The Complete Library of Congress Recordings
AlbumTracklist 541:27
CD 1
| 1 | The Story of "I'm Alabama Bound" (Spoken) / I'm Alabama Bound (Song) | 4:03 | |
| 2 | Time in Mobile (Spoken) / "I'm Alabama Bound," continued (Song) | 4:13 | |
| 3 | "King Porter Stomp" (Piano Instrumental) / The Story of "King Porter Stomp" (Spoken) | 4:06 | |
| 4 | The Story of "King Porter Stomp," continued (Spoken) / "You Can Have It, I Don't Want It" (Song) / Copyrights and Battles of Music (Spoken) | 3:53 | |
| 5 | Jell Roll's Background (Spoken) | 4:21 | |
| 6 | Music Lessons (Spoken) / "Miserere" (Piano Instrumental) | 4:06 | |
| 7 | "Miserere," continued (Piano Instrumental) / The French Opera House and the Tenderloin (Spoken) | 4:05 | |
| 8 | The Stomping Grounds | 4:15 | |
| 9 | "The Style of Sammy Davis" (Piano Instrumental) / The Renown of Tony Jackson (Spoken) / "Pretty Baby" (Song) | 4:18 | |
| 10 | Tony Jackson Was the Favorite / Dope, Crown, and Opium (Spoken) | 4:00 | |
| 11 | Poor Alfred Wilson (Spoken) / Tony Jackson's "Naked Dance" (Piano Instrumental) | 4:03 | |
| 12 | "Honky Tonk Blues" (Song) / In New Orleans, Anyone Could Carry a Gun (Spoken) | 4:21 | |
| 13 | New Orleans Was a Free and Easy Place (Spoken) / "Levee Man Blues" (Song) | 4:08 | |
| 14 | The Story of Aaron Harris (Spoken) | 4:05 |
CD 2
| 1 | The Story of Aaron Harris, continued (Spoken) / "Aaron Harris Blues" (Song) | 4:06 | |
| 2 | Aaron Harris, His Hoodoo Woman, and the The Hat That Started a Riot (Spoken) | 4:10 | |
| 3 | The Story of the 1900 New Orleans Riot and the Song of Robert Charles (Spoken) | 4:05 | |
| 4 | The Story of the 1900 New Orleans Riot, continued (Spoken) / "Game Kid Blues" (Song) | 4:05 | |
| 5 | "Game Kid Blues," continued (Piano Instrumental) / "Buddy Carter Rag" (Piano Instrumental) | 3:57 | |
| 6 | New Orleans Funerals (Spoken) / "Steal Away" (Song) / "Nearer My God to Thee" (Song) | 4:18 | |
| 7 | Funeral Marches (Spoken) / "Flee as the Bird to the Mountain" (Piano Instrumental) | 4:12 | |
| 8 | "Oh! Didn't He Ramble" (Piano Instrumental) / Evolution of Tiger Rag (Spoken) / "Tiger Rag" first and second strains (Piano Instrumental) | 4:07 | |
| 9 | "Tiger Rag" third, fourth, and fifth strains (Piano Instrumental) / "Tiger Rag" transformed (Piano Instrumental) | 4:01 | |
| 10 | "Tiger Rag" (Piano Instrumental) / "Panama" (Piano Instrumental) | 4:03 | |
| 11 | The Right Tempo Is the Accurate Tempo (Interview and Demonstration) / Harmony, Melody, and Riffs (Interview and Demonstration) | 4:40 | |
| 12 | Jazz Discords and the Story of the "Kansas City Stomp" (Interview and Demonstration) / "Kansas City Stomp" (Piano Instrumental) | 4:31 | |
| 13 | "Kansas City Stomp," continued (Piano Instrumental) / Breaks in Jazz (Interview and Demonstration) / "Darktown Strutters' Ball" (Piano Instrumental) | 4:35 | |
| 14 | Slow Swing and "Sweet Jazz Music" (Interview and Demonstration) | 4:34 | |
| 15 | "Salty Dog" (Song) / Bill Johnson, Jelly's Brother-in-Law (Spoken) | 4:23 | |
| 16 | "Hesitation Blues" (Interview and Song) | 4:30 |
CD 3
| 1 | "My Gal Sal," original and transformation (Interview and Song) | 3:53 | |
| 2 | The St. Louis Scene (Spoken) / Randall's Tune (Piano Instrumental) / "Maple Leaf Rag," St. Louis style (Piano Instrumental) | 4:10 | |
| 3 | "Maple Leaf Rag," St. Louis style, conclusion (Piano Instrumental) / "Maple Leaf Rag," New Orleans style (Piano Instrumental) | 4:20 | |
| 4 | Jelly Roll Carves St. Louis (Spoken) | 4:20 | |
| 5 | Jelly Roll Carves St. Louis, continued (Spoken) / "Miserere," swinging arrangement, with portion of "Anvil Chorus" (Piano Instrumental) | 4:24 | |
| 6 | "New Orleans Blues" (Song) | 3:59 | |
| 7 | "Winin' Boy Blues" (Song) | 3:45 | |
| 8 | "Winin' Boy Blues," continued (Song) | 4:24 | |
| 9 | "The Anamule Dance" (Song) | 3:47 | |
| 10 | "The Anamule Dance," continued (Song) / The Story of the "The Anmule Dance" (Spoken) / The Origins of Scat, "Scat Song" (Interview and Demonstration) | 4:20 | |
| 11 | The Great Buddy Bolden (Spoken) / "Buddy Bolden's Blues" (Song) | 4:12 | |
| 12 | The Great Buddy Bolden, continued (Spoken) | 4:11 | |
| 13 | "Mr. Jelly Lord" (Song) | 4:10 | |
| 14 | How Jelly Roll Got His Name (Spoken) / "Original Jelly Roll Blues" (Piano Instrumental) | 4:15 | |
| 15 | "Original Jelly Roll Blues," continued (Song) / Jelly Roll's Four-Beat Foot (Spoken) | 4:10 | |
| 16 | "Honky Tonk Blues" (Song) / Old-Time Honky Tonks (Spoken) | 4:06 |
CD 4
| 1 | Real Tough Boys (Spoken) | 4:32 | |
| 2 | Sporting Attire and Shooting the Agate (Spoken) | 4:33 | |
| 3 | Sweet Mamas and Sweet Papas (Spoken) / "See See Rider" (Song) | 4:21 | |
| 4 | "See See Rider," continued (Song) / Parading With the Broadway Swells (Spoken) | 4:25 | |
| 5 | Parading With the Broadway Swells, continued (Spoken) | 4:24 | |
| 6 | Fights and Weapons (Spoken) / "Stars and Stripes Forever" (Piano Instrumental) | 4:28 | |
| 7 | Luis Russell and New Orleans Riffs (Interview and Demonstration) / "Call of the Freaks" (Song) | 4:27 | |
| 8 | Jelly's Travels: From Yazoo to Clarksdale (Spoken) | 4:14 | |
| 9 | Jelly's Travels: From Clarksdale to Helena (Spoken) | 4:34 | |
| 10 | Jelly's Travels: From Helena to Memphis (Spoken) | 4:23 | |
| 11 | In Memphis: The Monarch Saloon and Benny Frenchy (Spoken) / "Benny Frenchy's Tune" (Piano Instrumental) | 4:24 | |
| 12 | "Benny Frenchy's Tune," continued (Piano Instrumental) / Bad Sam, Memphis' Toughest (Interview) / "The Stomp That Beat Benny Frenchy" (Piano Instrumental) / "All That I Ask Is Love" (Song) | 4:24 | |
| 13 | "Make Me a Pallet on the Floor" (Interview and Song) | 4:16 | |
| 14 | "Make Me a Pallet on the Floor," continued (Song) | 4:15 | |
| 15 | "Make Me a Pallet on the Floor," continued (Song) | 4:14 | |
| 16 | "Make Me a Pallet on the Floor," conclusion (Song) | 4:35 |
CD 5
| 1 | "The Dirty Dozen" (Interview and Song) | 4:31 | |
| 2 | The Murder Ballad, Part One (Song) | 4:03 | |
| 3 | The Murder Ballad, Part Two (Song) | 4:18 | |
| 4 | The Murder Ballad, Part Three (Song) | 4:28 | |
| 5 | The Murder Ballad, Part Four (Song) | 4:20 | |
| 6 | The Murder Ballad, Part Five (Song) | 4:13 | |
| 7 | The Murder Ballad, Part Six (Song) | 4:25 | |
| 8 | The Murder Ballad, conclusion (Song) | 4:30 | |
| 9 | "Fickle Fay Creep" (Piano Instrumental) | 3:16 | |
| 10 | "Jungle Blues" (Piano Instrumental) | 3:45 | |
| 11 | "King Porter Stomp" (Piano Instrumental) | 2:57 | |
| 12 | "Sweet Peter" (Piano Instrumental) | 3:05 | |
| 13 | "Hyena Stomp" (Piano Instrumental) | 3:34 | |
| 14 | "Wolverine Blues" (Song) | 3:47 | |
| 15 | "Wolverine Blues," continued (Song) | 4:02 | |
| 16 | "State and Madison" (Piano Instrumental) | 3:45 | |
| 17 | "The Pearls" (Piano Instrumental) | 3:31 | |
| 18 | "The Pearls," continued (Piano Instrumental) | 3:35 |
CD 6
| 1 | "Bert Williams" (Piano Instrumental) | 3:42 | |
| 2 | "Freakish" (Piano Instrumental) | 4:00 | |
| 3 | "Pep" (Piano Instrumental) | 3:34 | |
| 4 | The Georgia Skin Game (Spoken) | 3:56 | |
| 5 | The Georgia Skin Game, continued (Spoken) | 3:04 | |
| 6 | The Georgia Skin Game, conclusion (Spoken) / "I'm Gonna Get One and Go Directly" (Song) | 3:21 | |
| 7 | "Ungai Hai," the Sign of the Indians (Interview and Song) | 4:11 | |
| 8 | "New Orleans Blues" (Piano Instrumental) / The Spanish Tinge (Spoken) | 4:08 | |
| 9 | The Spanish Tinge, continued (Interview and Demonstration) | 4:15 | |
| 10 | Improving Spanish Tempos and "Creepy Feeling" (Interview and Piano Instrumental) | 4:07 | |
| 11 | "Creepy Feeling" (Piano Instrumental) | 4:20 | |
| 12 | "The Crave" (Piano Instrumental) | 4:32 | |
| 13 | "Mamanita" (Piano Instrumental) | 4:09 | |
| 14 | C'était N'aut' Can-Can, Payez Donc (Interview and Song) / "If You Don't Shake, You Don't Get No Cake" (Song" | 4:23 | |
| 15 | "Spanish Swat" (Piano Instrumental) | 4:14 | |
| 16 | "Ain't Misbehavin'" (Song) | 4:13 | |
| 17 | "I Hate a Man Like You" (Interview and Song) / "Rolling Stuff" (Piano Instrumental) | 4:13 | |
| 18 | "Michigan Water Blues" (Interview and Song) | 3:51 |
CD 7
| 1 | "Winin' Boy Blues" (Song) | 4:10 | |
| 2 | "Winin' Boy Blues," continued (Song) | 4:16 | |
| 3 | "Boogie Woogie Blues" (Piano Instrumental) / "Albert Carroll's Tune" (Piano Instrumental) / "Buddy Bertrand's Blues" (Piano Instrumental) | 4:22 | |
| 4 | "Buddy Bertrand's Blues," continued (Piano Instrumental) / "Mamie's Blues" (Interview, Piano Instrumental, and Song) | 4:27 | |
| 5 | When the Hot Stuff Came In (Spoken) | 8:41 | |
| 6 | The First Hot Arrangements (Spoken) | 9:02 | |
| 7 | The Pensacola Kid and the Cadillac Café (Spoken) | 8:00 | |
| 8 | At the Cadillac Café, Los Angeles, continued (Spoken) / "Little Liza Jane" (Song) | 9:56 | |
| 9 | "Little Liza Jane," continued (Song) / On the West Coast: Getting Along Swell (Spoken) | 9:47 | |
| 10 | In the Publishing Business (Spoken) / "Tricks Ain't Walking No More" (Song) | 8:50 |
CD 8
| 1 | "Original Jelly Roll Blues" (Guitar Instrumental) Johnny St. Cyr | 1:52 | |
| 2 | Jelly Roll's Early Playing Days in the District (Spoken) Johnny St. Cyr and Alan Lomax | 1:23 | |
| 3 | Hot Bands and Creole Tunes (Spoken) Johnny St. Cyr and Alan Lomax | 4:30 | |
| 4 | "Eh, La Bas" (Song) / Riffs and Breaks From Creole Songs (Spoken) Johnny St. Cyr and Alan Lomax | 2:03 | |
| 5 | Old-Time Creole Musicians and the French Element (Spoken) Leonard Bechet and Alan Lomax | 3:33 | |
| 6 | Playing Hot With Buddy Bolden (Spoken) Paul Dominguez, Jr., Alphonse Picou, and Alan Lomax | 3:18 | |
| 7 | "High Society" (Instrumental) Alphonse Picou and Paul Dominguez, Jr. | 2:17 | |
| 8 | Sporting Life Costumes (Spoken) Albert Glenny, Leonard Bechet, and Alan Lomax | 1:39 | |
| 9 | Buddy Bolden: Man and Musician (Spoken) Albert Glenny, Leonard Bechet, and Alan Lomax | 2:24 | |
| 10 | Creoles Playing With Negroes: Getting That Drive (Spoken) Leonard Bechet and Alan Lomax | 4:29 | |
| 11 | Jelly Roll's Compositions (Spoken) Johnny St. Cyr and Alan Lomax | 3:23 | |
| 12 | How Johnny St. Cyr Learned to Play Guitar (Spoken) Johnny St. Cyr and Alan Lomax | 2:21 | |
| 13 | "Guitar Blues" (Guitar Instrumental) / Just the Guitar Blues (Spoken) Johnny St. Cyr and Alan Lomax | 2:18 | |
| 14 | Bad Men and Pimps (Spoken) Johnny St. Cyr and Alan Lomax | 3:39 | |
| 15 | The Story of the "Coon Blues" (Spoken) Alphonse Picou and Alan Lomax | 1:35 | |
| 16 | "Coon Blues" (Instrumental) Alphonse Picou and Paul Dominguez, Jr. | 2:23 | |
| 17 | Jazz Is Just a Makeup: Buddy Bolden, Honky Tonks, Brass Band Funerals, and Parades (Spoken) Albert Glenny, Leonard Bechet, and Alan Lomax | 5:26 | |
| 18 | Young Sidney Bechet: Jim Crow and the Dangers of the District (Spoken) Leonard Bechet and Alan Lomax | 3:41 | |
| 19 | The Main Idea in Jazz: "Just Watch Me" – Improvising and Reading Music (Spoken) Albert Glenny, Leonard Bechet, and Alan Lomax | 3:25 | |
| 20 | "Of All His Mother's Children He Loved Jelly the Best": A Little Tale of Jelly Roll Morton (Spoken) Johnny St. Cyr and Alan Lomax | 8:50 |