Instruments of the Middle Ages and Renaissance
AlbumTracklist 108:53
CD 1
| 1 | Shawm: Saltarello [anonymous] | 1:55 | |
| 2 | Reed pipe: Shepherd’s tune [traditional] | 1:02 | |
| 3 | Bagpipes: (a) Cylindrical chanter: Saltarello; (b) Conical chanter: Ballade “Dame, se vous m’estés” [anonymous] / Guillaume de Machaut | 3:14 | |
| 4 | Bladder pipes: Pastourelle “Au tans d’aost” [anonymous] | 1:08 | |
| 5 | Panpipes: A prisai qu’en chantant plour [anonymous] | 1:13 | |
| 6 | Transverse flute: Ach owê, daz nâch liebe ergât Master Alexander | 1:34 | |
| 7 | Six-holed pipe: Dou tres douz non Thibaud of Navarre | 1:55 | |
| 8 | Double pipes: Virelai “Gracïeuse” Jehan de Lescurel | 1:21 | |
| 9 | Pipe and tabor: Dansa “Ben volgra, s’esser poges” Guiraut d'Espanha de Toloza | 1:13 | |
| 10 | Recorder: English Te Deum [anonymous] | 1:55 | |
| 11 | Gemshorn: Chansonnette “Quan je voi iver retorner” Colin Muset | 1:33 | |
| 12 | Portative organ: Madrigal “Ay, sconsolato ed amoroso” Vincenzo da Rimini | 1:43 | |
| 13 | Positive organ: Estampie [anonymous] | 2:23 | |
| 14 | Hurdy-gurdy: Chanson “Joliveté et bone amor” Jehan d'Esquiri | 1:39 | |
| 15 | Clavichord: Ellend du hast Conrad Paumann | 2:16 | |
| 16 | Trumpet: (a) Clarion: Fanfare “Untarn slaf tut den sumer wol”; (b) Buisine: Fanfare “Ad modum tubae” Herman, Monk of Salzburg / Guillaume Dufay | 2:21 | |
| 17 | (a) Cowhorn: Ballade “De moi doloureus”; (b) Medieval Cornett: Das Nachthorn; (c) Slide trumpet: Geisslerlied “Maria muoter reinû maît”; (d) Ensemble (medieval cornett, slide trumpet, alto shawm, tabor): Der Trumpet Gillebert de Berneville / Herman, Monk of Salzburg / [anonymous] / Herman, Monk of Salzburg | 3:37 | |
| 18 | Harp: (a) Metal strung: Lai “Qui porroit un guierredon”; (b) Gut strung: Dance tune [anonymous] / Tassin | 2:14 | |
| 19 | Lyre: Goliard melody “O Roma nobilis” [anonymous] | 0:51 | |
| 20 | Psaltery: Hymn to St Magnus “Nobilis humilis” [traditional] | 1:01 | |
| 21 | Dulcimer: Madrigal “Tanto soavemente” Jacopo da Bologna | 1:57 | |
| 22 | Lute: Madrigal “Di novo è giunto” Jacopo da Bologna | 2:14 | |
| 23 | Mandora: Chanson “Amours que porra” Thibaut de Blason | 1:23 | |
| 24 | Long-necked lute: Aquel que de voontade Alfonso X el Sabio | 1:15 | |
| 25 | Cittern: Virelai “Quant je sui mis” Guillaume de Machaut | 1:02 | |
| 26 | Citole: English dance [anonymous] | 1:46 | |
| 27 | Rebec: La septime estampie real [anonymous] | 1:05 | |
| 28 | Fiddle: Ballata “Poi che da te mi convien” Francesco Landini | 1:26 | |
| 29 | Bowed lyre: Virelai “Comment qu’a moy” Guillaume de Machaut | 1:35 | |
| 30 | Tromba marina: Improvised fanfare Motet “Quant ie le voi — Bon vin doit — Cis chans veult boire” [anonymous] | 1:05 |
CD 2
| 1 | Shawm: Two courantes Samuel Voelckel | 2:13 | |
| 2 | Curtal: Chanson “Ce qui souloit” Tielman Susato | 1:45 | |
| 3 | Rackett: Caro ortolano Giorgio Mainerio | 1:30 | |
| 4 | Crumhorn: Padouana Johann Schein | 2:09 | |
| 5 | Cornamuse: Bicinium “Le cuer de vous” Antonio Gardano | 1:11 | |
| 6 | Kortholt: Bicinium “Mon petit cuer” Guillaume le Heurteur | 1:23 | |
| 7 | Rauschpfeife: Three Bransles Doubles Michael Praetorius | 1:33 | |
| 8 | Flute: Chanson “Amor me poingt” Claudin de Sermisy | 1:26 | |
| 9 | Recorder (a) 8′ Consort: Chanson “Hellas! Amour” Guillaume le Heurteur | 2:17 | |
| 10 | Recorder (b) 4′ Consort: The Fairie Round Anthony Holborne | 1:22 | |
| 11 | Renaissance organ: Entrada réal Pedro de Soto | 2:22 | |
| 12 | Regal: (a) Prelude “Ascensus simplex”; (b) “Min Hertz hat sich ser gefröwet” Conrad Paumann / [anonymous] | 1:35 | |
| 13 | Harpsichord: Toccata from the Naples MS Giovanni Salvatore | 1:57 | |
| 14 | Virginals: Variations on the Romanesca [anonymous] | 2:35 | |
| 15 | Xylophone: Ballo Francese Giorgio Mainerio | 0:57 | |
| 16 | Trumpet: (a) Unmuted: Toccata from Orfeo, 1607; (b) Muted: Toccata from Orfeo, 1607 Claudio Monteverdi | 1:26 | |
| 17 | Sackbut: (a) Solo: Adagio and Allegro; (b) Consort: “Lobt Gott ihr Christen alle gleich” Heinrich Biber / Michael Praetorius | 2:59 | |
| 18 | Cornett: Canzona for “due canti” Girolamo Frescobaldi | 3:08 | |
| 19 | Alto and tenor cornett: Bicinium “Amour cruel” Pierre de Manchicourt | 1:22 | |
| 20 | Serpent: Canzona Quarta for “basso solo” Girolamo Frescobaldi | 2:22 | |
| 21 | Lute: Orlando sleepeth John Dowland | 1:44 | |
| 22 | Theorbo: A Fancy — Praelude, or Voluntary Thomas Mace | 1:48 | |
| 23 | Mandora: Ballo Anglese Giorgio Mainerio | 1:06 | |
| 24 | Cittern: Galliarde for cittern and bass Anthony Holborne | 2:22 | |
| 25 | Ceterone: Toccata prima Alessandro Piccinini | 1:44 | |
| 26 | Bandora: Galliard John Dowland | 0:50 | |
| 27 | Orpharion: Duet “Le Rossignol” [anonymous] | 1:36 | |
| 28 | Vihuela: Fantasia XI from El maestro, 1536 Luis de Milán | 2:50 | |
| 29 | Guitar: Pavana (Variations on the Romanesca) [anonymous] | 1:32 | |
| 30 | Viol: (a) Consort: Fantasy in four parts; (b) Lyra viol: Duet “Forget me not” William Byrd / Thomas Ford | 3:21 | |
| 31 | Violin: La volta [anonymous] | 1:32 |