony”: no. 9 Aria: “Orpheus Could Lead the Savage Race” (soprano) George Frideric Handel | 2:32 | |
| 12 | Ode for St. Cecilia’s Day, HWV 76 “From Harmony, from Heav’nly Harmony”: no. 10 Accompanied Recitative: “But Bright Cecilia” (soprano) George Frideric Handel | 0:49 | |
| 13 | Ode for St. Cecilia’s Day, HWV 76 “From Harmony, from Heav’nly Harmony”: no. 11: “As From the Pow’r of Sacred Lays” (soprano, chorus) George Frideric Handel | 9:06 |
CD 19
| 1 | L’Apprenti sorcier Paul Dukas | 10:41 | |
| 2 | Danse macabre, op. 40 Camille Saint‐Saëns | 7:03 | |
| 3 | Leonard Bernstein: Humor in Music | 29:53 | |
| 4 | Till Eulenspiegels lustige Streiche, op. 28 Richard Strauss | 14:57 |
CD 20
| 1 | Symphonic Dances from “West Side Story”: Prologue. Allegro moderato | 4:07 | |
| 2 | Symphonic Dances from “West Side Story”: “Somewhere”. Adagio | 3:51 | |
| 3 | Symphonic Dances from “West Side Story”: Scherzo. Vivace e leggiero | 1:17 | |
| 4 | Symphonic Dances from “West Side Story”: Mambo. Meno presto | 2:14 | |
| 5 | Symphonic Dances from “West Side Story”: Cha‐Cha (“Maria”). Andantino con grazia | 0:53 | |
| 6 | Symphonic Dances from “West Side Story”: Meeting Scene. Meno mosso | 0:47 | |
| 7 | Symphonic Dances from “West Side Story”: “Cool” Fugue. Allegretto | 3:03 | |
| 8 | Symphonic Dances from “West Side Story”: Rumble. Molto allegro | 1:52 | |
| 9 | Symphonic Dances from “West Side Story”: Finale. Adagio | 2:53 | |
| 10 | Symphonic Suite from “On the Waterfront”: Andante (with dignity) - Presto barbaro | 2:57 | |
| 11 | Symphonic Suite from “On the Waterfront”: Adagio – Allegro molto agitato – Alla breve (Poco più mosso) - Presto come prima | 2:17 | |
| 12 | Symphonic Suite from “On the Waterfront”: Andante largamente – More flowing – Still more flowing – Poco meno mosso - Lento | 4:52 | |
| 13 | Symphonic Suite from “On the Waterfront”: Moving forward, with warmth - Largamente – A tempo – Calmato – Andante come prima – Sempre avanti, with intensity – Ancora più mosso | 4:24 | |
| 14 | Symphonic Suite from “On the Waterfront”: Allegro non troppo, molto marcato – Poco più sostenuto – Moving forward – Meno mosso | 2:50 | |
| 15 | Symphonic Suite from “On the Waterfront”: A tempo | 2:06 |
CD 21
| 1 | Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato Ludwig van Beethoven | 19:22 | |
| 2 | Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto Ludwig van Beethoven | 6:40 | |
| 3 | Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace Ludwig van Beethoven | 10:47 |
CD 22
| 1 | Francesca da Rimini, op. 32 (Symphonic Fantasia after Dante) Pyotr Ilyich Tchaikovsky | 24:40 | |
| 2 | Capriccio italien, op. 45 Pyotr Ilyich Tchaikovsky | 16:05 | |
| 3 | Marche slave, op. 31 Pyotr Ilyich Tchaikovsky | 9:38 | |
| 4 | The Year 1812, Overture, op. 49 Pyotr Ilyich Tchaikovsky | 15:32 |
CD 23
| 1 | Prélude à l’apres-midi d'un faune. Très modéré Claude Debussy | 10:29 | |
| 2 | Nocturnes, Tryptique symphonique: I. Nuages. Modéré – Un peu animé Claude Debussy | 8:13 | |
| 3 | Nocturnes, Tryptique symphonique: II. Fêtes. Animé et très rythmé - De plus en plus sonore et en serrant le mouvement Claude Debussy | 5:57 | |
| 4 | Jeux, Poème dansé. Très lent – Scherzando (Tempo initial) Claude Debussy | 17:17 |
CD 24
| 1 | Jeremiah - Symphony no. 1: I. Prophecy. Largamente | 7:36 | |
| 2 | Jeremiah - Symphony no. 1: II. Profanation. Vivace con brio | 6:38 | |
| 3 | Jeremiah - Symphony no. 1: III. Lamentation. Lento | 11:26 | |
| 4 | Symphony no. 3 Roy Harris | 17:12 |
CD 25
| 1 | Symphony no. 3 in D minor: Part I. I. Kräftig. Entschieden Gustav Mahler | 33:19 |
CD 26
| 1 | Symphony no. 3 in D minor: Part II. II. Tempo di Menuetto. Sehr mäßig Gustav Mahler | 10:09 | |
| 2 | Symphony no. 3 in D minor: Part II. III. Comodo. Scherzando. Ohne Hast Gustav Mahler | 17:58 | |
| 3 | Symphony no. 3 in D minor: Part II. IV. Sehr langsam. Misterioso. Durchaus ppp “O Mensch! Gib Acht!” Gustav Mahler | 8:48 | |
| 4 | Symphony no. 3 in D minor: Part II. V. Lustig im Tempo und keck im Ausdruck “Es sungen drei Engel” Gustav Mahler | 4:12 | |
| 5 | Symphony no. 3 in D minor: Part II. VI. Langsam. Ruhevoll. Empfunden Gustav Mahler | 25:09 |
CD 27
| 1 | Concerto for Piano and Wind Instruments (1950 version): I. Lento - Allegro – Lento Igor Stravinsky | 7:44 | |
| 2 | Concerto for Piano and Wind Instruments (1950 version): II. Largo Igor Stravinsky | 7:50 | |
| 3 | Concerto for Piano and Wind Instruments (1950 version): III. Finale. Allegro Igor Stravinsky | 5:04 | |
| 4 | Pulcinella Suite (1947 version): I. Sinfonia (Ouverture). Allegro moderato Igor Stravinsky | 2:09 | |
| 5 | Pulcinella Suite (1947 version): II. Serenata. Larghetto Igor Stravinsky | 3:07 | |
| 6 | Pulcinella Suite (1947 version): III a. Scherzino Igor Stravinsky | 1:53 | |
| 7 | Pulcinella Suite (1947 version): III b. Allegro Igor Stravinsky | 1:05 | |
| 8 | Pulcinella Suite (1947 version): III c. Andantino Igor Stravinsky | 1:29 | |
| 9 | Pulcinella Suite (1947 version): IV. Tarantella Igor Stravinsky | 1:48 | |
| 10 | Pulcinella Suite (1947 version): V. Toccata. Allegro Igor Stravinsky | 0:54 | |
| 11 | Pulcinella Suite (1947 version): VI. Gavotta con due variazioni. Allegro moderato - Igor Stravinsky | 1:37 | |
| 12 | Pulcinella Suite (1947 version): VI. Var. I. Allegretto Igor Stravinsky | 1:00 | |
| 13 | Pulcinella Suite (1947 version): VI. Var. II. Allegro più tosto moderato Igor Stravinsky | 1:48 | |
| 14 | Pulcinella Suite (1947 version): VII. Vivo Igor Stravinsky | 1:23 | |
| 15 | Pulcinella Suite (1947 version): VIII. a. Minuetto. Molto moderato Igor Stravinsky | 2:34 | |
| 16 | Pulcinella Suite (1947 version): VIII. b. Finale. Allegro assai Igor Stravinsky | 1:59 |
CD 28
| 1 | Götterdämmerung: Brünnhilde's Immolation Scene Richard Wagner | 20:24 | |
| 2 | Wesendonck‐Lieder: I. Der Engel Richard Wagner | 3:33 | |
| 3 | Wesendonck‐Lieder: II. Stehe still! Richard Wagner | 4:10 | |
| 4 | Wesendonck‐Lieder: III. Im Treibhaus Richard Wagner | 6:59 | |
| 5 | Wesendonck‐Lieder: IV. Schmerzen Richard Wagner | 2:55 | |
| 6 | Wesendonck‐Lieder: V. Träume Richard Wagner | 5:08 |
CD 29
| 1 | Appalachian Spring: Very Slowly Aaron Copland | 2:44 | |
| 2 | Appalachian Spring: Allegro Aaron Copland | 2:42 | |
| 3 | Appalachian Spring: Moderato Aaron Copland | 3:51 | |
| 4 | Appalachian Spring: Fast - Molto Moderato Aaron Copland | 3:34 | |
| 5 | Appalachian Spring: Subito Allegro - Presto Aaron Copland | 3:44 | |
| 6 | Appalachian Spring: As at first (slowly) Aaron Copland | 1:14 | |
| 7 | Appalachian Spring: Doppio movimento Aaron Copland | 3:03 | |
| 8 | Appalachian Spring: Moderato – Andante (very calm) Aaron Copland | 3:49 | |
| 9 | El salón México Aaron Copland | 11:05 | |
| 10 | Music for the Theatre: I. Prologue Aaron Copland | 5:52 | |
| 11 | Music for the Theatre: II. Dance Aaron Copland | 3:16 | |
| 12 | Music for the Theatre: III. Interlude Aaron Copland | 5:24 | |
| 13 | Music for the Theatre: IV. Burlesque Aaron Copland | 3:16 | |
| 14 | Music for the Theatre: V. Epilogue Aaron Copland | 3:58 |
CD 30
| 1 | Harold en Italie, op. 16: I. Harold aux montagnes Hector Berlioz | 14:30 | |
| 2 | Harold en Italie, op. 16: II. Marche des pèlerins Hector Berlioz | 8:18 | |
| 3 | Harold en Italie, op. 16: III. Sérénade Hector Berlioz | 6:25 | |
| 4 | Harold en Italie, op. 16: IV. Orgie des brigands Hector Berlioz | 12:26 |
CD 31
| 1 | Concerto for Piano and Orchestra no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito Pyotr Ilyich Tchaikovsky | 21:17 | |
| 2 | Concerto for Piano and Orchestra no. 1 in B‐flat minor, op. 23: II. Andantino semplice – Prestissimo – Tempo I Pyotr Ilyich Tchaikovsky | 6:59 | |
| 3 | Concerto for Piano and Orchestra no. 1 in B‐flat minor, op. 23: III. Allegro con fuoco Pyotr Ilyich Tchaikovsky | 6:46 |
CD 32
| 1 | Rhapsody no. 1 (Folk Dances) for Violin and Orchestra, Sz. 87: I. “Lassú”. Moderato Béla Bartók | 4:45 | |
| 2 | Rhapsody no. 1 (Folk Dances) for Violin and Orchestra, Sz. 87: II. “Friss”. Allegretto moderato Béla Bartók | 5:12 | |
| 3 | Rhapsody no. 2 (Folk Dances) for Violin and Orchestra, Sz. 90: I. “Lassú”. Moderato Béla Bartók | 4:40 | |
| 4 | Rhapsody no. 2 (Folk Dances) for Violin and Orchestra, Sz. 90: II. “Friss”. Allegro moderato Béla Bartók | 6:31 | |
| 5 | Concerto for Violin and Orchestra “To the Memory of an Angel”: I. Andante (𝅘𝅥 = 56) - Allegretto (𝅘𝅥𝅮 = 112) (scherzando) Alban Berg | 10:18 | |
| 6 | Concerto for Violin and Orchestra “To the Memory of an Angel”: II. Allegro (𝅘𝅥 = 69) (ma sempre rubato, frei wie eine Kadenz) - Adagio (𝅘𝅥 = 54) Alban Berg | 15:00 |
CD 33
| 1 | Symphony no. 9 in E minor “From the New World”, op. 95: I. Adagio – Allegro molto Antonín Dvořák | 11:05 | |
| 2 | Symphony no. 9 in E minor “From the New World”, op. 95: II. Largo Antonín Dvořák | 14:43 | |
| 3 | Symphony no. 9 in E minor “From the New World”, op. 95: III. Scherzo. Molto vivace Antonín Dvořák | 6:34 | |
| 4 | Symphony no. 9 in E minor “From the New World”, op. 95: IV. Allegro con fuoco Antonín Dvořák | 10:59 |
CD 34
| 1 | Le Carnaval des animaux: I. Introduction et Marche royale du Lion Camille Saint‐Saëns | 3:32 | |
| 2 | Le Carnaval des animaux: II. Poules et Coqs Camille Saint‐Saëns | 1:31 | |
| 3 | Le Carnaval des animaux: III. Hémiones Camille Saint‐Saëns | 0:35 | |
| 4 | Le Carnaval des animaux: IV. Tortues Camille Saint‐Saëns | 2:14 | |
| 5 | Le Carnaval des animaux: V. L'Éléphant Camille Saint‐Saëns | 2:04 | |
| 6 | Le Carnaval des animaux: VI. Kangourous Camille Saint‐Saëns | 1:03 | |
| 7 | Le Carnaval des animaux: VII. Aquarium Camille Saint‐Saëns | 3:25 | |
| 8 | Le Carnaval des animaux: VIII. Personnages à longues oreilles Camille Saint‐Saëns | 1:17 | |
| 9 | Le Carnaval des animaux: IX. Le Coucou au fond des bois Camille Saint‐Saëns | 2:00 | |
| 10 | Le Carnaval des animaux: X. Volière Camille Saint‐Saëns | 1:17 | |
| 11 | Le Carnaval des animaux: XI. Pianistes Camille Saint‐Saëns | 1:26 | |
| 12 | Le Carnaval des animaux: XII. Fossiles Camille Saint‐Saëns | 3:31 | |
| 13 | Le Carnaval des animaux: XIII. Le Cygne Camille Saint‐Saëns | 4:01 | |
| 14 | Le Carnaval des animaux: XIV. Final Camille Saint‐Saëns | 2:30 | |
| 15 | The Young Person’s Guide to the Orchestra: I. Theme A (tutti) Benjamin Britten | 1:07 | |
| 16 | The Young Person’s Guide to the Orchestra: I. Theme B (Woodwinds) Benjamin Britten | 0:27 | |
| 17 | The Young Person’s Guide to the Orchestra: I. Theme C (Brass) Benjamin Britten | 0:26 | |
| 18 | The Young Person’s Guide to the Orchestra: I. Theme D (Strings) Benjamin Britten | 0:32 | |
| 19 | The Young Person’s Guide to the Orchestra: I. Theme E (Percussion) Benjamin Britten | 0:21 | |
| 20 | The Young Person’s Guide to the Orchestra: I. Theme F (tutti) Benjamin Britten | 0:27 | |
| 21 | The Young Person’s Guide to the Orchestra: II. Variation A (Flutes & Piccolo) Benjamin Britten | 0:30 | |
| 22 | The Young Person’s Guide to the Orchestra: III. Variation B (Oboes) Benjamin Britten | 1:05 | |
| 23 | The Young Person’s Guide to the Orchestra: IV. Variation C (Clarinets) Benjamin Britten | 0:41 | |
| 24 | The Young Person’s Guide to the Orchestra: V. Variation D (Bassoons) Benjamin Britten | 0:53 | |
| 25 | The Young Person’s Guide to the Orchestra: VI. Variation E (Violins) Benjamin Britten | 0:49 | |
| 26 | The Young Person’s Guide to the Orchestra: VII. Variation F (Violas) Benjamin Britten | 0:50 | |
| 27 | The Young Person’s Guide to the Orchestra: VIII. Variation G (Cellos) Benjamin Britten | 0:56 | |
| 28 | The Young Person’s Guide to the Orchestra: IX. Variation H (Double Basses) Benjamin Britten | 0:55 | |
| 29 | The Young Person’s Guide to the Orchestra: X. Variation I (Harp) Benjamin Britten | 0:49 | |
| 30 | The Young Person’s Guide to the Orchestra: XI. Variation J (French Horns) Benjamin Britten | 0:42 | |
| 31 | The Young Person’s Guide to the Orchestra: XII. Variation K (Trumpets) Benjamin Britten | 0:29 | |
| 32 | The Young Person’s Guide to the Orchestra: XIII. Variation L (Trombones & Tuba) Benjamin Britten | 1:07 | |
| 33 | The Young Person’s Guide to the Orchestra: XIV. Variation M (Percussion) Benjamin Britten | 1:35 | |
| 34 | The Young Person’s Guide to the Orchestra: XV. Fugue (tutti) Benjamin Britten | 3:04 |
CD 35
| 1 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio Ludwig van Beethoven | 18:32 | |
| 2 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo Ludwig van Beethoven | 11:19 | |
| 3 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro scherzando Ludwig van Beethoven | 8:37 | |
| 4 | Concerto for Piano and Orchestra no. 2 in C minor, op. 18: I. Moderato – Più vivo – Allegro – Maestoso (Alla marcia) – Moderato Sergei Rachmaninoff | 10:49 | |
| 5 | Concerto for Piano and Orchestra no. 2 in C minor, op. 18: II. Adagio sostenuto Sergei Rachmaninoff | 13:17 | |
| 6 | Concerto for Piano and Orchestra no. 2 in C minor, op. 18: III. Allegro scherzando – Moderato – Allegro scherzando – Presto – Moderato – Allegro scherzando – Alla breve – Presto – Maestoso – Risoluto Sergei Rachmaninoff | 11:54 |
CD 36
| 1 | Shéhérazade: I. Asie Maurice Ravel | 9:36 | |
| 2 | Shéhérazade: II. La Flûte enchantée Maurice Ravel | 2:48 | |
| 3 | Shéhérazade: III. L’Indifférent Maurice Ravel | 4:14 | |
| 4 | La Mort de Cléopâtre, H 36: Allegro vivace con impeto - Hector Berlioz | 1:26 | |
| 5 | La Mort de Cléopâtre, H 36: Recitativo: “C’en est done fait!” Hector Berlioz | 2:06 | |
| 6 | La Mort de Cléopâtre, H 36: Lento cantabile - “Ah! qu’ils sont loin ces jours” Hector Berlioz | 6:10 | |
| 7 | La Mort de Cléopâtre, H 36: Recitativo: “Au comble des revers” Hector Berlioz | 1:15 | |
| 8 | La Mort de Cléopâtre, H 36: Méditation: – Largo misterioso - “Grands Pharaons” Hector Berlioz | 4:29 | |
| 9 | La Mort de Cléopâtre, H 36: Allegro assai agitato: “Non!… non, de vos demeures” Hector Berlioz | 2:49 | |
| 10 | La Mort de Cléopâtre, H 36: Allegro non troppo - Recitativo misurato: “Dieux du Nil” Hector Berlioz | 3:07 |
CD 37
| 1 | Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Allegro ma non troppo Robert Schumann | 12:22 | |
| 2 | Symphony no. 2 in C major, op. 61: II. Scherzo. Allegro vivace - Trio I - Trio II Robert Schumann | 7:02 | |
| 3 | Symphony no. 2 in C major, op. 61: III. Adagio espressivo Robert Schumann | 12:52 | |
| 4 | Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace Robert Schumann | 8:15 | |
| 5 | Symphony no. 3 in E-flat major “Rhenish”, op. 97: I. Lebhaft Robert Schumann | 10:06 | |
| 6 | Symphony no. 3 in E-flat major “Rhenish”, op. 97: II. Scherzo. Sehr mäßig Robert Schumann | 5:44 | |
| 7 | Symphony no. 3 in E-flat major “Rhenish”, op. 97: III. Nicht schnell Robert Schumann | 5:39 | |
| 8 | Symphony no. 3 in E-flat major “Rhenish”, op. 97: IV. Feierlich Robert Schumann | 6:14 | |
| 9 | Symphony no. 3 in E-flat major “Rhenish”, op. 97: V. Lebhaft Robert Schumann | 5:29 |
CD 38
| 1 | Concerto for Piano and Orchestra no. 1 in E-flat major, S 124: I. Allegro maestoso. Tempo giusto Franz Liszt | 5:31 | |
| 2 | Concerto for Piano and Orchestra no. 1 in E-flat major, S 124: II. Quasi adagio - Allegretto vivace - Allegro animato Franz Liszt | 8:48 | |
| 3 | Concerto for Piano and Orchestra no. 1 in E-flat major, S 124: III. Allegro marziale animato - Presto Franz Liszt | 4:14 | |
| 4 | Les Préludes, S 97 Franz Liszt | 16:45 |
CD 39
| 1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio Ludwig van Beethoven | 8:39 | |
| 2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto Ludwig van Beethoven | 10:07 | |
| 3 | Symphony no. 5 in C minor, op. 67: III. Allegro - attacca Ludwig van Beethoven | 4:58 | |
| 4 | Symphony no. 5 in C minor, op. 67: IV. Allegro Ludwig van Beethoven | 11:28 | |
| 5 | How a Great Symphony Was Written (Leonard Bernstein talks about the first movement of Beethoven's Fifth Symphony) | 12:02 |
CD 40
| 1 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo Johannes Brahms | 12:42 | |
| 2 | Symphony no. 4 in E minor, op. 98: II. Andante moderato Johannes Brahms | 11:55 | |
| 3 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso - Poco meno presto - Tempo I Johannes Brahms | 5:55 | |
| 4 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più Allegro Johannes Brahms | 10:47 |
CD 41
| 1 | L'italiana in Algeri: Overture Gioachino Rossini | 7:20 | |
| 2 | Il barbiere di Siviglia: Overture Gioachino Rossini | 7:41 | |
| 3 | La scala di seta: Overture Gioachino Rossini | 6:15 | |
| 4 | La scazza ladra: Overture Gioachino Rossini | 9:45 | |
| 5 | Semiramide: Overture Gioachino Rossini | 11:40 | |
| 6 | Guillaume Tell: Overture Gioachino Rossini | 11:29 |
CD 42
| 1 | Music for Strings, Percussion and Celesta, Sz 106: I. Andante tranquillo Béla Bartók | 9:13 | |
| 2 | Music for Strings, Percussion and Celesta, Sz 106: II. Allegro Béla Bartók | 7:00 | |
| 3 | Music for Strings, Percussion and Celesta, Sz 106: III. Adagio Béla Bartók | 7:01 | |
| 4 | Music for Strings, Percussion and Celesta, Sz 106: IV. Allegro molto Béla Bartók | 7:23 | |
| 5 | Concert Music for String Orchestra and Brass, op. 50: Part I. Mäßig schnell, mit Kraft - Paul Hindemith | 5:11 | |
| 6 | Concert Music for String Orchestra and Brass, op. 50: Part I. Sehr breit, aber stets fließend Paul Hindemith | 3:49 | |
| 7 | Concert Music for String Orchestra and Brass, op. 50: Part II. Lebhaft - Paul Hindemith | 2:00 | |
| 8 | Concert Music for String Orchestra and Brass, op. 50: Part II. Langsam - Paul Hindemith | 2:47 | |
| 9 | Concert Music for String Orchestra and Brass, op. 50: Part II. Im ersten Zeitmaß Paul Hindemith | 2:10 | |
| 10 | Concert Music for String Orchestra and Brass, op. 50: Part II. Lebhaft Paul Hindemith | 0:59 |
CD 43
| 1 | Symphony no. 1 in B-flat major “Spring”, op. 38: I. Andante un poco maestoso - Allegro molto vivace Robert Schumann | 11:29 | |
| 2 | Symphony no. 1 in B-flat major “Spring”, op. 38: II. Larghetto Robert Schumann | 7:58 | |
| 3 | Symphony no. 1 in B-flat major “Spring”, op. 38: III. Scherzo. Molto vivace - Trio I. Molto più vivace - Trio II Robert Schumann | 5:58 | |
| 4 | Symphony no. 1 in B-flat major “Spring”, op. 38: IV. Allegro animato e grazioso Robert Schumann | 8:38 | |
| 5 | Genoveva Overture, op. 81 Robert Schumann | 8:12 |
CD 44
| 1 | A Faust Symphony, S 108: I. Faust. Lento assai - Allegro Franz Liszt | 27:27 | |
| 2 | A Faust Symphony, S 108: II. Gretchen. Andante soave Franz Liszt | 20:49 | |
| 3 | A Faust Symphony, S 108: III. Mephistopheles. Allegro vivace, ironico - Franz Liszt | 15:55 | |
| 4 | A Faust Symphony, S 108: III. Andante mistico: “Alles Vergängliche ist nur ein Glechnis” Franz Liszt | 6:57 |
CD 45
| 1 | Kaddish - Symphony no. 3: I. Invocation. Adagio - Kaddish 1. L'istesso tempo - Allegro molto | 8:23 | |
| 2 | Kaddish - Symphony no. 3: II. Din-Torah. Di nuovo adagio - Kaddish 2. Andante con tenerezza | 15:58 | |
| 3 | Kaddish - Symphony no. 3: III. Kaddish 3. Scherzo. Presto scherzando, sempre pianissimo - Finale. Adagio come nel Din-Torah - Allegro vivo, con gioia | 18:31 |
CD 46
| 1 | Symphony no. 82 in C major “The Bear”, Hob. I:82: I. Vivace assai Joseph Haydn | 7:52 | |
| 2 | Symphony no. 82 in C major “The Bear”, Hob. I:82: II. Allegretto Joseph Haydn | 6:09 | |
| 3 | Symphony no. 82 in C major “The Bear”, Hob. I:82: III. Menuetto - Trio Joseph Haydn | 4:43 | |
| 4 | Symphony no. 82 in C major “The Bear”, Hob. I:82: IV. Finale. Vivace Joseph Haydn | 5:42 | |
| 5 | Symphony no. 83 in G minor “The Hen”, Hob. I:83: I. Allegro spiritoso Joseph Haydn | 6:56 | |
| 6 | Symphony no. 83 in G minor “The Hen”, Hob. I:83: II. Andante Joseph Haydn | 6:31 | |
| 7 | Symphony no. 83 in G minor “The Hen”, Hob. I:83: III. Menuetto. Allegretto - Trio Joseph Haydn | 4:00 | |
| 8 | Symphony no. 83 in G minor “The Hen”, Hob. I:83: IV. Finale. Vivace Joseph Haydn | 3:41 |
CD 47
| 1 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio Ludwig van Beethoven | 15:32 | |
| 2 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo Ludwig van Beethoven | 10:54 | |
| 3 | Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro Ludwig van Beethoven | 9:35 | |
| 4 | Fantasy for Piano, Chorus and Orchestra in C minor “Choral Fantasy”, op. 80: Adagio - Ludwig van Beethoven | 2:53 | |
| 5 | Fantasy for Piano, Chorus and Orchestra in C minor “Choral Fantasy”, op. 80: Finale. Allegro - Meno Allegro - Allegro molto - Adagio, ma non troppo - Marcia, assai vivace - Allegro - Allegretto, ma non troppo (quasi Andante con moto): “Schmeichelnd hold und lieblich klingen” - Presto Ludwig van Beethoven | 15:27 |
CD 48
| 1 | Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck Gustav Mahler | 23:40 | |
| 2 | Symphony no. 2 in C minor “Resurrection”: II. Andante moderato. Sehr gemächlich Gustav Mahler | 11:38 |
CD 49
| 1 | Symphony no. 2 in C minor “Resurrection”: III. [Scherzo] In ruhig fließender Bewegung Gustav Mahler | 10:08 | |
| 2 | Symphony no. 2 in C minor “Resurrection”: IV. Urlicht. Sehr feierlich, aber schlicht “O Röschen rot!” Gustav Mahler | 5:29 | |
| 3 | Symphony no. 2 in C minor “Resurrection”: V. Im Tempo des Scherzo. Wild herausfahrend “Auferstehn, ja auferstehn wirst du” - “O glaube, mein Herz, o glaube” Gustav Mahler | 33:42 |
CD 50
| 1 | Fancy Free: I. Enter Three Sailors | 2:50 | |
| 2 | Fancy Free: II. Scene at the Bar | 1:40 | |
| 3 | Fancy Free: III. Enter Two Girls | 2:07 | |
| 4 | Fancy Free: IV. Pas de deux | 3:22 | |
| 5 | Fancy Free: V. Competition Scene | 3:04 | |
| 6 | Fancy Free: VI. 3 Dance Variations: Variation 1 (Galop) | 1:21 | |
| 7 | Fancy Free: VI. 3 Dance Variations: Variation 2 (Waltz) | 2:24 | |
| 8 | Fancy Free: VI. 3 Dance Variations: Variation 3 (Danzon) | 2:36 | |
| 9 | Fancy Free: VII. Finale | 4:39 | |
| 10 | Candide: Overture. Allegro molto con brio | 4:16 | |
| 11 | 3 Dance Episodes from “On the Town”: I. The Great Lover Displays Himself | 1:45 | |
| 12 | 3 Dance Episodes from “On the Town”: II. Lonely Town (Pas de deux) | 3:23 | |
| 13 | 3 Dance Episodes from “On the Town”: III. Times Square (Finale, Act I) | 4:43 | |
| 14 | Prelude, Fugue and Riffs: I. Prelude for the Brass | 1:49 | |
| 15 | Prelude, Fugue and Riffs: II. Fugue for the Saxes | 1:47 | |
| 16 | Prelude, Fugue and Riffs: III. Riffs for Everyone | 4:11 |
CD 51
| 1 | Concerto for Violin and Orchestra, op. 14: I. Allegro Samuel Barber | 10:15 | |
| 2 | Concerto for Violin and Orchestra, op. 14: II. Andante Samuel Barber | 8:30 | |
| 3 | Concerto for Violin and Orchestra, op. 14: III. Presto in moto perpetuo Samuel Barber | 4:02 | |
| 4 | Concerto for Violin and Orchestra: I. Mäßig bewegte Halbe Paul Hindemith | 9:48 | |
| 5 | Concerto for Violin and Orchestra: II. Langsam Paul Hindemith | 11:04 | |
| 6 | Concerto for Violin and Orchestra: III. Lebhaft Paul Hindemith | 9:57 |
CD 52
| 1 | Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Largamente - Allegro moderato - Presto Jean Sibelius | 13:16 | |
| 2 | Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto Jean Sibelius | 9:55 | |
| 3 | Symphony no. 5 in E-flat major, op. 82: III. Allegro molto - Un pochettino largamente - Largamente assai Jean Sibelius | 9:43 | |
| 4 | Pohjola's Daughter, op. 49 Jean Sibelius | 12:44 | |
| 5 | Concerto for Violin and Orchestra in D minor, op. 47: I. Allegro moderato Jean Sibelius | 14:07 | |
| 6 | Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto Jean Sibelius | 7:04 | |
| 7 | Concerto for Violin and Orchestra in D minor, op. 47: III. Allegro, ma non tanto Jean Sibelius | 7:05 |
CD 53
| 1 | Symphony no. 3 “Sinfonia espansiva”, op. 27: I. Allegro espansivo Carl Nielsen | 11:42 | |
| 2 | Symphony no. 3 “Sinfonia espansiva”, op. 27: II. Andante pastorale Carl Nielsen | 9:54 | |
| 3 | Symphony no. 3 “Sinfonia espansiva”, op. 27: III. Allegretto un poco Carl Nielsen | 6:29 | |
| 4 | Symphony no. 3 “Sinfonia espansiva”, op. 27: IV. Finale. Allegro Carl Nielsen | 9:34 | |
| 5 | Symphony no. 5, op. 50: I. Tempo giusto - Adagio non troppo Carl Nielsen | 18:39 | |
| 6 | Symphony no. 5, op. 50: II. Allegro - Andante un poco tranquillo Carl Nielsen | 14:41 |
CD 54
| 1 | Chichester Psalms: I. Psalm 108 (verse 2) & Psalm 100 (complete) | 3:31 | |
| 2 | Chichester Psalms: II. Psalm 23 (complete) & Psalm 2 (verses 1-4) | 5:35 | |
| 3 | Chichester Psalms: III. Psalm 131 (complete) & Psalm 133 (verse 1) | 9:18 | |
| 4 | Facsimile: Part I. Molto Adagio - Più Andante - Moderate Waltz tempo - Sostenuto assai - Adagio | 9:46 | |
| 5 | Facsimile: Part II. Allegretto - Subito Allegro - Più mosso - Andante - Adagio - Molto rallentando - Adagio, come prima | 8:59 |
CD 55
| 1 | Symphony no. 8 in B minor “Unfinished”, D 759: I. Allegro moderato Franz Schubert | 13:52 | |
| 2 | Symphony no. 8 in B minor “Unfinished”, D 759: II. Andante con moto Franz Schubert | 12:04 | |
| 3 | Symphony no. 4 in A major “Italian”, op. 90: I. Allegro vivace Felix Mendelssohn | 10:21 | |
| 4 | Symphony no. 4 in A major “Italian”, op. 90: II. Andante con moto Felix Mendelssohn | 7:20 | |
| 5 | Symphony no. 4 in A major “Italian”, op. 90: III. Con moto moderato Felix Mendelssohn | 6:16 | |
| 6 | Symphony no. 4 in A major “Italian”, op. 90: IV. Saltarello. Presto Felix Mendelssohn | 5:56 |
CD 56
| 1 | Symphony no. 3 in E-flat major “Eroica”, op. 55: I. Allegro con brio Ludwig van Beethoven | 16:55 | |
| 2 | Symphony no. 3 in E-flat major “Eroica”, op. 55: II. Marcia funebre. Adagio assai Ludwig van Beethoven | 15:15 | |
| 3 | Symphony no. 3 in E-flat major “Eroica”, op. 55: III. Scherzo. Allegro vivace Ludwig van Beethoven | 6:08 | |
| 4 | Symphony no. 3 in E-flat major “Eroica”, op. 55: IV. Finale. Allegro molto Ludwig van Beethoven | 11:23 |
CD 57
| 1 | Carnival, Concert Overture, op. 92: Allegro - Andante con moto - Allegro Antonín Dvořák | 8:58 | |
| 2 | Slavonic Dances, op. 46: No. 1 in C major. Presto Antonín Dvořák | 4:10 | |
| 3 | Slavonic Dances, op. 46: No. 3 in A-flat major. Poco allegro Antonín Dvořák | 5:39 | |
| 4 | The Bartered Bride: Overture. Vivacissimo Bedřich Smetana | 6:28 | |
| 5 | The Bartered Bride: Polka. Moderato Bedřich Smetana | 4:57 | |
| 6 | The Bartered Bride: Furiant. Allegro energico Bedřich Smetana | 2:12 | |
| 7 | The Bartered Bride: Dance of the Comedians. Vivace Bedřich Smetana | 3:43 | |
| 8 | The Moldau (Vltava). The Source of the Moldau - Woods; Hunt. Allegro comodo non agitato - Peasant's Wedding. L'istesso tempo ma moderato - Moonlight; Nymphs' Roundelay. L'istesso tempo - St. John's Rapids. Tempo I - The Moldau Flows Along. Più moto - Vyšehrad Bedřich Smetana | 11:39 |
CD 58
| 1 | Falstaff: Act I, Scene 1. “Falstaff!” - “Olà!” (Dr. Cajus, Falstaff, Bardolfo, Pistola) Giuseppe Verdi | 4:49 | |
| 2 | Falstaff: Act I, Scene 1. “Sei polli: sei scellini” (Falstaff, Bardolfo, Pistola) Giuseppe Verdi | 2:47 | |
| 3 | Falstaff: Act I, Scene 1. “Ma è tempo d'assottigliar” (Falstaff, Bardolfo, Pistola) Giuseppe Verdi | 3:48 | |
| 4 | Falstaff: Act I, Scene 1. “L'onore! Ladri!” (Falstaff) Giuseppe Verdi | 4:09 | |
| 5 | Falstaff: Act I, Scene 2. “Alice.” - “Meg.” - “Nannetta.” (Meg, Alice, Quickly, Nannetta) Giuseppe Verdi | 1:06 | |
| 6 | Falstaff: Act I, Scene 2. “Fulgida Alice! Amor t'offro” (Meg, Alice, Quickly, Nannetta, Dr. Cajus, Bardolfo, Pistola, Fenton, Ford) Giuseppe Verdi | 3:56 | |
| 7 | Falstaff: Act I, Scene 2. “In due parole: l'enorme Falstaff” (Pistola, Dr. Cajus, Ford, Bardolfo, Fenton, Nannetta, Alice, Meg, Quickly) Giuseppe Verdi | 1:25 | |
| 8 | Falstaff: Act I, Scene 2. “Pst, pst, Nannetta” (Fenton, Nannetta, Alice, Meg, Quickly) Giuseppe Verdi | 5:15 | |
| 9 | Falstaff: Act I, Scene 2. “Udrai quanta egli sfoggia” (Bardolfo, Ford, Pistola, Dr. Cajus, Alice, Meg, Nannetta, Quickly, Fenton) Giuseppe Verdi | 3:07 | |
| 10 | Falstaff: Act II, Scene 1. “Siam pentiti e contriti” (Bardolfo, Pistola, Falstaff, Quickly) Giuseppe Verdi | 6:25 | |
| 11 | Falstaff: Act II, Scene 1. “Va', vecchio John” (Falstaff, Bardolfo) Giuseppe Verdi | 2:06 | |
| 12 | Falstaff: Act II, Scene 1. “Signore, v'assista il cielo!” (Ford, Falstaff, Bardolfo, Pistola) Giuseppe Verdi | 2:49 | |
| 13 | Falstaff: Act II, Scene 1. “C'è a Windsor una dama” (Ford, Falstaff) Giuseppe Verdi | 7:18 | |
| 14 | Falstaff: Act II, Scene 1. “È sogno? O realtà?” (Ford, Falstaff) Giuseppe Verdi | 6:22 |
CD 59
| 1 | Falstaff: Act II, Scene 2. “Presenteremo un bill” (Alice, Quickly, Meg, Nannetta) Giuseppe Verdi | 3:58 | |
| 2 | Falstaff: Act II, Scene 2. “Gaie comari di Windsor!” (Alice, Meg, Quickly, Nannetta) Giuseppe Verdi | 1:34 | |
| 3 | Falstaff: Act II, Scene 2. “Afin t'ho colto, raggiante fior” (Falstaff, Alice) Giuseppe Verdi | 3:55 | |
| 4 | Falstaff: Act II, Scene 2. “Quand'ero paggio del Duca di Norfolk” (Falstaff, Alice, Quickly) Giuseppe Verdi | 0:56 | |
| 5 | Falstaff: Act II, Scene 2. “Mia signora!” (Quickly, Falstaff, Alice, Meg, Ford, Bardolfo, Pistola, Cajus, Nannetta, Fenton) Giuseppe Verdi | 3:48 | |
| 6 | Falstaff: Act II, Scene 2. “C'è!” - “C'è!” (Ford, Dr. Cajus, Quickly, Meg, Falstaff, Bardolfo, Pistola, Ford, Fenton, Nannetta, Alice, chorus) Giuseppe Verdi | 5:33 | |
| 7 | Falstaff: Act III, Scene 1. “Ehi! Taverniere!” (Falstaff) Giuseppe Verdi | 6:47 | |
| 8 | Falstaff: Act III, Scene 1. “Reverenza. La bella Alice” (Quickly, Falstaff, Alice, Ford, Meg, Dr. Cajus, Nannetta) Giuseppe Verdi | 5:23 | |
| 9 | Falstaff: Act III, Scene 1. “Bada! Tu pur ti meriti qualche castigatoia!” (Alice, Ford, Meg, Fenton, Nannetta, Dr. Cajus, Quickly) Giuseppe Verdi | 4:40 | |
| 10 | Falstaff: Act III, Scene 2. “Dal labbro il canto estasiato vola” (Fenton, Nannetta, Alice, Quickly, Meg) Giuseppe Verdi | 5:06 | |
| 11 | Falstaff: Act III, Scene 2. “Una, due, tre, quattro” (Falstaff, Alice, Meg) Giuseppe Verdi | 5:08 | |
| 12 | Falstaff: Act III, Scene 2. “Ninfe! Elfi! Silfi!” (Nannetta, Falstaff, Alice, chorus) Giuseppe Verdi | 6:37 | |
| 13 | Falstaff: Act III, Scene 2. “Alto là!” - “Chi va là?” (Bardolfo, Pistola, Falstaff, Quickly, Alice, Meg, Nannetta, Ford, Dr. Cajus, chorus) Giuseppe Verdi | 6:15 | |
| 14 | Falstaff: Act III, Scene 2. “Ogni sorta di gente dozzinale” (Falstaff, Ford, Alice, Dr. Cajus, Bardolfo, Fenton, Nannetta, Meg, Quickly, Pistola, chorus) Giuseppe Verdi | 4:22 | |
| 15 | Falstaff: Act III, Scene 2. “Tutto nel mondo è burla” (Falstaff, Alice, Nannetta, Meg, Quickly, Fenton, Ford, Dr. Cajus, Bardolfo, Pistola, chorus) Giuseppe Verdi | 2:57 |
CD 60
| 1 | Quintet for Piano, 2 Violins, Viola and Cello in E-flat major, op. 44: I. Allegro brillante Robert Schumann | 9:14 | |
| 2 | Quintet for Piano, 2 Violins, Viola and Cello in E-flat major, op. 44: II. In modo d'una marcia. Un poco largamente - Agitato Robert Schumann | 8:38 | |
| 3 | Quintet for Piano, 2 Violins, Viola and Cello in E-flat major, op. 44: III. Scherzo. Molto vivace - Trio I - Trio II - Coda Robert Schumann | 4:23 | |
| 4 | Quintet for Piano, 2 Violins, Viola and Cello in E-flat major, op. 44: IV. Allegro, ma non troppo Robert Schumann | 7:26 | |
| 5 | Quartet for Piano, Violin, Viola and Cello in G minor, K 479: I. Allegro Wolfgang Amadeus Mozart | 10:31 | |
| 6 | Quartet for Piano, Violin, Viola and Cello in G minor, K 479: II. Andante Wolfgang Amadeus Mozart | 9:06 | |
| 7 | Quartet for Piano, Violin, Viola and Cello in G minor, K 479: III. Rondo. Allegro moderato Wolfgang Amadeus Mozart | 7:38 |
CD 61
| 1 | Concerto for Violin, Strings and Basso continuo in E major, BWV 1042: I. Allegro Johann Sebastian Bach | 8:21 | |
| 2 | Concerto for Violin, Strings and Basso continuo in E major, BWV 1042: II. Adagio Johann Sebastian Bach | 7:39 | |
| 3 | Concerto for Violin, Strings and Basso continuo in E major, BWV 1042: III. Allegro assai Johann Sebastian Bach | 3:09 | |
| 4 | Concerto for Oboe, Violin, Strings and Basso continuo in C minor, BWV 1060R: I. Allegro Johann Sebastian Bach | 6:00 | |
| 5 | Concerto for Oboe, Violin, Strings and Basso continuo in C minor, BWV 1060R: II. Largo ovvero Adagio Johann Sebastian Bach | 6:57 | |
| 6 | Concerto for Oboe, Violin, Strings and Basso continuo in C minor, BWV 1060R: III. Allegro Johann Sebastian Bach | 4:10 | |
| 7 | Concerto for 2 Violins, Strings and Basso continuo in D minor, BWV 1043: I. Vivace Johann Sebastian Bach | 4:07 | |
| 8 | Concerto for 2 Violins, Strings and Basso continuo in D minor, BWV 1043: II. Largo, ma non tanto Johann Sebastian Bach | 6:26 | |
| 9 | Concerto for 2 Violins, Strings and Basso continuo in D minor, BWV 1043: III. Allegro Johann Sebastian Bach | 5:00 |
CD 62
| 1 | Symphony no. 3 in A minor “Scottish”, op. 56: I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima Felix Mendelssohn | 13:07 | |
| 2 | Symphony no. 3 in A minor “Scottish”, op. 56: II. Vivace non troppo Felix Mendelssohn | 4:21 | |
| 3 | Symphony no. 3 in A minor “Scottish”, op. 56: III. Adagio Felix Mendelssohn | 11:35 | |
| 4 | Symphony no. 3 in A minor “Scottish”, op. 56: IV. Allegro vivacissimo - Allegro maestoso assai Felix Mendelssohn | 9:18 | |
| 5 | Die Hebriden (Die Fingalsöhle), op. 26 Felix Mendelssohn | 9:07 |
CD 63
| 1 | Prince Igor: Polovtsian Dances: Act II. Dance of the Polovtsian Maidens Alexander Borodin | 2:10 | |
| 2 | Prince Igor: Polovtsian Dances: Act II. Polovtsian Dance. Introduzione. Andantino - Alexander Borodin | 2:23 | |
| 3 | Prince Igor: Polovtsian Dances: Act II. Allegro vivo - Alexander Borodin | 1:10 | |
| 4 | Prince Igor: Polovtsian Dances: Act II. Allegro - Alexander Borodin | 2:07 | |
| 5 | Prince Igor: Polovtsian Dances: Act II. Presto - Alexander Borodin | 1:18 | |
| 6 | Prince Igor: Polovtsian Dances: Act II. Moderato alla breve - Alexander Borodin | 1:18 | |
| 7 | Prince Igor: Polovtsian Dances: Act II. Presto - Alexander Borodin | 1:17 | |
| 8 | Prince Igor: Polovtsian Dances: Act II. Allegro con spirito - Più animato Alexander Borodin | 1:24 | |
| 9 | Caucasian Sketches, op. 10: II. In the Village Mikhail Ippolitov-Ivanov | 4:52 | |
| 10 | Caucasian Sketches, op. 10: IV. Procession of the Sardar Mikhail Ippolitov-Ivanov | 3:47 | |
| 11 | A Night on Bare Mountain Modest Mussorgsky | 11:04 | |
| 12 | Khovanshchina: Dawn over the Moscow River Modest Mussorgsky | 5:47 | |
| 13 | Ruslan and Lyudmila Overture. Presto Mikhail Glinka | 5:21 |
CD 64
| 1 | Concerto for Flute and Orchestra, CNW 42: I. Allegro moderato Carl Nielsen | 11:00 | |
| 2 | Concerto for Flute and Orchestra, CNW 42: II. Allegretto - Adagio ma non troppo - Allegretto Carl Nielsen | 7:31 | |
| 3 | Concerto for Clarinet and Orchestra, op. 57: Allegretto un poco - Cadenza - Tempo I - Poco Adagio - Allegro non troppo - Cadenza - Adagio - Allegro vivace Carl Nielsen | 23:18 |
CD 65
| 1 | Die Schöpfung, Hob. XXI:2: Part I, The First Day. No. 1 Orchestral Prelude: The Representation of Chaos - Recitative and Chorus: “Im Anfange schuf Got Himmel und Erde” (Raphael, Uriel) Joseph Haydn | 9:16 | |
| 2 | Die Schöpfung, Hob. XXI:2: Part I, The First Day. No. 2 Aria and Chorus: “Nun schwanden vor dem heiligen Strahle” (Uriel) - “Verzweiflung, Wut und Schrecken” Joseph Haydn | 3:42 | |
| 3 | Die Schöpfung, Hob. XXI:2: Part I, The Second Day. No. 3 Recitative: “Und Gott machte das Firmament” (Raphael) Joseph Haydn | 2:08 | |
| 4 | Die Schöpfung, Hob. XXI:2: Part I, The Second Day. No. 4 Solo and Chorus: “Mit Staunen sieht das Wunderwerk” (Gabriel) - “Und laut ertönt aus ihren Kehlen” Joseph Haydn | 1:43 | |
| 5 | Die Schöpfung, Hob. XXI:2: Part I, The Third Day. No. 5 Recitative: “Und Gott sprach: Es sammle sich das Wasser” (Raphael) Joseph Haydn | 0:49 | |
| 6 | Die Schöpfung, Hob. XXI:2: Part I, The Third Day. No. 6 Aria: “Rollend in schäumenden Wellen” (Raphael) Joseph Haydn | 3:45 | |
| 7 | Die Schöpfung, Hob. XXI:2: Part I, The Third Day. No. 7 Recitative: “Und Gott sprach: Es bringe die Erde Gras hervor” (Gabriel) Joseph Haydn | 0:37 | |
| 8 | Die Schöpfung, Hob. XXI:2: Part I, The Third Day. No. 8 Aria: “Nun beut die Flur das frische Grün” (Gabriel) Joseph Haydn | 5:18 | |
| 9 | Die Schöpfung, Hob. XXI:2: Part I, The Third Day. No. 9 Recitative: “Und die himmlischen Heerscharen verkündigten” (Uriel) Joseph Haydn | 0:14 | |
| 10 | Die Schöpfung, Hob. XXI:2: Part I, The Third Day. No. 10 Chorus: “Stimmt an die Saiten” Joseph Haydn | 2:06 | |
| 11 | Die Schöpfung, Hob. XXI:2: Part I, The Fourth Day. No. 11 Recitative: “Und Gott sprach: Es sei'n Lichter an der Feste des Himmels” (Uriel) Joseph Haydn | 0:44 | |
| 12 | Die Schöpfung, Hob. XXI:2: Part I, The Fourth Day. No. 12 Recitative: “In vollem Glanze steiget jetzt” (Uriel) Joseph Haydn | 2:46 | |
| 13 | Die Schöpfung, Hob. XXI:2: Part I, The Fourth Day. No. 13 Chorus and Soli: “Die Himmel erzählen die Ehre Gottes” (Gabriel, Uriel, Raphael) - “Dem kommenden Tage sagt es der Tag” Joseph Haydn | 4:47 | |
| 14 | Die Schöpfung, Hob. XXI:2: Part II, The Fifth Day. No. 14 Recitative: “Und Gott sprach: Es bringe das Wasser in der Fülle hervor” (Gabriel) Joseph Haydn | 0:39 | |
| 15 | Die Schöpfung, Hob. XXI:2: Part II, The Fifth Day. No. 15 Aria: “Auf starkem Fittiche schwinget sich der Adler stolz” (Gabriel) Joseph Haydn | 6:18 | |
| 16 | Die Schöpfung, Hob. XXI:2: Part II, The Fifth Day. No. 16 Recitative: “Und Gott schuf große Walfische” (Raphael) Joseph Haydn | 2:43 | |
| 17 | Die Schöpfung, Hob. XXI:2: Part II, The Fifth Day. No. 17 Recitative: “Und die Engel rührten ihr' unsterblichen Harfen” (Raphael) Joseph Haydn | 0:30 | |
| 18 | Die Schöpfung, Hob. XXI:2: Part II, The Fifth Day. No. 18 Trio: “In holder Anmut stehn” (Gabriel, Uriel, Raphael) Joseph Haydn | 4:23 | |
| 19 | Die Schöpfung, Hob. XXI:2: Part II, The Fifth Day. No. 19 Chorus and Soli: “Der Herr ist groß in seiner Macht” (Gabriel, Uriel, Raphael) Joseph Haydn | 2:22 |
CD 66
| 1 | Die Schöpfung, Hob XXI:2: Part II, The Sixth Day: No. 20 Recitative: “Und Gott sprach: Es bringe die Erde hervor lebende Geschöpfe” (Raphael) Joseph Haydn | 0:35 | |
| 2 | Die Schöpfung, Hob XXI:2: Part II, The Sixth Day: No. 21 Recitative: “Gleich öffnet sich der Erde Schoß” (Raphael) Joseph Haydn | 3:10 | |
| 3 | Die Schöpfung, Hob XXI:2: Part II, The Sixth Day: No. 22 Aria: “Nun scheint in vollem Glanze der Himmel” (Raphael) Joseph Haydn | 2:56 | |
| 4 | Die Schöpfung, Hob XXI:2: Part II, The Sixth Day: No. 23 Recitative: “Und Gott schuf den Menschen nach seinem Bilde” (Uriel) Joseph Haydn | 0:51 | |
| 5 | Die Schöpfung, Hob XXI:2: Part II, The Sixth Day: No. 24 Aria: “Mit Würd' und Hoheit angetan” (Uriel) Joseph Haydn | 3:24 | |
| 6 | Die Schöpfung, Hob XXI:2: Part II, The Sixth Day: No. 25 Recitative: “Und Gott sah jedes Ding” (Raphael) Joseph Haydn | 0:29 | |
| 7 | Die Schöpfung, Hob XXI:2: Part II, The Sixth Day: No. 26 Chorus: “Vollendet ist das große Werk” Joseph Haydn | 1:27 | |
| 8 | Die Schöpfung, Hob XXI:2: Part II, The Sixth Day: No. 27 Trio: “Zu dir, o Herr, blickt alles auf” (Gabriel, Uriel, Raphael) Joseph Haydn | 4:48 | |
| 9 | Die Schöpfung, Hob XXI:2: Part II, The Sixth Day: No. 28 Chorus: “Vollendet is das große Werk” Joseph Haydn | 2:54 | |
| 10 | Die Schöpfung, Hob XXI:2: Part III. No. 29 Orchestral Introduction and Recitative: “Aus Rosenwolken bricht” (Uriel) Joseph Haydn | 5:04 | |
| 11 | Die Schöpfung, Hob XXI:2: Part III. No. 30 Duet and Chorus: “Von deiner Güt', o Herr und Gott” (Eva, Adam) - “Geseegnet sei des Herren Macht” Joseph Haydn | 9:13 | |
| 12 | Die Schöpfung, Hob XXI:2: Part III. No. 31 Recitative: “Nun ist die erste Pflicht erfüllt” (Adam, Eva) Joseph Haydn | 2:24 | |
| 13 | Die Schöpfung, Hob XXI:2: Part III. No. 32 Duet: “Holde Gattin, dir zur Seite” (Adam, Eva) Joseph Haydn | 8:28 | |
| 14 | Die Schöpfung, Hob XXI:2: Part III. No. 33 Recitative: “O glücklich Paar” (Uriel) Joseph Haydn | 0:26 | |
| 15 | Die Schöpfung, Hob XXI:2: Part III. No. 34 Chorus and Soli: “Singt dem Herren alle Stimmen!” Joseph Haydn | 3:23 |
CD 67
| 1 | Symphony no. 6 in A minor “Tragic”: I. Allegro energico, ma non troppo. Heftig, aber markig Gustav Mahler | 21:28 | |
| 2 | Symphony no. 6 in A minor “Tragic”: II. Scherzo. Wuchtig Gustav Mahler | 12:24 | |
| 3 | Symphony no. 6 in A minor “Tragic”: III. Andante moderato Gustav Mahler | 15:19 | |
| 4 | Symphony no. 6 in A minor “Tragic”: IV. Finale. Allegro moderato - Allegro energico Gustav Mahler | 28:42 |
CD 68
| 1 | Symphony no. 9 in D major: I. Andante comodo Gustav Mahler | 28:23 | |
| 2 | Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb Gustav Mahler | 15:52 | |
| 3 | Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig Gustav Mahler | 12:32 | |
| 4 | Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend Gustav Mahler | 22:59 |
CD 69
| 1 | Serenade no. 2 in A major, op. 16: I. Allegro moderato Johannes Brahms | 8:40 | |
| 2 | Serenade no. 2 in A major, op. 16: II. Scherzo. Vivace - Trio Johannes Brahms | 2:45 | |
| 3 | Serenade no. 2 in A major, op. 16: III. Adagio non troppo Johannes Brahms | 9:03 | |
| 4 | Serenade no. 2 in A major, op. 16: IV. Quasi Menuetto - Trio Johannes Brahms | 5:41 | |
| 5 | Serenade no. 2 in A major, op. 16: V. Rondo. Allegro Johannes Brahms | 5:59 |
CD 70
| 1 | Classical Symphony (no. 1) in D major, op. 25: I. Allegro Sergei Prokofiev | 4:07 | |
| 2 | Classical Symphony (no. 1) in D major, op. 25: II. Larghetto Sergei Prokofiev | 3:54 | |
| 3 | Classical Symphony (no. 1) in D major, op. 25: III. Gavotta. Non troppo allegro Sergei Prokofiev | 1:36 | |
| 4 | Classical Symphony (no. 1) in D major, op. 25: IV. Finale. Molto vivace Sergei Prokofiev | 4:05 | |
| 5 | Symphony in C major: I. Allegro vivo Georges Bizet | 7:07 | |
| 6 | Symphony in C major: II. Adagio Georges Bizet | 9:23 | |
| 7 | Symphony in C major: III. Scherzo. Allegro vivace Georges Bizet | 5:23 | |
| 8 | Symphony in C major: IV. Finale. Allegro vivace Georges Bizet | 6:11 |
CD 71
| 1 | Rustic Wedding Symphony, op. 26: I. Hochzeitsmarsch: Variationen. Moderato molto - Allegro - Andante con moto quasi Allegretto - Allegretto - Allegro vivace - Allegretto pesante - Allegro scherzando - Allegretto quasi Andantino - Molto vivace - Andante con moto - Moderato - Tempo des Thmas Karl Goldmark | 16:21 | |
| 2 | Rustic Wedding Symphony, op. 26: II. Brautlied: Intermezzo. Allegretto Karl Goldmark | 4:06 | |
| 3 | Rustic Wedding Symphony, op. 26: III. Serenade: Scherzo. Allegro moderato scherzando Karl Goldmark | 4:53 | |
| 4 | Rustic Wedding Symphony, op. 26: IV. Im Garten. Andante - Poco più lento - Tempo I Karl Goldmark | 10:21 | |
| 5 | Rustic Wedding Symphony, op. 26: V. Tanz: Finale. Allegro molto - Andante Karl Goldmark | 8:17 |
CD 72
| 1 | Symphony no. 88 in G major, Hob. I:88: I. Adagio - Allegro Joseph Haydn | 6:54 | |
| 2 | Symphony no. 88 in G major, Hob. I:88: II. Largo Joseph Haydn | 7:10 | |
| 3 | Symphony no. 88 in G major, Hob. I:88: III. Menuetto. Allegretto - Trio Joseph Haydn | 3:56 | |
| 4 | Symphony no. 88 in G major, Hob. I:88: IV. Finale. Allegro con spirito Joseph Haydn | 3:18 | |
| 5 | Symphony no. 102 in B-flat major, Hob. I:102: I. Largo - Vivace Joseph Haydn | 9:08 | |
| 6 | Symphony no. 102 in B-flat major, Hob. I:102: II. Adagio Joseph Haydn | 7:07 | |
| 7 | Symphony no. 102 in B-flat major, Hob. I:102: III. Menuet. Allegro - Trio Joseph Haydn | 6:02 | |
| 8 | Symphony no. 102 in B-flat major, Hob. I:102: IV. Finale. Presto Joseph Haydn | 4:07 |
CD 73
| 1 | Symphonie fantastique, op. 14: I. Rêveries. Passions. Largo - Allegro agitato e appassionato assai Hector Berlioz | 12:31 | |
| 2 | Symphonie fantastique, op. 14: II. Un bal. Valse. Allegro non troppo Hector Berlioz | 6:07 | |
| 3 | Symphonie fantastique, op. 14: III. Scène aux champs. Adagio Hector Berlioz | 15:02 | |
| 4 | Symphonie fantastique, op. 14: IV. Marche au supplice. Allegretto non troppo Hector Berlioz | 4:27 | |
| 5 | Symphonie fantastique, op. 14: V. Songe d'une nuit du sabbat. Larghetto - Allegro Hector Berlioz | 9:32 | |
| 6 | Berlioz Takes a Trip | 15:48 |
CD 74
| 1 | An der schönen blauen Donau, op. 314 Johann Strauss II | 10:25 | |
| 2 | Kaiser-Walzer, op. 437 Johann Strauss II | 11:59 | |
| 3 | Wiener Blut, op. 354 Johann Strauss II | 8:18 | |
| 4 | Künstlerleben, op. 316 Johann Strauss II | 8:04 | |
| 5 | Frühlingsstimmen, op. 410 Johann Strauss II | 5:56 | |
| 6 | Rosen aus dem Süden, op. 388 Johann Strauss II | 11:54 | |
| 7 | Geschichten aus dem Wienerwald, op. 325 Johann Strauss II | 15:46 |
CD 75
| 1 | Lieder nach Gedichten aus »Des Knaben Wunderhorn«: Der Schildwache Nachtlied Gustav Mahler | 5:53 | |
| 2 | Lieder nach Gedichten aus »Des Knaben Wunderhorn«: Wer hat dies Liedlein erdacht? Gustav Mahler | 2:05 | |
| 3 | Lieder nach Gedichten aus »Des Knaben Wunderhorn«: Der Tamboursg'sell Gustav Mahler | 5:59 | |
| 4 | Lieder nach Gedichten aus »Des Knaben Wunderhorn«: Rheinlegendchen Gustav Mahler | 3:35 | |
| 5 | Lieder nach Gedichten aus »Des Knaben Wunderhorn«: Lied des Verfolgten im Turm Gustav Mahler | 5:37 | |
| 6 | Lieder nach Gedichten aus »Des Knaben Wunderhorn«: Urlicht Gustav Mahler | 6:27 | |
| 7 | Lieder nach Gedichten aus »Des Knaben Wunderhorn«: Revelge Gustav Mahler | 5:53 | |
| 8 | Lieder nach Gedichten aus »Des Knaben Wunderhorn«: Des Antonius von Padua Fischpredigt Gustav Mahler | 3:40 | |
| 9 | Lieder nach Gedichten aus »Des Knaben Wunderhorn«: Verlorne Müh' Gustav Mahler | 2:51 | |
| 10 | Lieder nach Gedichten aus »Des Knaben Wunderhorn«: Wo die schönen Trompeten blasen Gustav Mahler | 7:01 | |
| 11 | Lieder nach Gedichten aus »Des Knaben Wunderhorn«: Lob des hohen Verstandes Gustav Mahler | 2:10 | |
| 12 | Lieder nach Gedichten aus »Des Knaben Wunderhorn«: Das irdische Leben Gustav Mahler | 2:51 | |
| 13 | Lieder nach Gedichten aus »Des Knaben Wunderhorn«: Trost im Unglück Gustav Mahler | 2:53 | |
| 14 | Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht Gustav Mahler | 3:57 | |
| 15 | Lieder eines fahrenden Gesellen: Ging heut' morgen übers Feld Gustav Mahler | 3:52 | |
| 16 | Lieder eines fahrenden Gesellen: Ich hab' ein glühend Messer in meiner Brust Gustav Mahler | 3:07 | |
| 17 | Lieder eines fahrenden Gesellen: Die zwei blauen Augen von meinem Schatz Gustav Mahler | 5:08 |
CD 76
| 1 | Symphony in E-flat major: I. Sehr lebhaft - Lebhafter Paul Hindemith | 4:31 | |
| 2 | Symphony in E-flat major: II. Sehr langsam - Breit Paul Hindemith | 10:26 | |
| 3 | Symphony in E-flat major: III. Lebhaft - Ein wenig ruhiger - Im früheren Zeitmaß Paul Hindemith | 7:08 | |
| 4 | Symphony in E-flat major: IV. Mäßig schnelle Halbe - Intermezzo, im gleichen Zeitmaß - Breit bewegt - Lebhaft, mit höchster Kraft Paul Hindemith | 10:33 | |
| 5 | Symphonic Metamorphosis on Themes by Carl Maria von Weber: I. Allegro Paul Hindemith | 4:04 | |
| 6 | Symphonic Metamorphosis on Themes by Carl Maria von Weber: II. Turandot, Scherzo. Moderato - Lebhaft Paul Hindemith | 7:20 | |
| 7 | Symphonic Metamorphosis on Themes by Carl Maria von Weber: III. Andantino Paul Hindemith | 4:10 | |
| 8 | Symphonic Metamorphosis on Themes by Carl Maria von Weber: IV. Marsch Paul Hindemith | 4:44 |
CD 77
| 1 | Symphony for Strings (Symphony no. 5): I. Molto agitato ed energico William Schuman | 4:24 | |
| 2 | Symphony for Strings (Symphony no. 5): II. Larghissimo William Schuman | 7:20 | |
| 3 | Symphony for Strings (Symphony no. 5): III. Presto William Schuman | 4:53 | |
| 4 | Symphony no. 3: Part I. Passacaglia and Fugue William Schuman | 13:43 | |
| 5 | Symphony no. 3: Part II. Chorale and Toccata William Schuman | 17:17 |
CD 78
| 1 | Swan Lake, op. 20: Act I. No. 5 Pas de deux: I. Tempo di valse ma non troppo vivo, quasi moderato Pyotr Ilyich Tchaikovsky | 1:43 | |
| 2 | Swan Lake, op. 20: Act I. No. 5 Pas de deux: II. Andante - Allegro Pyotr Ilyich Tchaikovsky | 4:43 | |
| 3 | Swan Lake, op. 20: Act I. No. 5 Pas de deux: III. Tempo di valse Pyotr Ilyich Tchaikovsky | 1:52 | |
| 4 | Swan Lake, op. 20: Act I. No. 5 Pas de deux: IV. Coda. Allegro molto vivace Pyotr Ilyich Tchaikovsky | 1:51 | |
| 5 | Swan Lake, op. 20: Act II. No. 10 Scène. Moderato Pyotr Ilyich Tchaikovsky | 2:56 | |
| 6 | Swan Lake, op. 20: Act II. No. 13 Danses des cygnes: I. Tempo di valse Pyotr Ilyich Tchaikovsky | 2:35 | |
| 7 | Swan Lake, op. 20: Act II. No. 13 Danses des cygnes: II. Moderato assai - Molto più mosso Pyotr Ilyich Tchaikovsky | 2:03 | |
| 8 | Swan Lake, op. 20: Act II. No. 13 Danses des cygnes: IV. Allegro moderato Pyotr Ilyich Tchaikovsky | 1:29 | |
| 9 | Swan Lake, op. 20: Act II. No. 13 Danses des cygnes: V. Andante - Cadenza - Andante non troppo - Più mosso - Tempo I - Allegro - Più mosso Pyotr Ilyich Tchaikovsky | 7:05 | |
| 10 | Swan Lake, op. 20: Act II. No. 13 Danses des cygnes: VI. Tempo di valse Pyotr Ilyich Tchaikovsky | 1:35 | |
| 11 | Swan Lake, op. 20: Act II. No. 13 Danses des cygnes: VII. Coda. Allegro vivace Pyotr Ilyich Tchaikovsky | 1:33 | |
| 12 | Swan Lake, op. 20: Act III. No. 15 Allegro giusto Pyotr Ilyich Tchaikovsky | 2:42 | |
| 13 | Swan Lake, op. 20: Act III. No. 20 Danse hongroise. Czsárdás. Moderato assai - Allegro moderato - Vivace Pyotr Ilyich Tchaikovsky | 2:46 | |
| 14 | Swan Lake, op. 20: Act III. No. 21 Danse espagnole. Allegro non troppo (Tempo di bolero) Pyotr Ilyich Tchaikovsky | 2:44 | |
| 15 | Swan Lake, op. 20: Act III. No. 22 Danse napolitaine. Allegro moderato - Andantino quasi moderato - Molto più mosso - Presto Pyotr Ilyich Tchaikovsky | 2:12 | |
| 16 | Swan Lake, op. 20: Act III. No. 23 Mazurka. Tempo di mazurka Pyotr Ilyich Tchaikovsky | 4:27 |
CD 79
| 1 | Der Rosenkavalier, op. 59: Akt I. Prelude Richard Strauss | 3:58 | |
| 2 | Der Rosenkavalier, op. 59: Akt I. “Wie du warst! Wie du bist!” (Octavian, Marschallin) Richard Strauss | 8:40 | |
| 3 | Der Rosenkavalier, op. 59: Akt I. “Marie Theres'!” - “Octavian!” (Octavian, Marschallin) Richard Strauss | 4:21 | |
| 4 | Der Rosenkavalier, op. 59: Akt I. “Quinquin, es ist mein Mann!” (Marschallin, majordomo, Baron) Richard Strauss | 3:46 | |
| 5 | Der Rosenkavalier, op. 59: Akt I. “Selbstverständlich empfängt mich Ihro Gnaden” (Baron, footmen, Marschallin, majordomo) Richard Strauss | 9:19 | |
| 6 | Der Rosenkavalier, op. 59: Akt I. “Hat Sie schon einmal mit einem Kavalier” (Baron, Octavian, Marschallin) Richard Strauss | 3:09 | |
| 7 | Der Rosenkavalier, op. 59: Akt I. “Nein, Er agiert mir gar zu gut!” (Marschallin, Baron, Octavian) Richard Strauss | 4:15 | |
| 8 | Der Rosenkavalier, op. 59: Akt I. “I komm' glei” - “Drei arme adelige Waisen” (Octavian, 3 orphans, milliner, deal in animals, Marschallin, Valzacchi) Richard Strauss | 3:13 | |
| 9 | Der Rosenkavalier, op. 59: Akt I. “Di rigori armato il seno” (singer) Richard Strauss | 2:06 | |
| 10 | Der Rosenkavalier, op. 59: Akt I. “Als Morgengabe - ganz separatim jedoch” (Baron, notary, singer) Richard Strauss | 3:16 | |
| 11 | Der Rosenkavalier, op. 59: Akt I. “Mein lieber Hippolyte” (Marschallin, Valzacchi, Baron, Annina) Richard Strauss | 4:16 | |
| 12 | Der Rosenkavalier, op. 59: Akt I. “Da geht er hin” (Marschallin) Richard Strauss | 5:50 | |
| 13 | Der Rosenkavalier, op. 59: Akt I. “Ach, du bist wieder da!” (Marschallin, Octavian)” Richard Strauss | 6:42 | |
| 14 | Der Rosenkavalier, op. 59: Akt I. “Die Zeit, die ist ein sonderbar Ding” (Marschallin, Octavian) Richard Strauss | 8:13 | |
| 15 | Der Rosenkavalier, op. 59: Akt I. “Ich werd' jetzt in die Kirchen gehn” (Marschallin, Octavian) Richard Strauss | 4:07 | |
| 16 | Der Rosenkavalier, op. 59: Akt I. “Ich hab' ihn nicht einmal geküsst” (Marschallin, 4 footmen) Richard Strauss | 4:22 |
CD 80
| 1 | Der Rosenkavalier, op 59: Akt II. Prelude - “Ein ernster Tag, ein großer Tag!” (Faninal, duenna, majordomo) Richard Strauss | 2:02 | |
| 2 | Der Rosenkavalier, op 59: Akt II. “In dieser feierlichen Stunde der Prüfung” (Sophie, duenna, 3 footmen) Richard Strauss | 4:05 | |
| 3 | Der Rosenkavalier, op 59: Akt II. “Mir ist die Ehre widerfahren” (Octavian, Sophie) Richard Strauss | 8:41 | |
| 4 | Der Rosenkavalier, op 59: Akt II. “Ich kenn' Ihn schon recht wohl” (Sophie, Octavian) Richard Strauss | 4:26 | |
| 5 | Der Rosenkavalier, op 59: Akt II. “Jetzt aber kommt mein Herr Zukünftiger” (Sophie, Faninal, Baron, Octavian, duenna) Richard Strauss | 4:01 | |
| 6 | Der Rosenkavalier, op 59: Akt II. “Eh bien! Nun plauder' Sie uns eins” (Baron, Sophie, Faninal, Octavian, duenna) Richard Strauss | 8:05 | |
| 7 | Der Rosenkavalier, op 59: Akt II. “Wird Sie das Mannsbild da heiraten, ma cousine?” (Octavian, Sophie, majordomo, duenna) Richard Strauss | 6:56 | |
| 8 | Der Rosenkavalier, op 59: Akt II. “Herr Baron von Lerchenau!” (Valzacchi, Annina, Baron, Sophie, Octavian) Richard Strauss | 4:53 | |
| 9 | Der Rosenkavalier, op 59: Akt II. “Mord! Mord! Mein Blut! Zu Hilfe!” (Baron, chorus, Octavian, Sophie) Richard Strauss | 2:09 | |
| 10 | Der Rosenkavalier, op 59: Akt II. “Herr Schwiegersohn! Wie ist Ihm denn?” (Faninal, Baron, Octavian, Sophie) Richard Strauss | 2:58 | |
| 11 | Der Rosenkavalier, op 59: Akt II. “Blamage! Mir auseinander meine Eh'” (Faninal, Sophie, Octavian, duenna, Baron) Richard Strauss | 2:38 | |
| 12 | Der Rosenkavalier, op 59: Akt II. “Is gut! Is gut! Ein Schluck von was zum Trinken!” (Baron, Faninal) Richard Strauss | 2:27 | |
| 13 | Der Rosenkavalier, op 59: Akt II. “Da lieg' ich!” (Baron, chorus) Richard Strauss | 5:42 | |
| 14 | Der Rosenkavalier, op 59: Akt II. “Ohne mich, ohne mich” (Baron, Annina) Richard Strauss | 6:23 |
CD 81
| 1 | Der Rosenkavalier, op. 59: Akt III. Prelude and Pantomime Richard Strauss | 7:11 | |
| 2 | Der Rosenkavalier, op. 59: Akt III. “Hab'n Euer Gnaden noch weitre Befehle?” (landlord, waiters, Baron) Richard Strauss | 2:42 | |
| 3 | Der Rosenkavalier, op. 59: Akt III. “Nein, nein, nein, nein! I trink' kein Wein” (Octavian, Baron) Richard Strauss | 8:06 | |
| 4 | Der Rosenkavalier, op. 59: Akt III. “Es is ja eh all's eins, es is ja eh all's eins” (Octavian, Baron) Richard Strauss | 3:18 | |
| 5 | Der Rosenkavalier, op. 59: Akt III. “Da und da und da und da!” (Baron, Annina, Octavian, waiters, landlord, 4 children, Valzacchi) Richard Strauss | 3:20 | |
| 6 | Der Rosenkavalier, op. 59: Akt III. “Halt! Keiner rührt sich! Was ist los?” (police commissioner, Baron, landlord, Valzacchi, Octavian) Richard Strauss | 2:29 | |
| 7 | Der Rosenkavalier, op. 59: Akt III. “Zur Stelle! Was wird von mir gewünscht?” (Faninal, Baron, police commissioner, 4 children, chorus, Sophie) Richard Strauss | 3:49 | |
| 8 | Der Rosenkavalier, op. 59: Akt III. “Sind desto eher im klaren. Ich zahl', i geh'!” (Baron, police commissioner, Octavian, landlord) Richard Strauss | 1:53 | |
| 9 | Der Rosenkavalier, op. 59: Akt III. “Bin glücklich über Maßen” (Baron, Octavian, Marschallin, police commissioner, Sophie) Richard Strauss | 2:52 | |
| 10 | Der Rosenkavalier, op. 59: Akt III. “Lass Er nur gut sein und verschwind' Er auf eins, zwei!” (Marschallin, Baron, police commissioner, Sophie, Octavian) Richard Strauss | 8:05 | |
| 11 | Der Rosenkavalier, op. 59: Akt III. “Leopold, wir gehn!” (Baron, Annina, 4 children, waiters, landlord, Valzacchi, chorus) Richard Strauss | 2:16 | |
| 12 | Der Rosenkavalier, op. 59: Akt III. “Mein Gott, es war nicht mehr als eine Farce” (Sophie, Octavian, Marschallin) Richard Strauss | 8:40 | |
| 13 | Der Rosenkavalier, op. 59: Akt III. “Marie Theres'!” - “Hab mir's gelobt” (Octavian, Marschallin, Sophie) Richard Strauss | 6:30 | |
| 14 | Der Rosenkavalier, op. 59: Akt III. “Ist ein Traum, kann nicht wirklich sein” (Sophie, Octavian, Faninal, Marschallin) Richard Strauss | 7:17 |
CD 82
| 1 | Die Weihe des Hauses, op. 124: Overture Ludwig van Beethoven | 9:58 | |
| 2 | König Stephan, op. 117: Overture Ludwig van Beethoven | 6:33 | |
| 3 | Fidelio, op. 72b: Overture Ludwig van Beethoven | 6:47 | |
| 4 | Egmont, op. 84: Overture Ludwig van Beethoven | 9:00 | |
| 5 | Leonore no. 3, op. 72a: Overture Ludwig van Beethoven | 13:12 |
CD 83
| 1 | Symphony no. 9 in D minor: I. Feierlich. Misterioso Anton Bruckner | 25:03 | |
| 2 | Symphony no. 9 in D minor: II. Scherzo. Bewegt, lebhaft - Trio. Schnell Anton Bruckner | 11:22 | |
| 3 | Symphony no. 9 in D minor: III. Adagio. Langsam, feierlich Anton Bruckner | 24:31 |
CD 84
| 1 | Washington Post John Philip Sousa | 2:17 | |
| 2 | Semper Fidelis John Philip Sousa | 2:31 | |
| 3 | The Thunderer John Philip Sousa | 2:40 | |
| 4 | Under the Double Eagle Josef Franz Wagner | 3:12 | |
| 5 | Hands Across the Sea John Philip Sousa | 2:50 | |
| 6 | Stars and Stripes Forever! John Philip Sousa | 3:15 | |
| 7 | Radetzky-Marsch, op. 228 Johann Strauss I | 2:30 | |
| 8 | Battle Hymn of the Republic William Steffe | 1:05 | |
| 9 | Anchors Aweigh Charles A. Zimmerman | 2:38 | |
| 10 | Colonel Bogey Kenneth J. Alford | 4:10 | |
| 11 | The British Grenadiers [traditional] | 1:13 | |
| 12 | Rule, Brittania Thomas Arne | 0:52 | |
| 13 | La Marseillaise Claude Joseph Rouget de Lisle | 1:02 | |
| 14 | The National Emblem Edwin E. Bagley | 2:56 |
CD 85
| 1 | Symphony no. 9 in C major “The Great”: I. Andante - Allegro ma non troppo Franz Schubert | 13:30 | |
| 2 | Symphony no. 9 in C major “The Great”: II. Andante con moto Franz Schubert | 15:15 | |
| 3 | Symphony no. 9 in C major “The Great”: III. Scherzo. Allegro vivace - Trio Franz Schubert | 10:07 | |
| 4 | Symphony no. 9 in C major “The Great”: IV. Finale. Allegro vivace Franz Schubert | 10:07 |
CD 86
| 1 | Gaîté Parisienne: Ouverture Jacques Offenbach | 2:03 | |
| 2 | Gaîté Parisienne: Tortoni no. 1 Jacques Offenbach | 1:03 | |
| 3 | Gaîté Parisienne: Polka Jacques Offenbach | 1:46 | |
| 4 | Gaîté Parisienne: Galop Jacques Offenbach | 1:04 | |
| 5 | Gaîté Parisienne: Valse lente Jacques Offenbach | 2:26 | |
| 6 | Gaîté Parisienne: Marche Jacques Offenbach | 1:17 | |
| 7 | Gaîté Parisienne: Grande Valse Jacques Offenbach | 3:39 | |
| 8 | Gaîté Parisienne: Cancan Jacques Offenbach | 4:20 | |
| 9 | Gaîté Parisienne: Barcarolle Jacques Offenbach | 3:32 | |
| 10 | L'Arlésienne Suite no. 1: I. Prelude. Allegro deciso (Tempo di Marcia) - Andantino - Georges Bizet | 3:23 | |
| 11 | L'Arlésienne Suite no. 1: I. Andante molto Georges Bizet | 3:41 | |
| 12 | L'Arlésienne Suite no. 1: II. Minuetto. Allegro giocoso Georges Bizet | 3:02 | |
| 13 | L'Arlésienne Suite no. 1: III. Adagietto. Adagio Georges Bizet | 3:52 | |
| 14 | L'Arlésienne Suite no. 1: IV. Carillon. Allegro moderato - Andantino - Tempo I Georges Bizet | 4:31 | |
| 15 | L'Arlésienne Suite no. 2: I. Pastorale. Andante sostenuto assai - Andantino - Tempo I Georges Bizet | 5:07 | |
| 16 | L'Arlésienne Suite no. 2: II. Intermezzo. Andante moderato ma con moto - Allegro moderato - Tempo I Georges Bizet | 4:41 | |
| 17 | L'Arlésienne Suite no. 2: III. Menuet. Andantino quasi Allegretto Georges Bizet | 4:08 | |
| 18 | L'Arlésienne Suite no. 2: IV. Farandole. Allegro deciso (Tempo di Marcia) - Allegro vivo e deciso Georges Bizet | 3:07 |
CD 87
| 1 | Symphony no. 2 in C minor “Little Russian”, op. 17: I. Andante sostenuto - Allegro vivo Pyotr Ilyich Tchaikovsky | 10:15 | |
| 2 | Symphony no. 2 in C minor “Little Russian”, op. 17: II. Andantino marziale, quasi moderato Pyotr Ilyich Tchaikovsky | 6:11 | |
| 3 | Symphony no. 2 in C minor “Little Russian”, op. 17: III. Scherzo. Allegro molto vivace - Trio. L'istesso tempo Pyotr Ilyich Tchaikovsky | 5:04 | |
| 4 | Symphony no. 2 in C minor “Little Russian”, op. 17: IV. Finale. Moderato assai - Allegro vivo Pyotr Ilyich Tchaikovsky | 9:05 |
CD 88
| 1 | Carmen Suite no. 1: Les Toréadors. Allegro giocoso Georges Bizet | 2:33 | |
| 2 | Carmen Suite no. 1: Prélude. Andante moderato Georges Bizet | 1:12 | |
| 3 | Carmen Suite no. 1: Aragonaise. Allegro vivo (Entr'acte Act III / Act IV) Georges Bizet | 2:25 | |
| 4 | Carmen Suite no. 1: Intermezzo. Andantino quasi Allegretto (Entr'acte Act II / Act III) Georges Bizet | 2:45 | |
| 5 | Carmen Suite no. 1: Séguedille. Allegretto (Act I) Georges Bizet | 1:58 | |
| 6 | Carmen Suite no. 1: Les Dragons d'Alcala. Allegro moderato (Entr'acte Act I / Act II) Georges Bizet | 1:52 | |
| 7 | Carmen Suite no. 2: Marche des Contrebandiers. Allegro moderato (Act III) Georges Bizet | 4:20 | |
| 8 | Carmen Suite no. 2: Habanera. Allegretto quasi Andantino (Act I) Georges Bizet | 2:03 | |
| 9 | Carmen Suite no. 2: Chanson du Toréador. Allegro molto moderato (Act II) Georges Bizet | 2:55 | |
| 10 | Carmen Suite no. 2: La Garde montante. Allegro. Tempo di Marcia (Act I) Georges Bizet | 3:45 | |
| 11 | Carmen Suite no. 2: Danse bohème. Andantino quasi Allegretto (Act II) Georges Bizet | 4:29 | |
| 12 | Peer Gynt Suite no. 1, op. 46: I. Morning Mood. Allegretto pastorale Edvard Grieg | 3:49 | |
| 13 | Peer Gynt Suite no. 1, op. 46: II. Åse's Death. Andante doloroso Edvard Grieg | 4:54 | |
| 14 | Peer Gynt Suite no. 1, op. 46: III. Anitra's Dance. Tempo di mazurka Edvard Grieg | 3:36 | |
| 15 | Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King. Alla marcia e molto marcato Edvard Grieg | 2:38 | |
| 16 | Peer Gynt Suite no. 2, op. 55: I. The Abduction of the Bride - Ingrid's Lament. Allegro furioso - Andante doloroso Edvard Grieg | 4:12 | |
| 17 | Peer Gynt Suite no. 2, op. 55: II. Arabian Dance. Allegretto vivace Edvard Grieg | 4:37 | |
| 18 | Peer Gynt Suite no. 2, op. 55: III. Peer Gynt's Homecoming. Allegro agitato Edvard Grieg | 2:59 | |
| 19 | Peer Gynt Suite no. 2, op. 55: IV. Solvejg's Song. Andante - Allegretto tranquillamente Edvard Grieg | 5:38 |
CD 89
| 1 | The Planets, op. 32: I. Mars, the Bringer of War. Allegro Gustav Holst | 6:37 | |
| 2 | The Planets, op. 32: II. Venus, the Bringer of Peace. Adagio - Andante - Animato - Tempo I Gustav Holst | 9:35 | |
| 3 | The Planets, op. 32: III. Mercury, the Winged Messenger. Vivace Gustav Holst | 3:58 | |
| 4 | The Planets, op. 32: IV. Jupiter, the Bringer of Jollity. Allegro giocoso - Andante maestoso - Tempo I - Maestoso - Lento maestoso - Presto Gustav Holst | 8:20 | |
| 5 | The Planets, op. 32: V. Saturn, the Bringer of Old Age. Adagio - Andante Gustav Holst | 8:53 | |
| 6 | The Planets, op. 32: VI. Uranus, the Magician. Allegro - Lento - Allegro - Largo Gustav Holst | 5:26 | |
| 7 | The Planets, op. 32: VII. Neptune, the Mystic. Andante - Allegretto Gustav Holst | 8:24 |
CD 90
| 1 | Dybbuk: Part I. The Community. Invocation and Trance | 4:48 | |
| 2 | Dybbuk: Part I. The Fathers. David & Jonathan (The Pledge) | 3:55 | |
| 3 | Dybbuk: Part I. Witnesses of Birth. Variation O - Messengers (Angelic Messengers) | 2:11 | |
| 4 | Dybbuk: Part I. The Children. Kabbalah - Dream | 5:06 | |
| 5 | Dybbuk: Part II. Kabbalah: Six Variations (Alchemy - Variations A, M, N, X, Y, Z) | 10:54 | |
| 6 | Dybbuk: Part III. Witnesses of Death. Alchemy - Variation O | 1:37 | |
| 7 | Dybbuk: Part III. Leah (Maiden's Dance) | 3:00 | |
| 8 | Dybbuk: Part III. Possession - Demon - Pas de deux | 8:10 | |
| 9 | Dybbuk: Part III. Exorcism | 3:14 | |
| 10 | Dybbuk: Part III. The Community. Reprise and Coda | 5:14 |
CD 91
| 1 | Trouble in Tahiti: Prelude. “Daa / Doa Day” ... “Morning' sun kisses the windows” (Trio) | 3:12 | |
| 2 | Trouble in Tahiti: Scene I. “How could you say the thing that you did” (Sam, Dinah, Trio) | 5:32 | |
| 3 | Trouble in Tahiti: Scene II. “Yes? Oh, Mister Partridge!” (Sam, Trio) | 3:03 | |
| 4 | Trouble in Tahiti: Scene III. “I was standing in a garden” (Dinah, Sam) | 4:35 | |
| 5 | Trouble in Tahiti: Scene IIIa. “Then desire took hold inside me” (Dinah) | 2:46 | |
| 6 | Trouble in Tahiti: Scene IV. “Well, of all people” ... “I'm on my way” (Sam, Dinah) | 6:30 | |
| 7 | Trouble in Tahiti: Interlude. “Skid a lit day” (Trio) | 1:45 | |
| 8 | Trouble in Tahiti: Scene V. “There's a law” (Sam) | 4:22 | |
| 9 | Trouble in Tahiti: Scene VI. “What a movie!” (Dinah, Trio) | 4:38 | |
| 10 | Trouble in Tahiti: Scene VIa. “There's a law that a man has to pay for what he gets” (Sam) | 0:37 | |
| 11 | Trouble in Tahiti: Scene VII. “Evenin' shadows are spreadin' softly” (Trio, Sam, Dinah) | 7:16 |
CD 92
| 1 | Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: I. Kyrie: “Kyrie eleison”. Poco Adagio Joseph Haydn | 8:47 | |
| 2 | Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: II. Gloria: “Gloria in excelsis Deo”. Vivace assai Joseph Haydn | 2:02 | |
| 3 | Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: II. Gloria: “Gratias agimus tibi”. Allegretto Joseph Haydn | 6:16 | |
| 4 | Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: II. Gloria: “Quoniam tu solus sanctus”. Allegro spiritoso Joseph Haydn | 3:27 | |
| 5 | Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: III. Credo: “Credo in unum Deum”. Vivace Joseph Haydn | 2:42 | |
| 6 | Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: III. Credo: “Et incarnatus est”. Adagio Joseph Haydn | 3:43 | |
| 7 | Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: III. Credo: “Et ressurrexit”. Vivace Joseph Haydn | 2:41 | |
| 8 | Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: III. Credo: “Et vitam venturi”. Vivace Joseph Haydn | 1:50 | |
| 9 | Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: IV. Sanctus: “Sanctus, sanctus”. Adagio - Allegro Joseph Haydn | 3:33 | |
| 10 | Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: V. Benedictus: “Benedictus qui venit”. Allegro molto - Allegro Joseph Haydn | 4:11 | |
| 11 | Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: VI. Agnus Dei: “Agnus Dei”. Adagio Joseph Haydn | 3:07 | |
| 12 | Missa in B-flat major “Harmoniemesse”, Hob. XXII:14: VI. Agnus Dei: “Dona nobis pacem”. Allegro con spirito Joseph Haydn | 2:39 |
CD 93
| 1 | Aufforderung zum Tanz, op. 65: Overture Carl Maria von Weber | 8:37 | |
| 2 | Der Freischütz: Overture Carl Maria von Weber | 10:34 | |
| 3 | Euryanthe: Overture Carl Maria von Weber | 9:03 | |
| 4 | Oberon: Overture Carl Maria von Weber | 9:31 |
CD 94
| 1 | Snow Maiden: Dance of the Tumblers Nikolai Rimsky-Korsakov | 3:20 | |
| 2 | Eugene Onegin, op. 24: Waltz Pyotr Ilyich Tchaikovsky | 7:04 | |
| 3 | Lieutenant Kijé, Suite, op. 60: Kijé's Wedding Sergei Prokofiev | 2:54 | |
| 4 | Eugene Onegin, op. 24: Act III. Polonaise Pyotr Ilyich Tchaikovsky | 4:48 | |
| 5 | The Love for Three Oranges, Suite, op. 33a: March Sergei Prokofiev | 1:52 | |
| 6 | Caucasian Sketches, op. 10: Procession of the Sardar Mikhail Ippolitov-Ivanov | 3:45 | |
| 7 | Prince Igor: Act II. Dance of the Polovtsian Maidens Alexander Borodin | 2:13 | |
| 8 | The Age of Gold, Suite, op. 22a: Polka Dmitri Shostakovich | 2:47 | |
| 9 | The Sleeping Beauty, op. 66: Act I. Valse Pyotr Ilyich Tchaikovsky | 4:55 | |
| 10 | Lieutenant Kijé, Suite, op. 60: Troika Sergei Prokofiev | 2:48 | |
| 11 | In the Steppes of Central Asia Alexander Borodin | 7:23 | |
| 12 | The Red Poppy, Suite, op. 70: Russian Sailors' Dance Reinhold Glière | 3:31 | |
| 13 | Hamlet, op. 67 Pyotr Ilyich Tchaikovsky | 19:01 |
CD 95
| 1 | 4 Sea Interludes from “Peter Grimes”, op. 33a: I. Dawn Benjamin Britten | 3:41 | |
| 2 | 4 Sea Interludes from “Peter Grimes”, op. 33a: II. Sunday Morning Benjamin Britten | 3:48 | |
| 3 | 4 Sea Interludes from “Peter Grimes”, op. 33a: III. Moonlight Benjamin Britten | 5:07 | |
| 4 | 4 Sea Interludes from “Peter Grimes”, op. 33a: IV. Storm Benjamin Britten | 4:21 | |
| 5 | Peter Grimes, op. 33b: Passacaglia Benjamin Britten | 8:29 | |
| 6 | Suite on English Folk Tunes “A Time There Was...”, op. 90: I. “Cakes and Ale”. Fast and Rough Benjamin Britten | 2:25 | |
| 7 | Suite on English Folk Tunes “A Time There Was...”, op. 90: II. “The Bitter Withy”. Allegretto Benjamin Britten | 2:49 | |
| 8 | Suite on English Folk Tunes “A Time There Was...”, op. 90: III. “Hankin Booby”. Heavily Benjamin Britten | 2:19 | |
| 9 | Suite on English Folk Tunes “A Time There Was...”, op. 90: IV. “Hunt the Squirrel”. Fast and Gay Benjamin Britten | 1:20 | |
| 10 | Suite on English Folk Tunes “A Time There Was...”, op. 90: V. “Lord Melbourne”. Slow and Languid Benjamin Britten | 5:43 |
CD 96
| 1 | Gloria, FP 177: I. Gloria. Maestoso Francis Poulenc | 2:58 | |
| 2 | Gloria, FP 177: II. Laudamus te. Très vite et joyeaux Francis Poulenc | 3:00 | |
| 3 | Gloria, FP 177: III. Domine Deus. Très lent et calme Francis Poulenc | 4:17 | |
| 4 | Gloria, FP 177: IV. Domine Fili unigenite. Très vite et joyeaux Francis Poulenc | 1:18 | |
| 5 | Gloria, FP 177: V. Domine Deus, Agnus Dei. Bien lent Francis Poulenc | 6:16 | |
| 6 | Gloria, FP 177: VI. Qui sedes ad dexteram Patris. Maestoso - Allegretto - Très calme - Extraordinairement calme Francis Poulenc | 6:20 | |
| 7 | Symphony of Psalms (1948 version): I. Exaudi orationem meam, Domine (Psalm 38, 13/14 (Vulgata)) Igor Stravinsky | 3:37 | |
| 8 | Symphony of Psalms (1948 version): II. Expectans expectavi Dominum (Psalm 39, 2-4 (Vulgata)) Igor Stravinsky | 8:12 | |
| 9 | Symphony of Psalms (1948 version): III. Alleluia. Laudate Dominum (Psalm 150 (Vulgata)) Igor Stravinsky | 12:32 |
CD 97
| 1 | Symphony no. 3 in C minor “Organ”, op. 78: I. Adagio - Camille Saint‐Saëns | 1:07 | |
| 2 | Symphony no. 3 in C minor “Organ”, op. 78: I. Allegro moderato - Camille Saint‐Saëns | 10:47 | |
| 3 | Symphony no. 3 in C minor “Organ”, op. 78: I. Poco adagio Camille Saint‐Saëns | 10:30 | |
| 4 | Symphony no. 3 in C minor “Organ”, op. 78: II. Allegro moderato - Camille Saint‐Saëns | 1:43 | |
| 5 | Symphony no. 3 in C minor “Organ”, op. 78: II. Presto - Camille Saint‐Saëns | 5:43 | |
| 6 | Symphony no. 3 in C minor “Organ”, op. 78: II. Maestoso - Camille Saint‐Saëns | 1:58 | |
| 7 | Symphony no. 3 in C minor “Organ”, op. 78: II. Allegro Camille Saint‐Saëns | 7:01 | |
| 8 | Concerto for Piano and Orchestra no. 4 in C minor, op. 44: I. Allegro moderato - Andante Camille Saint‐Saëns | 11:37 | |
| 9 | Concerto for Piano and Orchestra no. 4 in C minor, op. 44: II. Allegro vivace - Andante - Allegro Camille Saint‐Saëns | 13:44 | |
| 10 | Ballade for Piano and Orchestra in F-sharp major, op. 19 Gabriel Fauré | 12:30 |
CD 98
| 1 | West Side Story: Act I. Prologue (The Jets, The Sharks) | 3:52 | |
| 2 | West Side Story: Act I. Jet Song (Riff, The Jets) | 2:07 | |
| 3 | West Side Story: Act I. Something's Coming (Tony, The Jets) | 2:38 | |
| 4 | West Side Story: Act I. The Dance at the Gym (The Jets, The Sharks) | 3:04 | |
| 5 | West Side Story: Act I. Maria (Tony) | 2:39 | |
| 6 | West Side Story: Act I. Tonight (Balcony Scene) (Maria, Tony) | 3:53 | |
| 7 | West Side Story: Act I. America (Rosalia, Anita, Consuelo, Shark Girls) | 4:34 | |
| 8 | West Side Story: Act I. Cool (Riff, The Jets) | 4:00 | |
| 9 | West Side Story: Act I. One Hand, One Heart (Marriage Scene) (Tony, Maria) | 3:02 | |
| 10 | West Side Story: Act I. Tonight (Quintet and Chorus) (Riff, Bernardo, The Sharks, The Jets, Anita, Tony, Maria) | 3:38 | |
| 11 | West Side Story: Act I. The Rumble (The Jets, The Sharks) | 2:44 | |
| 12 | West Side Story: Act II. I Feel Pretty (Maria, Francisca, Rosalia, Consuelo) | 2:47 | |
| 13 | West Side Story: Act II. Somewhere (Dream Ballet) (a girl) | 7:33 | |
| 14 | West Side Story: Act II. Gee, Officer Krupke (Action, Snowboy, Diesel, A-rab, Baby John, The Jets) | 4:05 | |
| 15 | West Side Story: Act II. A Boy Like That / I Have a Love (Anita, Maria) | 4:18 | |
| 16 | West Side Story: Act II. Finale (ensemble) | 2:01 |
CD 99
| 1 | Candide: Act I. Overture | 4:04 | |
| 2 | Candide: Act I. The Best of All Possible Worlds (Pangloss, Cunegonde, Candide, ensemble) | 3:24 | |
| 3 | Candide: Act I. Oh, Happy We (Candide, Cunegonde) | 1:51 | |
| 4 | Candide: Act I. It Must Be So (Candide) | 1:52 | |
| 5 | Candide: Act I. Mazurka. The Paris Waltz | 1:38 | |
| 6 | Candide: Act I. Glitter and Be Gay (Cunegonde) | 5:43 | |
| 7 | Candide: Act I. You Were Dead, You Know (Candide, Cunegonde) | 2:29 | |
| 8 | Candide: Act I. My Love (Governor, Cunegonde, Old Lady) | 2:02 | |
| 9 | Candide: Act I. I Am Easily Assimilated (Old Lady, Spanish Dons, Cunegonde) | 3:32 | |
| 10 | Candide: Act I. Quartet Finale (Candide, Cunegonde, Governor, Old Lady) | 2:46 | |
| 11 | Candide: Act II. Quiet (Cunegonde, Governor, Old Lady) | 3:48 | |
| 12 | Candide: Act II. Eldorado (Candide, ensemble) | 3:15 | |
| 13 | Candide: Act II. Bon Voyage (Governor, ensemble) | 2:36 | |
| 14 | Candide: Act II. What's the Use? (Madame Sofronia, Ferone, Prefect of Police, Prince Ivan) | 3:40 | |
| 15 | Candide: Act II. The Venie Gavotte (Madame Sofronia, Candide, Pangloss, Cunegonde) | 3:58 | |
| 16 | Candide: Act II. Finale. Make Our Garden Grow (Candide, Cunegonde, Pangloss, Old Lady, ensemble) | 4:18 |
CD 100
| 1 | Peter Pan: The Darling Family at Home | 8:12 | |
| 2 | Peter Pan: Who Am I? | 2:27 | |
| 3 | Peter Pan: Peter and Wendy in the Nursery | 8:38 | |
| 4 | Peter Pan: The Lost Boys | 1:44 | |
| 5 | Peter Pan: The Pirate Song | 2:23 | |
| 6 | Peter Pan: Captain Hook's Plan | 4:47 | |
| 7 | Peter Pan: Build My House | 1:21 | |
| 8 | Peter Pan: Wendy Plays Mother | 1:38 | |
| 9 | Peter Pan: The Cake | 1:29 | |
| 10 | Peter Pan: Peter, Peter | 4:50 | |
| 11 | Peter Pan: The Pirate Ship | 0:54 | |
| 12 | Peter Pan: The Plank | 0:42 | |
| 13 | Peter Pan: The Battle | 6:12 | |
| 14 | Peter Pan: The Children Fly Home | 5:22 |