Masterworks of the 20th Century
AlbumTracklist 569:12
CD 1
| 1 | Le marteau sans maître: I. Avant l'Artisanat furieux Pierre Boulez | 1:49 | |
| 2 | Le marteau sans maître: II. Commentaire I de Bourreaux de solitude Pierre Boulez | 4:07 | |
| 3 | Le marteau sans maître: III. L'Artisanat furieux Pierre Boulez | 2:30 | |
| 4 | Le marteau sans maître: IV. Commentaire II de Bourreaux de solitude Pierre Boulez | 4:37 | |
| 5 | Le marteau sans maître: V. Bel édifice et les pressentiments I Pierre Boulez | 3:55 | |
| 6 | Le marteau sans maître: VI. Bourreaux de solitude Pierre Boulez | 4:15 | |
| 7 | Le marteau sans maître: VII. Après l'Artisanat furieux Pierre Boulez | 1:05 | |
| 8 | Le Marteau sans Maître: VIII. Commentaire III de Bourreaux de solitude Pierre Boulez | 5:48 | |
| 9 | Le marteau sans maître: IX. Bel édifice et les pressentiments II Pierre Boulez | 8:05 | |
| 10 | Livre pour cordes: 1a Variation Pierre Boulez | 6:37 | |
| 11 | Livre pour cordes: 1b Mouvement Pierre Boulez | 4:01 |
CD 2
| 1 | Asterism for Piano and Orchestra Tōru Takemitsu | 11:45 | |
| 2 | Requiem for String Orchestra Tōru Takemitsu | 7:46 | |
| 3 | Green (November Steps II) for Orchestra Tōru Takemitsu | 5:41 | |
| 4 | The Dorian Horizon for 17 Strings Tōru Takemitsu | 9:03 |
CD 3
| 1 | Agon Igor Stravinsky | 20:36 | |
| 2 | 7 Studies on Themes of Paul Klee for Orchestra: Antique Harmonies Gunther Schuller | 2:22 | |
| 3 | 7 Studies on Themes of Paul Klee for Orchestra: Abstract Trio Gunther Schuller | 1:39 | |
| 4 | 7 Studies on Themes of Paul Klee for Orchestra: Little Blue Devil Gunther Schuller | 3:03 | |
| 5 | 7 Studies on Themes of Paul Klee for Orchestra: The Twittering Machine Gunther Schuller | 2:07 | |
| 6 | 7 Studies on Themes of Paul Klee for Orchestra: 5. Arab Village Gunther Schuller | 6:51 | |
| 7 | 7 Studies on Themes of Paul Klee for Orchestra: An Eerie Moment Gunther Schuller | 2:03 | |
| 8 | 7 Studies on Themes of Paul Klee for Orchestra: Pastorale Gunther Schuller | 2:55 |
CD 4
| 1 | Piano Sonata no. 2 "Concord, Mass., 1840-60": I. Emerson Charles Ives | 13:36 | |
| 2 | Piano Sonata no. 2 "Concord, Mass., 1840-60": II. Hawthorne Charles Ives | 10:06 | |
| 3 | Piano Sonata no. 2 "Concord, Mass., 1840-60": III. The Alcotts Charles Ives | 4:41 | |
| 4 | Piano Sonata no. 2 "Concord, Mass., 1840-60": IV. Thoreau Charles Ives | 9:43 | |
| 5 | Emerson (end of exposition) Charles Ives | 2:01 | |
| 6 | Emerson (most of recapitulation) Charles Ives | 4:00 | |
| 7 | Hawthorne (fragment) Charles Ives | 0:13 | |
| 8 | The Alcotts (complete) Charles Ives | 4:53 | |
| 9 | Emerson Transcription No. 1 with Interpolated Improvisations Charles Ives | 5:19 | |
| 10 | Emerson Transcription No. 3 with Interpolated Improvisations Charles Ives | 2:33 |
CD 5
| 1 | Voice of the Whale (Vox Balaenae) for Three Masked Players George Crumb | 20:18 | |
| 2 | Night of the Four Moons: I. La luna está muerta, muerta George Crumb | 2:38 | |
| 3 | Night of the Four Moons: II. Cuando sale la luna George Crumb | 3:36 | |
| 4 | Night of the Four Moons: III. Otro Adán oscuro está soñando George Crumb | 2:53 | |
| 5 | Night of the Four Moons: IV. ¡Huye luna, luna, luna ! George Crumb | 8:26 | |
| 6 | Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 1, I. Morning Music (Genesis II) George Crumb | 2:32 | |
| 7 | Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 1, II. The Mystic Chord George Crumb | 2:26 | |
| 8 | Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 1, III. Rain-Death Variations George Crumb | 1:34 | |
| 9 | Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 1, IV. Twin Suns (Doppelgänger aus der Ewigkeit) George Crumb | 3:32 | |
| 10 | Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 2, V. Ghost Nocturne for the Druids of Stonehenge (Night-Spell II) George Crumb | 3:04 | |
| 11 | Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 2, VI. Gargoyles George Crumb | 1:10 | |
| 12 | Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 2, VII. Tora! Tora! Tora! (Cadenza Apocalittica) George Crumb | 1:33 | |
| 13 | Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 2, VIII. A Prophecy of Nostradamus George Crumb | 2:29 | |
| 14 | Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 3, IX. Cosmic Wind George Crumb | 2:20 | |
| 15 | Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 3, X. Voices from "Corona Borealis" George Crumb | 3:23 | |
| 16 | Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 3, XI. Litany of the Galactic Bells George Crumb | 2:34 | |
| 17 | Makrokosmos, Vol. II - Twelve Fantasy-Pieces after the Zodiac for Amplified Piano: Part 3, XII. Agnus Dei George Crumb | 4:05 |
CD 6
| 1 | Daphne of the Dunes Harry Partch | 17:28 | |
| 2 | Barstow - Eight Hitchhiker Inscriptions from a Highway Railing at Barstow, California Harry Partch | 9:20 | |
| 3 | Castor & Pollux - A Dance for the Twin Rhythms of Gemini from Plectra & Percussion Dances: Harry Partch | 16:19 | |
| 4 | Partch in Prologue, Adapted Viola Harry Partch | 3:55 | |
| 5 | Chromelodeon I Harry Partch | 2:29 | |
| 6 | Kithara I Harry Partch | 1:08 | |
| 7 | Castor & Pollux (Harmonic Canon II) Harry Partch | 0:48 | |
| 8 | Diamond Marimba Harry Partch | 1:28 | |
| 9 | Bass Marimba Harry Partch | 1:21 | |
| 10 | Cloud-Chamber Bowls Harry Partch | 1:50 | |
| 11 | Spoils of War Harry Partch | 1:57 | |
| 12 | Surrogate Kithara Harry Partch | 1:24 | |
| 13 | Kithara II Harry Partch | 1:20 | |
| 14 | Boo Harry Partch | 1:55 | |
| 15 | Harmonic Canon I Harry Partch | 1:15 | |
| 16 | Zymo-Xyl Harry Partch | 1:43 | |
| 17 | Mazda Marimba Harry Partch | 1:35 | |
| 18 | Gourd Tree & Cone Gong Harry Partch | 1:49 | |
| 19 | Hand Instruments, Partch in Epilogue Harry Partch | 3:04 |
CD 7
| 1 | Sound Patterns Pauline Oliveros | 4:00 | |
| 2 | North American Time Capsule 1967 Alvin Lucier | 10:16 | |
| 3 | Solos for Voice 2 John Cage | 12:49 | |
| 4 | She Was a Visitor Robert Ashley | 5:50 | |
| 5 | Extended Voices Toshi Ichyanagi | 11:04 | |
| 6 | Chorus and Instruments II Morton Feldman | 5:05 | |
| 7 | Christian Wolff in Cambridge Morton Feldman | 3:48 |
CD 8
| 1 | Akrata Iannis Xenakis | 11:59 | |
| 2 | Syzygy David Del Tredici | 24:18 | |
| 3 | Zyklus for a percussionist (no. 9) : Karlheinz Stockhausen | 11:36 | |
| 4 | Fontana Mix - Feed John Cage | 10:14 | |
| 5 | Lux Aeterna for 5 Masked Musicians George Crumb | 13:25 |
CD 9
| 1 | Stereo Electronic Music No. 1 Bülent Arel | 10:30 | |
| 2 | Leiyla and the Poet Halim El‐Dabh | 5:18 | |
| 3 | Prologue: Enuma Elish (from 3 scenes from The Creation) Vladimir Ussachevsky | 8:13 | |
| 4 | Composition for Synthesizer Milton Babbitt | 10:36 | |
| 5 | Electronic Study No. 1 Mario Davidovsky | 5:50 | |
| 6 | Gargoyles Otto Luening | 9:22 | |
| 7 | Ensembles for Synthesizer Milton Babbitt | 10:41 |
CD 10
| 1 | Sonatine for Flute and Piano Pierre Boulez | 13:03 | |
| 2 | Interpolation: Mobile for Flute (1, 2 and 3) Roman Haubenstock-Ramati | 4:53 | |
| 3 | Concerto no. 1 for Oboe and Chamber Orchestra Bruno Maderna | 18:52 | |
| 4 | Y Su Sangre Ya Viene Cantando Luigi Nono | 16:22 | |
| 5 | Serenade I for Flute and 14 Instruments Luciano Berio | 10:42 |