| 1 |
90 Minuten nach Mitternacht (Terror After Midnight): Introduction (Love Theme)
|
3:14 |
|
| 2 |
Der Entführer verlangt das Lösegeld
|
1:02 |
|
| 3 |
Julie in der Gewalt ihres Entführers
|
3:12 |
|
| 4 |
Midnight Growl
|
1:03 |
|
| 5 |
Let’s Bowling
|
2:01 |
|
| 6 |
Love Theme
|
1:32 |
|
| 7 |
Mexican Road
|
2:21 |
|
| 8 |
Blues (Love Theme)
|
3:52 |
|
| 9 |
Minor Bowling
|
1:09 |
|
| 10 |
Flucht über dunkle Landstraße
|
1:19 |
|
| 11 |
Die Väter
|
1:13 |
|
| 12 |
Love Theme in Moll
|
1:33 |
|
| 13 |
Polizei-Einsatz
|
1:19 |
|
| 14 |
… allein, gefesselt, keine Hilfe
|
1:05 |
|
| 15 |
Dramatische Entscheidung
|
1:44 |
|
| 16 |
Melancholie – Jazz-Melodie
|
1:40 |
|
| 17 |
Forgotten Melody
|
2:40 |
|
| 18 |
Es ging noch einmal gut
|
1:45 |
|
| 19 |
Finale (Love Theme): 90 Minuten nach Mitternacht
|
2:10 |
|
| 20 |
Willkommen, Mr. B… (A Man Could Get Killed): Main Title
|
3:07 |
|
| 21 |
Explosive Welcome / Bi-Naveled / Key Note
|
3:00 |
|
| 22 |
Beddy-Bye “Strangers in the Night”
|
3:11 |
|
| 23 |
Beddoes Shadows
|
2:19 |
|
| 24 |
Clues Dropper / A Tape Sandwich / Rude Awakening
|
3:23 |
|
| 25 |
Noted Arrival
|
2:27 |
|
| 26 |
Taking De-Tour
|
2:44 |
|
| 27 |
Sale Fish “But Not Today”
|
2:24 |
|
| 28 |
Down to the Docks / A Deadly Game
|
4:04 |
|
| 29 |
Foiled in Oil
|
2:57 |
|
| 30 |
Handy Brandy / Hail the Azaela
|
3:36 |
|
| 31 |
No a Go-Go (End Title)
|
2:37 |
|
| 32 |
Zwei Kerle aus Granit (You Can’t Win ’Em All): Love Theme
|
3:26 |
|
| 33 |
Flight to Mecca
|
2:27 |
|