Handel: Samson

Handel: Samson

Harry Christophers

Album
Label Coro Release date Format 3×CD Country 🇬🇧 United Kingdom

Tracklist 204:49

CD 1

1 Samson, oratorio, HWV 57: Act 1. Scene 1. No. 1. Overture. Andante - Adagio - Allegro - Menuetto George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 7:46
2 Samson, oratorio, HWV 57: Act 1. Scene 1. No. 2. Recitative. This day, a solemn feast to Dagon held, George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 0:32
3 Samson, oratorio, HWV 57: Act 1. Scene 1. No. 3. Chorus. Awake the trumpet's lofty sound! George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 1:54
4 Samson, oratorio, HWV 57: Act 1. Scene 1. No. 4. Air. Ye men of Gaza, hither bring George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 3:51
5 Samson, oratorio, HWV 57: Act 1. Scene 1. No. 5. Chorus. Awake the trumpet's lofty sound! George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 0:29
6 Samson, oratorio, HWV 57: Act 1. Scene 1. No. 6. Air. Loud as the thunder's awful voice, George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 3:07
7 Samson, oratorio, HWV 57: Act 1. Scene 1. No. 7. Air. Then free from sorrow, free from thrall, George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 2:34
8 Samson, oratorio, HWV 57: Act 1. Scene 1. No. 5. Chorus. Awak the trumpet's lofty sound! George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 0:28
9 Samson, oratorio, HWV 57: Act 1. Scene 1. No. 8. Recitative. Why by an angel was my birth foretold, George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 0:52
10 Samson, oratorio, HWV 57: Act 1. Scene 1. No. 9. Air. Torments alas! are not confin'd George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 3:56
11 Samson, oratorio, HWV 57: Act 1. Scene 2. No. 10. Recitative. O charge beyond report, thought, or belief! George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 0:56
12 Samson, oratorio, HWV 57: Act 1. Scene 2. No. 11. Air. O mirror of our fickle state! George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 2:44
13 Samson, oratorio, HWV 57: Act 1. Scene 2. No. 12. Recitative. Whom have I to complain of but myself, George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 2:36
14 Samson, oratorio, HWV 57: Act 1. Scene 2. No. 13A. Air. Total eclipse! No sun, no moon, George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 3:28
15 Samson, oratorio, HWV 57: Act 1. Scene 2. No. 13B. Recitative. Since light so necessary is to life, George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 1:12
16 Samson, oratorio, HWV 57: Act 1. Scene 2. No. 14. Chorus. Oh first created beam! And thou great word George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 3:34
17 Samson, oratorio, HWV 57: Act 1. Scene 2. No. 15. Recitative. Ye see, my friends, how woes enclose me round George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 1:59
18 Samson, oratorio, HWV 57: Act 1. Scene 3. No. 16. Recitative. Brethren and men of Dan, say, where is my son, George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 0:33
19 Samson, oratorio, HWV 57: Act 1. Scene 3. No. 17. Recitative. Oh miserable change! Is this the man, George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 0:44
20 Samson, oratorio, HWV 57: Act 1. Scene 3. No. 18. Recitative. Oh ever failing trust in mortal strength! George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 0:15
21 Samson, oratorio, HWV 57: Act 1. Scene 3. No. 19. Air. God of our fathers, what is man? George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 3:00
22 Samson, oratorio, HWV 57: Act 1. Scene 3. No. 20. Recitative. The good we wish for, often proves our bane, George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 1:04
23 Samson, oratorio, HWV 57: Act 1. Scene 3. No. 21. Air. Thy glorious deed inspir'd my tongue George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 4:35
24 Samson, oratorio, HWV 57: Act 1. Scene 3. No. 22. Recitative. Justly these evils have befall'n thy son; George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 1:35
25 Samson, oratorio, HWV 57: Act 1. Scene 3. No. 23. Recitative. My griefs for this George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 0:54
26 Samson, oratorio, HWV 57: Act 1. Scene 3. No. 24. Air. Why does the God of Israel sleep? George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 4:34
27 Samson, oratorio, HWV 57: Act 1. Scene 3. No. 25. Recitative. There lies our hope! True prophet may'st thou be, George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 0:21
28 Samson, oratorio, HWV 57: Act 1. Scene 3. No. 26. Chorus. Then shall they know, that he whose name George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 2:19
29 Samson, oratorio, HWV 57: Act 1. Scene 3. No. 27. Recitative. For thee, my dearest son, must thou meanwhile / No. 28. Recitat George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 2:56
30 Samson, oratorio, HWV 57: Act 1. Scene 3. No. 29. Air. Then long eternity shall greet your bliss George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 5:26
31 Samson, oratorio, HWV 57: Act 1. Scene 3. No. 30. Chorus. Then round about the starry throne George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 2:09

CD 2

1 Samson, oratorio, HWV 57- Act 2. Scene 1. No. 31. Recitative. Despair not thus! You once were God's delight, George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 1:25
2 Samson, oratorio, HWV 57- Act 2. Scene 1. No. 32. Air. Just are the ways of God to man, George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 3:26
3 Samson, oratorio, HWV 57- Act 2. Scene 1. No. 33. Recitative. My evils hopeless are! One pray'r remains- George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 0:46
4 Samson, oratorio, HWV 57- Act 2. Scene 1. No. 34. Air. Return, oh God of hosts! Behold - No. 35. Chorus. To dust his glory th George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 8:38
5 Samson, oratorio, HWV 57- Act 2. Scene 2. No. 36. Recitative. But who is this, that so bedeck'd and gay George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 3:15
6 Samson, oratorio, HWV 57- Act 2. Scene 2. No. 37. Air. With plaintive notes and am'rous moan, George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 7:06
7 Samson, oratorio, HWV 57- Act 2. Scene 2. No. 38. Recitative. Alas! Th'event was worse than I foresaw; George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 0:54
8 Samson, oratorio, HWV 57- Act 2. Scene 2. No. 39. Air. Your charms to ruin led the way, George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 3:36
9 Samson, oratorio, HWV 57- Act 2. Scene 2. No. 40. Recitative. Forgive what's done, nor think of what's past cure George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 0:30
10 Samson, oratorio, HWV 57- Act 2. Scene 2. No. 41. Duet. My faith and truth, oh Samson, prove, - No. 42. Chorus. Her faith and George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 6:14
11 Samson, oratorio, HWV 57- Act 2. Scene 2. No. 43. Air. To fleeting pleasures make your court, - No. 42. Chorus. Her faith and George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 4:53
12 Samson, oratorio, HWV 57- Act 2. Scene 2. No. 44. Recitative. Ne'er think of that! I know thy warbling charms George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 1:27
13 Samson, oratorio, HWV 57- Act 2. Scene 2. No. 45. Duet. Traitor to love! I'll sue no more - Scene 3. No. 46. Recitative. She' George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 1:57
14 Samson, oratorio, HWV 57- Act 2. Scene 3. No. 47. Air. It is not virtue, valour, wit, George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 4:12
15 Samson, oratorio, HWV 57- Act 2. Scene 3. No. 48. Recitative. Favour'd of Heaven is he, who finds one true, George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 0:22
16 Samson, oratorio, HWV 57- Act 2. Scene 3. No. 49. Chorus. To man God's universal law George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 2:31
17 Samson, oratorio, HWV 57- Act 2. Scene 4. No. 50. Recitative. No words of peace, no voice enchanting fear, George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 1:38
18 Samson, oratorio, HWV 57- Act 2. Scene 4. No. 51. Air. Honour and arms scorn such a foe George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 5:40
19 Samson, oratorio, HWV 57- Act 2. Scene 4. No. 52. Recitative. Put on your arms, George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 0:10
20 Samson, oratorio, HWV 57- Act 2. Scene 4. No. 53. Air. My strength is from the living God George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 2:53
21 Samson, oratorio, HWV 57- Act 2. Scene 4. No. 54. Recitative. With thee! A man condemn'd, a slave enroll'd, George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 0:41
22 Samson, oratorio, HWV 57- Act 2. Scene 4. No. 55. Duet. Go, baffled coward, go, George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 2:16
23 Samson, oratorio, HWV 57- Act 2. Scene 4. No. 56. Recitative. Here lie the proff- if Dagon be thy God, George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 0:46
24 Samson, oratorio, HWV 57- Act 2. Scene 4. No. 57. Chorus. Hear, Jacob's God, Jehovah, hear! George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 3:14
25 Samson, oratorio, HWV 57- Act 2. Scene 4. No. 58. Recitative. Dagon, arise! Attend thy sacred feast! George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 0:13
26 Samson, oratorio, HWV 57- Act 2. Scene 4. No. 59A. Air. To song and dance we give the day, George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 4:04
27 Samson, oratorio, HWV 57- Act 2. Scene 4. No. 59B. Chorus. To song and dance we give the day, George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 1:57
28 Samson, oratorio, HWV 57- Act 2. Scene 4. No. 60. Chorus. Fix'd in his everlasting seat, George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 3:03

CD 3

1 Act 3 - More trouble is behind: for Harapha George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 1:23
2 Presuming slave, to move their wrath George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 3:01
3 Reflect then, Samson George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 0:50
4 With thunder arm'd, great God, arise! George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 2:55
5 Be of good courage George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 2:23
6 Thus when the sun from's wat'ry bed George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 3:54
7 With might endued above the sons of men George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 0:25
8 The Holy One of Israel be thy guide George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 2:22
9 Old Manoa with youthful steps George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 0:26
10 Great Dagon has subdued our foe George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 4:28
11 What noise of joy was that? George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 0:47
12 How willing my paternal love George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 3:36
13 Your hopes of his deliv'ry seem not vain George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 1:57
14 Noise call you this? George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 0:40
15 Where shall I run? George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 3:49
16 Ye sons of Israel, now lament George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 3:20
17 Proceed we hence George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 0:46
18 A Dead March George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 3:06
19 The body comes George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 1:10
20 Glorious hero, may the grave George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 5:12
21 Come, come! George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 1:02
22 Let the bright Seraphim in burning row George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers 6:25