The Complete Sony Recordings
AlbumTracklist 4007:10
CD 1
| 1 | “Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 1 Chorus: “Schwingt freudig euch empor” Johann Sebastian Bach | 3:59 | |
| 2 | “Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 2 Chorale (Duet): “Nun komm, der Heiden Heiland” (soprano, alto) Johann Sebastian Bach | 4:48 | |
| 3 | “Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 3 Aria: “Die Liebe zeiht mit sanften Schritten” (tenor) Johann Sebastian Bach | 5:54 | |
| 4 | “Schwingt freudig euch empor”, Cantata BWV 36: Part I. No. 4 Chorale: “Zwingt die Saiten in Cythara” Johann Sebastian Bach | 1:30 | |
| 5 | “Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 5 Aria: “Willkommen, werter Schatz!” (bass) Johann Sebastian Bach | 3:24 | |
| 6 | “Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 6 Chorale: “Der du bist dem Vater gleich” (tenor) Johann Sebastian Bach | 1:57 | |
| 7 | “Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 7 Aria: "Auch mit gedämpften, schwachen Stimmen” (soprano) Johann Sebastian Bach | 7:25 | |
| 8 | “Schwingt freudig euch empor”, Cantata BWV 36: Part II. No. 8 Chorale: “Lob sei Gott, dem Vater” Johann Sebastian Bach | 0:44 | |
| 9 | “Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 1 Chorus: “Ach wie flüchtig, ach wie nichtig” Johann Sebastian Bach | 3:05 | |
| 10 | “Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 2 Aria: “So schnell ein rauschend Wasser schießt” (tenor) Johann Sebastian Bach | 7:01 | |
| 11 | “Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 3 Recitative: “Die Freude wird zur Traurigkeit” (alto) Johann Sebastian Bach | 0:53 | |
| 12 | “Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 4 Aria: “An irdische Schätze das Herze zu hängen” (bass) Johann Sebastian Bach | 3:30 | |
| 13 | “Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 5 Recitative: “Die höchste Herrlichkeit und Pracht” (soprano) Johann Sebastian Bach | 0:46 | |
| 14 | “Ach wie flüchtig, ach wie nichtig”, Cantata BWV 26: No. 6 Chorale: “Ach wie flüchtig, ach wie nichtig” Johann Sebastian Bach | 0:48 |
CD 2
| 1 | “Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 1 Chorus: “Wachet auf, ruft uns die Stimme” Johann Sebastian Bach | 6:55 | |
| 2 | “Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 2 Recitative: “Er kommt, er kommt” (tenor) Johann Sebastian Bach | 0:58 | |
| 3 | “Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 3 Aria (Duet): “Wenn kömmst du, mein Heil?” (soprano, bass) Johann Sebastian Bach | 5:52 | |
| 4 | “Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 4 Chorale: “Zion hört due Wächter singen” Johann Sebastian Bach | 3:57 | |
| 5 | “Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 5 Recitative: “So geh herein zu mir” (bass) Johann Sebastian Bach | 1:29 | |
| 6 | “Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 6 Aria (Duet): “Mein Freund ist mein” (soprano, bass) Johann Sebastian Bach | 6:33 | |
| 7 | “Wachet auf, ruft uns die Stimme”, Cantata BWV 140: No. 7 Chorale: “Gloria sei dir gesungen” Johann Sebastian Bach | 1:56 | |
| 8 | “Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 1 Overture: “Nun kommt, der Heiden Heiland” (chorus) Johann Sebastian Bach | 3:23 | |
| 9 | “Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 2 Recitative: “Der Heiland ist gekommen” (tenor) Johann Sebastian Bach | 1:25 | |
| 10 | “Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 3 Aria: “Komm, Jesu, komm zu deiner Kirche” (tenor) Johann Sebastian Bach | 3:45 | |
| 11 | “Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 4 Recitative: “Siehe, ich stehe vor der Tür” (bass) Johann Sebastian Bach | 1:00 | |
| 12 | “Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 5 Aria: “Offne dich, mein ganzes Herze” (soprano) Johann Sebastian Bach | 3:48 | |
| 13 | “Nun kommt, der Heiden Heiland”, Cantata BWV 61: No. 6 Chorale: “Amen, amen!” Johann Sebastian Bach | 0:54 | |
| 14 | “Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 1 Sinfonia Johann Sebastian Bach | 3:37 | |
| 15 | “Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 2 Chorus: “Wir danken dir, Gott, wir danken dir” Johann Sebastian Bach | 2:20 | |
| 16 | “Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 3 Aria: “Halleluja, Stärk und Macht” (tenor) Johann Sebastian Bach | 5:36 | |
| 17 | “Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 4 Recitative: “Gottlob! es geht uns wohl!” (baritone) Johann Sebastian Bach | 0:48 | |
| 18 | “Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 5 Aria: “Gedenk an uns mit deiner Liebe” (soprano) Johann Sebastian Bach | 5:14 | |
| 19 | “Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 6 Recitative: “Vergiss es ferner nicht” (alto, chorus) Johann Sebastian Bach | 0:25 | |
| 20 | “Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 7 Aria: “Halleluja, Stärk und Macht” (alto) Johann Sebastian Bach | 1:41 | |
| 21 | “Wir danken dir, Gott, wir danken dir”, Cantata BWV 29: No. 8 Chorale: “Sei Lob und Preis mit Ehren” Johann Sebastian Bach | 2:02 |
CD 3
| 1 | Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 1 Chorus: “Jauchzet, frohlocket!” Johann Sebastian Bach | 7:58 | |
| 2 | Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 2 Recitative: “Es begab sich aber zu der Zeit” (tenor) Johann Sebastian Bach | 1:20 | |
| 3 | Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 3 Arioso: “Nun wird mein liebster Bräutigam” (alto) Johann Sebastian Bach | 0:47 | |
| 4 | Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 4 Aria: “Bereite dich, Zion” (alto) Johann Sebastian Bach | 5:39 | |
| 5 | Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 5 Chorale: “Wie soll ich dich empfangen” Johann Sebastian Bach | 1:10 | |
| 6 | Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 6 Recitative: “Und sie gebar ihren ersten Sohn” (tenor) Johann Sebastian Bach | 0:26 | |
| 7 | Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 7 Chorale: “Er ist auf Erden kommen arm” / Recitative: “Wer will die Liebe recht erhöhen” (bass) Johann Sebastian Bach | 3:00 | |
| 8 | Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 8 Aria: “Großer Herr, o starker König” (bass) Johann Sebastian Bach | 5:07 | |
| 9 | Weihnachtsoratorium, BWV 248: Part I: For the First Day of Christmas. No. 9 Chorale: “Ach mein herzliebes Jesulein” Johann Sebastian Bach | 1:07 | |
| 10 | Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 10 Sinfonia Johann Sebastian Bach | 5:17 | |
| 11 | Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 11 Recitative: “Und es waren Hirten in deselben Gegend” (tenor) Johann Sebastian Bach | 0:36 | |
| 12 | Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 12 Chorale: “Brich an, o schönes Morgenlicht” Johann Sebastian Bach | 1:14 | |
| 13 | Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 13 Recitative: “Und der Engel sprach zu ihnen” (tenor, soprano) Johann Sebastian Bach | 0:44 | |
| 14 | Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 14 Recitative “Was Gott dem Abraham weheißen” (bass) Johann Sebastian Bach | 0:42 | |
| 15 | Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 15 Aria: “Frohe Hirten, eilt, ach eilet” (tenor) Johann Sebastian Bach | 3:40 | |
| 16 | Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 16 Recitative: “Und das habt zum Zeichen” (tenor) Johann Sebastian Bach | 0:19 | |
| 17 | Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 17 Chorale: “Schaut hin, dort liegt im finstern Stall” Johann Sebastian Bach | 0:38 | |
| 18 | Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 18 Recitative & Arioso: “So geht denn hin, ihr Hirten, geht” (bass) Johann Sebastian Bach | 0:55 | |
| 19 | Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 19 Aria: “Schlafe, mein Liebster, genieße der Ruh” (alto) Johann Sebastian Bach | 9:02 | |
| 20 | Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 20 Recitative: “Und alsobald war da bei dem Engel” (tenor) Johann Sebastian Bach | 0:13 | |
| 21 | Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 21 Chorus: “Ehre sei Gott in der Höhe” Johann Sebastian Bach | 2:59 | |
| 22 | Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 22 Recitative: “So recht, ihr Engel, jauchzt und singet” (bass) Johann Sebastian Bach | 0:20 | |
| 23 | Weihnachtsoratorium, BWV 248: Part II: For the Second Day of Christmas. No. 23 Chorale: “Wir singen dir in deinem Heer” Johann Sebastian Bach | 1:23 | |
| 24 | Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 24 Chorus: “Herrscher des Himmels. erhöre das Lallen” Johann Sebastian Bach | 1:58 | |
| 25 | Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 25 Recitative: “Und da die Engel” (tenor) Johann Sebastian Bach | 0:08 | |
| 26 | Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 26 Chorus: “Lasset uns nun gehen” Johann Sebastian Bach | 0:49 | |
| 27 | Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 27 Recitative: “Er hat sein Volk getröst” (bass) Johann Sebastian Bach | 0:42 | |
| 28 | Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 28 Chorale: “Dies hat er alles uns getan” Johann Sebastian Bach | 0:45 | |
| 29 | Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 29 Duet: “Herr, dein Mitleid, dein Erbarmen” (soprano, bass) Johann Sebastian Bach | 7:03 | |
| 30 | Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 30 Recitative: “Und sie kamen eilend” (tenor) Johann Sebastian Bach | 1:10 | |
| 31 | Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 31 Aria: “Schließe, mein Herze, mein Herze, dies selige Wunder” (alto) Johann Sebastian Bach | 4:55 | |
| 32 | Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 32 Recitative: “Ja, ja, mein Herz soll es bewahren” (alto) Johann Sebastian Bach | 0:25 | |
| 33 | Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 33 Chorale: “Ich will dich mit Fleiß bewahren” Johann Sebastian Bach | 0:55 | |
| 34 | Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 34 Recitative: “Und die Hirten kehrten wieder um” (tenor) Johann Sebastian Bach | 0:20 | |
| 35 | Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 35 Chorale: “Seid froh dieweil” Johann Sebastian Bach | 0:54 | |
| 36 | Weihnachtsoratorium, BWV 248: Part III: For the Third Day of Christmas. No. 36 Chorus da capo: “Herrscher des Himmels, erhöre das Lallen” Johann Sebastian Bach | 2:11 |
CD 4
| 1 | Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 36 Chorus: “Fallt mit Danken” Johann Sebastian Bach | 6:07 | |
| 2 | Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 37 Recitative: “Und da acht Tage um waren” (tenor) Johann Sebastian Bach | 0:25 | |
| 3 | Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 38 Recitative: “Immanuel, o süßes Wort!” (bass) / & Chorale: “Jesu, du mein liebstes Leben” Johann Sebastian Bach | 2:29 | |
| 4 | Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 39 Aria: “Flößt, mein Heiland, flößt dein Namen” (soprano) Johann Sebastian Bach | 6:00 | |
| 5 | Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 40 Recitative: “Wohlan, dein Name soll allein” (bass) / & Chorale: “Jesu, meine Freud und Wonne” Johann Sebastian Bach | 1:28 | |
| 6 | Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 41 Aria: “Ich will nur dir zu Ehren leben” (tenor) Johann Sebastian Bach | 4:52 | |
| 7 | Weihnachtsoratorium, BWV 248: Part IV: Feast of Circumcision. No. 42 Chorale: “Jesus richte mein Beginnen” Johann Sebastian Bach | 2:03 | |
| 8 | Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 43 Chorus: “Ehre sei dir, Gott, gesungen” Johann Sebastian Bach | 7:29 | |
| 9 | Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 44 Recitative: “Da Jesus geboren war zu Bethlehem” (tenor) Johann Sebastian Bach | 0:22 | |
| 10 | Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 45 Chorus: “Wo ist der neugeborne König der Jüden?” / & Recitative: “Sucht ihn in meiner Brust” (alto) Johann Sebastian Bach | 1:43 | |
| 11 | Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 46 Chorale: “Dein Glanz all Finsternis verzehrt” Johann Sebastian Bach | 0:56 | |
| 12 | Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 47 Aria: “Erleucht auch meine finstre Sinnen” (bass) Johann Sebastian Bach | 4:23 | |
| 13 | Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 48 Recitative: “Da das der König Herodes hörte” (tenor) Johann Sebastian Bach | 0:11 | |
| 14 | Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 49 Recitative: “Warum wollt ihr erschrecken?” (alto) Johann Sebastian Bach | 0:32 | |
| 15 | Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 50 Recitative: “Und ließ versammlen alle Hohepriester” (tenor) Johann Sebastian Bach | 1:14 | |
| 16 | Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 51 Trio: “Ach, wenn wird die Zeit erscheinen?” (soprano, alto, tenor) Johann Sebastian Bach | 5:26 | |
| 17 | Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 52 Recitative: “Mein Liebster herrschet schon” (alto) Johann Sebastian Bach | 0:25 | |
| 18 | Weihnachtsoratorium, BWV 248: Part V: For the Sunday after New Year. No. 53 Chorale: “Zwar ist solche Herzensstube” Johann Sebastian Bach | 1:07 | |
| 19 | Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 54 Chorus: “Herr, wenn die stolzen Feinde schnauben” Johann Sebastian Bach | 5:23 | |
| 20 | Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 55 Recitative: “Da bereif Herodes die Weisen” (tenor, bass) Johann Sebastian Bach | 0:40 | |
| 21 | Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 56 Recitative: “Du Falscher, suche nur den Herrn zu fällen” (soprano) Johann Sebastian Bach | 0:52 | |
| 22 | Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 57 Aria: “Nur ein Wink von seinen Händen” (soprano) Johann Sebastian Bach | 4:31 | |
| 23 | Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 58 Recitative: “Als sie nun den König gehöret hatten” (tenor) Johann Sebastian Bach | 1:09 | |
| 24 | Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 59 Chorale: “Ich steh an deiner Krippen hier” Johann Sebastian Bach | 1:10 | |
| 25 | Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 60 Recitative: “Und Gott befahl ihnen im Traum” (tenor) Johann Sebastian Bach | 0:20 | |
| 26 | Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 61 Recitative: “So geht! Genug, mein Schatz geht nicht von hier” (tenor) Johann Sebastian Bach | 1:52 | |
| 27 | Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 62 Aria: “Nun mögt ihr stolzen Feinde schrecken” (tenor) Johann Sebastian Bach | 4:41 | |
| 28 | Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 63 Recitative: “Was will der Höllen Schrecken nun” (soprano, alto, tenor, bass) Johann Sebastian Bach | 0:34 | |
| 29 | Weihnachtsoratorium, BWV 248: Part VI: For the Feast of Epiphany. No. 64 Chorale: “Nun seid ihr wohl gerochen” Johann Sebastian Bach | 3:23 |
CD 5
| 1 | Timotheus oder Die Gewalt der Musik: Part I. No. 1 Overture George Frideric Handel | 7:01 | |
| 2 | Timotheus oder Die Gewalt der Musik: Part I. No. 2 Recitative: “Am königlichen Feste” (tenor) George Frideric Handel | 1:04 | |
| 3 | Timotheus oder Die Gewalt der Musik: Part I. No. 3 Aria & Chorus: “Selig, selig, selig Paar!” (tenor) George Frideric Handel | 5:53 | |
| 4 | Timotheus oder Die Gewalt der Musik: Part I. No. 4 Recitative: “Der Sänger ragt hervor” (tenor) George Frideric Handel | 0:27 | |
| 5 | Timotheus oder Die Gewalt der Musik: Part I. No. 5 Accompagnato: “Das Lied begann vom Zeus” (soprano) George Frideric Handel | 1:00 | |
| 6 | Timotheus oder Die Gewalt der Musik: Part I. No. 6 Chorus: “Den stillen Trupp entzückt das hohe Lied” George Frideric Handel | 2:32 | |
| 7 | Timotheus oder Die Gewalt der Musik: Part I. No. 7 Aria: “Der König horcht mit stolzem Ohr” (soprano) George Frideric Handel | 3:55 | |
| 8 | Timotheus oder Die Gewalt der Musik: Part I. No. 8 Recitative: “Des Bacchus Lob stimmt nun der süße Künstler an” (bass) George Frideric Handel | 0:47 | |
| 9 | Timotheus oder Die Gewalt der Musik: Part I. No. 9 Aria & Chorus: “Bacchus, ewig jung und schön” (bass) George Frideric Handel | 4:52 | |
| 10 | Timotheus oder Die Gewalt der Musik: Part I. No. 10 Recitative: “Siegprangend fühlt der Held das Lied!” (tenor) George Frideric Handel | 0:48 | |
| 11 | Timotheus oder Die Gewalt der Musik: Part I. No. 11 Accompagnato: “Nun flößt sein Tauerton” (soprano) George Frideric Handel | 1:21 | |
| 12 | Timotheus oder Die Gewalt der Musik: Part I. No. 12 Aria: “Er sang den Perser groß und gut” (soprano) George Frideric Handel | 3:10 | |
| 13 | Timotheus oder Die Gewalt der Musik: Part I. No. 13 Accompagnato: “Gesenkt das Haupt, sitzt traurig da der Held” (soprano) George Frideric Handel | 1:19 | |
| 14 | Timotheus oder Die Gewalt der Musik: Part I. No. 14 Chorus: “Seht an den Perser, groß und gut” George Frideric Handel | 2:51 | |
| 15 | Timotheus oder Die Gewalt der Musik: Part I. No. 15 Recitative: “Der Meister lächelt, weil er sieht” (soprano) George Frideric Handel | 0:34 | |
| 16 | Timotheus oder Die Gewalt der Musik: Part I. No. 16 Arioso: “Töne sanft, du lydisch Brautlied!” (soprano) George Frideric Handel | 3:31 | |
| 17 | Timotheus oder Die Gewalt der Musik: Part I. No. 17 Aria: “Krieg, o Held, ist Sort und Arbeit” (tenor) George Frideric Handel | 5:05 | |
| 18 | Timotheus oder Die Gewalt der Musik: Part I. No. 18 Chorus: “Die ganze Schar erhebt ein Lobgeschrei” George Frideric Handel | 4:33 | |
| 19 | Timotheus oder Die Gewalt der Musik: Part I. No. 19 Aria: “Der Held, der seine Glut umsonst verhehlt” (soprano) George Frideric Handel | 6:42 | |
| 20 | Timotheus oder Die Gewalt der Musik: Part I. No. 20 Chorus da capo: “Die ganze Schar erhebt ein Lobgeschrei” George Frideric Handel | 5:02 |
CD 6
| 1 | Timotheus oder Die Gewalt der Musik: Part II. Speech by Nikolaus Harnoncourt / Audience singalong George Frideric Handel | 5:59 | |
| 2 | Timotheus oder Die Gewalt der Musik: Part II. No. 20 Accompagnato: “Erschalle, goldnes Saitenspiel” (tenor) / Chorus: “Brich die Bande seines Schlummers” / Accompagnato: “Sieh da! Der Donneschlag hat ihn aufgeschreckt” (tenor) George Frideric Handel | 4:58 | |
| 3 | Timotheus oder Die Gewalt der Musik: Part II. No. 21 Aria: “Gib Rach'!” (bass) George Frideric Handel | 8:26 | |
| 4 | Timotheus oder Die Gewalt der Musik: Part II. No. 22 Accompagnato: “Rache, Rache gib deinem wackren Heer!” (tenor) George Frideric Handel | 1:43 | |
| 5 | Timotheus oder Die Gewalt der Musik: Part II. No. 23 Aria: “Es jauchzen die Krieger” (tenor) George Frideric Handel | 2:15 | |
| 6 | Timotheus oder Die Gewalt der Musik: Part II. No. 24 Aria: “Thais führt ihn an” (soprano) / Chorus: “Die Krieger, sie jauchzen” George Frideric Handel | 5:24 | |
| 7 | Timotheus oder Die Gewalt der Musik: Part II. No. 25 Accompagnato: “So stimmte vor” (tenor) / Chorus: “Vom Himmel kam Caecilia” George Frideric Handel | 6:31 | |
| 8 | Timotheus oder Die Gewalt der Musik: Part II. No. 26 Recitative: “Timotheus, entsag dem Preis!” (tenor, bass) George Frideric Handel | 0:25 | |
| 9 | Timotheus oder Die Gewalt der Musik: Part II. No. 27 Soloists & Chorus: “Timotheus, entsag dem Preis!” George Frideric Handel | 5:05 |
CD 7
| 1 | Messiah: Part I. No. 1 Sinfonia: Grave - Allegro moderato George Frideric Handel | 3:19 | |
| 2 | Messiah: Part I. No. 2 Accompagnato: “Comfort ye my people” (tenor) George Frideric Handel | 3:03 | |
| 3 | Messiah: Part I. No. 3 Air: “Ev'ry valley shall be exalted” (tenor) George Frideric Handel | 3:48 | |
| 4 | Messiah: Part I. No. 4 Chorus “And the glory of the Lord” George Frideric Handel | 2:32 | |
| 5 | Messiah: Part I. No. 5 Accompagnato: “Thus saith the Lord” (bass) George Frideric Handel | 1:33 | |
| 6 | Messiah: Part I. No. 6 Air: “But who may abide the day of His coming” (alto) George Frideric Handel | 4:08 | |
| 7 | Messiah: Part I. No. 7 Chorus “And He shall purify” / Recitative: “Behold, a virgin shall conceive” (alto) George Frideric Handel | 3:18 | |
| 8 | Messiah: Part I. No. 8 Air: “O thou that tellest good tidings to Zion” (alto, chorus) George Frideric Handel | 5:48 | |
| 9 | Messiah: Part I. No. 9 Accompagnato: “For behold, darkness shall cover the earth” (bass) George Frideric Handel | 1:53 | |
| 10 | Messiah: Part I. No. 10 Air: “The people that walked in darkness” (bass) George Frideric Handel | 3:24 | |
| 11 | Messiah: Part I. No. 11 Chorus: “For unto us a Child is born” George Frideric Handel | 4:53 | |
| 12 | Messiah: Part I. No. 12 Pifa - Recitative: “There were shepherds” (soprano) George Frideric Handel | 1:04 | |
| 13 | Messiah: Part I. No. 13 Accompagnato: “And lo! the angel of the Lord came upon them” (soprano) / Recitative: “And the angel said unto them” (soprano) George Frideric Handel | 1:03 | |
| 14 | Messiah: Part I. No. 14 Accompagnato: “And suddenly there was with the angel” (soprano) George Frideric Handel | 0:15 | |
| 15 | Messiah: Part I. No. 15 Chorus: “Glory to God in the highest” George Frideric Handel | 2:12 | |
| 16 | Messiah: Part I. No. 16 Air: “Rejoice greatly, O daughter of Zion” (soprano) / Recitative: “Then shall the eyes of the blind” (alto) George Frideric Handel | 5:16 | |
| 17 | Messiah: Part I. No. 17 Duet: “He shall feed His flock” (alto, soprano) George Frideric Handel | 5:33 | |
| 18 | Messiah: Part I. No. 18 Chorus: “His yoke is easy” George Frideric Handel | 2:59 | |
| 19 | Messiah: Part II. No. 19 Chorus: “Behold the Lamb of God” George Frideric Handel | 2:47 | |
| 20 | Messiah: Part II. No. 20 Air: “He was despised” (alto) George Frideric Handel | 10:43 |
CD 8
| 1 | Messiah: Part II. No. 21 Chorus: “Surely He hath borne our griefs” George Frideric Handel | 2:02 | |
| 2 | Messiah: Part II. No. 22 Chorus: “And with His stripes we are healed” George Frideric Handel | 1:49 | |
| 3 | Messiah: Part II. No. 23 Chorus: “All we like sheep have gone astray” George Frideric Handel | 3:39 | |
| 4 | Messiah: Part II. No. 24 Accompagnato: “All they that see Him, laugh Him to scorn” (tenor) George Frideric Handel | 0:43 | |
| 5 | Messiah: Part II. No. 25 Chorus: “He trusted in God” George Frideric Handel | 2:20 | |
| 6 | Messiah: Part II. No. 26 Accompagnato: “Thy rebuke hath broken His heart” (soprano) George Frideric Handel | 1:38 | |
| 7 | Messiah: Part II. No. 27 Arioso: “Behold, and see if there be any sorrow” (soprano) George Frideric Handel | 1:18 | |
| 8 | Messiah: Part II. No. 28 Accompagnato: “He was cut off out of the land of the living” (tenor) George Frideric Handel | 0:22 | |
| 9 | Messiah: Part II. No. 29 Air: “But Thou didst not leave” (tenor) George Frideric Handel | 2:17 | |
| 10 | Messiah: Part II. No. 30 Chorus: “Lift up your heads, O ye gates” / Recitative: “Unto which of the angels” (tenor) George Frideric Handel | 3:21 | |
| 11 | Messiah: Part II. No. 31 Chorus: “Let all the angels of God worship Him” George Frideric Handel | 1:36 | |
| 12 | Messiah: Part II. No. 32 Air: “Thou art gone up on high” (alto) George Frideric Handel | 3:09 | |
| 13 | Messiah: Part II. No. 33 Chorus: “The Lord gave the word” George Frideric Handel | 1:16 | |
| 14 | Messiah: Part II. No. 34a Air: “How beautiful are the feet” (soprano) George Frideric Handel | 2:00 | |
| 15 | Messiah: Part II. No. 35a Chorus: “Their sound is gone out” George Frideric Handel | 1:19 | |
| 16 | Messiah: Part II. No. 36 Air: “Why do the nations so furiously rage together?” (bass) George Frideric Handel | 2:56 | |
| 17 | Messiah: Part II. No. 37 Chorus: “Let us break their bonds asunder” / Recitative: “He that dwelleth in Heaven” (tenor) George Frideric Handel | 1:58 | |
| 18 | Messiah: Part II. No. 38 Air: “Thou shalt break them” (tenor) George Frideric Handel | 2:04 | |
| 19 | Messiah: Part II. No. 39 Chorus: “Hallelujah!” George Frideric Handel | 4:05 | |
| 20 | Messiah: Part III. No. 40 Air: “I know that my Redeemer liveth” (soprano) George Frideric Handel | 5:57 | |
| 21 | Messiah: Part III. No. 41 Chorus: “Since by man came death” George Frideric Handel | 1:46 | |
| 22 | Messiah: Part III. No. 42 Accompagnato: “Behold, I tell you a mystery” (bass) George Frideric Handel | 0:41 | |
| 23 | Messiah: Part III. No. 43 Air: “The trumpet shall sound” (bass) George Frideric Handel | 8:36 | |
| 24 | Messiah: Part III. No. 43 Recitative: “Then shall be brought to pass” (alto) / No. 44 Duet: “O death, where is they sting?” (alto, tenor) George Frideric Handel | 0:58 | |
| 25 | Messiah: Part III. No. 45 Chorus: “But thanks be to God” George Frideric Handel | 2:08 | |
| 26 | Messiah: Part III. No. 46 Air: “If God be for us” (soprano) George Frideric Handel | 4:46 | |
| 27 | Messiah: Part III. No. 47 Chorus: “Worthy is the Lamb” George Frideric Handel | 6:40 |
CD 9
| 1 | Orlando Paladino, Hob. XXVIII:11: Act I. No. 1 Sinfonia Joseph Haydn | 3:43 | |
| 2 | Orlando Paladino, Hob. XXVIII:11: Act I. No. 2 Introduction: “Il lavorar l'è pur la brutta cosa” (Eurilla, Licone, Rodomonte) Joseph Haydn | 3:04 | |
| 3 | Orlando Paladino, Hob. XXVIII:11: Act I. No. 3 Recitative: “Presto rispondi, indegno” (Eurilla, Rodomonte, Licone) Joseph Haydn | 1:10 | |
| 4 | Orlando Paladino, Hob. XXVIII:11: Act I. No. 4 Aria: “Ah se dire io vi potessi” (Eurilla) Joseph Haydn | 3:19 | |
| 5 | Orlando Paladino, Hob. XXVIII:11: Act I. No. 5 Recitative: “Non perdiamo più tempo” (Rodomonte, Licone) Joseph Haydn | 0:18 | |
| 6 | Orlando Paladino, Hob. XXVIII:11: Act I. No. 6 Aria: “Temerario! Senti e trema” (Rodomonte) Joseph Haydn | 3:21 | |
| 7 | Orlando Paladino, Hob. XXVIII:11: Act I. No. 7 Cavatina: “Palpita ad ogni istante il povero mio cor” (Angelica) Joseph Haydn | 4:44 | |
| 8 | Orlando Paladino, Hob. XXVIII:11: Act I. No. 8 Recitative: “Poco di me mi cal, ma per Medoro” (Angelica) Joseph Haydn | 0:34 | |
| 9 | Orlando Paladino, Hob. XXVIII:11: Act I. No. 9 Sinfonia Joseph Haydn | 0:27 | |
| 10 | Orlando Paladino, Hob. XXVIII:11: Act I. No. 10 Recitative: “Che fami dalla fata?” (Alcina, Angelica) Joseph Haydn | 0:41 | |
| 11 | Orlando Paladino, Hob. XXVIII:11: Act I. No. 11 Aria: “Ad un guardo” (Alcina) Joseph Haydn | 4:02 | |
| 12 | Orlando Paladino, Hob. XXVIII:11: Act I. No. 12 Recitative: “D'Alcina i detti mi consolano il cuore” (Angelica, Medoro) Joseph Haydn | 0:43 | |
| 13 | Orlando Paladino, Hob. XXVIII:11: Act I. No. 13 Aria: “Parto. Ma, oh dio, non posso” (Medoro) Joseph Haydn | 6:11 | |
| 14 | Orlando Paladino, Hob. XXVIII:11: Act I. No. 14 Recitative: “Col mio Medoro accanto” (Angelica) Joseph Haydn | 0:16 | |
| 15 | Orlando Paladino, Hob. XXVIII:11: Act I. No. 15 Cavatina: “La mia bella m'ha detto di no” (Pasquale) Joseph Haydn | 1:21 | |
| 16 | Orlando Paladino, Hob. XXVIII:11: Act I. No. 16 Recitative: “Pasquale disgraziato” (Pasquale, Rodomonte, Eurilla) Joseph Haydn | 1:44 | |
| 17 | Orlando Paladino, Hob. XXVIII:11: Act I. No. 17 Aria: “Ho viaggiato in Francia, in Spagna” (Pasquale) Joseph Haydn | 3:23 | |
| 18 | Orlando Paladino, Hob. XXVIII:11: Act I. No. 18 Recitative: “Si, regina, ho deciso” (Medoro, Angelica) Joseph Haydn | 0:47 | |
| 19 | Orlando Paladino, Hob. XXVIII:11: Act I. No. 19 Aria: “Non partir, mia bella face” (Angelica) Joseph Haydn | 5:20 | |
| 20 | Orlando Paladino, Hob. XXVIII:11: Act I. No. 20 Recitative: “In odio al mio bel nume” (Medoro) Joseph Haydn | 0:17 | |
| 21 | Orlando Paladino, Hob. XXVIII:11: Act I. No. 21 Accompanied Recitative: “Angelica, mio ben” (Orlando) Joseph Haydn | 4:35 | |
| 22 | Orlando Paladino, Hob. XXVIII:11: Act I. No. 22 Aria: “D'Angelica il nome!” (Orlando) Joseph Haydn | 3:44 | |
| 23 | Orlando Paladino, Hob. XXVIII:11: Act I. No. 23 Recitative: “Ove si cela il furibondo Orlando?” (Rodomonte, Pasquale, Orlando, Eurilla) Joseph Haydn | 0:44 | |
| 24 | Orlando Paladino, Hob. XXVIII:11: Act I. No. 24 Finale I: “Presto rispondi, indegna” (Orlando) Joseph Haydn | 1:43 | |
| 25 | Orlando Paladino, Hob. XXVIII:11: Act I. Adagio: “Sento nel seno, oh dio” (Angelica, tutti) Joseph Haydn | 3:41 | |
| 26 | Orlando Paladino, Hob. XXVIII:11: Act I. Adagio: “Chi mi salva o tien nascoso” (Medoro, Angelica, tutti) Joseph Haydn | 8:15 |
CD 10
| 1 | Orlando Paladino, Hob. XXVIII:11: Act II. No. 25 Recitative: “Stringi tosto quel brando” (Rodomonte, Orlando) Joseph Haydn | 0:18 | |
| 2 | Orlando Paladino, Hob. XXVIII:11: Act II. No. 26 Aria: “Mille lampi d'accese faville” (Rodomonte) Joseph Haydn | 2:13 | |
| 3 | Orlando Paladino, Hob. XXVIII:11: Act II. No. 27 Recitative: “In questo solitario orrido luogo” (Medoro, Eurilla) Joseph Haydn | 0:48 | |
| 4 | Orlando Paladino, Hob. XXVIII:11: Act II. No. 28 Aria: “Dille che un infelice” (Medoro) Joseph Haydn | 5:01 | |
| 5 | Orlando Paladino, Hob. XXVIII:11: Act II. No. 29 Recitative: “Sembra costui Pasquale” (Eurilla) Joseph Haydn | 0:18 | |
| 6 | Orlando Paladino, Hob. XXVIII:11: Act II. No. 30 Cavatina: “Vittoria, vittoria!” (Pasquale) Joseph Haydn | 1:50 | |
| 7 | Orlando Paladino, Hob. XXVIII:11: Act II. No. 31 Recitative: “Vuo' divertirmi” - “Aiuto, per pietà!” (Eurilla, Pasquale) Joseph Haydn | 1:22 | |
| 8 | Orlando Paladino, Hob. XXVIII:11: Act II. No. 32 Duet: “Quel tuo visetto amabile” (Eurilla, Pasquale) Joseph Haydn | 3:29 | |
| 9 | Orlando Paladino, Hob. XXVIII:11: Act II. No. 33 Aria: “Aure chete, verdi allori” (Angelica) Joseph Haydn | 5:31 | |
| 10 | Orlando Paladino, Hob. XXVIII:11: Act II. No. 34 Recitative: “Inutili saran del paladino” (Alcina) Joseph Haydn | 0:34 | |
| 11 | Orlando Paladino, Hob. XXVIII:11: Act II. No. 35 Recitative accompagnato: “Fra queste selve invan” (Angelica, Medoro) Joseph Haydn | 5:18 | |
| 12 | Orlando Paladino, Hob. XXVIII:11: Act II. No. 36 Duet: “Qual contento io provo in seno” (Medoro, Angelica) Joseph Haydn | 3:48 | |
| 13 | Orlando Paladino, Hob. XXVIII:11: Act II. No. 37 Recitative: “Partiam, giacché n'arride” (Angelica, Medoro, Orlando, Alcina) Joseph Haydn | 3:11 | |
| 14 | Orlando Paladino, Hob. XXVIII:11: Act II. No. 38 Accompanied Recitative: “Oimè, qual tetro oggetto!” - Aria: “Cosa vedo! Cosa sento” (Orlando) Joseph Haydn | 3:16 | |
| 15 | Orlando Paladino, Hob. XXVIII:11: Act II. No. 39 Recitative: “Madama, al vostro bello di quel grugno” (Pasquale, Eurilla) Joseph Haydn | 0:57 | |
| 16 | Orlando Paladino, Hob. XXVIII:11: Act II. No. 40 Aria: “Ecco spiano. Ecco il mio trillo” (Pasquale) Joseph Haydn | 4:12 | |
| 17 | Orlando Paladino, Hob. XXVIII:11: Act II. No. 41 Recitative: “Angelica dov'è?” (Rodomonte, Alcina) Joseph Haydn | 1:11 | |
| 18 | Orlando Paladino, Hob. XXVIII:11: Act II. No. 42 Finale II: “Nel solitario speco” (tutti) Joseph Haydn | 11:51 | |
| 19 | Orlando Paladino, Hob. XXVIII:11: Act III. No. 43 Aria: “Ombre insepolte, di qua partite” (Caronte) Joseph Haydn | 2:17 | |
| 20 | Orlando Paladino, Hob. XXVIII:11: Act III. No. 44 Recitative: “Con l'oblivione ti comando” (Alcina, Caronte) Joseph Haydn | 0:34 | |
| 21 | Orlando Paladino, Hob. XXVIII:11: Act III. No. 45 Accompanied Recitative: “Sogno? Veglio?” (Orlando) Joseph Haydn | 3:06 | |
| 22 | Orlando Paladino, Hob. XXVIII:11: Act III. No. 46 Aria: “Miei pensieri, dove siete?” (Orlando) Joseph Haydn | 3:14 | |
| 23 | Orlando Paladino, Hob. XXVIII:11: Act III. No. 47 Accompanied Recitative: “L'irremeabil onda” (Caronte, Orlando) Joseph Haydn | 0:29 | |
| 24 | Orlando Paladino, Hob. XXVIII:11: Act III. No. 48 Recitative: “Oimè. Già il sangue” (Medoro, Angelica, Orlando, Rodomonte) Joseph Haydn | 0:42 | |
| 25 | Orlando Paladino, Hob. XXVIII:11: Act III. No. 49 Combattimento Joseph Haydn | 1:03 | |
| 26 | Orlando Paladino, Hob. XXVIII:11: Act III. No. 50 Accompanied Recitative: “Implacabili numil” (Angelica) Joseph Haydn | 4:29 | |
| 27 | Orlando Paladino, Hob. XXVIII:11: Act III. No. 51 Aria: “Dell'estreme sue voci dolenti” Joseph Haydn | 2:46 | |
| 28 | Orlando Paladino, Hob. XXVIII:11: Act III. No. 52 Recitative: “Il tuo Medoro fu già risanato” (Alcina, tutti) Joseph Haydn | 1:27 | |
| 29 | Orlando Paladino, Hob. XXVIII:11: Act III. No. 53 Chorus: “Son confuso e stupefatto” (Orlando, tutti) Joseph Haydn | 2:54 |
CD 11
| 1 | Symphony no. 82 in C major “The Bear”, Hob. I:82: I. Vivace (assai) Joseph Haydn | 12:06 | |
| 2 | Symphony no. 82 in C major “The Bear”, Hob. I:82: II. Allegretto Joseph Haydn | 7:45 | |
| 3 | Symphony no. 82 in C major “The Bear”, Hob. I:82: III. Menuetto - Trio Joseph Haydn | 4:52 | |
| 4 | Symphony no. 82 in C major “The Bear”, Hob. I:82: IV. Finale. Vivace (assai) Joseph Haydn | 8:11 | |
| 5 | Symphony no. 83 in G minor “The Hen”, Hob. I:83: I. Allegro spiritoso Joseph Haydn | 10:44 | |
| 6 | Symphony no. 83 in G minor “The Hen”, Hob. I:83: II. Andante Joseph Haydn | 11:00 | |
| 7 | Symphony no. 83 in G minor “The Hen”, Hob. I:83: III. Menuetto. Allegretto - Trio Joseph Haydn | 3:53 | |
| 8 | Symphony no. 83 in G minor “The Hen”, Hob. I:83: IV. Finale. Vivace Joseph Haydn | 5:41 |
CD 12
| 1 | Symphony no. 84 in E-flat major, Hob. I:84: I. Largo - Allegro Joseph Haydn | 12:44 | |
| 2 | Symphony no. 84 in E-flat major, Hob. I:84: II. Andante Joseph Haydn | 6:32 | |
| 3 | Symphony no. 84 in E-flat major, Hob. I:84: III. Menuetto. Allegretto - Trio Joseph Haydn | 3:50 | |
| 4 | Symphony no. 84 in E-flat major, Hob. I:84: IV. Finale. Vivace Joseph Haydn | 9:23 | |
| 5 | Symphony no. 85 in B-flat major “The Queen”, Hob. I:85: I. Adagio - Vivace Joseph Haydn | 12:47 | |
| 6 | Symphony no. 85 in B-flat major “The Queen”, Hob. I:85: II. Romance. Allegretto Joseph Haydn | 6:46 | |
| 7 | Symphony no. 85 in B-flat major “The Queen”, Hob. I:85: III. Menuetto. Allegretto - Trio Joseph Haydn | 4:31 | |
| 8 | Symphony no. 85 in B-flat major “The Queen”, Hob. I:85: IV. Finale. Presto Joseph Haydn | 3:11 |
CD 13
| 1 | Symphony no. 86 in D major, Hob. I:86 (1786): I. Adagio - Allegro spiritoso Joseph Haydn | 12:35 | |
| 2 | Symphony no. 86 in D major, Hob. I:86 (1786): II. Capriccio. Largo Joseph Haydn | 6:46 | |
| 3 | Symphony no. 86 in D major, Hob. I:86 (1786): III. Menuet. Allegretto - Trio Joseph Haydn | 5:39 | |
| 4 | Symphony no. 86 in D major, Hob. I:86 (1786): IV. Finale. Allegro con spirito Joseph Haydn | 6:35 | |
| 5 | Symphony no. 87 in A major, Hob. I:87 (1785): I. Vivace Joseph Haydn | 11:16 | |
| 6 | Symphony no. 87 in A major, Hob. I:87 (1785): II. Adagio Joseph Haydn | 7:18 | |
| 7 | Symphony no. 87 in A major, Hob. I:87 (1785): III. Menuet - Trio Joseph Haydn | 4:55 | |
| 8 | Symphony no. 87 in A major, Hob. I:87 (1785): IV. Finale. Vivace Joseph Haydn | 6:30 |
CD 14
| 1 | Die Schöpfung, Hob. XXI:2: Part I. The Representation of Chaos Joseph Haydn | 5:40 | |
| 2 | Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Im Anfange schuf Gott Himmel und Erde” (Raphael) - Chorus: “Und der Geist Gottes” Joseph Haydn | 2:31 | |
| 3 | Die Schöpfung, Hob. XXI:2: Part I. Aria: “Nun Schwanden vor dem heiligen Strahle” (Uriel) / Chorus: “Verzweiflung, Wut und Schrecken” Joseph Haydn | 4:05 | |
| 4 | Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Und Gott machte das Firmament” (Raphael) Joseph Haydn | 2:12 | |
| 5 | Die Schöpfung, Hob. XXI:2: Part I. Soprano solo: “Mit Staunen sieht das Wunderwerk” (Gabriel) / Chorus: “Und laut ertönt aus ihren Kehlen...” Joseph Haydn | 2:16 | |
| 6 | Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Und Gott sprach: Es sammle sich das Wasser” (Raphael) Joseph Haydn | 0:42 | |
| 7 | Die Schöpfung, Hob. XXI:2: Part I. Aria: “Rollend in schäumenden Wellen” (Raphael) Joseph Haydn | 4:02 | |
| 8 | Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Und Gott sprach: Es bringe die Erde Gras hervor” (Gabriel) Joseph Haydn | 0:36 | |
| 9 | Die Schöpfung, Hob. XXI:2: Part I. Aria: “Nun beut die Flur das frische Grün” (Gabriel) Joseph Haydn | 5:18 | |
| 10 | Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Und die himmlischen Heerscharen verkündigten den dritten Tag” (Uriel) Joseph Haydn | 0:14 | |
| 11 | Die Schöpfung, Hob. XXI:2: Part I. Chorus: “Stimmt an die Saiten, ergreift die Leyer!” Joseph Haydn | 2:17 | |
| 12 | Die Schöpfung, Hob. XXI:2: Part I. Recitative: “Und Gott sprach: Es sei'n Lichter an der Feste des Himmels” (Uriel) Joseph Haydn | 0:48 | |
| 13 | Die Schöpfung, Hob. XXI:2: Part I. Recitative: “In vollem Glanze steiget jetzt die Sonne strahlend auf” (Uriel) Joseph Haydn | 3:16 | |
| 14 | Die Schöpfung, Hob. XXI:2: Part I. Chorus: “Die Himmel erzählen die Ehre Gottes” / Trio: “Dem kommenden Tage sagt es der Tag” (Gabriel, Uriel, Raphael) Joseph Haydn | 4:24 |
CD 15
| 1 | Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und Gott sprach: Es bringe das Wasser in der Fülle hervor” (Gabriel) Joseph Haydn | 0:30 | |
| 2 | Die Schöpfung, Hob. XXI:2: Part II. Aria: “Auf starkem Fittige schwinget sich der Adler stolz” (Gabriel) Joseph Haydn | 7:47 | |
| 3 | Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und Gott schuf große Walfische” (Raphael) Joseph Haydn | 2:11 | |
| 4 | Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und die Engel rührten ihr' unsterblichen Harrfen” (Raphael) Joseph Haydn | 0:18 | |
| 5 | Die Schöpfung, Hob. XXI:2: Part II. Trio: “In holder Anmut stehn, mit jungem Grün geschmückt” (Gabriel, Uriel, Raphael) / Chorus: “Der Herr ist groß in siner Macht” Joseph Haydn | 7:02 | |
| 6 | Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und Gott sprach: Es bringe die Erde hervor” (Raphael) Joseph Haydn | 0:25 | |
| 7 | Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Gleich öffnet sich der Erde Schoß” (Raphael) Joseph Haydn | 3:10 | |
| 8 | Die Schöpfung, Hob. XXI:2: Part II. Aria: “Nun scheint in vollem Glanze der Himmel” (Raphael) Joseph Haydn | 3:20 | |
| 9 | Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und Gott schuf den Menschen nach seinem Ebenbilde” (Uriel) Joseph Haydn | 0:47 | |
| 10 | Die Schöpfung, Hob. XXI:2: Part II. Aria: “Mit Würd' und Hoheit angetan” (Uriel) Joseph Haydn | 3:58 | |
| 11 | Die Schöpfung, Hob. XXI:2: Part II. Recitative: “Und Gott sah jedes Ding, was er gemacht hatte” (Raphael) Joseph Haydn | 0:20 | |
| 12 | Die Schöpfung, Hob. XXI:2: Part II. Chorus: “Vollendet ist das große Werk” / Trio: “Zu dir, o Herr, blickt alles auf” (Gabriel, Uriel, Raphael) Joseph Haydn | 9:17 | |
| 13 | Die Schöpfung, Hob. XXI:2: Part III. Recitative: “Aus Rosenwolken bricht, geweckt durch süßen Klang” (Uriel) Joseph Haydn | 3:55 | |
| 14 | Die Schöpfung, Hob. XXI:2: Part III. Duet: “Von deiner Güt', o Herr und Gott” (Adam, Eva) / Chorus: “Gesegnet sei des Herren Macht” Joseph Haydn | 10:20 | |
| 15 | Die Schöpfung, Hob. XXI:2: Part III. Recitative: “Nun ist die erste Pflicht erfüllt” (Adam, Eva) Joseph Haydn | 2:12 | |
| 16 | Die Schöpfung, Hob. XXI:2: Part III. Duet: “Holde Gattin! Dir zur Seite” (Adam, Eva) Joseph Haydn | 7:57 | |
| 17 | Die Schöpfung, Hob. XXI:2: Part III. Recitative: “O glücklich Paar, und glücklich immerfort” (Uriel) Joseph Haydn | 0:24 | |
| 18 | Die Schöpfung, Hob. XXI:2: Part III. Final Chorus & Soloists: “Singt dem Herren alle Stimmen!” Joseph Haydn | 3:37 |
CD 16
| 1 | Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 1 Introduction - Recitative: “Seht, wie der strenge Winter flieht!” (Simon, Lukas, Hanne) Joseph Haydn | 6:06 | |
| 2 | Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 2 Chorus of Country People: “Komm, holder Lenz!” Joseph Haydn | 3:53 | |
| 3 | Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 3 Recitative: “Vom Widder strahlet jetzt” (Simon) Joseph Haydn | 0:30 | |
| 4 | Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 4 Aria: “Schon eilet froh der Ackermann” (Simon) Joseph Haydn | 3:51 | |
| 5 | Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 5 Recitative: “Der Landmann hat sein Werk vollbracht” (Lukas) Joseph Haydn | 0:33 | |
| 6 | Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 6 Prayer of Supplication: Trio & Chorus: “Sei mir/uns nun gnädig, milder Himmel!” Joseph Haydn | 5:42 | |
| 7 | Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 7 Recitative: “Erhört ist unser Flehn” (Hanne) Joseph Haydn | 1:08 | |
| 8 | Die Jahreszeiten, Hob. XXI:3: Die Frühling. No. 8 Song of Joy: “O wie lieblich ist der Anblick” (Hanne, Lukas, chorus, Simon) Joseph Haydn | 10:47 | |
| 9 | Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 9 Introduction - Recitative: “In grauem Schleier rückt heran” (Lukas, Simon) Joseph Haydn | 3:26 | |
| 10 | Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 10 Aria: “Der munt're Hirt versammelt nun” (Simon) / Recitative: “Die Morgenröte bricht hervor” (Hanne) Joseph Haydn | 3:16 | |
| 11 | Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 11 Trio & Chorus: “Sie steigt herauf, die Sonne” Joseph Haydn | 4:40 | |
| 12 | Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 12 Recitative: “Nun regt und bewegt sich alles umher” (Simon, Lukas) Joseph Haydn | 1:48 | |
| 13 | Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 13 Cavatina: “Dem Druck erlieget die Natur” (Lukas) Joseph Haydn | 3:58 | |
| 14 | Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 14 Recitative: “Willkommen jetzt, o dunkler Hain” (Hanne) Joseph Haydn | 3:47 | |
| 15 | Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 15 Aria: “Welche Labung für die Sinne!” (Hanne) Joseph Haydn | 4:53 | |
| 16 | Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 16 Recitative: “O seht! Es steiget in der schwülen Luft” (Simon, Lukas, Hanne) Joseph Haydn | 2:20 | |
| 17 | Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 17 Chorus: “Ach! das Ungewitter naht!” Joseph Haydn | 4:09 | |
| 18 | Die Jahreszeiten, Hob. XXI:3: Der Sommer: No. 18 Trio & Chorus: “Die düstren Wolken trennen sich” Joseph Haydn | 4:20 |
CD 17
| 1 | Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 19 Introduction: “Was durch deine Blüte” (Hanne, Lukas, Simon) Joseph Haydn | 2:20 | |
| 2 | Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 20 Trio & Chorus: “So lohnet die Natur den Fleiß” Joseph Haydn | 6:39 | |
| 3 | Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 21 Recitative: “Seht, wie zum Haselbusche dort” (Hanne, Simon, Lukas) Joseph Haydn | 1:00 | |
| 4 | Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 22 Duet: “Ihr Schönen aus der Stadt, kommt her” (Lukas, Hanne) Joseph Haydn | 8:29 | |
| 5 | Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 23 Recitative: “Nun zeiget das entblößte Feld” (Simon) Joseph Haydn | 0:50 | |
| 6 | Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 24 Aria: “Seht auf die breiten Wiesen hin!” Joseph Haydn | 3:14 | |
| 7 | Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 25 Recitative: “Hier treibt ein dichter Kreis” (Lukas) Joseph Haydn | 0:43 | |
| 8 | Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 26 Chorus of Country People and Hunters: “Hört! hört das laute Getön” Joseph Haydn | 4:17 | |
| 9 | Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 27 Recitative: “Am Rebenstocke blinket jetzt” (Hanne, Simon, Lukas) Joseph Haydn | 0:57 | |
| 10 | Die Jahreszeiten, Hob. XXI:3: Der Herbst: No. 28 Chorus: “Juhe! Juhe! Der Wein ist da” Joseph Haydn | 6:23 | |
| 11 | Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 29 Introduction - Recitative: “Nun senket sich das blasse Jahr” (Simon, Hanne) Joseph Haydn | 5:22 | |
| 12 | Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 30 Cavatina: “Licht und Leben sind geschwächet” (Hanne) Joseph Haydn | 2:02 | |
| 13 | Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 31 Recitative: “Gefesselt steht der breite See” (Lukas) Joseph Haydn | 1:54 | |
| 14 | Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 32 Aria: “Hier steht der Wand'rer nun” (Lukas) Joseph Haydn | 3:47 | |
| 15 | Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 33 Recitative: “Sowie er naht” (Lukas, Hanne, Simon) Joseph Haydn | 1:07 | |
| 16 | Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 34 Song & Chorus: “Knurre, schnurre, knurre” (Hanne) Joseph Haydn | 2:51 | |
| 17 | Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 35 Recitative: “Abgesponnen ist der Flachs” (Lukas) Joseph Haydn | 0:21 | |
| 18 | Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 36 Song & Chorus: “Ein Mädchen, das auf Ehre hielt” (Hanne) Joseph Haydn | 3:19 | |
| 19 | Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 37 Recitative: “Von dürren Oste dringt” (Simon) Joseph Haydn | 0:38 | |
| 20 | Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 38 Aria: “Erblicke hier, betörter Mensch” (Simon) Joseph Haydn | 4:52 | |
| 21 | Die Jahreszeiten, Hob. XXI:3: Der Winter: No. 39 Trio & Double Chorus: “Dann bricht der große Morgen an” Joseph Haydn | 6:14 |
CD 18
| 1 | Symphony no. 1 in E-flat major, K 16: I. Molto allegro Wolfgang Amadeus Mozart | 7:12 | |
| 2 | Symphony no. 1 in E-flat major, K 16: II. Andante Wolfgang Amadeus Mozart | 5:08 | |
| 3 | Symphony no. 1 in E-flat major, K 16: III. Presto Wolfgang Amadeus Mozart | 1:27 | |
| 4 | Symphony no. 4 in D major, K 19: I. Allegro Wolfgang Amadeus Mozart | 2:31 | |
| 5 | Symphony no. 4 in D major, K 19: II. Andante Wolfgang Amadeus Mozart | 3:49 | |
| 6 | Symphony no. 4 in D major, K 19: III. Presto Wolfgang Amadeus Mozart | 2:54 | |
| 7 | Symphony no. 4a in F major, K Anh 223 (19a): I. Allegro assai Wolfgang Amadeus Mozart | 5:55 | |
| 8 | Symphony no. 4a in F major, K Anh 223 (19a): II. Andante Wolfgang Amadeus Mozart | 4:38 | |
| 9 | Symphony no. 4a in F major, K Anh 223 (19a): III. Presto Wolfgang Amadeus Mozart | 2:20 | |
| 10 | Symphony no. 5 in B-flat major, K 22: I. Allegro Wolfgang Amadeus Mozart | 2:48 | |
| 11 | Symphony no. 5 in B-flat major, K 22: II. Andante Wolfgang Amadeus Mozart | 2:10 | |
| 12 | Symphony no. 5 in B-flat major, K 22: III. Molto allegro Wolfgang Amadeus Mozart | 1:13 | |
| 13 | Symphony no. 43 in F major, K 76 (42a): I. Allegro maestoso Wolfgang Amadeus Mozart | 4:53 | |
| 14 | Symphony no. 43 in F major, K 76 (42a): II. Andante Wolfgang Amadeus Mozart | 3:04 | |
| 15 | Symphony no. 43 in F major, K 76 (42a): III. Menuetto - Trio Wolfgang Amadeus Mozart | 3:15 | |
| 16 | Symphony no. 43 in F major, K 76 (42a): IV. Allegro Wolfgang Amadeus Mozart | 3:20 | |
| 17 | Symphony no. 6 in F major, K 43: I. Allegro Wolfgang Amadeus Mozart | 6:23 | |
| 18 | Symphony no. 6 in F major, K 43: II. Andante Wolfgang Amadeus Mozart | 5:58 | |
| 19 | Symphony no. 6 in F major, K 43: III. Menuetto - Trio Wolfgang Amadeus Mozart | 2:15 | |
| 20 | Symphony no. 6 in F major, K 43: IV. Allegro Wolfgang Amadeus Mozart | 3:49 |
CD 19
| 1 | Symphony no. 7a in G major “Alte Lambach”, K Anh 221 (45a): I. Allegro maestoso Wolfgang Amadeus Mozart | 5:30 | |
| 2 | Symphony no. 7a in G major “Alte Lambach”, K Anh 221 (45a): II. Andante Wolfgang Amadeus Mozart | 6:45 | |
| 3 | Symphony no. 7a in G major “Alte Lambach”, K Anh 221 (45a): III. Presto Wolfgang Amadeus Mozart | 2:20 | |
| 4 | Symphony no. 7 in D major, K 45: I. Molto allegro Wolfgang Amadeus Mozart | 2:35 | |
| 5 | Symphony no. 7 in D major, K 45: II. Andante Wolfgang Amadeus Mozart | 2:08 | |
| 6 | Symphony no. 7 in D major, K 45: III. Menuetto - Trio Wolfgang Amadeus Mozart | 3:51 | |
| 7 | Symphony no. 7 in D major, K 45: IV. Molto allegro Wolfgang Amadeus Mozart | 2:40 | |
| 8 | Symphony no. 55 in B-flat major, K Anh 214 (45b): I. Allegro Wolfgang Amadeus Mozart | 2:16 | |
| 9 | Symphony no. 55 in B-flat major, K Anh 214 (45b): II. Andante Wolfgang Amadeus Mozart | 3:31 | |
| 10 | Symphony no. 55 in B-flat major, K Anh 214 (45b): III. Menuetto - Trio Wolfgang Amadeus Mozart | 3:07 | |
| 11 | Symphony no. 55 in B-flat major, K Anh 214 (45b): IV. Allegro Wolfgang Amadeus Mozart | 3:56 | |
| 12 | Symphony no. 8 in D major. K 48: I. Allegro Wolfgang Amadeus Mozart | 4:40 | |
| 13 | Symphony no. 8 in D major. K 48: II. Andante Wolfgang Amadeus Mozart | 2:25 | |
| 14 | Symphony no. 8 in D major. K 48: III. Menuetto - Trio Wolfgang Amadeus Mozart | 4:06 | |
| 15 | Symphony no. 8 in D major. K 48: IV. Molto allegro Wolfgang Amadeus Mozart | 3:27 | |
| 16 | Symphony no. 9 in C major, K 73 (75a): I. Allegro Wolfgang Amadeus Mozart | 3:24 | |
| 17 | Symphony no. 9 in C major, K 73 (75a): II. Andante Wolfgang Amadeus Mozart | 3:59 | |
| 18 | Symphony no. 9 in C major, K 73 (75a): III. Menuetto - Trio Wolfgang Amadeus Mozart | 2:36 | |
| 19 | Symphony no. 9 in C major, K 73 (75a): IV. Molto allegro Wolfgang Amadeus Mozart | 1:55 | |
| 20 | Symphony no. 44 in D major, K 81 (73l): I. Allegro Wolfgang Amadeus Mozart | 3:17 | |
| 21 | Symphony no. 44 in D major, K 81 (73l): II. Andante Wolfgang Amadeus Mozart | 4:52 | |
| 22 | Symphony no. 44 in D major, K 81 (73l): III. Allegro molto Wolfgang Amadeus Mozart | 2:35 |
CD 20
| 1 | Symphony no. 47 in D major, K 97 (73m): I. Allegro Wolfgang Amadeus Mozart | 2:48 | |
| 2 | Symphony no. 47 in D major, K 97 (73m): II. Andante Wolfgang Amadeus Mozart | 2:34 | |
| 3 | Symphony no. 47 in D major, K 97 (73m): III. Menuetto - Trio Wolfgang Amadeus Mozart | 2:37 | |
| 4 | Symphony no. 47 in D major, K 97 (73m): IV. Presto Wolfgang Amadeus Mozart | 1:31 | |
| 5 | Symphony no. 45 in D major, K 95 (73n): I. Allegro Wolfgang Amadeus Mozart | 1:58 | |
| 6 | Symphony no. 45 in D major, K 95 (73n): II. Andante Wolfgang Amadeus Mozart | 3:53 | |
| 7 | Symphony no. 45 in D major, K 95 (73n): III. Menuetto - Trio Wolfgang Amadeus Mozart | 2:58 | |
| 8 | Symphony no. 45 in D major, K 95 (73n): IV. Allegro Wolfgang Amadeus Mozart | 3:35 | |
| 9 | Symphony no. 11 in D major, K 84 (73q): I. Allegro Wolfgang Amadeus Mozart | 3:47 | |
| 10 | Symphony no. 11 in D major, K 84 (73q): II. Andante Wolfgang Amadeus Mozart | 1:38 | |
| 11 | Symphony no. 11 in D major, K 84 (73q): III. Allegro Wolfgang Amadeus Mozart | 4:45 | |
| 12 | Symphony no. 10 in G major, K 74: I. Allegro - attacca Wolfgang Amadeus Mozart | 3:16 | |
| 13 | Symphony no. 10 in G major, K 74: II. Andante Wolfgang Amadeus Mozart | 2:14 | |
| 14 | Symphony no. 10 in G major, K 74: III. Allegro Wolfgang Amadeus Mozart | 2:15 | |
| 15 | Symphony no. 42 in F major, K 75: I. Allegro Wolfgang Amadeus Mozart | 3:24 | |
| 16 | Symphony no. 42 in F major, K 75: II. Menuetto - Trio Wolfgang Amadeus Mozart | 3:32 | |
| 17 | Symphony no. 42 in F major, K 75: III. Andantino Wolfgang Amadeus Mozart | 4:48 | |
| 18 | Symphony no. 42 in F major, K 75: IV. Allegro Wolfgang Amadeus Mozart | 2:38 | |
| 19 | Symphony no. 12 in G major, K 110 (75b): I. Allegro Wolfgang Amadeus Mozart | 5:56 | |
| 20 | Symphony no. 12 in G major, K 110 (75b): II. Andante Wolfgang Amadeus Mozart | 4:06 | |
| 21 | Symphony no. 12 in G major, K 110 (75b): III. Menuetto - Trio Wolfgang Amadeus Mozart | 3:48 | |
| 22 | Symphony no. 12 in G major, K 110 (75b): IV. Allegro Wolfgang Amadeus Mozart | 2:00 | |
| 23 | Symphony no. 48 in D major: I. Allegro assai Wolfgang Amadeus Mozart | 3:53 | |
| 24 | Symphony no. 48 in D major: II. Andante grazioso Wolfgang Amadeus Mozart | 1:28 | |
| 25 | Symphony no. 48 in D major: III. Finale. Presto Wolfgang Amadeus Mozart | 1:10 |
CD 21
| 1 | Symphony no. 46 in C major, K96 (111b): I. Allegro Wolfgang Amadeus Mozart | 2:05 | |
| 2 | Symphony no. 46 in C major, K96 (111b): II. Andante Wolfgang Amadeus Mozart | 4:21 | |
| 3 | Symphony no. 46 in C major, K96 (111b): III. Menuetto - Trio Wolfgang Amadeus Mozart | 3:31 | |
| 4 | Symphony no. 46 in C major, K96 (111b): IV. Molto allegro Wolfgang Amadeus Mozart | 3:13 | |
| 5 | Symphony no. 13 in F major, K 112: I. Allegro Wolfgang Amadeus Mozart | 5:39 | |
| 6 | Symphony no. 13 in F major, K 112: II. Andante Wolfgang Amadeus Mozart | 4:33 | |
| 7 | Symphony no. 13 in F major, K 112: III. Menuetto - Trio Wolfgang Amadeus Mozart | 2:28 | |
| 8 | Symphony no. 13 in F major, K 112: IV. Molto allegro Wolfgang Amadeus Mozart | 2:12 | |
| 9 | Symphony no. 14 in A major, K 114: I. Allegro moderato Wolfgang Amadeus Mozart | 7:41 | |
| 10 | Symphony no. 14 in A major, K 114: II. Andante Wolfgang Amadeus Mozart | 4:43 | |
| 11 | Symphony no. 14 in A major, K 114: III. Menuetto - Trio Wolfgang Amadeus Mozart | 3:41 | |
| 12 | Symphony no. 14 in A major, K 114: IV. Molto allegro Wolfgang Amadeus Mozart | 4:38 | |
| 13 | Symphony no. 15 in G major, K 124: I. Allegro Wolfgang Amadeus Mozart | 5:19 | |
| 14 | Symphony no. 15 in G major, K 124: II. Andante Wolfgang Amadeus Mozart | 4:20 | |
| 15 | Symphony no. 15 in G major, K 124: III. Menuetto - Trio Wolfgang Amadeus Mozart | 2:15 | |
| 16 | Symphony no. 15 in G major, K 124: IV. Presto Wolfgang Amadeus Mozart | 2:08 | |
| 17 | Sinfonie-Menuett in C major, K 409 (383f): Menuetto - Trio Wolfgang Amadeus Mozart | 7:07 |
CD 22
| 1 | Symphony no. 16 in C major, K 128: I. Allegro maestoso Wolfgang Amadeus Mozart | 5:10 | |
| 2 | Symphony no. 16 in C major, K 128: II. Andante grazioso Wolfgang Amadeus Mozart | 4:27 | |
| 3 | Symphony no. 16 in C major, K 128: III. Allegro Wolfgang Amadeus Mozart | 4:18 | |
| 4 | Symphony no. 17 in G major, K 129: I. Allegro Wolfgang Amadeus Mozart | 4:49 | |
| 5 | Symphony no. 17 in G major, K 129: II. Andante Wolfgang Amadeus Mozart | 4:04 | |
| 6 | Symphony no. 17 in G major, K 129: III. Allegro Wolfgang Amadeus Mozart | 3:08 | |
| 7 | Symphony no. 18 in F major, K 130: I. Allegro Wolfgang Amadeus Mozart | 5:44 | |
| 8 | Symphony no. 18 in F major, K 130: II. Andantino grazioso Wolfgang Amadeus Mozart | 6:52 | |
| 9 | Symphony no. 18 in F major, K 130: III. Menuetto - Trio Wolfgang Amadeus Mozart | 2:41 | |
| 10 | Symphony no. 18 in F major, K 130: IV. Molto allegro Wolfgang Amadeus Mozart | 7:14 | |
| 11 | Symphony no. 19 in E-flat major, K 132: I. Allegro Wolfgang Amadeus Mozart | 4:05 | |
| 12 | Symphony no. 19 in E-flat major, K 132: II. Andantino [Version 2] Wolfgang Amadeus Mozart | 10:25 | |
| 13 | Symphony no. 19 in E-flat major, K 132: III. Menuetto - Trio Wolfgang Amadeus Mozart | 3:50 | |
| 14 | Symphony no. 19 in E-flat major, K 132: IV. Allegro Wolfgang Amadeus Mozart | 4:02 | |
| 15 | Symphony no. 19 in E-flat major, K 132: II. Andantino grazioso [Version 1] Wolfgang Amadeus Mozart | 2:42 |
CD 23
| 1 | Symphony no. 20 in D major, K 133: I. Allegro Wolfgang Amadeus Mozart | 10:43 | |
| 2 | Symphony no. 20 in D major, K 133: II. Andante Wolfgang Amadeus Mozart | 7:43 | |
| 3 | Symphony no. 20 in D major, K 133: III. Menuetto - Trio Wolfgang Amadeus Mozart | 4:23 | |
| 4 | Symphony no. 20 in D major, K 133: IV. Allegro Wolfgang Amadeus Mozart | 5:35 | |
| 5 | Symphony no. 21 in A major, K 134: I. Allegro Wolfgang Amadeus Mozart | 5:29 | |
| 6 | Symphony no. 21 in A major, K 134: II. Andante Wolfgang Amadeus Mozart | 5:10 | |
| 7 | Symphony no. 21 in A major, K 134: III. Menuetto - Trio Wolfgang Amadeus Mozart | 3:47 | |
| 8 | Symphony no. 21 in A major, K 134: IV. Allegro Wolfgang Amadeus Mozart | 4:34 | |
| 9 | Symphony no. 50 in D major, K 161 (141a): I. Allegro moderato Wolfgang Amadeus Mozart | 3:27 | |
| 10 | Symphony no. 50 in D major, K 161 (141a): II. Andante Wolfgang Amadeus Mozart | 1:51 | |
| 11 | Symphony no. 50 in D major, K 161 (141a): III. Presto Wolfgang Amadeus Mozart | 1:51 | |
| 12 | Symphony no. 22 in C major, K 162: I. Allegro assai Wolfgang Amadeus Mozart | 3:55 | |
| 13 | Symphony no. 22 in C major, K 162: II. Andantino grazioso Wolfgang Amadeus Mozart | 2:47 | |
| 14 | Symphony no. 22 in C major, K 162: III. Presto assai Wolfgang Amadeus Mozart | 1:58 | |
| 15 | Symphony no. 26 in E-flat major, K 184 (161a): I. Molto presto Wolfgang Amadeus Mozart | 2:53 | |
| 16 | Symphony no. 26 in E-flat major, K 184 (161a): II. Andante - attacca Wolfgang Amadeus Mozart | 3:05 | |
| 17 | Symphony no. 26 in E-flat major, K 184 (161a): III. Allegro Wolfgang Amadeus Mozart | 2:15 |
CD 24
| 1 | Symphony no. 27 in G major, K 199 (161b): I. Allegro Wolfgang Amadeus Mozart | 6:42 | |
| 2 | Symphony no. 27 in G major, K 199 (161b): II. Andantino grazioso Wolfgang Amadeus Mozart | 10:05 | |
| 3 | Symphony no. 27 in G major, K 199 (161b): III. Presto Wolfgang Amadeus Mozart | 5:24 | |
| 4 | Symphony no. 23 in D major, K 181 (162b): I. Allegro spiritoso - attacca Wolfgang Amadeus Mozart | 4:57 | |
| 5 | Symphony no. 23 in D major, K 181 (162b): II. Andantino grazioso - attacca Wolfgang Amadeus Mozart | 2:36 | |
| 6 | Symphony no. 23 in D major, K 181 (162b): III. Presto assai Wolfgang Amadeus Mozart | 2:03 | |
| 7 | Symphony no. 24 in B-flat major, K 182 (173dA): I. Allegro spiritoso Wolfgang Amadeus Mozart | 4:12 | |
| 8 | Symphony no. 24 in B-flat major, K 182 (173dA): II. Andantino grazioso Wolfgang Amadeus Mozart | 3:28 | |
| 9 | Symphony no. 24 in B-flat major, K 182 (173dA): III. Allegro Wolfgang Amadeus Mozart | 3:09 | |
| 10 | Symphony no. 25 in G minor, K 183 (173dB): I. Allegro con brio Wolfgang Amadeus Mozart | 10:45 | |
| 11 | Symphony no. 25 in G minor, K 183 (173dB): II. Andante Wolfgang Amadeus Mozart | 6:06 | |
| 12 | Symphony no. 25 in G minor, K 183 (173dB): III. Menuetto - Trio Wolfgang Amadeus Mozart | 3:34 | |
| 13 | Symphony no. 25 in G minor, K 183 (173dB): IV. Allegro Wolfgang Amadeus Mozart | 7:03 | |
| 14 | Symphony no. 51 in D major: I. Allegro molto Wolfgang Amadeus Mozart | 2:32 | |
| 15 | Symphony no. 51 in D major: II. Andantino grazioso Wolfgang Amadeus Mozart | 2:12 | |
| 16 | Symphony no. 51 in D major: III. Allegro Wolfgang Amadeus Mozart | 2:29 |
CD 25
| 1 | “Mein Herz ist völlig entzücket” (Wolfgang Amadeus Mozart) Wolfgang Amadeus Mozart | 0:22 | |
| 2 | Symphony no. 1 in E-flat major, K 16: I. Molto allegro Wolfgang Amadeus Mozart | 7:10 | |
| 3 | Symphony no. 1 in E-flat major, K 16: II. Andante Wolfgang Amadeus Mozart | 5:09 | |
| 4 | Symphony no. 1 in E-flat major, K 16: III. Presto Wolfgang Amadeus Mozart | 1:21 | |
| 5 | “Wie kostbar die Zeit für die Jugend ist” (Leopold Mozart) Leopold Mozart | 0:28 | |
| 6 | Symphony no. 4 in D major, K 19: I. Allegro Wolfgang Amadeus Mozart | 2:30 | |
| 7 | Symphony no. 4 in D major, K 19: II. Andante Wolfgang Amadeus Mozart | 3:49 | |
| 8 | Symphony no. 4 in D major, K 19: III. Presto Wolfgang Amadeus Mozart | 2:49 | |
| 9 | “Das heist auf der Schneckenpost gereiset!" (Leopold Mozart) Leopold Mozart | 0:57 | |
| 10 | Symphony no. 4a in F major, K Anh 223 (19a): I. Allegro assai Wolfgang Amadeus Mozart | 5:55 | |
| 11 | Symphony no. 4a in F major, K Anh 223 (19a): II. Andante Wolfgang Amadeus Mozart | 4:38 | |
| 12 | Symphony no. 4a in F major, K Anh 223 (19a): III. Presto Wolfgang Amadeus Mozart | 2:15 | |
| 13 | “Meine Kinder haben ganz Schwetzingen in Bewegung gesetzet” (Leopold Mozart & Maria Anna (“Nannerl”) Mozart) Leopold Mozart & Maria Anna Mozart | 0:59 | |
| 14 | Symphony no. 5 in B-flat major, K 22: I. Allegro Wolfgang Amadeus Mozart | 2:48 | |
| 15 | Symphony no. 5 in B-flat major, K 22: II. Andante Wolfgang Amadeus Mozart | 2:10 | |
| 16 | Symphony no. 5 in B-flat major, K 22: III. Molto allegro Wolfgang Amadeus Mozart | 1:06 | |
| 17 | “Bei Erblickung meiner Kinder stille gehalten” (Leopold Mozart) Leopold Mozart | 1:13 | |
| 18 | Symphony no. 7a in G major, K Anh 221 (45a) “Alte Lambach”: I. Allegro maestoso Wolfgang Amadeus Mozart | 5:29 | |
| 19 | Symphony no. 7a in G major, K Anh 221 (45a) “Alte Lambach”: II. Andante Wolfgang Amadeus Mozart | 6:45 | |
| 20 | Symphony no. 7a in G major, K Anh 221 (45a) “Alte Lambach”: III. Presto Wolfgang Amadeus Mozart | 2:16 | |
| 21 | “Wir sind, Gott Lob, glücklich über den Maxlaner-Bach gekommen” (Leopold Mozart) Leopold Mozart | 1:12 | |
| 22 | Symphony no. 6 in F major, K 43: I. Allegro Wolfgang Amadeus Mozart | 6:23 | |
| 23 | Symphony no. 6 in F major, K 43: II. Andante Wolfgang Amadeus Mozart | 5:58 | |
| 24 | Symphony no. 6 in F major, K 43: III. Menuetto - Trio Wolfgang Amadeus Mozart | 2:15 | |
| 25 | Symphony no. 6 in F major, K 43: IV. Allegro Wolfgang Amadeus Mozart | 3:48 |
CD 26
| 1 | Symphony no. 7 in D major, K 45: I. Molto allegro Wolfgang Amadeus Mozart | 2:37 | |
| 2 | Symphony no. 7 in D major, K 45: II. Andante Wolfgang Amadeus Mozart | 2:08 | |
| 3 | Symphony no. 7 in D major, K 45: III. Menuetto - Trio Wolfgang Amadeus Mozart | 3:51 | |
| 4 | Symphony no. 7 in D major, K 45: IV. Molto allegro Wolfgang Amadeus Mozart | 2:35 | |
| 5 | “Te Deum laudmaus!” (Leopold Mozart) Leopold Mozart | 1:51 | |
| 6 | Symphony no. 43 in F major, K 76 (42a): I. Allegro maestoso Wolfgang Amadeus Mozart | 4:53 | |
| 7 | Symphony no. 43 in F major, K 76 (42a): II. Andante Wolfgang Amadeus Mozart | 3:04 | |
| 8 | Symphony no. 43 in F major, K 76 (42a): III. Menuetto - Trio Wolfgang Amadeus Mozart | 3:15 | |
| 9 | Symphony no. 43 in F major, K 76 (42a): IV. Allegro Wolfgang Amadeus Mozart | 3:12 | |
| 10 | “Ich erfuhr, dass alle Clavieristen und Componisten in Wien” (Leopold Mozart) Leopold Mozart | 1:38 | |
| 11 | Symphony no. 55 in B-flat major, K Anh 214 (45b): I. Allegro Wolfgang Amadeus Mozart | 2:16 | |
| 12 | Symphony no. 55 in B-flat major, K Anh 214 (45b): II. Andante Wolfgang Amadeus Mozart | 3:31 | |
| 13 | Symphony no. 55 in B-flat major, K Anh 214 (45b): III. Menuetto - Trio Wolfgang Amadeus Mozart | 3:07 | |
| 14 | Symphony no. 55 in B-flat major, K Anh 214 (45b): IV. Allegro Wolfgang Amadeus Mozart | 3:48 | |
| 15 | “Was die Rettung der Ehre meines Kindes erheischet” (Leopold Mozart) Leopold Mozart | 1:01 | |
| 16 | Symphony no. 8 in D major, K 48: I. Allegro Wolfgang Amadeus Mozart | 4:40 | |
| 17 | Symphony no. 8 in D major, K 48: II. Andante Wolfgang Amadeus Mozart | 2:25 | |
| 18 | Symphony no. 8 in D major, K 48: III. Menuetto - Trio Wolfgang Amadeus Mozart | 4:06 | |
| 19 | Symphony no. 8 in D major, K 48: IV. Allegro Wolfgang Amadeus Mozart | 3:19 | |
| 20 | “Freundin! Ich bitte um Verzeihung” (Wolfgang Amadeus Mozart) Wolfgang Amadeus Mozart | 0:42 | |
| 21 | Symphony no. 9 in C major, K 73 (75a): I. Allegro Wolfgang Amadeus Mozart | 3:24 | |
| 22 | Symphony no. 9 in C major, K 73 (75a): II. Andante Wolfgang Amadeus Mozart | 3:59 | |
| 23 | Symphony no. 9 in C major, K 73 (75a): III. Menuetto - Trio Wolfgang Amadeus Mozart | 2:36 | |
| 24 | Symphony no. 9 in C major, K 73 (75a): IV. Molto allegro Wolfgang Amadeus Mozart | 1:50 |
CD 27
| 1 | First travels, 1762/63 (Leopold & Nannerl Mozart) - Symphony no. 1 in E-flat major, K 16: I. Molto allegro Leopold Mozart & Nannerl Mozart / Wolfgang Amadeus Mozart | 8:30 | |
| 2 | Travels through Germany, July - November 1763 (Leopold Mozart) - Symphony no. 1 in E-flat major, K 16: II. Andante Leopold Mozart / Wolfgang Amadeus Mozart | 5:10 | |
| 3 | First travel to Paris, 1763/64 (Leopold & Nannerl Mozart) Leopold Mozart & Nannerl Mozart | 4:42 | |
| 4 | Travel to London, 1764/66 (Leopold & Nannerl Mozart) - Symphony no. 5 in B-flat major, K22: III. Molto allegro Leopold Mozart & Nannerl Mozart / Wolfgang Amadeus Mozart | 8:18 | |
| 5 | Munich, November 10, 1766 (Leopold Mozart) - Symphony no. 43 in F major, K 76 (42a): I. Allegro maestoso Leopold Mozart / Wolfgang Amadeus Mozart | 2:10 | |
| 6 | Olomouc (Olmütz), November 10, 1767 (Leopold Mozart) - Symphony no. 6 in F major, K 43: III. Menuetto - Trio Leopold Mozart / Wolfgang Amadeus Mozart | 5:07 | |
| 7 | Vienna, January & September 1768 (Leopold Mozart) - Symphony no. 8 in D major, K 48: II. Andante Leopold Mozart / Wolfgang Amadeus Mozart | 8:59 | |
| 8 | First letter, Salzburg, ca. 1769 (Wolfgang Amadeus Mozart) - Symphony no. 8 in D major, K 48: II. Andante Wolfgang Amadeus Mozart | 1:08 | |
| 9 | First travel to Italy, 1769/70 (Leopold & Wolfgang Amadeus Mozart) Leopold Mozart & Wolfgang Amadeus Mozart | 5:25 | |
| 10 | Milan, February / March 1770 (Leopold & Wolfgang Amadeus Mozart) - Symphony no. 9 in C major, K 73 (75a): I. Allegro Leopold Mozart & Wolfgang Amadeus Mozart | 5:05 | |
| 11 | First travel to Rome, April / May 1770 (Leopold & Wolfgang Amadeus Mozart) Leopold Mozart & Wolfgang Amadeus Mozart | 5:16 | |
| 12 | Naples, May / June 1770 (Leopold & Wolfgang Amadeus Mozart) Leopold Mozart & Wolfgang Amadeus Mozart | 2:56 | |
| 13 | Second stay in Rome, July / August 1770 (Leopold & Wolfgang Amadeus Mozartq) - Symphony no. 47 in D major, K 97 (73m): IV. Presto Leopold Mozart & Wolfgang Amadeus Mozart | 4:27 | |
| 14 | Milan II, 1770/71 (Leopold & Wolfgang Amadeus Mozart) Leopold Mozart & Wolfgang Amadeus Mozart | 6:28 | |
| 15 | Milan III, 1771/72 (Leopold & Wolfgang Amadeus Mozart) - Symphony no. 25 in G minor, K 183 (173dB): I. Allegro con brio Leopold Mozart & Wolfgang Amadeus Mozart | 6:07 |
CD 28
| 1 | “Was mich vergnügt...” (Leopold Mozart, Bologna, March 27, 1770) / “Wenn man die Sau nennt, so kommt sie gerent” (Wolfgang Amadeus Mozart, MIlan, February 10, 1770) Leopold Mozart / Wolfgang Amadeus Mozart | 0:57 | |
| 2 | Symphony no. 47 in D major, K 97 (73m): I. Allegro Wolfgang Amadeus Mozart | 2:47 | |
| 3 | Symphony no. 47 in D major, K 97 (73m): II. Andante Wolfgang Amadeus Mozart | 2:34 | |
| 4 | Symphony no. 47 in D major, K 97 (73m): III. Menuetto - Trio Wolfgang Amadeus Mozart | 2:36 | |
| 5 | Symphony no. 47 in D major, K 97 (73m): IV. Presto Wolfgang Amadeus Mozart | 1:25 | |
| 6 | “Dieser Monat ist in der grösten Geschwindickeit hingeflossen” (Leopold Mozart, Milan September 28, 1771) / “Allerliebste Schwester” (Wolfgang Amadeus Mozart, Milan, February 10, 1770) Leopold Mozart / Wolfgang Amadeus Mozart | 1:12 | |
| 7 | Symphony no. 48 in D major: I. Allegro assai Wolfgang Amadeus Mozart | 3:53 | |
| 8 | Symphony no. 48 in D major: II. Andante grazioso Wolfgang Amadeus Mozart | 1:28 | |
| 9 | Symphony no. 48 in D major: III. Finale. Presto Wolfgang Amadeus Mozart | 1:01 | |
| 10 | “Von unsern Sachen mag ich dir nichts schreiben” (Leopold Mozart, Rome, April 21, 1770) / “Ich bin got lob und danck samt meiner miserablen feder gesund” (Wolfgang Amadeus Mozart, Rome, April 14, 1770) Leopold Mozart / Wolfgang Amadeus Mozart | 1:13 | |
| 11 | Symphony no. 15 in G major, K 124: I. Allegro Wolfgang Amadeus Mozart | 5:18 | |
| 12 | Symphony no. 15 in G major, K 124: II. Andante Wolfgang Amadeus Mozart | 4:20 | |
| 13 | Symphony no. 15 in G major, K 124: III. Menuetto - Trio Wolfgang Amadeus Mozart | 2:15 | |
| 14 | Symphony no. 15 in G major, K 124: IV. Presto Wolfgang Amadeus Mozart | 2:00 | |
| 15 | “Dies ist der 3te Brief den ich dir von Neapl schreibe” (Leopold Mozart, Naples, May 26, 1770) / “Cara sorella mia” (Wolfgang Amadeus Mozart, Naples, July 5, 1770) Leopold Mozart / Wolfgang Amadeus Mozart | 1:15 | |
| 16 | Symphony no. 50 in D major, K 161 (141a): I. Allegro moderato Wolfgang Amadeus Mozart | 3:27 | |
| 17 | Symphony no. 50 in D major, K 161 (141a): II. Andante Wolfgang Amadeus Mozart | 1:51 | |
| 18 | Symphony no. 50 in D major, K 161 (141a): III. Presto Wolfgang Amadeus Mozart | 1:44 | |
| 19 | “Wir sollen morgen eine Neuigkeit erfahren” (Leopold Mozart) / “p:s: an alle gute freund” (Wolfgang Amadeus Mozart, Rome, July 4/7, 1770) Leopold Mozart / Wolfgang Amadeus Mozart | 1:09 | |
| 20 | Symphony no. 22 in C major, K 162: I. Allegro assai Wolfgang Amadeus Mozart | 3:55 | |
| 21 | Symphony no. 22 in C major, K 162: II. Andantino Wolfgang Amadeus Mozart | 2:47 | |
| 22 | Symphony no. 22 in C major, K 162: III. Presto assai Wolfgang Amadeus Mozart | 1:48 | |
| 23 | “Ich kann ohnmöglich schöner schreiben” (Wolfgang Amadeus Mozart, Bologna, August 4, 1770) Wolfgang Amadeus Mozart | 0:28 | |
| 24 | Symphony no. 26 in E-flat major, K 184 (161a): I. Molto presto Wolfgang Amadeus Mozart | 2:53 | |
| 25 | Symphony no. 26 in E-flat major, K 184 (161a): II. Andante - attacca Wolfgang Amadeus Mozart | 3:05 | |
| 26 | Symphony no. 26 in E-flat major, K 184 (161a): III. Allegro Wolfgang Amadeus Mozart | 2:15 |
CD 29
| 1 | Symphony no. 27 in G major, K 199 (161b): I. Allegro Wolfgang Amadeus Mozart | 6:41 | |
| 2 | Symphony no. 27 in G major, K 199 (161b): II. Andantino grazioso Wolfgang Amadeus Mozart | 10:05 | |
| 3 | Symphony no. 27 in G major, K 199 (161b): III. Presto Wolfgang Amadeus Mozart | 5:20 | |
| 4 | “Ich denke hin und her” (Leopold Mozart, Bologna, August 11, 1770) Leopold Mozart | 1:16 | |
| 5 | Symphony no. 25 in G minor, K 183 (173 dB): I. Allegro con brio Wolfgang Amadeus Mozart | 10:45 | |
| 6 | Symphony no. 25 in G minor, K 183 (173 dB): II. Andante Wolfgang Amadeus Mozart | 6:06 | |
| 7 | Symphony no. 25 in G minor, K 183 (173 dB): III. Menuetto - Trio Wolfgang Amadeus Mozart | 3:34 | |
| 8 | Symphony no. 25 in G minor, K 183 (173 dB): IV. Allegro Wolfgang Amadeus Mozart | 6:59 | |
| 9 | “Nun will ich dir ausführkicher schreiben” (Leopold Mozart, Verona, August 18, 1771) / “Allerliebste Schwester” (Wolfgang Amadeus Mozart, Verona, August 24, 1771) Leopold Mozart / Wolfgang Amadeus Mozart | 1:33 | |
| 10 | Symphony no. 51 in D major: I. Allergro molto Wolfgang Amadeus Mozart | 2:32 | |
| 11 | Symphony no. 51 in D major: II. Andantino grazioso Wolfgang Amadeus Mozart | 2:12 | |
| 12 | Symphony no. 51 in D major: III. Allegro Wolfgang Amadeus Mozart | 2:21 | |
| 13 | “Vielleicht wird von dem grossen Beyfahl” (Leopold Mozart, Milan, October 26, 1771) Leopold Mozart | 0:49 | |
| 14 | Sinfonie-Menuett in C major, K 409 (383f): Menuetto - Trio Wolfgang Amadeus Mozart | 7:05 | |
| 15 | “Allerliebste schwester! Ich bin auch gott lob und danck gesund” (Wolfgang Amadeus Mozart, Milan, October 26, 1771) Wolfgang Amadeus Mozart | 0:38 |
CD 30
| 1 | Symphony no. 26 in E-flat major, K 184 (161a): I. Molto presto / II. Andante / III. Allegro Wolfgang Amadeus Mozart | 8:10 | |
| 2 | Zaide, K 344 (336b): Act I. Introduction: “Jetzt hören Sie doch auft...” (narrator) Wolfgang Amadeus Mozart | 5:12 | |
| 3 | Zaide, K 344 (336b): Act I. No. 1 Chorus of the 4 slaves: “Brüder, lasst uns lustig sein” Wolfgang Amadeus Mozart | 0:58 | |
| 4 | Zaide, K 344 (336b): Act I. No. 2 Melologue: “Was für ein Schicksall” (Gomatz) Wolfgang Amadeus Mozart | 6:46 | |
| 5 | Zaide, K 344 (336b): Act I. Intermediate Text: “Dieser ohnmächtige, kraftlose, matte Gomatz” (narrator) Wolfgang Amadeus Mozart | 2:20 | |
| 6 | Zaide, K 344 (336b): Act I. No. 3 Aria: “Ruhe sanft, mein holdes Leben” (Zaide) Wolfgang Amadeus Mozart | 7:15 | |
| 7 | Zaide, K 344 (336b): Act I. No. 4 Aria: “Rase, Schicksal, wüte immer” (Gomatz) Wolfgang Amadeus Mozart | 4:20 | |
| 8 | Zaide, K 344 (336b): Act I. Intermediate Text: “Zaide hat ihn natürlich heimlich beobachtet” (narrator) Wolfgang Amadeus Mozart | 0:51 | |
| 9 | Zaide, K 344 (336b): Act I. No. 5 Duet: “Meine Seele hüpft vor Freuden” (Zaide, Gomatz) Wolfgang Amadeus Mozart | 2:35 | |
| 10 | Zaide, K 344 (336b): Act I. Intermediate Text: “Ach, die beiden haben ein Glück” (narrator) Wolfgang Amadeus Mozart | 1:05 | |
| 11 | Zaide, K 344 (336b): Act I. No. 6 Aria: “Herr und Freund, wie dank' ich dir!” (Gomatz) Wolfgang Amadeus Mozart | 3:43 | |
| 12 | Zaide, K 344 (336b): Act I. Intermediate Text: “Und in Allazim entbrennt nun auch ein Kampf” (narrator) Wolfgang Amadeus Mozart | 0:23 | |
| 13 | Zaide, K 344 (336b): Act I. No. 7 Aria: “Nur mutig, mein Herze” (Allazim) Wolfgang Amadeus Mozart | 4:29 | |
| 14 | Zaide, K 344 (336b): Act I. Intermediate Text: “Und Zaide ist jetzt weider dazugekommen” (narrator) Wolfgang Amadeus Mozart | 0:42 | |
| 15 | Zaide, K 344 (336b): Act I. No. 8 Trio: “O selige Wonne” (Zaide, Gomatz, Allazim) Wolfgang Amadeus Mozart | 6:10 |
CD 31
| 1 | Zaide, K 344 (336b): Act II. Intermediate Text: “Ja, und wie's der Teufel halt so will” (narrator) Wolfgang Amadeus Mozart | 1:52 | |
| 2 | Zaide, K 344 (336b): Act II. No. 9 Melologue & Aria: “Zaide geflohen!” (Soliman, narrator) Wolfgang Amadeus Mozart | 7:58 | |
| 3 | Zaide, K 344 (336b): Act II. Intermediate Text: “Natürlich ist auch Soliman, wie alle Reichen” (narrator) Wolfgang Amadeus Mozart | 1:14 | |
| 4 | Zaide, K 344 (336b): Act II. No. 10 Aria: “Wer hungrig bei der Tafel sitzt” (Osmin) Wolfgang Amadeus Mozart | 3:43 | |
| 5 | Zaide, K 344 (336b): Act II. Intermediate Text: “Für Soliman ist der Fall klar” (narrator) Wolfgang Amadeus Mozart | 0:52 | |
| 6 | Zaide, K 344 (336b): Act II. No. 11 Aria: “Ich bin so bös als gut” (Soliman) Wolfgang Amadeus Mozart | 5:43 | |
| 7 | Zaide, K 344 (336b): Act II. Intermediate Text: “Jetzt wird's eng für Zaide” (narrator) Wolfgang Amadeus Mozart | 0:55 | |
| 8 | Zaide, K 344 (336b): Act II. No. 12 Aria: “Treulos schluchzet Philomele” (Zaide) Wolfgang Amadeus Mozart | 7:03 | |
| 9 | Zaide, K 344 (336b): Act II. Intermediate Text: “Jetzt dreht sich's um Zaide weint, schluchzt, klagt” (narrator) Wolfgang Amadeus Mozart | 1:04 | |
| 10 | Zaide, K 344 (336b): Act II. No. 13 Aria: “Tiger! Wetze nur die Klauen” (Zaide) Wolfgang Amadeus Mozart | 4:37 | |
| 11 | Zaide, K 344 (336b): Act II. Intermediate Text: “Allazim stößt ins gleiche Horn” (narrator) Wolfgang Amadeus Mozart | 0:38 | |
| 12 | Zaide, K 344 (336b): Act II. No. 14 Aria: “Ihr Mächtigen seht ungerührt” (Allazim) Wolfgang Amadeus Mozart | 4:31 | |
| 13 | Zaide, K 344 (336b): Act II. Intermediate Text: “Das letzte Quartett!” (narrator) Wolfgang Amadeus Mozart | 1:10 | |
| 14 | Zaide, K 344 (336b): Act II. No. 15 Quartet: “Freundin, stille deine Tränen” (Gomatz, Allazim, Soliman, Zaide) Wolfgang Amadeus Mozart | 7:07 | |
| 15 | Zaide, K 344 (336b): Act II. Finale: “Und hier, am tiefsten Punkt des Konflikts” (narrator) Wolfgang Amadeus Mozart | 3:19 |
CD 32
| 1 | March in D major, K 335/1 (K 320a/1) Wolfgang Amadeus Mozart | 4:00 | |
| 2 | Serenade in D major “Posthorn-Serenade”, K 320: I. Adagio Maestoso - Allegro con spirito Wolfgang Amadeus Mozart | 8:45 | |
| 3 | Serenade in D major “Posthorn-Serenade”, K 320: II. Menuetto. Allegro - Trio Wolfgang Amadeus Mozart | 5:25 | |
| 4 | Serenade in D major “Posthorn-Serenade”, K 320: III. Concertante. Andante grazioso Wolfgang Amadeus Mozart | 8:36 | |
| 5 | Serenade in D major “Posthorn-Serenade”, K 320: IV. Rondeau. Allegro ma non troppo Wolfgang Amadeus Mozart | 6:29 | |
| 6 | Serenade in D major “Posthorn-Serenade”, K 320: V. Andantino Wolfgang Amadeus Mozart | 6:27 | |
| 7 | Serenade in D major “Posthorn-Serenade”, K 320: VI. Menuetto - Trio I - Trio II Wolfgang Amadeus Mozart | 5:10 | |
| 8 | Serenade in D major “Posthorn-Serenade”, K 320: VII. Finale. Presto Wolfgang Amadeus Mozart | 4:24 | |
| 9 | Symphony no. 35 in D major “Haffner”, K 385: I. Allegro con spirito Wolfgang Amadeus Mozart | 6:07 | |
| 10 | Symphony no. 35 in D major “Haffner”, K 385: II. Andante Wolfgang Amadeus Mozart | 8:07 | |
| 11 | Symphony no. 35 in D major “Haffner”, K 385: III. Menuetto - Trio Wolfgang Amadeus Mozart | 3:38 | |
| 12 | Symphony no. 35 in D major “Haffner”, K 385: IV. Presto Wolfgang Amadeus Mozart | 4:10 |
CD 33
| 1 | Concerto for Piano and Orchestra no. 25 in C major, K 503: I. Allegro maestoso Wolfgang Amadeus Mozart | 15:04 | |
| 2 | Concerto for Piano and Orchestra no. 25 in C major, K 503: II. Andante Wolfgang Amadeus Mozart | 6:48 | |
| 3 | Concerto for Piano and Orchestra no. 25 in C major, K 503: III. [Allegretto] Wolfgang Amadeus Mozart | 8:40 | |
| 4 | Concerto for Piano and Orchestra no. 23 in A major, K 488: I. Allegro Wolfgang Amadeus Mozart | 11:00 | |
| 5 | Concerto for Piano and Orchestra no. 23 in A major, K 488: II. Adagio Wolfgang Amadeus Mozart | 6:14 | |
| 6 | Concerto for Piano and Orchestra no. 23 in A major, K 488: III. Allegro assai Wolfgang Amadeus Mozart | 8:16 |
CD 34
| 1 | Concerto for Piano and Orchestra no. 24 in C minor, K 491: I. Allegro Wolfgang Amadeus Mozart | 15:28 | |
| 2 | Concerto for Piano and Orchestra no. 24 in C minor, K 491: II. [Larghetto] Wolfgang Amadeus Mozart | 7:47 | |
| 3 | Concerto for Piano and Orchestra no. 24 in C minor, K 491: III. [Allegretto] Wolfgang Amadeus Mozart | 9:52 | |
| 4 | Concerto for Piano and Orchestra no. 17 in G major, K 453: I. Allegro Wolfgang Amadeus Mozart | 13:10 | |
| 5 | Concerto for Piano and Orchestra no. 17 in G major, K 453: II. Andante Wolfgang Amadeus Mozart | 11:57 | |
| 6 | Concerto for Piano and Orchestra no. 17 in G major, K 453: III. Allegretto - Finale. Presto Wolfgang Amadeus Mozart | 8:18 |
CD 35
| 1 | Symphony no. 39 in E-flat major, K 543: I. Adagio - Allegro | 10:42 | |
| 2 | Symphony no. 39 in E-flat major, K 543: II. Andante con moto | 7:35 | |
| 3 | Symphony no. 39 in E-flat major, K 543: III. Menuetto. Allegretto - Trio | 3:50 | |
| 4 | Symphony no. 39 in E-flat major, K 543: IV. Finale. Allegro | 8:20 | |
| 5 | Symphony no. 40 in G minor, K 550: I. Molto allegro | 7:27 | |
| 6 | Symphony no. 40 in G minor, K 550: II. Andante | 12:08 | |
| 7 | Symphony no. 40 in G minor, K 550: III. Menuetto. Allegretto - Trio | 4:19 | |
| 8 | Symphony no. 40 in G minor, K 550: IV. Allegro assai | 10:36 |
CD 36
| 1 | Symphony no. 41 in C major “Jupiter”, K 551: I. Allegro vivace | 12:59 | |
| 2 | Symphony no. 41 in C major “Jupiter”, K 551: II. Andante cantabile | 9:29 | |
| 3 | Symphony no. 41 in C major “Jupiter”, K 551: III. Menuetto. Allegretto - Trio | 5:14 | |
| 4 | Symphony no. 41 in C major “Jupiter”, K 551: IV. Molto allegro | 11:39 |
CD 37
| 1 | Requiem in D minor, K 626 (unfinished): I. Introitus: Requiem (chorus, soprano) Wolfgang Amadeus Mozart | 4:57 | |
| 2 | Requiem in D minor, K 626 (unfinished): II. Kyrie: Kyrie (chorus) Wolfgang Amadeus Mozart | 2:56 | |
| 3 | Requiem in D minor, K 626 (unfinished): III. Sequentia: Dies irae (chorus) Wolfgang Amadeus Mozart | 1:50 | |
| 4 | Requiem in D minor, K 626 (unfinished): III. Sequentia: Tuba mirum (soprano, alto, tenor, bass) Wolfgang Amadeus Mozart | 3:52 | |
| 5 | Requiem in D minor, K 626 (unfinished): III. Sequentia: Rex tremendae (chorus) Wolfgang Amadeus Mozart | 1:58 | |
| 6 | Requiem in D minor, K 626 (unfinished): III. Sequentia: Recordare (soprano, alto, tenor, bass) Wolfgang Amadeus Mozart | 6:19 | |
| 7 | Requiem in D minor, K 626 (unfinished): III. Sequentia: Confutatis (chorus) Wolfgang Amadeus Mozart | 2:35 | |
| 8 | Requiem in D minor, K 626 (unfinished): III. Sequentia: Lacrimosa (chorus) Wolfgang Amadeus Mozart | 3:07 | |
| 9 | Requiem in D minor, K 626 (unfinished): IV. Offertorium: Domine Jesu Christe (chorus, soprano, alto, tenor, bass) Wolfgang Amadeus Mozart | 3:50 | |
| 10 | Requiem in D minor, K 626 (unfinished): IV. Offertorium: Hostias (chorus) Wolfgang Amadeus Mozart | 3:02 | |
| 11 | Requiem in D minor, K 626 (unfinished): V. Sanctus: Sanctus (chorus) Wolfgang Amadeus Mozart | 1:19 | |
| 12 | Requiem in D minor, K 626 (unfinished): VI. Benedictus: Benedictus (chorus, soprano, alto, tenor, bass) Wolfgang Amadeus Mozart | 5:20 | |
| 13 | Requiem in D minor, K 626 (unfinished): VII. Agnus Dei: Agnus Dei (chorus) Wolfgang Amadeus Mozart | 3:24 | |
| 14 | Requiem in D minor, K 626 (unfinished): VIII. Communio: Lex aeterna (chorus, soprano) Wolfgang Amadeus Mozart | 5:45 |
CD 38
| 1 | Christus am Ölberge, op. 85: No. 1 Introduction Ludwig van Beethoven | 5:41 | |
| 2 | Christus am Ölberge, op. 85: No. 1 Recitative: “Jehovah, du mein Vater!” (Jesus) Ludwig van Beethoven | 3:35 | |
| 3 | Christus am Ölberge, op. 85: No. 1 Aria: “Meine Seele ist erschüttert” (Jesus) Ludwig van Beethoven | 5:04 | |
| 4 | Christus am Ölberge, op. 85: No. 2 “Erzittre, Erde!” (Seraph) Ludwig van Beethoven | 1:32 | |
| 5 | Christus am Ölberge, op. 85: No. 2 Aria: “Preist des Erlösers Güte” (Seraph) / Chorus: “O Heil euch, ihr Erlösten!” (Seraph & angels) Ludwig van Beethoven | 8:32 | |
| 6 | Christus am Ölberge, op. 85: No. 3 Recitative: “Verkündet, Seraph” (Jesus, Seraph) Ludwig van Beethoven | 1:02 | |
| 7 | Christus am Ölberge, op. 85: No. 3 Duet: “So ruhe denn mit ganzer Schwere” (Jesus, Seraph) Ludwig van Beethoven | 5:24 | |
| 8 | Christus am Ölberge, op. 85: No. 4 Recitative: “Willkommen, Tod!” (Jesus) Ludwig van Beethoven | 1:09 | |
| 9 | Christus am Ölberge, op. 85: No. 4 Chorus: “Wir haben ihn gesehen” (warriors) Ludwig van Beethoven | 1:54 | |
| 10 | Christus am Ölberge, op. 85: No. 5 “Die mich zu fangen ausgezogen sind” (Jesus) Ludwig van Beethoven | 1:31 | |
| 11 | Christus am Ölberge, op. 85: No. 5 Chorus: “Hier ist er” (warriors & disciples) Ludwig van Beethoven | 2:04 | |
| 12 | Christus am Ölberge, op. 85: No. 6 “Nicht ungestraft soll der Verweg'nen Schar” (Peter, Jesus) Ludwig van Beethoven | 1:16 | |
| 13 | Christus am Ölberge, op. 85: No. 6 Trio: “In meinen Adern wühlen” (Peter, Jesus, Seraph) Ludwig van Beethoven | 4:25 | |
| 14 | Christus am Ölberge, op. 85: No. 6 Chorus: “Auf, auf! ergreifet den Verräter” (warriors, disciples, Jesus) Ludwig van Beethoven | 3:10 | |
| 15 | Christus am Ölberge, op. 85: No. 6 Final Chorus: “Welten singen” (angels) Ludwig van Beethoven | 1:08 | |
| 16 | Christus am Ölberge, op. 85: No. 6 “Preiset, ihn, ihr Engelschöre!” (angels) Ludwig van Beethoven | 3:03 |
CD 39
| 1 | Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace Ludwig van Beethoven | 12:29 | |
| 2 | Symphony no. 4 in B-flat major, op. 60: II. Adagio Ludwig van Beethoven | 9:28 | |
| 3 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace - Trio. Un poco meno allegro Ludwig van Beethoven | 6:01 | |
| 4 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo Ludwig van Beethoven | 7:02 | |
| 5 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio Ludwig van Beethoven | 7:23 | |
| 6 | Symphony no. 5 in C minor, op. 67: II. Andante con moto Ludwig van Beethoven | 9:05 | |
| 7 | Symphony no. 5 in C minor, op. 67: III. Allegro - attacca Ludwig van Beethoven | 8:17 | |
| 8 | Symphony no. 5 in C minor, op. 67: IV. Allegro Ludwig van Beethoven | 10:56 |
CD 40
| 1 | Missa solemnis, op. 123: I. Kyrie: “Kyrie”. Assai sostenuto. Mit Andacht [𝄵] - Andante assai ben marcato [3/2] - Tempo I [𝄵] | 9:56 | |
| 2 | Missa solemnis, op. 123: II. Gloria: “Gloria”. Allegro vivace [3/4] - Meno Allegro - Tempo I - attacca | 5:47 | |
| 3 | Missa solemnis, op. 123: II. Gloria: “Qui tollis”. Larghetto [2/4] - attacca | 4:55 | |
| 4 | Missa solemnis, op. 123: II. Gloria: “Quoniam”. Allegro maestoso [3/4] - Allegro, ma non troppo e ben marcato [𝄴] - Poco più Allegro [𝄵] - Presto [3/4] | 7:03 | |
| 5 | Missa solemnis, op. 123: III. Credo: “Credo”. Allegro ma non troppo [𝄴] - attacca | 4:13 | |
| 6 | Missa solemnis, op. 123: III. Credo: “Et incarnatus”. Adagio [𝄴] - Andante [3/4] Adagio espressivo [3/4] - attacca | 5:01 | |
| 7 | Missa solemnis, op. 123: III. Credo: “Et resurrexit”. Allegro [𝄴] - Allegro molto [𝄵] - Allegro ma non troppo un poco maestoso. Tempo I - Allegretto ma non troppo [3/2] 0 Allegro con moto [3/2] - Grave [3/2] | 10:40 | |
| 8 | Missa solemnis, op. 123: IV. Sanctus: “Pleni sunt coeli - Osanna”. Adagio. Mit Andacht [2/4] - Allegro pesante [𝄴] - Presto [3/4] - Preso [3/4] - attacca | 3:44 | |
| 9 | Missa solemnis, op. 123: IV. Benedictus: Praeludium - “Benedictus”. Sostenuto ma non troppo [3/4] - Andante molto cantabile e non troppo mosso [12/8] | 13:07 | |
| 10 | Missa solemnis, op. 123: V. Agnus Dei: “Agnus Dei”. Adagio [𝄴] - attacca | 7:05 | |
| 11 | Missa solemnis, op. 123: V. Agnus Dei “Dona nobis pacem”. Bitte um innern und äußern Frieden. Allegretto vivace [6/8] - Allegro assai [𝄴] - Recitativo - Tempo I - Presto [𝄵] - Tempo I | 9:56 |
CD 41
| 1 | Das Paradies und die Peri, op. 50: Part I. No. 1 “Vor Edens Tor im Morgen prangen” (alto) Robert Schumann | 3:12 | |
| 2 | Das Paradies und die Peri, op. 50: Part I. No. 2 “Wie glücklich sie wanderln” (Peri) Robert Schumann | 2:43 | |
| 3 | Das Paradies und die Peri, op. 50: Part I. No. 3 “Der hehre Engel, der die Pforte” (tenor, Angel) Robert Schumann | 1:58 | |
| 4 | Das Paradies und die Peri, op. 50: Part I. No. 4 “Wo find ich sie?” (Peri) Robert Schumann | 2:38 | |
| 5 | Das Paradies und die Peri, op. 50: Part I. No. 5 “So sann sie nach” (tenor) / “O süßes Land!” (quartet) Robert Schumann | 1:24 | |
| 6 | Das Paradies und die Peri, op. 50: Part I. No. 6 “Doch seine Ströme sind jetzt rot” (chorus) Robert Schumann | 3:24 | |
| 7 | Das Paradies und die Peri, op. 50: Part I. No. 7 “Und einsam steht ein Jüngling noch” Robert Schumann | 2:52 | |
| 8 | Das Paradies und die Peri, op. 50: Part I. No. 8 “Weh, weh, weh, er fehlte das Ziel” (chorus) Robert Schumann | 2:12 | |
| 9 | Das Paradies und die Peri, op. 50: Part I. No. 9 “Die Peri sah das Mal der Wunde” (tenor, Peri, quartet, chorus) Robert Schumann | 6:41 | |
| 10 | Das Paradies und die Peri, op. 50: Part II. No. 10 “Die Peri tritt mit schüchterner Gebärde” (tenor, Angel) Robert Schumann | 3:16 | |
| 11 | Das Paradies und die Peri, op. 50: Part II. No. 11 “Ihn erstes Himmelshoffen schwand” (tenor, chorus, Peri) Robert Schumann | 3:49 | |
| 12 | Das Paradies und die Peri, op. 50: Part II. No. 12 “Fort streift von hier das Kind der Lüfte” (tenor, Peri) Robert Schumann | 3:30 | |
| 13 | Das Paradies und die Peri, op. 50: Part II. No. 13 “Die Peri weint, von ihrer Tränen scheint” (tenor, quartet) Robert Schumann | 2:42 | |
| 14 | Das Paradies und die Peri, op. 50: Part II. No. 14 “Im Waldesgrün am stillen See” (alto, Young Man) Robert Schumann | 3:02 | |
| 15 | Das Paradies und die Peri, op. 50: Part II. No. 15 “Verlassener Jüngling, nur das eine” (mezzo-soprano, tenor, Young Man) Robert Schumann | 4:35 | |
| 16 | Das Paradies und die Peri, op. 50: Part II. No. 16 “O lass mich von der Luft durchdringen” (Maiden, tenor) Robert Schumann | 4:51 | |
| 17 | Das Paradies und die Peri, op. 50: Part II. No. 17 “Schlaf nunn und ruhe in Träumen voll Duft” (Peri, chorus) Robert Schumann | 3:48 |
CD 42
| 1 | Das Paradies und die Peri, op. 50: Part III. No. 18 “Schmücket die Stufen zu Allahs Thron” (chorus, soloists, soprano) Robert Schumann | 3:09 | |
| 2 | Das Paradies und die Peri, op. 50: Part III. No. 19 “Dem Sang von ferne lauschend” (tenor, Angel) Robert Schumann | 3:03 | |
| 3 | Das Paradies und die Peri, op. 50: Part III. No. 20 “Verstoßen! Verschlossen aufs Neu das Goldportal!” (Peri) Robert Schumann | 4:26 | |
| 4 | Das Paradies und die Peri, op. 50: Part III. No. 21 “Jetzt sank des Abends goldner Schein” (baritone) Robert Schumann | 4:25 | |
| 5 | Das Paradies und die Peri, op. 50: Part III. No. 22 “Und wie sie niederwärts sich schwingt” (tenor, quartet, baritone) Robert Schumann | 3:59 | |
| 6 | Das Paradies und die Peri, op. 50: Part III. No. 23 “Hinab zu jenem Sonnentempel!” (Peri, tenor, mezzo-soprano, Man) Robert Schumann | 6:53 | |
| 7 | Das Paradies und die Peri, op. 50: Part III. No. 24 “O heil'ge Tränen inn'ger Reue” (quartet, chorus) Robert Schumann | 4:11 | |
| 8 | Das Paradies und die Peri, op. 50: Part III. No. 25 “Es fällt ein Tropfen aufs Land” (Peri, tenor, chorus) Robert Schumann | 7:19 | |
| 9 | Das Paradies und die Peri, op. 50: Part III. No. 26 “Freud', ew'ge Freude, main Werk ist getan!” (Peri, chorus) Robert Schumann | 6:54 |
CD 43
| 1 | Messa da Requiem: I. Requiem & Kyrie (chorus, soloists) Giuseppe Verdi | 8:36 | |
| 2 | Messa da Requiem: II. Sequence: Dies irae: “Dies irae” (chorus) Giuseppe Verdi | 2:33 | |
| 3 | Messa da Requiem: II. Sequence: Dies irae: “Tuba mirum” (chorus, bass) Giuseppe Verdi | 3:32 | |
| 4 | Messa da Requiem: II. Sequence: Dies irae: “Liber scriptus” (mezzo-soprano, chorus) Giuseppe Verdi | 5:19 | |
| 5 | Messa da Requiem: II. Sequence: Dies irae: “Quid sum miser” (soprano, mezzo-soprano, tenor) Giuseppe Verdi | 3:51 | |
| 6 | Messa da Requiem: II. Sequence: Dies irae: “Rex tremendae” (chorus, soloists) Giuseppe Verdi | 3:37 | |
| 7 | Messa da Requiem: II. Sequence: Dies irae: “Recordare” (soprano, mezzo-soprano) Giuseppe Verdi | 4:17 | |
| 8 | Messa da Requiem: II. Sequence: Dies irae: “Ingemisco” (tenor) Giuseppe Verdi | 3:42 | |
| 9 | Messa da Requiem: II. Sequence: Dies irae: “Confutatis” (bass, chorus) Giuseppe Verdi | 5:56 | |
| 10 | Messa da Requiem: II. Sequence: Dies irae: “Lacrymosa” (soloists, chorus) Giuseppe Verdi | 5:45 |
CD 44
| 1 | Messa da Requiem: III. Offertorio: “Domine Jesu” (soloists) Giuseppe Verdi | 4:52 | |
| 2 | Messa da Requiem: III. Offertorio: “Hostias” (soloists) Giuseppe Verdi | 5:58 | |
| 3 | Messa da Requiem: IV. Sanctus (chorus) Giuseppe Verdi | 3:01 | |
| 4 | Messa da Requiem: V. Agnus Dei (soprano, mezzo-soprano, chorus) Giuseppe Verdi | 4:55 | |
| 5 | Messa da Requiem: VI. Lux Aeterna (mezzo-soprano, tenor, bass) Giuseppe Verdi | 6:29 | |
| 6 | Messa da Requiem: VII. Libera me (soprano, chorus) Giuseppe Verdi | 2:39 | |
| 7 | Messa da Requiem: VII. Libera me: “Dies irae” (chorus) Giuseppe Verdi | 5:40 | |
| 8 | Messa da Requiem: VII. Libera me: “Libera me” (soprano, chorus) Giuseppe Verdi | 6:49 |
CD 45
| 1 | Symphony no. 5 in B-flat major, WAB 105: I. Introduction. Adagio - Allegro Anton Bruckner | 20:34 | |
| 2 | Symphony no. 5 in B-flat major, WAB 105: II. Adagio. Sehr langsam Anton Bruckner | 14:57 | |
| 3 | Symphony no. 5 in B-flat major, WAB 105: III. Scherzo. Molto vivace (Schnell) - Trio. Im gleichen Tempo Anton Bruckner | 13:35 | |
| 4 | Symphony no. 5 in B-flat major, WAB 105: IV. Finale. Adagio - Allegro moderato Anton Bruckner | 23:59 |
CD 46
| 1 | Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. I, mm. 1-22 “Vor den Sechzehnteln bitte wegfedern!” Anton Bruckner | 2:46 | |
| 2 | Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. I, mm. 161-224 “Die Synopken so, als würden wir mit Ellenbogen” Anton Bruckner | 4:37 | |
| 3 | Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. I, mm. 315-319, 325-327, 381-398 “Kann ich einmal nur diesen kleinen, ganz schnellen Holz-Kanon haben?” Anton Bruckner | 1:57 | |
| 4 | Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. II, mm. 31-38, 107-124 “Gehen wir bitte gleich zum zweiten Satz, und zwar wo er eigentlich anfängtm Takt 31...” Anton Bruckner | 4:11 | |
| 5 | Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. II, mm. 163-196, 203-211 “Von 169 bis 170, diese Harmoniefolge, die kommt aus dem Mozart-Requiem: 'Qua resurget ex favilla homo reus'...” Anton Bruckner | 8:57 | |
| 6 | Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. II, mm. 1-18, 39-70 “So, jetzt gehen wir zu dem Anfang von dem Satz...” Anton Bruckner | 3:24 | |
| 7 | Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. II, mm. 71-84, 101-144, 195-202 “Geben Sie mir bitte einmal nur die Triolen, nur Steicher von 'D'...” Anton Bruckner | 4:43 | |
| 8 | Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. III, Scherzo, mm. 1-39, 133-187 “Ich hätte gern wirklich so einen magischen Schnelltanz...” Anton Bruckner | 6:25 | |
| 9 | Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. III, Scherzo, mm. 341-382; Trio, mm. 1-55 “Können Sie ein bisschen so eine oberösterrechische Melancholie hineinbringen?” Anton Bruckner | 2:36 | |
| 10 | Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. III, Trio, mm. 56-1479; Scherzo da capo, mm. 1-132 “Jetzt spielen Sie bitte wirklich 'Um-Pa'!” Anton Bruckner | 6:28 | |
| 11 | Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. IV, mm. 1-22, 29-36, 67-82 “Es muss die Eins immer sehr energisch sein und die Zwei etwas weniger...” Anton Bruckner | 7:00 | |
| 12 | Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. IV, mm. 83-136, 137-165 “Tutti von 'Etwas mehr langsam'...” Anton Bruckner | 5:41 | |
| 13 | Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. IV, mm. 175-210, 223-231 “Stellen Sie sich zu dem Choral einen Text vor: 'Was Gott tut, das ist wohl getan...'” Anton Bruckner | 3:34 | |
| 14 | Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. IV, mm. 310-340 “Jeder von diesen Einsätzen muss klingen, als, wäre er eine Eins...” Anton Bruckner | 2:59 | |
| 15 | Symphony no. 5 in B-flat major, WAB 105 (rehearsal excerpt): Mvt. IV, mm. 362-373, 450-499, 500-635 “Schön wäre es, wenn man eine totale Erschöpfung hört auf diesem Des...” Anton Bruckner | 9:23 |
CD 47
| 1 | Symphony no. 9 in D minor, WAB 109 (unfinished): I. Feierlich, misterioso Anton Bruckner | 24:17 | |
| 2 | Symphony no. 9 in D minor, WAB 109 (unfinished): II. Scherzo. Bewegt, lebhaft - Trio. Schnell - Scherzo da capo Anton Bruckner | 10:39 | |
| 3 | Symphony no. 9 in D minor, WAB 109 (unfinished): III. Adagio. Langsam, feierlich Anton Bruckner | 23:55 |
CD 48
| 1 | Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: “Warum hat man eigentlich 100 Jahre lang gedacht, es gäbe nichts von diesem 4. Satz?” Anton Bruckner | 11:12 | |
| 2 | Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: Dokumentation, T. 1-278 Anton Bruckner | 9:14 | |
| 3 | Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: “Gegen Ende eine extreme Dissonanz in den Trompeten” Anton Bruckner | 2:21 | |
| 4 | Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: “Nach dem Ende der Durchfährung folgt eine wilde Fuge” Anton Bruckner | 0:51 | |
| 5 | Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: Dokumentation, T. 279-342 Anton Bruckner | 2:25 | |
| 6 | Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: “Quasi ein Schreckensbild des Todes” Anton Bruckner | 1:52 | |
| 7 | Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: Dokumentation, T. 343-478 Anton Bruckner | 4:45 | |
| 8 | Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: “Danach fehlen 16 Takte; dazu ist nichts zu erklären; wir spielen einfach nicht” Anton Bruckner | 1:48 | |
| 9 | Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Wie ein Stein vom Mond”: Dokumentation T. 479-510 - Lücke / fehlender Partiturbogen - T. 511-526 Anton Bruckner | 1:42 | |
| 10 | Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: “Wy did we think for over a hundred years that nothing of this finale existed?” Anton Bruckner | 10:51 | |
| 11 | Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: Documentation, mm. 1-278 Anton Bruckner | 9:15 | |
| 12 | Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: “Extreme dissonances in the trumpets towards the end of the block” Anton Bruckner | 2:24 | |
| 13 | Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: “At the end of the development a wild fugue begins” Anton Bruckner | 0:40 | |
| 14 | Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: Documentation, mm. 279-342 Anton Bruckner | 2:24 | |
| 15 | Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: “A sudden vision of death” Anton Bruckner | 1:46 | |
| 16 | Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: Documentation, mm. 343-478 Anton Bruckner | 4:43 | |
| 17 | Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: “Then there are sixteen bars missing; we will just leave them out” Anton Bruckner | 1:39 | |
| 18 | Symphony no. 9 in D minor, WAB 109 (unfinished): IV. Finale (fragments): “Like a stone from the moon”: Documentation mm. 479-510 - gap/missing score bifolio - mm. 511-526 Anton Bruckner | 1:36 |
CD 49
| 1 | Má vlast: Vyšehrad. Lento - Largo maestoso - Grandioso poco largamente - Allegro vivo ma non agitato - Lento ma non troppo Bedřich Smetana | 15:54 | |
| 2 | Má vlast: Vltava. Allegro comodo non agitato - L'istesso temp ma moderato - L'istesso tempo - Tempo I - Più moto Bedřich Smetana | 12:54 | |
| 3 | Má vlast: Šárka. Allegro con fuoco ma non agitato - Più moderato assai - Moderato ma con calore - Moderato - Molto vivo - Più vivo Bedřich Smetana | 10:41 |
CD 50
| 1 | Má vlast: Zčesk ých luhů a hájů. Molto moderato - Allegro poco vivo, ma non troppo - Allegro (Quasi Polka) - Tempo I - Allegro - Presto Bedřich Smetana | 13:52 | |
| 2 | Má vlast: Tábor. Lento - Grandioso - Molto vivace - Lento - Molto vivace - Lento maestoso - Più animato Bedřich Smetana | 14:24 | |
| 3 | Má vlast: Blanik. Allegro moderato - Andante non troppo - Più allegro ma non molto - Tempo di marcia - Grandioso - Tempo I - Largamente maestoso - Grandioso, meno Allegro - Vivace Bedřich Smetana | 15:27 |
CD 51
| 1 | Ein deutsches Requiem, op. 45: I. “Selig sind, die da Leid tragen”. Ziemlich langsam und mit Ausdruck (chorus) Johannes Brahms | 9:58 | |
| 2 | Ein deutsches Requiem, op. 45: II. “Denn alles Fleisch, es ist wie Gras”. Langsam, marschmäßig (chorus) Johannes Brahms | 16:02 | |
| 3 | Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich, dass ein Ende mit mir haben muss”. Andante bewegt (baritone, chorus) Johannes Brahms | 10:47 | |
| 4 | Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind deine Wohnungen”. Mäßig bewegt (chorus) Johannes Brahms | 5:54 | |
| 5 | Ein deutsches Requiem, op. 45: V. “Ihr habt nun Traurigkeit”. Langsam (soprano, chorus) Johannes Brahms | 7:00 | |
| 6 | Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt”. Andante - Allegro (baritone, chorus) Johannes Brahms | 12:35 | |
| 7 | Ein deutsches Requiem, op. 45: VII. “Selig sind die Toten, die in dem Herren sterben”. Feierlich (chorus) Johannes Brahms | 9:45 |
CD 52
| 1 | Stabat Mater, op. 58: No. 1 Quartet & Chorus: “Stabat Mater dolorosa”. Andante con moto Antonín Dvořák | 20:38 | |
| 2 | Stabat Mater, op. 58: No. 2 Quartet: “Quis est homo qui non fieret”. Andante sostenuto Antonín Dvořák | 11:35 | |
| 3 | Stabat Mater, op. 58: No. 3 Chorus: “Eia, Mater, fons, amoris”. Andante con moto Antonín Dvořák | 7:11 | |
| 4 | Stabat Mater, op. 58: No. 4 Bass & Chorus: “Fac ut ardeat cor meum”. Largo Antonín Dvořák | 9:14 |
CD 53
| 1 | Stabat Mater, op. 58: No. 5 Chorus: “Tui nati vulnerati”. Andante con moto, quasi allegretto Antonín Dvořák | 5:14 | |
| 2 | Stabat Mater, op. 58: No. 6 Tenor & Chorus: “Fac me vere tecum flere”. Andante con moto Antonín Dvořák | 6:58 | |
| 3 | Stabat Mater, op. 58: No. 7 Chorus: “Virgo virginum praeclara”. Largo Antonín Dvořák | 6:50 | |
| 4 | Stabat Mater, op. 58: No. 8 Soprano & Tenor Duet: “Fac ut portem Christi mortem”. Larghetto Antonín Dvořák | 5:26 | |
| 5 | Stabat Mater, op. 58: No. 9 Alto: “Inflammatus et accesnsus”. Andante maestoso Antonín Dvořák | 6:09 | |
| 6 | Stabat Mater, op. 58: No. 10 Quartet & Chorus: “Quando corpus morietur”. Andante con moto Antonín Dvořák | 7:39 |
CD 54
| 1 | Music for Strings, Percussion and Celesta, Sz 106: I. Andante tranquillo Béla Bartók | 9:09 | |
| 2 | Music for Strings, Percussion and Celesta, Sz 106: II. Allegro Béla Bartók | 7:49 | |
| 3 | Music for Strings, Percussion and Celesta, Sz 106: III. Adagio Béla Bartók | 8:05 | |
| 4 | Music for Strings, Percussion and Celesta, Sz 106: IV. Allegro molto Béla Bartók | 8:07 | |
| 5 | Divertimento for String Orchestra, Sz 113: I. Allegro non troppo Béla Bartók | 9:16 | |
| 6 | Divertimento for String Orchestra, Sz 113: II. Molto adagio Béla Bartók | 10:11 | |
| 7 | Divertimento for String Orchestra, Sz 113: III. Allegro assai Béla Bartók | 7:52 |
CD 55
| 1 | Porgy & Bess: Act I, Scene 1. Introduction George Gershwin | 1:45 | |
| 2 | Porgy & Bess: Act I, Scene 1. “Summertime and the livin' is easy” (Clara) George Gershwin | 2:14 | |
| 3 | Porgy & Bess: Act I, Scene 1. “Seems like these bones don't give me nothin' but boxcars tonight” (Jake, Sportin' Life, Mingo, Serena, Robbins, chorus, Jim, Clara, crap shooters) George Gershwin | 4:28 | |
| 4 | Porgy & Bess: Act I, Scene 1. “Lissen to yo' daddy warn you” - “Oh, a woman is a sometime thing” (Jake, Mingo, Sportin' Life, chorus, Peter, Lily, Maria) George Gershwin | 3:04 | |
| 5 | Porgy & Bess: Act I, Scene 1. “Here's the ol' crap shark!” ... “No, no, brudder” (Jake, Mingo, Porgy, Sportin' Life, Robbins, Jim, Maria, Serena) George Gershwin | 4:31 | |
| 6 | Porgy & Bess: Act I, Scene 1. “Here comes the Big Boy!” (Mingo, Jake, Jim, Crown, Sportin' Life, Serena, Bess, Robbins, Porgy, chorus) George Gershwin | 4:53 | |
| 7 | Porgy & Bess: Act I, Scene 1. “Six to make!” (Sportin' Life, Jim, Mingo, Jake, Porgy, Crown, Robbins, Maria, Serena, Bess, chorus) George Gershwin | 4:00 | |
| 8 | Porgy & Bess: Act I, Scene 1. “Jesus, he's killed him!” ... “That you, Sportin' Life?” (Mingo, Bess, Crown, Sportin' Life, Maria) George Gershwin | 5:03 | |
| 9 | Porgy & Bess: Act I, Scene 2. “Where is brudder Robbins?” (woman, chorus, Man, Serena, Maria, Bess) George Gershwin | 3:38 | |
| 10 | Porgy & Bess: Act I, Scene 2. “Come on, sister” ... “Overflow, overflow” (soprano, chorus, Jake, Peter, Serena, Maria, Porgy, Clara) George Gershwin | 3:17 | |
| 11 | Porgy & Bess: Act I, Scene 2. “Um! A saucer-buryin' set-up, I see” (detective, Serena, Jake, Porgy, chorus) George Gershwin | 3:43 | |
| 12 | Porgy & Bess: Act I, Scene 2. “My man's gone now” (Serena, chorus) George Gershwin | 4:16 | |
| 13 | Porgy & Bess: Act I, Scene 2. “How de saucer stan' now, my sister?” (undertaker, Serena, Jake, Porgy, chorus) George Gershwin | 2:06 | |
| 14 | Porgy & Bess: Act I, Scene 2. “Oh, the train is at the station” (Bess, chorus) George Gershwin | 3:07 | |
| 15 | Porgy & Bess: Act II, Scene 1. “Oh, I'm a-goin' out to the Blackfish banks” (Jake, chorus) George Gershwin | 3:37 | |
| 16 | Porgy & Bess: Act II, Scene 1. “Mus' be you mens forgot about de picnic” - “Oh, I got plenty o' nuttin'” (Annie, Jake, Clara, Porgy, chorus, Serena, Maria) George Gershwin | 2:13 | |
| 17 | Porgy & Bess: Act II, Scene 1. “I got plenty o' nuttin'” (Porgy, chorus) George Gershwin | 1:18 | |
| 18 | Porgy & Bess: Act II, Scene 1. “Listen there what I tells you” (Maria, Serena, Sportin' Life) George Gershwin | 1:23 | |
| 19 | Porgy & Bess: Act II, Scene 1. “I hates yo' struttin' style” (Maria) George Gershwin | 1:17 | |
| 20 | Porgy & Bess: Act II, Scene 1. “Mornin', Lawyer, lookin' for somebody?” (Maria, Frazier, Porgy, Bess, chorus, Lily, Man, Scipio, Annie, Serena) George Gershwin | 5:22 | |
| 21 | Porgy & Bess: Act II, Scene 1. “Boy! Come here, boy!” (Archdale, Scipio, Clara, Serena, Mingo, Jake, Porgy, chorus) George Gershwin | 2:51 | |
| 22 | Porgy & Bess: Act II, Scene 1. “Buzzard keep on flyin' over” (Porgy, chorus) George Gershwin | 3:22 |
CD 56
| 1 | Porgy & Bess: Act II, Scene 1. “Lo, Bess, goin' to de picnic?” (Sportin' Life, Bess, Porgy) George Gershwin | 3:17 | |
| 2 | Porgy & Bess: Act II, Scene 1. “Honey, we sure goin' strut our stuff today!” (Jake, Porgy, Bess) George Gershwin | 0:43 | |
| 3 | Porgy & Bess: Act II, Scene 1. “Bess, you is my woman now” (Porgy, Bess) George Gershwin | 5:09 | |
| 4 | Porgy & Bess: Act II, Scene 1. “Oh, I can't sit down” (chorus, Maria, Bess, Porgy) George Gershwin | 4:12 | |
| 5 | Porgy & Bess: Act II, Scene 2. “I ain't got no shame doin' what I like to do” (chorus) George Gershwin | 3:08 | |
| 6 | Porgy & Bess: Act II, Scene 2. “It ain't necessarily so” (Sportin' Life, chorus) George Gershwin | 4:29 | |
| 7 | Porgy & Bess: Act II, Scene 2. “Shame on all you sinners” (Serena, Maria) George Gershwin | 1:53 | |
| 8 | Porgy & Bess: Act II, Scene 2. “Crown!” ... “You know very well dis Crown!” (Bess, Crown) George Gershwin | 3:23 | |
| 9 | Porgy & Bess: Act II, Scene 2. “Oh, what you want wid Bess?” (Bess, Crown) George Gershwin | 4:03 | |
| 10 | Porgy & Bess: Act II, Scene 3. “Honey, dat's all de breakfast I got time for” (Jake, Nelson, Jim, Maria, chorus) George Gershwin | 2:53 | |
| 11 | Porgy & Bess: Act II, Scene 3. “Well, if it ain' ole Peter!” (Maria, Peter, Bess, Porgy, Serena) George Gershwin | 2:24 | |
| 12 | Porgy & Bess: Act II, Scene 3. “Oh Doctor Jesus” (Serena, Porgy, Peter, Lily) George Gershwin | 2:32 | |
| 13 | Porgy & Bess: Act II, Scene 3. “Oh, dey's so fresh an' fine” (strawberry woman) George Gershwin | 1:11 | |
| 14 | Porgy & Bess: Act II, Scene 3. “I'm talkin' about devil crabs” (crab man, Porgy, Maria) George Gershwin | 2:27 | |
| 15 | Porgy & Bess: Act II, Scene 3. “Porgy, Porgy, dat you there, ain' it?” (Bess, Porgy) George Gershwin | 3:03 | |
| 16 | Porgy & Bess: Act II, Scene 3. “If dere warn't no Crown, Bess” (Porgy, Bess) George Gershwin | 2:37 | |
| 17 | Porgy & Bess: Act II, Scene 3. “Why you been out on that wharf so long, Clara?” (Maria, Clara) George Gershwin | 1:40 | |
| 18 | Porgy & Bess: Act II, Scene 4. “Oh, de Lawd shake de Heavens an' de Lawd rock de groun'” (chorus, man, woman, Porgy, Clara, Serena, Sportin' Life) George Gershwin | 2:34 | |
| 19 | Porgy & Bess: Act II, Scene 4. “One of dese mornin's you goin' to rise up singin'” (Clara, chorus) George Gershwin | 1:10 | |
| 20 | Porgy & Bess: Act II, Scene 4. “Oh, dere's somebody knockin' at de do'” (chorus, Peter, Lily, Mingo, Maria, Bess) George Gershwin | 1:30 | |
| 21 | Porgy & Bess: Act II, Scene 4. “You is a nice parcel of Christians” (Crown, Serena, Bess, Porgy, woman, chorus) George Gershwin | 4:05 | |
| 22 | Porgy & Bess: Act II, Scene 4. “A red-headed woman make a choo-choo jump its track” (Crown, chorus) George Gershwin | 1:35 | |
| 23 | Porgy & Bess: Act II, Scene 4. “Jake's boat in de river upside down!” (Bess, Clara, Crown) George Gershwin | 1:01 | |
| 24 | Porgy & Bess: Act II, Scene 4. “All right, I'm goin' out to get Clara” ... “Oh Doctor Jesus” (Crown, Porgy, all) George Gershwin | 2:18 |
CD 57
| 1 | Porgy & Bess: Act III, Scene 1. “Clara, Clara, don't you be downhearted” ... “You low-life skunk, ain' you got no shame” (chorus, Sportin' Life, Maria) George Gershwin | 6:23 | |
| 2 | Porgy & Bess: Act III, Scene 1. “Summertime an' the livin' is easy” (Bess, Porgy) George Gershwin | 3:48 | |
| 3 | Porgy & Bess: Act III, Scene 2. “Wait for us at the corner, Al” (detective, Annie, Serena, other woman, coroner, 3 women, Porgy, policeman) George Gershwin | 5:01 | |
| 4 | Porgy & Bess: Act III, Scene 2. “Oh Gawd! They goin' make him look on Crown's face!” (Bess, Sportin' Life) George Gershwin | 2:09 | |
| 5 | Porgy & Bess: Act III, Scene 2. “There's a boat dat's leavin' soon for New York” (Sportin' Life, Bess) George Gershwin | 4:07 | |
| 6 | Porgy & Bess: Act III, Scene 3. Introduction George Gershwin | 1:17 | |
| 7 | Porgy & Bess: Act III, Scene 3. Symphony of Noise George Gershwin | 4:17 | |
| 8 | Porgy & Bess: Act III, Scene 3. “Good mornin', sistuh!” ... “It's Porgy comin' home” (man, woman, chorus, children, Mingo, Porgy) George Gershwin | 2:58 | |
| 9 | Porgy & Bess: Act III, Scene 3. “Dem white folks sure ain' put nuttin' over on this baby” (Porgy, Lily) George Gershwin | 2:57 | |
| 10 | Porgy & Bess: Act III, Scene 3. “Here Mingo, what's de matter wid you all?” (Porgy) George Gershwin | 1:39 | |
| 11 | Porgy & Bess: Act III, Scene 3. “Maria, Maria, where's Bess?” (Porgy, Maria, Serena) George Gershwin | 3:18 | |
| 12 | Porgy & Bess: Act III, Scene 3. “Where Bess gone?” (Porgy, Mingo, Maria, Serena, chorus) George Gershwin | 1:46 | |
| 13 | Porgy & Bess: Act III, Scene 3. “Oh Lawd, I'm on my way” (Porgy, chorus) George Gershwin | 1:23 |
CD 58
| 1 | Kaiser Franz Joseph I. Rettungs-Jubel-Marsch, op. 126 Johann Strauss | 3:38 | |
| 2 | Schatz Walzer, op. 418 Johann Strauss | 9:00 | |
| 3 | Niko Polka, op. 228 Johann Strauss | 4:05 | |
| 4 | Scherz Polka, op. 72 Johann Strauss | 3:44 | |
| 5 | Delirien, op. 212 Josef Strauss | 10:19 | |
| 6 | Pêle-Mêle Polka, op. 161 Josef Strauss | 2:20 | |
| 7 | Aufforderung zum Tanz, op. 65 Carl Maria von Weber | 9:44 | |
| 8 | Sekunden Polka, op. 258 Johann Strauss | 3:31 | |
| 9 | Hellenen Polka, op. 203 Johann Strauss | 2:19 |
CD 59
| 1 | Kaiser Walzer, op. 437 Johann Strauss | 12:01 | |
| 2 | Bauern Polka, op. 276 Johann Strauss | 3:08 | |
| 3 | Lob der Frauen, op. 315 Johann Strauss | 4:20 | |
| 4 | Chineser Galopp, op. 20 Johann Strauss | 1:51 | |
| 5 | Ungarischer Tanz Nr. 5 g-Moll, WoO 1/5 Johannes Brahms | 2:44 | |
| 6 | Ungarischer Tanz Nr. 6 D-Dur, WoO 1/6 Johannes Brahms | 3:42 | |
| 7 | Krönungslieder, op. 184 Johann Strauss | 9:29 | |
| 8 | Leichtes Blut, op. 319 Johann Strauss | 2:42 | |
| 9 | Furioso Polka, op. 260 Johann Strauss | 2:33 | |
| 10 | New Year's Address [no artist] | 1:05 | |
| 11 | An der schönen blauen Donau, op. 314 Johann Strauss | 10:18 | |
| 12 | Radetzky-Marsch, op. 228 Johann Strauss | 3:32 |
CD 60
| 1 | Kontretanz in D major, K 603/1 Wolfgang Amadeus Mozart | 1:09 | |
| 2 | Kontretanz in C major, K 609/1 Wolfgang Amadeus Mozart | 1:14 | |
| 3 | Kontretanz in C major, K 609/4 Wolfgang Amadeus Mozart | 2:05 | |
| 4 | 6 deutsche Tänze, K 571: No. 1 in D major Wolfgang Amadeus Mozart | 1:29 | |
| 5 | 6 deutsche Tänze, K 571: No. 2 in A minor Wolfgang Amadeus Mozart | 1:23 | |
| 6 | 6 deutsche Tänze, K 571: No. 3 in C major Wolfgang Amadeus Mozart | 1:35 | |
| 7 | 6 deutsche Tänze, K 571: No. 4 in G major Wolfgang Amadeus Mozart | 1:41 | |
| 8 | 6 deutsche Tänze, K 571: No. 5 in B-flat major Wolfgang Amadeus Mozart | 1:32 | |
| 9 | 6 deutsche Tänze, K 571: No. 6 in D major Wolfgang Amadeus Mozart | 3:06 | |
| 10 | Radetzky-Marsch, op. 228 (original version) Johann Strauss | 3:37 | |
| 11 | Kettenbrücke-Walzer, op. 4 Johann Strauss | 6:43 | |
| 12 | Schäfer-Quadrille, op. 217 Johann Strauss | 5:49 | |
| 13 | Der Karneval in Paris, op. 100 (Walzer) Johann Strauss | 2:33 | |
| 14 | Walzer à la Paganini, op. 11 Johann Strauss | 7:56 |
CD 61
| 1 | Pas de neuf, WoO (after Saverio Mercadante) Josef Lanner | 14:23 | |
| 2 | Sehnsuchts-Mazur, op. 89 Josef Lanner | 9:05 | |
| 3 | Hans-Jörgel-Polka, op. 194 Josef Lanner | 3:44 | |
| 4 | Malapou-Galopp, op. 148a Josef Lanner | 1:25 | |
| 5 | Hexen-Tanz, op. 203 (Walzer) Josef Lanner | 9:36 | |
| 6 | March from the Ballet Corso Donati Josef Lanner | 4:14 | |
| 7 | Cerrito-Polka, op. 189 Josef Lanner | 3:57 | |
| 8 | Jägers Lust, op. 82 (Jagd-Galopp) Josef Lanner | 2:39 | |
| 9 | Die Schönbrunner, op. 200 (Walzer) Josef Lanner | 9:08 |
DVD-Video 62
| 1 | Die Zauberflöte, K 620: Opening Credits Wolfgang Amadeus Mozart | 0:59 | |
| 2 | Die Zauberflöte, K 620: Overture Wolfgang Amadeus Mozart | 6:16 | |
| 3 | Die Zauberflöte, K 620: Act I. No. 1 Introduction: “Zu Hilfe! Zu Hilfe!” (Tamino, 3 Ladies) Wolfgang Amadeus Mozart | 7:04 | |
| 4 | Die Zauberflöte, K 620: Act I. No. 1 Dialogue: “Wo bin ich!” (Tamino) / No. 2 Aria: “Der Vogelfänger bin ich ja” (Papageno) Wolfgang Amadeus Mozart | 3:18 | |
| 5 | Die Zauberflöte, K 620: Act I. No. 2 Dialogue: “He da!” - “Was da!” (Tamino, Papageno, 3 Ladies) Wolfgang Amadeus Mozart | 5:49 | |
| 6 | Die Zauberflöte, K 620: Act I. No. 3 Aria: “Dies Bildnis ist bezaubernd schön” (Tamino) / Dialogue: “Rüste dich mit Mut und Standhaftigkeit” (3 Ladies, Tamino) Wolfgang Amadeus Mozart | 5:45 | |
| 7 | Die Zauberflöte, K 620: Act I. No. 4 Recitative & Aria: “O zittre nicht, mein lieber Sohn!” (Queen of the Night) Wolfgang Amadeus Mozart | 4:55 | |
| 8 | Die Zauberflöte, K 620: Act I. No. 4 Dialogue: “Ist es denn auch Wirklichkeit, was ich sah” (Tamino) / No. 5 Quintet: “Hm! Hm! Hm! Hm!” (Papagenom Tamino, 3 Ladies) Wolfgang Amadeus Mozart | 7:18 | |
| 9 | Die Zauberflöte, K 620: Act I. No. 5 Dialogue: “Was soll denn das Lachen?” (slaves, Manostatos) / No. 6 Trio: “Du feines Täubchen, nur herein!” (Manostatos, Pamina, Papageno) Wolfgang Amadeus Mozart | 3:30 | |
| 10 | Die Zauberflöte, K 620: Act I. No. 6 Dialogue: “Mutter! Mutter! Mutter!” (Pamina, Papageno) Wolfgang Amadeus Mozart | 5:01 | |
| 11 | Die Zauberflöte, K 620: Act I. No. 7 Duet: “Bein Männern, welche Liebe fühlen” (Pamina, Papageno) Wolfgang Amadeus Mozart | 3:53 | |
| 12 | Die Zauberflöte, K 620: Act I. No. 8 Finale: “Zum Ziele führt dich diese Bahn” (3 Boys, Tamino) Wolfgang Amadeus Mozart | 1:47 | |
| 13 | Die Zauberflöte, K 620: Act I. No. 8 Finale: “Die Weisheitslehre dieser Knaben” (Tamino, Speaker, chorus) Wolfgang Amadeus Mozart | 9:20 | |
| 14 | Die Zauberflöte, K 620: Act I. No. 8 Finale: “Wie stark ist nicht dein Zauberton” (Tamino) Wolfgang Amadeus Mozart | 3:17 | |
| 15 | Die Zauberflöte, K 620: Act I. No. 8 Finale: “Schnelle Füße, rascher Mut” (Pamina, Papageno, Manostatos, slaves) Wolfgang Amadeus Mozart | 3:39 | |
| 16 | Die Zauberflöte, K 620: Act I. No. 8 Finale: “Es lebe Sarastro, Sarastro lebe!” (chorus, Papageno, Pamina, Sarastro) Wolfgang Amadeus Mozart | 4:45 | |
| 17 | Die Zauberflöte, K 620: Act I. No. 8 Finale: “Nun, stolzer Jüngling, nur hieher!” (Manostatos, Pamina, Tamino, Sarastro) Wolfgang Amadeus Mozart | 2:16 | |
| 18 | Die Zauberflöte, K 620: Act I. No. 8 Finale: “Wenn Tugend und Gerechtigkeit” (chorus) Wolfgang Amadeus Mozart | 1:09 |
DVD-Video 63
| 1 | Die Zauberflöte, K 620: Act II. No. 9 March of the Priests Wolfgang Amadeus Mozart | 2:35 | |
| 2 | Die Zauberflöte, K 620: Act II. No. 9 Dialogue: “Ihr in dem Weisheitstempel eingeweihten Diener” (Sarastro, Priests, Speaker) Wolfgang Amadeus Mozart | 4:19 | |
| 3 | Die Zauberflöte, K 620: Act II. No. 10 Aria & Chorus: “O Isis und Osiris” (Sarastro, chorus) Wolfgang Amadeus Mozart | 3:23 | |
| 4 | Die Zauberflöte, K 620: Act II. No. 10 Dialogue: “Eine schreckliche Nacht!” (Tamino, Papageno, Speaker, First Priest) / No. 11 Duet: “Bewahret euch vor Weibertücken” (First Priest, Speaker) / No. 11 Dialogue: “He, Lichter her!” (Papageno, Tamino) Wolfgang Amadeus Mozart | 5:49 | |
| 5 | Die Zauberflöte, K 620: Act II. No. 11 Dialogue: “Das ist ja wunderlich” (Papageno, Tamino) / No. 12 Quintet: “Wie? Wie? Wie? Ihr an diesem Schreckensort?” (3 Ladies, Papageno, Tamino, chorus, Speaker, First Priest) / No. 12 Dialogue: “Heil dir, Jüngling!” (3 Ladies, Papageno) Wolfgang Amadeus Mozart | 5:37 | |
| 6 | Die Zauberflöte, K 620: Act II. No. 12 Dialogue: “Ha, da find' ich ja die spröde Schöne!" (Manostatos) / No. 13 Aria: “Alles fühlt der Liebe Freuden” (Manostatos) / No. 13 Dialogue: “Mutter!” (Pamina, Queen of the Night) Wolfgang Amadeus Mozart | 4:55 | |
| 7 | Die Zauberflöte, K 620: Act II. No. 14 Aria: “Der Hölle Rache” (Queen of the Night) / No. 14 Dialogue: “Morden soll ich?” (Pamina, Manostatos, Sarastro) Wolfgang Amadeus Mozart | 6:17 | |
| 8 | Die Zauberflöte, K 620: Act II. No. 15 Aria: “In diesen heil'gen Hallen” (Sarastro) / No. 15 Dialogue: “Prinz, lebt wohl!” (Speaker, First Priest, Papageno, Tamino, old woman) Wolfgang Amadeus Mozart | 8:08 | |
| 9 | Die Zauberflöte, K 620: Act II. No. 16 Trio: “Seid uns zum zweiten Mal willkommen” (3 Boys) / No. 16 Dialogue: “Tamino, wollen wir nicht speisen?” (Papageno, Pamina) Wolfgang Amadeus Mozart | 4:21 | |
| 10 | Die Zauberflöte, K 620: Act II. No. 17 Aria: “Ach, ich fühl's” (Pamina) / No. 17 Dialogue: “Nicht wahr Tamino, ich kann auch schweigen” (Papageno) Wolfgang Amadeus Mozart | 5:06 | |
| 11 | Die Zauberflöte, K 620: Act II. No. 18 Chorus: “O Isis und Osiris, welche Wonne!” (Priests) / No. 18 Dialogue: “Prinz, dein Betragen war bis hieher männlich” (Sarastro, Pamina, Tamino) Wolfgang Amadeus Mozart | 3:56 | |
| 12 | Die Zauberflöte, K 620: Act II. No. 19 Trio: “Soll ich dich, Teurer, nicht mehr seh'n?” (Pamina, Sarastro, Tamino) Wolfgang Amadeus Mozart | 3:32 | |
| 13 | Die Zauberflöte, K 620: Act II. No. 19 Dialogue: “Tamino! Tamino!” (Papageno, Speaker) / No. 20 Aria: “Ein Mädchen oder Weibchen” (Papageno) / No. 20 Dialogue: “Da bin ich schon, mein Engel!” (old woman, Papageno, Speaker) Wolfgang Amadeus Mozart | 9:21 | |
| 14 | Die Zauberflöte, K 620: Act II. No. 21 Finale: “Bald prangt, den Morgen zu verkünden” (3 Boys, Pamina) Wolfgang Amadeus Mozart | 7:09 | |
| 15 | Die Zauberflöte, K 620: Act II. No. 21 Finale: “Der, welcher wandert diese Straße” (2 Men in Armour, Tamino, Pamina) Wolfgang Amadeus Mozart | 5:11 | |
| 16 | Die Zauberflöte, K 620: Act II. No. 21 Finale: “Tamino mein! O welch ein Glück!” (Pamina, Tamino, 2 Men in Armour, chorus) Wolfgang Amadeus Mozart | 7:21 | |
| 17 | Die Zauberflöte, K 620: Act II. No. 21 Finale: “Papagena! Papagena! Papagena!” (Papageno, 3 Boys) Wolfgang Amadeus Mozart | 6:05 | |
| 18 | Die Zauberflöte, K 620: Act II. No. 21 Finale: “Pa-Pa-Papagena! - Pa-Pa-Papageno!” (Papageno, Papagena) Wolfgang Amadeus Mozart | 2:53 | |
| 19 | Die Zauberflöte, K 620: Act II. No. 21 Finale: “Nur stille, stille, stille, stille!” (Manostatos, 3 Ladies, Queen of the Night) / No. 21 Finale: “Die Strahlen der Sonne” (Sarastro, chorus) Wolfgang Amadeus Mozart | 4:49 | |
| 20 | Die Zauberflöte, K 620: Curtain Calls and Credits Wolfgang Amadeus Mozart | 4:55 |
DVD-Video 64
| 1 | Opening Nikolaus Harnoncourt, Lang Lang | 6:25 | |
| 2 | First Day of Recording: Concerto for Piano and Orchestra no. 17 in G major, K 453: I. Allegro Nikolaus Harnoncourt, Lang Lang / Wolfgang Amadeus Mozart | 20:19 | |
| 3 | Second Day of Recording: Concerto for Piano and Orchestra no. 17 in G major, K 453: III. Allegretto - Finale. Presto Nikolaus Harnoncourt, Lang Lang / Wolfgang Amadeus Mozart | 6:55 | |
| 4 | Third Day of Recording: Concerto for Piano and Orchestra no. 24 in C minor, K 591: I. Allegro / II. Larghetto Nikolaus Harnoncourt, Lang Lang / Wolfgang Amadeus Mozart | 10:20 | |
| 5 | Last Day of Recording: Concerto for Piano and Orchestra no. 24 in C minor, K 591: III. Allegretto Nikolaus Harnoncourt, Lang Lang / Wolfgang Amadeus Mozart | 8:00 | |
| 6 | Credits Nikolaus Harnoncourt, Lang Lang | 0:32 |