| 1 |
Three-Page Sonata (1905): Allegro Moderato
Charles Ives
|
2:04 |
|
| 2 |
Three-Page Sonata (1905): Andante
Charles Ives
|
3:16 |
|
| 3 |
Three-Page Sonata (1905): Allegro - March Time
Charles Ives
|
2:38 |
|
| 4 |
Study No. 6 (1907-09)
Charles Ives
|
4:22 |
|
| 5 |
Study No. 7 (1907)
Charles Ives
|
2:58 |
|
| 6 |
Study No. 8 (1907)
Charles Ives
|
1:51 |
|
| 7 |
Study No. 9 "The Anti-Abolitionist Riots" (1907)
Charles Ives
|
3:19 |
|
| 8 |
Study No. 15 (1907-1909; 1920s)
Charles Ives
|
4:05 |
|
| 9 |
Study No. 16 / 19 (1907-1909; 1902s)
Charles Ives
|
2:15 |
|
| 10 |
Study No. 23 (1912-1914; 1920s)
Charles Ives
|
4:07 |
|
| 11 |
Set of Five Take-Offs (1906): I. The Seen and Unseen or Sweet and Tough
Charles Ives
|
2:55 |
|
| 12 |
Set of Five Take-Offs (1906): II. Rough and Ready or The Jumping Frog
Charles Ives
|
3:06 |
|
| 13 |
Set of Five Take-Offs (1906): III. Song Without (good) Words
Charles Ives
|
3:17 |
|
| 14 |
Set of Five Take-Offs (1906): IV. Scene Episode
Charles Ives
|
2:12 |
|
| 15 |
Set of Five Take-Offs (1906): V. Bad Resolutions and Good One
Charles Ives
|
0:57 |
|
| 16 |
Study No. 20 (1920s)
Charles Ives
|
7:31 |
|
| 17 |
Study No. 22 (1909)
Charles Ives
|
1:57 |
|
| 18 |
Study No. 21 "Some South-Paw Pitching" (1917)
Charles Ives
|
2:48 |
|
| 19 |
Evocations, Four Chants for Piano (1937-1954): I. Largo (To Harriette Miller)
Carl Ruggles
|
2:01 |
|
| 20 |
Evocations, Four Chants for Piano (1937-1954): II. Andante con fantasia (To John Kirkpatrick)
Carl Ruggles
|
2:51 |
|
| 21 |
Evocations, Four Chants for Piano (1937-1954): III. Moderato appasionato (To Charlotte Ruggles)
Carl Ruggles
|
1:37 |
|
| 22 |
Evocations, Four Chants for Piano (1937-1954): IV. Adagio Sostenuto (To Charles Ives)
Carl Ruggles
|
3:32 |
|