The Leonard Bernstein Collection, Volume 2
AlbumTracklist 3780:44
CD 1
| 1 | Symphony no. 1 in D major: I. Langsam. Schleppend. Wie ein Naturlaut - Im Anfang sehr gemächlich Gustav Mahler | 16:30 | |
| 2 | Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich Gustav Mahler | 9:01 | |
| 3 | Symphony no. 1 in D major: III. Feierlich und gemeßsen, ohne zu schleppen Gustav Mahler | 10:27 | |
| 4 | Symphony no. 1 in D major: IV. Stürmisch bewegt Gustav Mahler | 20:32 |
CD 2
| 1 | Symphony no. 2 in C minor, "Resurrection": I. Allegro maestoso (Totenfeier). Mit durchaus ernstem und feierlichem Ausdruck Gustav Mahler | 7:00 | |
| 2 | Symphony no. 2 in C minor, "Resurrection": I. Allegro maestoso (Totenfeier). Sehr mäßig und zurückhaltend Gustav Mahler | 5:50 | |
| 3 | Symphony no. 2 in C minor, "Resurrection": I. Allegro maestoso (Totenfeier). Schnell Gustav Mahler | 3:45 | |
| 4 | Symphony no. 2 in C minor, "Resurrection": I. Allegro maestoso (Totenfeier). Tempo I Gustav Mahler | 4:45 | |
| 5 | Symphony no. 2 in C minor, "Resurrection": I. Allegro maestoso (Totenfeier). Tempo sostenuto Gustav Mahler | 3:33 | |
| 6 | Symphony no. 2 in C minor, "Resurrection": II. Andante moderato. Sehr gemächlich Gustav Mahler | 1:44 | |
| 7 | Symphony no. 2 in C minor, "Resurrection": II. Andante moderato. Nicht eilen. Sehr gemächlich Gustav Mahler | 1:48 | |
| 8 | Symphony no. 2 in C minor, "Resurrection": II. Andante moderato. In Tempo I zurückkehren Gustav Mahler | 2:04 | |
| 9 | Symphony no. 2 in C minor, "Resurrection": II. Andante moderato. Energisch bewegt Gustav Mahler | 2:26 | |
| 10 | Symphony no. 2 in C minor, "Resurrection": II. Andante moderato. Wieder ins Tempo zurückgehen. Tempo I Gustav Mahler | 4:02 |
CD 3
| 1 | Symphony no. 2 in C minor, "Resurrection": III. [Scherzo]. In ruhig fließender Bewegung Gustav Mahler | 5:00 | |
| 2 | Symphony no. 2 in C minor, "Resurrection": III. [Scherzo]. Sehr getragen und gesangvoll Gustav Mahler | 1:30 | |
| 3 | Symphony no. 2 in C minor, "Resurrection": III. [Scherzo]. Zum Tempo I zurückkehren – attacca: Gustav Mahler | 4:54 | |
| 4 | Symphony no. 2 in C minor, "Resurrection": IV. »Urlicht«. Sehr feierlich, aber schlicht · »O Röschen rot« (Alt‐Solo) – attaca: Gustav Mahler | 6:18 | |
| 5 | Symphony no. 2 in C minor, "Resurrection": V. Im Tempo des Scherzos. Wildherausfahrend Gustav Mahler | 1:46 | |
| 6 | Symphony no. 2 in C minor, "Resurrection": V. Langsam Gustav Mahler | 3:59 | |
| 7 | Symphony no. 2 in C minor, "Resurrection": V. Im Anfang sehr zurückgehalten Gustav Mahler | 1:19 | |
| 8 | Symphony no. 2 in C minor, "Resurrection": V. Wieder sehr breit Gustav Mahler | 3:42 | |
| 9 | Symphony no. 2 in C minor, "Resurrection": V. Molto ritenuto. Maestoso Gustav Mahler | 4:16 | |
| 10 | Symphony no. 2 in C minor, "Resurrection": V. Wieder zurückhaltend Gustav Mahler | 3:58 | |
| 11 | Symphony no. 2 in C minor, "Resurrection": V. Sehr langsam und gedehnt Gustav Mahler | 2:48 | |
| 12 | Symphony no. 2 in C minor, "Resurrection": V. Langsam. Misterioso »Auferstehn, ja auferstehn wirst du (Sopran‐Solo, Chor) Gustav Mahler | 4:10 | |
| 13 | Symphony no. 2 in C minor, "Resurrection": V. Langsam ppp. Nicht schleppen »Weider aufzublühn wirst du gesät« (Sopran‐Solo, Chor) Gustav Mahler | 3:57 | |
| 14 | Symphony no. 2 in C minor, "Resurrection": V. Etwas bewegter »O glaube, mein Herz, o glaube« (Alt‐Solo, Sopran‐Solo, Chor) Gustav Mahler | 3:34 | |
| 15 | Symphony no. 2 in C minor, "Resurrection": V. Mit Aufschwung, aber nicht eilen »O Schmerz, du Alldurchdringer« (Alt‐Solo, Sopran‐Solo, Chor) Gustav Mahler | 5:09 |
CD 4
| 1 | Symphony no. 3 in D minor: Ia. Kräftig. Entschieden Gustav Mahler | 5:41 | |
| 2 | Symphony no. 3 in D minor: Ib. Immer das gleiche Tempo Gustav Mahler | 4:11 | |
| 3 | Symphony no. 3 in D minor: Ic.Tempo I Gustav Mahler | 4:45 | |
| 4 | Symphony no. 3 in D minor: Id. Zeit lassen Gustav Mahler | 2:15 | |
| 5 | Symphony no. 3 in D minor: Ie. Zeit lassen Gustav Mahler | 4:08 | |
| 6 | Symphony no. 3 in D minor: If. Immer dasselbe Tempo (Marsch). Nicht eilen Gustav Mahler | 3:11 | |
| 7 | Symphony no. 3 in D minor: Ig. Im alten Marschtempo (Allegro Moderato) Gustav Mahler | 5:35 | |
| 8 | Symphony no. 3 in D minor: Ih. Tempo I Gustav Mahler | 5:05 | |
| 9 | Symphony no. 3 in D minor: IIa. Tempo di Menuetto. Sehr mässig Gustav Mahler | 2:13 | |
| 10 | Symphony no. 3 in D minor: IIb. L'istesso tempo Gustav Mahler | 1:03 | |
| 11 | Symphony no. 3 in D minor: IIc. A tempo (Wie im Anfang) Gustav Mahler | 3:42 | |
| 12 | Symphony no. 3 in D minor: IId. Ganz plötzlich gemächlich. Tempo di Menuetto Gustav Mahler | 3:43 | |
| 13 | Symphony no. 3 in D minor: IIIa. Comodo. Scherzando. Ohne Hast Gustav Mahler | 2:42 | |
| 14 | Symphony no. 3 in D minor: IIIb. Wieder sehr gemächlich, wir zu Anfang Gustav Mahler | 2:57 | |
| 15 | Symphony no. 3 in D minor: IIIc. Etwas zurückhaltend Gustav Mahler | 5:33 | |
| 16 | Symphony no. 3 in D minor: IIId. Schnell und schmetternd wie eine Fanfare - Tempo I. Mit geheimnisvoller Hast Gustav Mahler | 2:47 | |
| 17 | Symphony no. 3 in D minor: IIIe. Wieder sehr gemächlich, beinahe langsam Gustav Mahler | 4:32 |
CD 5
| 1 | Symphony no. 3 in D minor: IVa. Sehr langsam. Misterioso. Durchaus ppp: "O Mensch! Gib acht!" Gustav Mahler | 4:48 | |
| 2 | Symphony no. 3 in D minor: IVb. Più mosso subito Gustav Mahler | 4:44 | |
| 3 | Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck: "Bimm bamm / Es sungen drei Engel" Gustav Mahler | 4:06 | |
| 4 | Symphony no. 3 in D minor: VIa. Langsam. Ruhevoll. Empfunden Gustav Mahler | 5:03 | |
| 5 | Symphony no. 3 in D minor: VIb. Nicht mehr so breit Gustav Mahler | 3:36 | |
| 6 | Symphony no. 3 in D minor: VIc. Tempo I. Ruhevoll Gustav Mahler | 3:44 | |
| 7 | Symphony no. 3 in D minor: VId. Nicht mehr so breit Gustav Mahler | 4:35 | |
| 8 | Symphony no. 3 in D minor: VIe. Tempo I Gustav Mahler | 3:17 | |
| 9 | Symphony no. 3 in D minor: VIf. Langsam. Tempo I Gustav Mahler | 7:41 |
CD 6
| 1 | Symphony no. 4 in G major: I. Bedächtig, nicht eilen Gustav Mahler | 17:39 | |
| 2 | Symphony no. 4 in G major: II. In gemächlicher Bewegung, ohne Hast Gustav Mahler | 10:12 | |
| 3 | Symphony no. 4 in G major: III. Ruhevoll Gustav Mahler | 20:31 | |
| 4 | Symphony no. 4 in G major: IV. Sehr behaglich Gustav Mahler | 8:43 |
CD 7
| 1 | Symphony no. 5 in C-Sharp minor, Pt. 1: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt: Plötzlich schneller. Leidenschaftlich. Wild - Tempo I) Gustav Mahler | 14:32 | |
| 2 | Symphony no. 5 in C-Sharp minor, Pt. 1: II. Stürmisch bewegt (Mit größter Vehemenz: Bedeutend langsamer - Tempo I subito) Gustav Mahler | 14:59 | |
| 3 | Symphony no. 5 in C-Sharp minor, Pt. 2: III. Scherzo (Kräftig, nicht zu schnell) Gustav Mahler | 19:01 | |
| 4 | Symphony no. 5 in C-Sharp minor, Pt. 3: IV. Adagietto (Sehr langsam) Gustav Mahler | 11:13 | |
| 5 | Symphony no. 5 in C-Sharp minor, Pt. 3: V. Rondo-Finale (Allegro) Gustav Mahler | 15:00 |
CD 8
| 1 | Symphony No. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig Gustav Mahler | 23:17 | |
| 2 | Symphony No. 6 in A minor: II. Scherzo. Wuchtig Gustav Mahler | 14:16 | |
| 3 | Symphony No. 6 in A minor: III. Andante moderato Gustav Mahler | 16:19 |
CD 9
| 1 | Symphony No. 6 in A minor: IV. Finale: Allegro moderato - Allegro energico Gustav Mahler | 33:29 |
CD 10
| 1 | Symphony no. 7 in E minor: Ia. Langsam (Adagio) Gustav Mahler | 2:16 | |
| 2 | Symphony no. 7 in E minor: Ib. Nicht schleppen Gustav Mahler | 1:23 | |
| 3 | Symphony no. 7 in E minor: Ic. Allegro risoluto, ma non troppo Gustav Mahler | 1:24 | |
| 4 | Symphony no. 7 in E minor: Id. A tempo (sempre l'istesso) Gustav Mahler | 2:23 | |
| 5 | Symphony no. 7 in E minor: Ie(i). Moderato Gustav Mahler | 1:39 | |
| 6 | Symphony no. 7 in E minor: Ie(ii). Moderato Gustav Mahler | 4:29 | |
| 7 | Symphony no. 7 in E minor: If. Adagio (Tempo der Einleitung) Gustav Mahler | 2:26 | |
| 8 | Symphony no. 7 in E minor: Ig. Allegro come prima Gustav Mahler | 1:51 | |
| 9 | Symphony no. 7 in E minor: Ih. Poco ritenuto --- a tempo Gustav Mahler | 1:39 | |
| 10 | Symphony no. 7 in E minor: Ii. Nicht eilen Gustav Mahler | 2:10 | |
| 11 | Symphony no. 7 in E minor: IIa. Nachtmusik. Allegro moderato Gustav Mahler | 3:59 | |
| 12 | Symphony no. 7 in E minor: IIb. Sempre l'istesso tempo Gustav Mahler | 3:52 | |
| 13 | Symphony no. 7 in E minor: IIc. Poco meno mosso Gustav Mahler | 3:14 | |
| 14 | Symphony no. 7 in E minor: IId(i). Tempo Gustav Mahler | 1:52 | |
| 15 | Symphony no. 7 in E minor: IId(ii). Tempo Gustav Mahler | 1:29 | |
| 16 | Symphony no. 7 in E minor: IIe. Sehr gemessen Gustav Mahler | 2:45 |
CD 11
| 1 | Symphony no. 7 in E minor: IIIa. Scherzo. Schattenhaft Gustav Mahler | 3:20 | |
| 2 | Symphony no. 7 in E minor: IIIb. Trio Gustav Mahler | 2:38 | |
| 3 | Symphony no. 7 in E minor: IIIc. Wieder wie zu Anfang Gustav Mahler | 4:35 | |
| 4 | Symphony no. 7 in E minor: IVa(i). Nachtmusik. Andante amoroso Gustav Mahler | 6:33 | |
| 5 | Symphony no. 7 in E minor: IVa(ii). Nachtmusik. Andante amoroso Gustav Mahler | 2:59 | |
| 6 | Symphony no. 7 in E minor: IVb. Tempo I. poco rit. Gustav Mahler | 5:08 | |
| 7 | Symphony no. 7 in E minor: Va. Rondo-Finale. Tempo I (Allegro ordinario) Gustav Mahler | 1:45 | |
| 8 | Symphony no. 7 in E minor: Vb. Sempre l'istesso tempo Gustav Mahler | 1:12 | |
| 9 | Symphony no. 7 in E minor: Vc. Tempo II (Allegro moderato ma energico) Gustav Mahler | 2:56 | |
| 10 | Symphony no. 7 in E minor: Vd(i). Tempo I Gustav Mahler | 2:41 | |
| 11 | Symphony no. 7 in E minor: Vd(ii). Tempo I Gustav Mahler | 2:40 | |
| 12 | Symphony no. 7 in E minor: Ve. Tempo I subito Gustav Mahler | 1:11 | |
| 13 | Symphony no. 7 in E minor: Vf. Meno mosso (Tempo II) Gustav Mahler | 3:51 | |
| 14 | Symphony no. 7 in E minor: Vg. Accelerando Gustav Mahler | 2:02 |
CD 12
| 1 | Symphony no. 10 in F-sharp minor: Ia. Adagio. Andante Gustav Mahler | 3:47 | |
| 2 | Symphony no. 10 in F-sharp minor: Ib. Adagio. Andante come prima Gustav Mahler | 6:11 | |
| 3 | Symphony no. 10 in F-sharp minor: Ic. Adagio. [ ] Gustav Mahler | 6:05 | |
| 4 | Symphony no. 10 in F-sharp minor: Id. Adagio. [ ] Gustav Mahler | 3:19 | |
| 5 | Symphony no. 10 in F-sharp minor: Ie. Adagio. Andante Gustav Mahler | 6:42 | |
| 6 | Symphony no. 8 in E-flat major, Part I: Hymnus "Veni, creator spriritus" I. Allegro Impetuoso Gustav Mahler | 1:26 | |
| 7 | Symphony no. 8 in E-flat major, Part I: Hymnus "Veni, creator spriritus" II. "Imple superna gratia" Gustav Mahler | 3:16 | |
| 8 | Symphony no. 8 in E-flat major, Part I: Hymnus "Veni, creator spriritus" III. "Infirma nostri corporis" Gustav Mahler | 2:45 | |
| 9 | Symphony no. 8 in E-flat major, Part I: Hymnus "Veni, creator spriritus" IV. Tempo I. Allegro, etwas hastig Gustav Mahler | 1:12 | |
| 10 | Symphony no. 8 in E-flat major, Part I: Hymnus "Veni, creator spriritus" V. "Infirma nostri corporis" Gustav Mahler | 3:15 | |
| 11 | Symphony no. 8 in E-flat major, Part I: Hymnus "Veni, creator spriritus" VI. "Accende lumen sensibus" Gustav Mahler | 4:23 | |
| 12 | Symphony no. 8 in E-flat major, Part I: Hymnus "Veni, creator spriritus" VII. "Qui Paraclitus diceris" Gustav Mahler | 4:27 | |
| 13 | Symphony no. 8 in E-flat major, Part I: Hymnus "Veni, creator spriritus" VIII. "Gloria Partri Domino" Gustav Mahler | 3:18 |
CD 13
| 1 | Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" I. Poco adagio Gustav Mahler | 6:23 | |
| 2 | Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" II. Più mosso. Allegro moderato Gustav Mahler | 3:05 | |
| 3 | Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" III. (Chor und Echo) "Waldung, sie schwankt heran" Gustav Mahler | 4:31 | |
| 4 | Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" IV. (Pater ecstaticus) "Ewiger Wonnebrand" Gustav Mahler | 1:35 | |
| 5 | Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" V. (Pater profundus) "Wie Felsenabgrund mir zu Füßen" Gustav Mahler | 4:29 | |
| 6 | Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" VI. (Chor der Engel) "Gerettet ist das edle Glied" Gustav Mahler | 1:05 | |
| 7 | Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" VII. (Chor der jüngeren Engel) "Jene Rosen aus den Händen" Gustav Mahler | 1:49 | |
| 8 | Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" VIII. (Die vollendeteren Engel) "Uns bleibt ein Erdenrest" Gustav Mahler | 2:22 | |
| 9 | Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" IX. (Die jüngeren Engel) "Ich spür'soeben, nebelnd um Felsenhöh" Gustav Mahler | 1:22 | |
| 10 | Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" X. (Doctor Marianus) "Höchste Herrscherin der Welt" Gustav Mahler | 4:24 | |
| 11 | Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" XI. (Chor der BuBerinnen und Una poenitentium) "Dir, der Unberührbaren" Gustav Mahler | 3:55 | |
| 12 | Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" XII. (Maria Aegyptiaca) "Bei der Liebe, die den Füßen" Gustav Mahler | 4:50 | |
| 13 | Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" XIII. (Una poenitentium) "Neige, du Ohnegleiche" Gustav Mahler | 1:18 | |
| 14 | Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" XIV. (Selige Knaben) "Er überwächst uns schon" Gustav Mahler | 3:51 | |
| 15 | Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" XV. (Mater gloriosa) "Komm! hebe dich zu höhern Sphären" Gustav Mahler | 7:23 | |
| 16 | Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" XVI. (Chorus mysticus) "Alles Vergängliche ist nur ein G" Gustav Mahler | 6:24 |
CD 14
| 1 | Symphony no. 9 in D major: I. Satz. Andante comodo: [Takt 1] Gustav Mahler | 15:02 | |
| 2 | Symphony no. 9 in D major: I. Satz. Andante comodo: (Horneinsatz) Gustav Mahler | 3:03 | |
| 3 | Symphony no. 9 in D major: I. Satz. Andante comodo: Bewegter Gustav Mahler | 1:31 | |
| 4 | Symphony no. 9 in D major: I. Satz. Andante comodo: [Takt 317] Gustav Mahler | 1:44 | |
| 5 | Symphony no. 9 in D major: I. Satz. Andante comodo: Wie von Anfang Gustav Mahler | 2:01 | |
| 6 | Symphony no. 9 in D major: I. Satz. Andante comodo: Plötzlich bedeutend langsamer (Lento) und leise Gustav Mahler | 6:39 | |
| 7 | Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: [Takt 1] Gustav Mahler | 2:37 | |
| 8 | Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Poco più mosso subito (Tempo II.) Gustav Mahler | 2:50 | |
| 9 | Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Tempo III. Gustav Mahler | 1:58 | |
| 10 | Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: A tempo II. Gustav Mahler | 3:32 | |
| 11 | Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Tempo I. Gustav Mahler | 1:22 | |
| 12 | Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Tempo II. Gustav Mahler | 1:44 | |
| 13 | Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Tempo I. subito Gustav Mahler | 3:20 |
CD 15
| 1 | Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: [Takt 1] Gustav Mahler | 1:45 | |
| 2 | Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: L’istesso tempo Gustav Mahler | 1:06 | |
| 3 | Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: Sempre l’istesso tempo Gustav Mahler | 1:17 | |
| 4 | Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: L’istesso tempo Gustav Mahler | 1:20 | |
| 5 | Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: [Takt 347] Gustav Mahler | 2:25 | |
| 6 | Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: (Klarinetteneinsatz) Gustav Mahler | 1:37 | |
| 7 | Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: Tempo I. subito Gustav Mahler | 1:28 | |
| 8 | Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: Più stretto Gustav Mahler | 0:57 | |
| 9 | Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: [Takt 1] Gustav Mahler | 4:59 | |
| 10 | Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Plötzlich wieder sehr langsam (wie zu Anfang) und etwas zögernd Gustav Mahler | 2:34 | |
| 11 | Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Molto adagio subito Gustav Mahler | 2:33 | |
| 12 | Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: A tempo (Molto adagio) Gustav Mahler | 4:08 | |
| 13 | Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Stets sehr gehalten Gustav Mahler | 1:46 | |
| 14 | Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Fließender, doch durchaus nicht eilend Gustav Mahler | 2:08 | |
| 15 | Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Tempo I. Molto adagio Gustav Mahler | 6:01 | |
| 16 | Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Adagissimo Gustav Mahler | 5:32 |
CD 16
| 1 | Symphony no. 9 in D major: I. Andante comodo Gustav Mahler | 27:37 | |
| 2 | Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb Gustav Mahler | 15:54 | |
| 3 | Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig Gustav Mahler | 12:05 | |
| 4 | Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend Gustav Mahler | 26:11 |
CD 17
| 1 | Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde Gustav Mahler | 8:29 | |
| 2 | Das Lied von der Erde: II. Der Einsame im Herbst Gustav Mahler | 11:21 | |
| 3 | Das Lied von der Erde: III. Von der Jugend Gustav Mahler | 3:09 | |
| 4 | Das Lied von der Erde: IV. Von der Schönheit Gustav Mahler | 8:09 | |
| 5 | Das Lied von der Erde: V. Der Trunkene im Frühling Gustav Mahler | 4:40 | |
| 6 | Das Lied von der Erde: VI. Der Abschied Gustav Mahler | 31:00 |
CD 18
| 1 | Des Knaben Wunderhorn: I. Der Schildwache Nachtlied Gustav Mahler | 6:02 | |
| 2 | Des Knaben Wunderhorn: II. Wer hat dies Liedlein erdacht? Gustav Mahler | 2:16 | |
| 3 | Des Knaben Wunderhorn: III. Der Tamboursg'sell Gustav Mahler | 5:16 | |
| 4 | Des Knaben Wunderhorn: IV. Das irdische Leben Gustav Mahler | 2:57 | |
| 5 | Des Knaben Wunderhorn: V. Verlor'ne Müh' Gustav Mahler | 3:03 | |
| 6 | Des Knaben Wunderhorn: VI. Des Antonius von Padua Fischpredigt Gustav Mahler | 3:43 | |
| 7 | Des Knaben Wunderhorn: VII. Revelge Gustav Mahler | 6:48 | |
| 8 | Des Knaben Wunderhorn: VIII. Rheinlegendchen Gustav Mahler | 3:33 | |
| 9 | Des Knaben Wunderhorn: IX. Lob des hohen Verstandes Gustav Mahler | 2:37 | |
| 10 | Des Knaben Wunderhorn: X. Wo die schönen Trompeten blasen Gustav Mahler | 8:29 | |
| 11 | Des Knaben Wunderhorn: XI. Lied des Verfolgten im Turm Gustav Mahler | 4:35 | |
| 12 | Des Knaben Wunderhorn: XII. Trost im Unglück Gustav Mahler | 2:34 | |
| 13 | Des Knaben Wunderhorn: XIII. Urlicht Gustav Mahler | 5:42 |
CD 19
| 1 | Lieder eines fahrenden Gesellen: I. Wenn mein Schatz Hochzeit macht Gustav Mahler | 4:25 | |
| 2 | Lieder eines fahrenden Gesellen: II. Ging heut' morgen übers Feld Gustav Mahler | 4:07 | |
| 3 | Lieder eines fahrenden Gesellen: III. Ich hab' ein glühend Messer Gustav Mahler | 3:20 | |
| 4 | Lieder eines fahrenden Gesellen: IV. Die zwei blauen Augen Gustav Mahler | 5:42 | |
| 5 | Kindertotenlieder: I. Nun will die Sonn' so hell aufgehn Gustav Mahler | 5:58 | |
| 6 | Kindertotenlieder: II. Nun seh' ich wohl, warum so dunkle Flammen Gustav Mahler | 5:11 | |
| 7 | Kindertotenlieder: III. Wenn dein Mütterlein Gustav Mahler | 6:03 | |
| 8 | Kindertotenlieder: IV. Oft denk' ich, sie sind nur ausgegangen Gustav Mahler | 3:31 | |
| 9 | Kindertotenlieder: V. In diesem Wetter, in diesem Braus Gustav Mahler | 7:32 | |
| 10 | Rückert Lieder: V. Liebst du um Schönheit Gustav Mahler | 2:44 | |
| 11 | Rückert Lieder: I. Blicke mir nicht in die Lieder Gustav Mahler | 1:30 | |
| 12 | Rückert Lieder: II. Ich atmet' einen linden Duft Gustav Mahler | 3:00 | |
| 13 | Rückert Lieder: IV. Um Mitternacht Gustav Mahler | 7:23 | |
| 14 | Rückert Lieder: III. Ich bin der Welt abhanden gekommen Gustav Mahler | 7:47 |
CD 20
| 1 | Ouvertüre “Die Hebriden” (“Die Fingalshöhle”), op. 26, MWV P 7: Allegro moderato - Animato in tempo Felix Mendelssohn | 10:01 | |
| 2 | Symphony no. 3 in A minor, op. 56, MWV N 18 "Scottish": I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima Felix Mendelssohn | 13:55 | |
| 3 | Symphony no. 3 in A minor, op. 56, MWV N 18 "Scottish": II. Vivace non troppo Felix Mendelssohn | 4:09 | |
| 4 | Symphony no. 3 in A minor, op. 56, MWV N 18 "Scottish": III. Adagio Felix Mendelssohn | 11:16 | |
| 5 | Symphony no. 3 in A minor, op. 56, MWV N 18 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai Felix Mendelssohn | 10:06 |
CD 21
| 1 | Symphony no. 4 in A major, op. 90, MWV N 16 "Italian": I. Allegro vivace Felix Mendelssohn | 10:45 | |
| 2 | Symphony no. 4 in A major, op. 90, MWV N 16 "Italian": II. Andante con moto Felix Mendelssohn | 6:46 | |
| 3 | Symphony no. 4 in A major, op. 90, MWV N 16 "Italian": III. Con moto moderato Felix Mendelssohn | 6:54 | |
| 4 | Symphony no. 4 in A major, op. 90, MWV N 16 "Italian": IV. Saltarello (Presto) Felix Mendelssohn | 5:52 | |
| 5 | Symphony no. 5 in D minor, op. 107, MWV N 15 "Reformation": I. Andante - Allegro con fuoco Felix Mendelssohn | 11:37 | |
| 6 | Symphony no. 5 in D minor, op. 107, MWV N 15 "Reformation": II. Allegro vivace Felix Mendelssohn | 6:26 | |
| 7 | Symphony no. 5 in D minor, op. 107, MWV N 15 "Reformation": III. Andante Felix Mendelssohn | 3:48 | |
| 8 | Symphony no. 5 in D minor, op. 107, MWV N 15 "Reformation": IV. Choral "Ein' Feste Burg ist unser Gott!" (Andante con moto - Allegro vivace - Allegro maestoso - Più animato poco a poco) Felix Mendelssohn | 9:02 |
CD 22
| 1 | Symphony no. 29 in A major, K. 201: I. Allegro moderato Wolfgang Amadeus Mozart | 8:09 | |
| 2 | Symphony no. 29 in A major, K. 201: II. Andante Wolfgang Amadeus Mozart | 6:53 | |
| 3 | Symphony no. 29 in A major, K. 201: III. Minuetto & Trio Wolfgang Amadeus Mozart | 3:25 | |
| 4 | Symphony no. 29 in A major, K. 201: IV. Allegro con spirito Wolfgang Amadeus Mozart | 5:17 | |
| 5 | Symphony no. 25 in G minor, K. 183: I. Allegro con brio Wolfgang Amadeus Mozart | 8:10 | |
| 6 | Symphony no. 25 in G minor, K. 183: II. Andante Wolfgang Amadeus Mozart | 4:11 | |
| 7 | Symphony no. 25 in G minor, K. 183: III. Minuetto & Trio Wolfgang Amadeus Mozart | 3:49 | |
| 8 | Symphony no. 25 in G minor, K. 183: IV. Allegro Wolfgang Amadeus Mozart | 6:04 | |
| 9 | Concerto for Clarinet in A major, K. 622: I. Allegro Wolfgang Amadeus Mozart | 12:40 | |
| 10 | Concerto for Clarinet in A major, K. 622: II. Adagio Wolfgang Amadeus Mozart | 8:16 | |
| 11 | Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro Wolfgang Amadeus Mozart | 8:54 |
CD 23
| 1 | Symphony no. 35 in D major, K. 385 "Haffner": I. Allegro con spirito Wolfgang Amadeus Mozart | 5:44 | |
| 2 | Symphony no. 35 in D major, K. 385 "Haffner": II. Andante Wolfgang Amadeus Mozart | 7:10 | |
| 3 | Symphony no. 35 in D major, K. 385 "Haffner": III. Minuetto Wolfgang Amadeus Mozart | 3:14 | |
| 4 | Symphony no. 35 in D major, K. 385 "Haffner": IV. Finale. Presto Wolfgang Amadeus Mozart | 3:45 | |
| 5 | Symphony no. 41 in C major, K. 551 "Jupiter": I. Allegro vivace Wolfgang Amadeus Mozart | 11:59 | |
| 6 | Symphony no. 41 in C major, K. 551 "Jupiter": II. Andante cantabile Wolfgang Amadeus Mozart | 9:12 | |
| 7 | Symphony no. 41 in C major, K. 551 "Jupiter": III. Minuetto. Allegretto & Trio Wolfgang Amadeus Mozart | 5:14 | |
| 8 | Symphony no. 41 in C major, K. 551 "Jupiter": IV. Allegro molto Wolfgang Amadeus Mozart | 11:38 |
CD 24
| 1 | Symphony no. 36 in C major, K. 425 "Linz" : I. Adagio - Allegro spiritoso Wolfgang Amadeus Mozart | 11:12 | |
| 2 | Symphony no. 36 in C major, K. 425 "Linz" : II. Andante Wolfgang Amadeus Mozart | 7:57 | |
| 3 | Symphony no. 36 in C major, K. 425 "Linz" : III. Menuetto Wolfgang Amadeus Mozart | 3:45 | |
| 4 | Symphony no. 36 in C major, K. 425 "Linz" : IV. Presto Wolfgang Amadeus Mozart | 7:28 | |
| 5 | Symphony no. 38 in D major, K. 504 "Prague" : I. Adagio - Allegro Wolfgang Amadeus Mozart | 13:30 | |
| 6 | Symphony no. 38 in D major, K. 504 "Prague" : II. Andante Wolfgang Amadeus Mozart | 9:10 | |
| 7 | Symphony no. 38 in D major, K. 504 "Prague" : III. (Finale) Presto Wolfgang Amadeus Mozart | 8:38 |
CD 25
| 1 | Symphony no. 39 in E-flat major, K. 543: I. Adagio — Allegro Wolfgang Amadeus Mozart | 11:24 | |
| 2 | Symphony no. 39 in E-flat major, K. 543: II. Andante con moto Wolfgang Amadeus Mozart | 9:21 | |
| 3 | Symphony no. 39 in E-flat major, K. 543: III. Menuetto. Allegretto Wolfgang Amadeus Mozart | 4:05 | |
| 4 | Symphony no. 39 in E-flat major, K. 543: IV. Finale. Allegro Wolfgang Amadeus Mozart | 8:08 | |
| 5 | Symphony no. 40 in G minor, K. 550: I. Molto allegro Wolfgang Amadeus Mozart | 8:32 | |
| 6 | Symphony no. 40 in G minor, K. 550: II. Andante Wolfgang Amadeus Mozart | 8:17 | |
| 7 | Symphony no. 40 in G minor, K. 550: III. Menuetto. Allegretto Wolfgang Amadeus Mozart | 4:50 | |
| 8 | Symphony no. 40 in G minor, K. 550: IV. Allegro assai Wolfgang Amadeus Mozart | 9:13 |
CD 26
| 1 | Concerto for Piano and Orchestra no. 15, K. 453: I. Allegro Wolfgang Amadeus Mozart | 11:23 | |
| 2 | Concerto for Piano and Orchestra no. 15, K. 453: II. Andante Wolfgang Amadeus Mozart | 7:35 | |
| 3 | Concerto for Piano and Orchestra no. 15, K. 453: III. Allegro Wolfgang Amadeus Mozart | 8:17 | |
| 4 | Symphony no. 36, K. 425 “Linz”: I. Adagio - Allegro spiritoso Wolfgang Amadeus Mozart | 11:07 | |
| 5 | Symphony no. 36, K. 425 “Linz”: II. Andante Wolfgang Amadeus Mozart | 7:58 | |
| 6 | Symphony no. 36, K. 425 “Linz”: III. Menuetto Wolfgang Amadeus Mozart | 3:43 | |
| 7 | Symphony no. 36, K. 425 “Linz”: IV. Presto Wolfgang Amadeus Mozart | 8:00 |
CD 27
| 1 | Concerto for Piano and Orchestra No. 17 in G major, K. 453: I. Allegro Wolfgang Amadeus Mozart | 12:50 | |
| 2 | Concerto for Piano and Orchestra No. 17 in G major, K. 453: II. Andante Wolfgang Amadeus Mozart | 12:32 | |
| 3 | Concerto for Piano and Orchestra No. 17 in G major, K. 453: III. Allegretto - Finale: Presto Wolfgang Amadeus Mozart | 8:05 | |
| 4 | Concerto for Piano and Orchestra in G major, M. 83: I. Allegramente Maurice Ravel | 8:36 | |
| 5 | Concerto for Piano and Orchestra in G major, M. 83: II. Adagio assai Maurice Ravel | 10:48 | |
| 6 | Concerto for Piano and Orchestra in G major, M. 83: III. Presto Maurice Ravel | 4:38 |
CD 28
| 1 | Motet for Chorus, Strings & Organ in D major, K. 618: "Ave verum corpus" Wolfgang Amadeus Mozart | 4:06 | |
| 2 | Exsultate, jubilate, K. 165 Wolfgang Amadeus Mozart | 14:34 | |
| 3 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie" Wolfgang Amadeus Mozart | 7:39 | |
| 4 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIa. Gloria: "Gloria in excelsis" Wolfgang Amadeus Mozart | 2:08 | |
| 5 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te" Wolfgang Amadeus Mozart | 4:59 | |
| 6 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIc. Gloria: "Gratias agimus tibi" Wolfgang Amadeus Mozart | 1:36 | |
| 7 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus" Wolfgang Amadeus Mozart | 2:47 | |
| 8 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIe. Gloria: "Qui tollis" Wolfgang Amadeus Mozart | 5:16 | |
| 9 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus" Wolfgang Amadeus Mozart | 4:03 | |
| 10 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIg. Gloria: "Jesu Christe" Wolfgang Amadeus Mozart | 0:51 | |
| 11 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIh. Gloria: "Cum Sancto Spiritu" Wolfgang Amadeus Mozart | 3:46 | |
| 12 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus" Wolfgang Amadeus Mozart | 3:58 | |
| 13 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est" Wolfgang Amadeus Mozart | 7:50 | |
| 14 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus" / IVb. Sanctus: "Hosanna" Wolfgang Amadeus Mozart | 3:21 | |
| 15 | Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus Wolfgang Amadeus Mozart | 4:55 |
CD 29
| 1 | Requiem in D minor, K. 626: I. Introitus: "Requiem aeternam" Wolfgang Amadeus Mozart | 6:38 | |
| 2 | Requiem in D minor, K. 626: II. "Kyrie eleison" Wolfgang Amadeus Mozart | 2:44 | |
| 3 | Requiem in D minor, K. 626: IIIa. Sequenz: "Dies irae" Wolfgang Amadeus Mozart | 1:43 | |
| 4 | Requiem in D minor, K. 626: IIIb. Sequenz: "Tuba mirum" Wolfgang Amadeus Mozart | 4:30 | |
| 5 | Requiem in D minor, K. 626: IIIc. Sequenz: "Rex tremendae" Wolfgang Amadeus Mozart | 2:42 | |
| 6 | Requiem in D minor, K. 626: IIId. Sequenz: "Recordare" Wolfgang Amadeus Mozart | 5:43 | |
| 7 | Requiem in D minor, K. 626: IIIe. Sequenz: "Confutatis" Wolfgang Amadeus Mozart | 2:21 | |
| 8 | Requiem in D minor, K. 626: IIIf. Sequenz: "Lacrimosa" Wolfgang Amadeus Mozart | 5:49 | |
| 9 | Requiem in D minor, K. 626: IVa. Offertorium: "Domine Jesu" Wolfgang Amadeus Mozart | 3:29 | |
| 10 | Requiem in D minor, K. 626: IVb. Offertorium: "Hostias" Wolfgang Amadeus Mozart | 4:04 | |
| 11 | Requiem in D minor, K. 626: V. "Sanctus" Wolfgang Amadeus Mozart | 1:51 | |
| 12 | Requiem in D minor, K. 626: VI. "Benedictus" Wolfgang Amadeus Mozart | 5:21 | |
| 13 | Requiem in D minor, K. 626: VII. "Agnus Dei" Wolfgang Amadeus Mozart | 4:54 | |
| 14 | Requiem in D minor, K. 626: VIII. Communio: "Lux aeterna" Wolfgang Amadeus Mozart | 6:51 |
CD 30
| 1 | La bohème: Atto I. "Questo mar rosso mi ammolisce e assidera" (Marcello, Rodolfo, Colline) Giacomo Puccini | 4:45 | |
| 2 | La bohème: Atto I. "Pensier profondo" (Colline, Marcello, Rodolfo) Giacomo Puccini | 1:09 | |
| 3 | La bohème: Atto I. "Abbasso, abbasso l'autor!" (Marcello, Colline, Rodolfo, Schaunard) Giacomo Puccini | 4:01 | |
| 4 | La bohème: Atto I. "Si può?" (Benoit, Marcello, Schaunard, Colline, Rodolfo) Giacomo Puccini | 5:39 | |
| 5 | La bohème: Atto I. "Io resto" (Rodolfo, Marcello, Colline, Schaunard) Giacomo Puccini | 0:57 | |
| 6 | La bohème: Atto I. "Non sono in vena" (Rodolfo, Mimì) Giacomo Puccini | 1:42 | |
| 7 | La bohème: Atto I. "Si sente meglio" (Rodolfo, Mimì) Giacomo Puccini | 2:49 | |
| 8 | La bohème: Atto I. "Che gelida manina" (Rodolfo) Giacomo Puccini | 5:13 | |
| 9 | La bohème: Atto I. "Sì. Mi chiamano Mimì" (Mimì, Rodolfo) Giacomo Puccini | 5:22 | |
| 10 | La bohème: Atto I. "Ehi! Rodolfo!" (Schaunard, Colline, Marcello, Mimì) Giacomo Puccini | 0:46 | |
| 11 | La bohème: Atto I. "O soave fanciulla" (Rodolfo, Marcello, Mimì) Giacomo Puccini | 4:33 | |
| 12 | La bohème: Atto II. "Aranci, datteri! Caldi i marroni!" (Coro, Schaunard, Colline, Rodolfo, Mimì, Marcello) Giacomo Puccini | 3:09 | |
| 13 | La bohème: Atto II. "Chi guardi?" (Rodolfo, Colline, Mimì, Schaunard, Marcello, Coro, Parpignol, Ragazzi) Giacomo Puccini | 0:50 | |
| 14 | La bohème: Atto II. "Questa è Mimì" (Rodolfo, Marcello, Schaunard, Colline, Parpignol, Ragazzi, Bambine, Mamme, Mimì) Giacomo Puccini | 2:26 | |
| 15 | La bohème: Atto II. "Viva Parpignol!" (Coro, Marcello, Mimì, Schaunard, Colline, Rodolfo) Giacomo Puccini | 2:00 | |
| 16 | La bohème: Atto II. "Allegri e un toast!" (Schaunard, Colline, Marcello, Mimì, Rodolfo, Coro, Alcindoro, Musetta) Giacomo Puccini | 3:39 | |
| 17 | La bohème: Atto II. "Quando men vo soletta per la via" (Musetta, Marcello, Alcindoro, Mimì, Rodolfo, Schaunard, Colline) Giacomo Puccini | 5:50 | |
| 18 | La bohème: Atto II. "Il conto?!" (Rodolfo, Schaunard, Colline, Coro, Musetta, Marcello, Mimì) Giacomo Puccini | 2:34 |
CD 31
| 1 | La bohème: Atto III. "Ohè, là, le guardie!" (Spazzini, Musetta, Doganiere, Voci, Lattivendole, Contadine) Giacomo Puccini | 3:33 | |
| 2 | La bohème: Atto III. "Sa dirmi, scusi, qual'è l'osteria" (Mimì, Sergente, Donganiere) Giacomo Puccini | 1:44 | |
| 3 | La bohème: Atto III. "Mimì! - Speravo di trovarvi qui" (Marcello, Mimì) Giacomo Puccini | 4:56 | |
| 4 | La bohème: Atto III. "Marcello. Finalmente!" (Rodolfo, Marcello, Mimì) Giacomo Puccini | 1:52 | |
| 5 | La bohème: Atto III. "Mimì è una civetta" (Rodolfo, Marcello, Mimì) Giacomo Puccini | 1:24 | |
| 6 | La bohème: Atto III. "Mimì è tanto malata" (Rodolfo, Mimì, Marcello) Giacomo Puccini | 1:53 | |
| 7 | La bohème: Atto III. "Mimì di serra è fiore" (Rodolfo, Mimì, Marcello) Giacomo Puccini | 1:38 | |
| 8 | La bohème: Atto III. "Donde lieta usci" (Mimì) Giacomo Puccini | 3:14 | |
| 9 | La bohème: Atto III. "Dunque è proprio finita!" (Rodolfo, Mimì, Marcello, Musetta) Giacomo Puccini | 6:12 | |
| 10 | La bohème: Atto IV. "In un coupé? - Con pariglia e livree" (Marcello, Rodolfo) Giacomo Puccini | 1:32 | |
| 11 | La bohème: Atto IV. "O Mimì, tu più non torni" (Rodolfo, Marcello) Giacomo Puccini | 3:13 | |
| 12 | La bohème: Atto IV. "Che ora sia?" (Rodolfo, Marcello, Schaunard, Colline) Giacomo Puccini | 2:35 | |
| 13 | La bohème: Atto IV. "Gavotta! - Minuetto!" (Colline, Marcello, Rodolfo, Schaunard) Giacomo Puccini | 1:39 | |
| 14 | La bohème: Atto IV. "C'è Mimì" (Musetta, Rodolfo, Schaunard, Mimi, Marcello, Colline) Giacomo Puccini | 6:19 | |
| 15 | La bohème: Atto IV. "Vecchia zimarra, senti" (Colline, Schaunard) Giacomo Puccini | 2:39 | |
| 16 | La bohème: Atto IV. "Sono andati? Fingevo di dormire" (Mimì, Rodolfo) Giacomo Puccini | 6:21 | |
| 17 | La bohème: Atto IV. "Oh Dio! Mimì!" (Rodolfo, Schaunard, Mimì, Musetta, Marcello) Giacomo Puccini | 2:58 | |
| 18 | La bohème: Atto IV. "Che ha detto il medico?" (Rodolfo, Marcello, Musetta, Schaunard, Colline) Giacomo Puccini | 3:02 |
CD 32
| 1 | Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato Franz Schubert | 13:51 | |
| 2 | Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto Franz Schubert | 13:03 | |
| 3 | Symphony no. 5 in B-flat major, D. 485: I. Allegro Franz Schubert | 7:17 | |
| 4 | Symphony no. 5 in B-flat major, D. 485: II. Andante con moto Franz Schubert | 11:15 | |
| 5 | Symphony no. 5 in B-flat major, D. 485: III. Menuetto. Allegro molto - Trio Franz Schubert | 5:38 | |
| 6 | Symphony no. 5 in B-flat major, D. 485: IV. Allegro vivace Franz Schubert | 5:36 |
CD 33
| 1 | Symphony no. 1 in B-flat major, op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace Robert Schumann | 11:29 | |
| 2 | Symphony no. 1 in B-flat major, op. 38 "Spring": II. Larghetto - attacca Robert Schumann | 7:46 | |
| 3 | Symphony no. 1 in B-flat major, op. 38 "Spring": III. Scherzo. Molto vivace Robert Schumann | 5:44 | |
| 4 | Symphony no. 1 in B-flat major, op. 38 "Spring": IV. Allegro animato e grazioso Robert Schumann | 8:10 | |
| 5 | Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft - (attacca:) Robert Schumann | 11:48 | |
| 6 | Symphony no. 4 in D minor, op. 120: II. Romanze. Ziemlich langsam - (attacca:) Robert Schumann | 5:13 | |
| 7 | Symphony no. 4 in D minor, op. 120: III. Scherzo. Lebhaft - Trio - (attacca:) Robert Schumann | 5:54 | |
| 8 | Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft Robert Schumann | 9:29 |
CD 34
| 1 | Symphony no. 9 in C major, D. 944 "Great": I. Andante - Allegro ma non troppo Franz Schubert | 13:31 | |
| 2 | Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto Franz Schubert | 14:41 | |
| 3 | Symphony no. 9 in C major, D. 944 "Great": III. Scherzo. Allegro vivace / Trio Franz Schubert | 10:39 | |
| 4 | Symphony no. 9 in C major, D. 944 "Great": IV. Finale. Allegro vivace Franz Schubert | 11:28 |
CD 35
| 1 | Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Un poco più vivace - Allegro ma non troppo - Con fuoco Robert Schumann | 13:05 | |
| 2 | Symphony no. 2 in C major, op. 61: II. Scherzo. Allegro vivace Robert Schumann | 7:05 | |
| 3 | Symphony no. 2 in C major, op. 61: III. Adagio espressivo Robert Schumann | 13:47 | |
| 4 | Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace Robert Schumann | 8:52 | |
| 5 | Concerto for Cello and Orchestra in A minor, op. 129: I. Nicht zu schnell Robert Schumann | 11:47 | |
| 6 | Concerto for Cello and Orchestra in A minor, op. 129: II. Langsam Robert Schumann | 4:41 | |
| 7 | Concerto for Cello and Orchestra in A minor, op. 129: III. Sehr lebhaft Robert Schumann | 7:53 |
CD 36
| 1 | Symphony no. 3 in E-flat, op. 97 "Rhenish": I. Lebhaft Robert Schumann | 9:42 | |
| 2 | Symphony no. 3 in E-flat, op. 97 "Rhenish": II. Scherzo (Sehr mäßig) Robert Schumann | 6:26 | |
| 3 | Symphony no. 3 in E-flat, op. 97 "Rhenish": III. Nicht schnell Robert Schumann | 6:09 | |
| 4 | Symphony no. 3 in E-flat, op. 97 "Rhenish": IV. Feierlich Robert Schumann | 6:57 | |
| 5 | Symphony no. 3 in E-flat, op. 97 "Rhenish": V. Lebhaft Robert Schumann | 5:27 | |
| 6 | Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso Robert Schumann | 15:07 | |
| 7 | Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo (Andantino grazioso) Robert Schumann | 5:50 | |
| 8 | Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace Robert Schumann | 10:27 |
CD 37
| 1 | Symphony no. 1 in F minor, op. 10: I. Allegretto - Allegro non troppo Dmitri Shostakovich | 8:58 | |
| 2 | Symphony no. 1 in F minor, op. 10: II. Allegro Dmitri Shostakovich | 4:52 | |
| 3 | Symphony no. 1 in F minor, op. 10: III. Lento - Largo Dmitri Shostakovich | 10:19 | |
| 4 | Symphony no. 1 in F minor, op. 10: IV. Lento - Allegro molto - Largo Dmitri Shostakovich | 10:50 | |
| 5 | Symphony no. 7 in C major, op. 60 "Leningrad": I. Allegretto Dmitri Shostakovich | 31:43 |
CD 38
| 1 | Symphony no. 7 in C major, op. 60 "Leningrad": II. Moderato (poco allegretto) Dmitri Shostakovich | 14:54 | |
| 2 | Symphony no. 7 in C major, op. 60 "Leningrad": III. Adagio Dmitri Shostakovich | 19:25 | |
| 3 | Symphony no. 7 in C major, op. 60 "Leningrad": IV. Allegro non troppo Dmitri Shostakovich | 18:51 |
CD 39
| 1 | Symphony no. 6 in B minor, op. 54: I. Largo Dmitri Schostakowitsch | 22:29 | |
| 2 | Symphony no. 6 in B minor, op. 54: II. Allegro Dmitri Schostakowitsch | 7:53 | |
| 3 | Symphony no. 6 in B minor, op. 54: III. Presto Dmitri Schostakowitsch | 7:32 | |
| 4 | Symphony no. 9 E-flat major, op. 70: I. Allegro Dmitri Schostakowitsch | 5:21 | |
| 5 | Symphony no. 9 E-flat major, op. 70: II. Moderato Dmitri Schostakowitsch | 9:19 | |
| 6 | Symphony no. 9 E-flat major, op. 70: III. Presto Dmitri Schostakowitsch | 3:25 | |
| 7 | Symphony no. 9 E-flat major, op. 70: IV. Largo Dmitri Schostakowitsch | 3:15 | |
| 8 | Symphony no. 9 E-flat major, op. 70: V. Allegretto Dmitri Schostakowitsch | 5:49 |
CD 40
| 1 | Symphony no. 1 in E minor, op. 39: I. Andante ma non troppo - Allegro energico Jean Sibelius | 11:56 | |
| 2 | Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento) Jean Sibelius | 11:05 | |
| 3 | Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro Jean Sibelius | 5:31 | |
| 4 | Symphony no. 1 in E minor, op. 39: IV. Finale. Quasi una Fantasia Jean Sibelius | 12:46 |
CD 41
| 1 | Symphony no. 2 in D major, op. 43: I. Allegretto Jean Sibelius | 10:57 | |
| 2 | Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato Jean Sibelius | 18:11 | |
| 3 | Symphony no. 2 in D major, op. 43: III. Vivacissimo - Jean Sibelius | 6:23 | |
| 4 | Symphony no. 2 in D major, op. 43: IV. Finale: Allegro moderato Jean Sibelius | 15:57 |
CD 42
| 1 | Symphony no. 5 in E-flat, op. 82: I. Tempo molto moderato - Largamente Jean Sibelius | 9:39 | |
| 2 | Symphony no. 5 in E-flat, op. 82: II. Allegro moderato - Presto Jean Sibelius | 5:39 | |
| 3 | Symphony no. 5 in E-flat, op. 82: III. Andante mosso, quasi allegretto Jean Sibelius | 10:04 | |
| 4 | Symphony no. 5 in E-flat, op. 82: IV. Allegro molto - Misterioso - Un pochettino largamente - Largamente assai Jean Sibelius | 10:15 | |
| 5 | Symphony no. 7 in C, op. 105: Adagio Jean Sibelius | 8:19 | |
| 6 | Symphony no. 7 in C, op. 105: Un pochettino meno adagio - Poco a poco affrettando il tempo al Vivacissimo Jean Sibelius | 3:13 | |
| 7 | Symphony no. 7 in C, op. 105: 5 bars before: Poco rallentando all' Adagio - Poco a poco meno lento all' Jean Sibelius | 2:27 | |
| 8 | Symphony no. 7 in C, op. 105: Allegro molto moderato - Poco a poco meno moderato - Jean Sibelius | 4:37 | |
| 9 | Symphony no. 7 in C, op. 105: 2 bars before: Vivace - Presto - Poco a poco rallentando all' Adagio - Largamente molto - Affettuoso - Tempo I Jean Sibelius | 6:19 |
CD 43
| 1 | Salome, op. 54, TrV 215: Letzte Szene “Es ist kein Laut zu vernehmen” - “Ah! Du wolltest mich nicht deinen Mund küssen lassen, Jochanaan” Richard Strauss | 17:19 | |
| 2 | Salome, op. 54, TrV 215: Tanz der sieben Schleier Richard Strauss | ||
| 3 | Songs for Voice and Orchestra: Cäcilie, op. 27, TrV 170 no. 2 Richard Strauss | 2:00 | |
| 4 | Songs for Voice and Orchestra: Wiegenlied, op. 41, TrV 195 no. 1 Richard Strauss | 4:20 | |
| 5 | Songs for Voice and Orchestra: Ich liebe dich, op. 37, TrV 187 no. 2 Richard Strauss | 2:14 | |
| 6 | Songs for Voice and Orchestra: Morgen, op. 27, TrV 170 no. 4 Richard Strauss | 3:48 | |
| 7 | Songs for Voice and Orchestra: Zueignung, op. 10, TrV 141 no. 1 Richard Strauss | 1:39 |
CD 44
| 1 | Firebird Suite: I. Introduction Igor Stravinsky | 3:34 | |
| 2 | Firebird Suite: II. L’oiseau de feu et sa danse Igor Stravinsky | 0:15 | |
| 3 | Firebird Suite: III. Variation de l’oiseau de feu Igor Stravinsky | 1:18 | |
| 4 | Firebird Suite: IV. Rondes des princesses Igor Stravinsky | 5:33 | |
| 5 | Firebird Suite: V. Danse infernale du roi Kastcheï Igor Stravinsky | 4:18 | |
| 6 | Firebird Suite: VI. Berceuse Igor Stravinsky | 3:54 | |
| 7 | Firebird Suite: VII. Final Igor Stravinsky | 3:39 | |
| 8 | Pulcinella Suite: I. Sinfonia (Ouverture): Allegro moderato Igor Stravinsky | 2:14 | |
| 9 | Pulcinella Suite: II. Serenata: Larghetto Igor Stravinsky | 2:56 | |
| 10 | Pulcinella Suite: III. Scherzino / Allegro / Andantino Igor Stravinsky | 4:42 | |
| 11 | Pulcinella Suite: IV. Tarantella (88 bpm) Igor Stravinsky | 1:58 | |
| 12 | Pulcinella Suite: V. Toccata: Allegro Igor Stravinsky | 0:58 | |
| 13 | Pulcinella Suite: VI. Gavotta: Allegro moderato / Variazione Ia. Allegretto / Variazione IIa. Allegro piú tosto moderato Igor Stravinsky | 4:06 | |
| 14 | Pulcinella Suite: VII. Vivo Igor Stravinsky | 1:27 | |
| 15 | Pulcinella Suite: VIII. Minuetto. Molto moderato / Finale. Allegro assai Igor Stravinsky | 4:17 |
CD 45
| 1 | Pétrouchka: Tableau 1. Fete Populaire de la Semaine Grasse Igor Stravinsky | 7:09 | |
| 2 | Pétrouchka: Tableau 1. Le Tour de Passe-passe Igor Stravinsky | 2:45 | |
| 3 | Pétrouchka: Tableau 2. Chez Petrouchka Igor Stravinsky | 4:17 | |
| 4 | Pétrouchka: Tableau 3. Chez le Maure - Danse de la Ballerine Igor Stravinsky | 3:26 | |
| 5 | Pétrouchka: Tableau 3. Valse: La Ballerine et le Maure Igor Stravinsky | 3:18 | |
| 6 | Pétrouchka: Tableau 4. Fete Populaire de la Semaine grasse Igor Stravinsky | 1:04 | |
| 7 | Pétrouchka: Tableau 4. Danse des nounous Igor Stravinsky | 2:39 | |
| 8 | Pétrouchka: Tableau 4. Le Paysan et L'ours Igor Stravinsky | 1:27 | |
| 9 | Pétrouchka: Tableau 4. Un marchand fetard avec deux tziganes Igor Stravinsky | 1:09 | |
| 10 | Pétrouchka: Tableau 4. Danse des Cochers et des palefreniers Igor Stravinsky | 2:06 | |
| 11 | Pétrouchka: Tableau 4. Les Deguises Igor Stravinsky | 1:28 | |
| 12 | Pétrouchka: Tableau 4. Le Rixe: Le Maure et Petrouchka Igor Stravinsky | 0:45 | |
| 13 | Pétrouchka: Tableau 4. Mort de Petrouchka Igor Stravinsky | 0:44 | |
| 14 | Pétrouchka: Tableau 4. La Police et le charlatan Igor Stravinsky | 1:14 | |
| 15 | Pétrouchka: Tableau 4. Apparition du double de Petrouchka Igor Stravinsky | 0:55 | |
| 16 | Scènes de ballet: Introduction Igor Stravinsky | 0:59 | |
| 17 | Scènes de ballet: Danses (Corps de Ballet). Moderato Igor Stravinsky | 3:37 | |
| 18 | Scènes de ballet: Variation (Ballerine). Con moto Igor Stravinsky | 1:07 | |
| 19 | Scènes de ballet: Pantomime. Lento Igor Stravinsky | 2:20 | |
| 20 | Scènes de ballet: Pas de deux. Adagio Igor Stravinsky | 3:02 | |
| 21 | Scènes de ballet: Pantomime. Agitato ma temp giusto Igor Stravinsky | 0:43 | |
| 22 | Scènes de ballet: Variation (Danseur). Risoluto Igor Stravinsky | 1:24 | |
| 23 | Scènes de ballet: Variation (Ballerine). Andantino Igor Stravinsky | 1:15 | |
| 24 | Scènes de ballet: Pantomime. Andantino Igor Stravinsky | 0:33 | |
| 25 | Scènes de ballet: Danses (Corps de ballet). Con moto Igor Stravinsky | 1:12 | |
| 26 | Scènes de ballet: Apothéose. Poco meno mosso Igor Stravinsky | 2:18 |
CD 46
| 1 | Le Sacre du printemps: Partie I. Introduction Igor Stravinsky | 3:28 | |
| 2 | Le Sacre du printemps: Partie I. Les Augures printaniers (Danses des adolescentes) Igor Stravinsky | 3:15 | |
| 3 | Le Sacre du printemps: Partie I. Jeu du rapt Igor Stravinsky | 1:21 | |
| 4 | Le Sacre du printemps: Partie I. Rondes printanières Igor Stravinsky | 3:47 | |
| 5 | Le Sacre du printemps: Partie I. Jeux des cités rivales Igor Stravinsky | 1:55 | |
| 6 | Le Sacre du printemps: Partie I. Cortège du Sage Igor Stravinsky | 0:41 | |
| 7 | Le Sacre du printemps: Partie I. Adoration de la Terre (Le Sage) Igor Stravinsky | 0:22 | |
| 8 | Le Sacre du printemps: Partie I. Danse de la Terre Igor Stravinsky | 1:16 | |
| 9 | Le Sacre du printemps: Partie II. Introduction Igor Stravinsky | 5:28 | |
| 10 | Le Sacre du printemps: Partie II. Cercles mystérieux des adolescentes Igor Stravinsky | 3:49 | |
| 11 | Le Sacre du printemps: Partie II. Glorification de l'élue Igor Stravinsky | 1:40 | |
| 12 | Le Sacre du printemps: Partie II. Évocation des ancêtres Igor Stravinsky | 0:54 | |
| 13 | Le Sacre du printemps: Partie II. Action rituelle des ancêtres Igor Stravinsky | 4:14 | |
| 14 | Le Sacre du printemps: Partie II. Danse sacrale (L'élue) Igor Stravinsky | 4:53 |
CD 47
| 1 | Symphony in C: I. Moderato alla breve Igor Stravinsky | 9:31 | |
| 2 | Symphony in C: II. Larghetto concertante Igor Stravinsky | 6:15 | |
| 3 | Symphony in C: III. Allegretto Igor Stravinsky | 5:06 | |
| 4 | Symphony in C: IV. Largo - Tempo giusto, alla breve Igor Stravinsky | 7:37 | |
| 5 | Symphony in Three Movements: I. Allegro Igor Stravinsky | 10:05 | |
| 6 | Symphony in Three Movements: II. Andante Igor Stravinsky | 6:13 | |
| 7 | Symphony in Three Movements: Interlude (L'istesso tempo) Igor Stravinsky | 0:24 | |
| 8 | Symphony in Three Movements: III. Con moto Igor Stravinsky | 6:06 |
CD 48
| 1 | The Wedding: Part I, Scene 1. The Tresses Igor Stravinsky | 5:18 | |
| 2 | The Wedding: Part I, Scene 2. At the Bridegroom's House Igor Stravinsky | 5:38 | |
| 3 | The Wedding: Part I, Scene 3. The Departure of the Bride Igor Stravinsky | 2:57 | |
| 4 | The Wedding: Part II, Scene 4. The Wedding Feast Igor Stravinsky | 10:05 | |
| 5 | Mass: Kyrie Igor Stravinsky | 3:14 | |
| 6 | Mass: Gloria Igor Stravinsky | 4:21 | |
| 7 | Mass: Credo Igor Stravinsky | 5:28 | |
| 8 | Mass: Sanctus Igor Stravinsky | 4:00 | |
| 9 | Mass: Agnus Dei Igor Stravinsky | 3:26 |
CD 49
| 1 | Symphony no. 4 in F minor, op. 36, TH 27: I. Andante sostenuto - Moderato con anima - Moderato assai, quasi Andante - Allegro vivo Pyotr Ilyich Tchaikovsky | 21:20 | |
| 2 | Symphony no. 4 in F minor, op. 36, TH 27: II. Andantino in modo di canzone Pyotr Ilyich Tchaikovsky | 12:05 | |
| 3 | Symphony no. 4 in F minor, op. 36, TH 27: III. Scherzo. Pizzicato ostinato - Allegro Pyotr Ilyich Tchaikovsky | 5:39 | |
| 4 | Symphony no. 4 in F minor, op. 36, TH 27: IV. Finale. Allegro con fuoco Pyotr Ilyich Tchaikovsky | 9:44 | |
| 5 | Francesca da Rimini, op. 32, TH 46: Andante lugubre - Allegro vivo - Andante cantabile non troppo - Allegro vivo Pyotr Ilyich Tchaikovsky | 27:39 |
CD 50
| 1 | Symphony no. 5 in E minor, op. 64, TH 29: I. Andante - Allegro con anima Pyotr Ilyich Tchaikovsky | 16:24 | |
| 2 | Symphony no. 5 in E minor, op. 64, TH 29: II. Andante cantabile, con alcuna licenza - Moderato con anima - Andante mosso - Allegro non troppo Pyotr Ilyich Tchaikovsky | 16:34 | |
| 3 | Symphony no. 5 in E minor, op. 64, TH 29: III. Valse. Allegro moderato Pyotr Ilyich Tchaikovsky | 6:20 | |
| 4 | Symphony no. 5 in E minor, op. 64, TH 29: IV. Andante maestoso - Allegro vivace - Molto vivace - Moderato assai e molto maestoso - Presto Pyotr Ilyich Tchaikovsky | 13:36 | |
| 5 | Romeo and Juliet, Fantasy-Overture in B minor, TH 42 Pyotr Ilyich Tchaikovsky | 22:40 |
CD 51
| 1 | Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": I. Adagio – Allegro non troppo – Andante – Moderato mosso – Andante – Moderato assai – Allegro vivo – Andante come prima – Andante mosso Pyotr Ilyich Tchaikovsky | 22:44 | |
| 2 | Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": II. Allegro con grazia Pyotr Ilyich Tchaikovsky | 8:36 | |
| 3 | Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": III. Allegro molto vivace Pyotr Ilyich Tchaikovsky | 9:59 | |
| 4 | Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": IV. Finale. Adagio lamentoso – Andante Pyotr Ilyich Tchaikovsky | 17:10 |
CD 52
| 1 | Francesca da Rimini, op. 32, TH 46: Andante lugubre - Allegro vivo - Andante cantabile non troppo - Allegro vivo Pyotr Ilyich Tchaikovsky | 23:41 | |
| 2 | Romeo and Juliet, Fantasy-Overture in B minor, TH 42 Pyotr Ilyich Tchaikovsky | 20:14 |
CD 53
| 1 | Hamlet, op. 67, TH 53 Pyotr Ilyich Tchaikovsky | 18:46 | |
| 2 | Marche slave, op. 31, TH 45 Pyotr Ilyich Tchaikovsky | 9:25 | |
| 3 | Capiccio italien, op. 45, TH 47 Pyotr Ilyich Tchaikovsky | 16:00 | |
| 4 | Ouverture solennelle "1812", op. 49, TH 49 Pyotr Ilyich Tchaikovsky | 15:35 |
CD 54
| 1 | Concerto for Cello and Orchestra in B minor, op. 104, B. 191: I. Allegro Antonín Dvořák | 16:38 | |
| 2 | Concerto for Cello and Orchestra in B minor, op. 104, B. 191: II. Adagio, ma no troppo Antonín Dvořák | 13:21 | |
| 3 | Concerto for Cello and Orchestra in B minor, op. 104, B. 191: III. Finale. Allegro moderato Antonín Dvořák | 13:43 | |
| 4 | Schelomo, B. 39 Ernest Bloch | 24:37 |
CD 55
| 1 | Tristan und Isolde, WWV 90: Vorspiel Richard Wagner | 14:13 | |
| 2 | Tristan und Isolde, WWV 90: Akt I. Szene I. "Westwarts schweift der Blick" (Junge Seeman, Isolde, Brangäne) Richard Wagner | 7:10 | |
| 3 | Tristan und Isolde, WWV 90: Akt I. Szene II. "Frisch weht der Wind der Heimat zu" (Junge Seeman, Isolde, Brangäne) Richard Wagner | 4:33 | |
| 4 | Tristan und Isolde, WWV 90: Akt I. Szene II. "Hab acht, Tristan!" (Kurwenal, Tristan, Brangäne, Schiffsvolk) Richard Wagner | 6:08 | |
| 5 | Tristan und Isolde, WWV 90: Akt I. Szene III. "Weh, ach wehe!" (Brangäne, Isolde) Richard Wagner | 2:08 | |
| 6 | Tristan und Isolde, WWV 90: Akt I. Szene III. "Wie lachend sie mir" (Isolde, Brangäne, Chor) Richard Wagner | 20:07 | |
| 7 | Tristan und Isolde, WWV 90: Akt I. Szene IV. "Auf! Auf! Ihr Frauen!" (Kurwenal, Isolde, Brangäne) Richard Wagner | 8:00 |
CD 56
| 1 | Tristan und Isolde, WWV 90: Akt I. Szene IV. "Herr Tristan nah!" (Isolde, Tristan, Chor) Richard Wagner | 10:27 | |
| 2 | Tristan und Isolde, WWV 90: Akt I. Szene V. "War Morold dir so wert" (Tristan, Isolde, Chor) Richard Wagner | 11:25 | |
| 3 | Tristan und Isolde, WWV 90: Akt I. Szene V. "Tristan! - Isolde!" (Isolde, Tristan, Chor, Brangäne, Kurwenal) Richard Wagner | 8:18 | |
| 4 | Tristan und Isolde, WWV 90: Akt II. Vorspiel Richard Wagner | 2:07 | |
| 5 | Tristan und Isolde, WWV 90: Akt II. Szene I. "Horst du sie noch?" (Isolde, Brangäne) Richard Wagner | 15:00 | |
| 6 | Tristan und Isolde, WWV 90: Akt II. Szene II. "Isolde! Geliebte!" (Tristan, Isolde) Richard Wagner | 18:26 |
CD 57
| 1 | Tristan und Isolde, WWV 90: Akt II. Szene II. "O sik hernieder, Nactht der Liebe" (Tristan, Isolde, Brangäne) Richard Wagner | 10:14 | |
| 2 | Tristan und Isolde, WWV 90: Akt II. Szene II. "Lausch, Geliebter" (Isolde, Tristan) Richard Wagner | 8:49 | |
| 3 | Tristan und Isolde, WWV 90: Akt II. Szene II. "So sturben wir, um ungetrennt" (Tristan, Isolde, Brangäne) Richard Wagner | 10:02 | |
| 4 | Tristan und Isolde, WWV 90: Akt II. Szene III. "Rette dich, Tristan" (Kurwenal, Tristan, Melot) Richard Wagner | 2:02 | |
| 5 | Tristan und Isolde, WWV 90: Akt II. Szene III. "Tatest du's wirklich?" (Marke, Tristan) Richard Wagner | 13:16 | |
| 6 | Tristan und Isolde, WWV 90: Akt II. Szene III. "O, Konig, das kann ich dir nicht sagen" (Tristan, Isolde, Melot) Richard Wagner | 23:41 | |
| 7 | Tristan und Isolde, WWV 90: Akt III. Vorspiel Richard Wagner (8:0) | 8:06 | |
| 8 | Tristan und Isolde, WWV 90: Akt III. Szene I. "Kurwenal! He! Sag, Kurwenal!" (Hirt, Kurwenal, Tristan) Richard Wagner | 10:58 |
CD 58
| 1 | Tristan und Isolde, WWV 90: Akt III. Szene I. "Wo ich erwacht, weilt ich nicht" (Tristan, Kurwenal) Richard Wagner | 7:38 | |
| 2 | Tristan und Isolde, WWV 90: Akt III. Szene I. "Der einst ich trotzt aus Treu" (Tristan, Kurwenal) Richard Wagner | 19:11 | |
| 3 | Tristan und Isolde, WWV 90: Akt III. Szene I. "Bist du nun tot?" (Kurwenal, Tristan) Richard Wagner | 19:11 | |
| 4 | Tristan und Isolde, WWV 90: Akt III. Szene I. "O Wonne! Freunde!" (Kurwenal, Tristan) Richard Wagner | 19:11 | |
| 5 | Tristan und Isolde, WWV 90: Akt III. Szene II. "O diese Sonne" (Tristan, Isolde) Richard Wagner | 3:50 | |
| 6 | Tristan und Isolde, WWV 90: Akt III. Szene II. "Ich bin's, ich bin's" (Isolde) Richard Wagner | 6:29 | |
| 7 | Tristan und Isolde, WWV 90: Akt III. Szene III. "Kurwenal! Hor!" (Hirt, Kurwenal, Steuermann, Brangäne, Melot, Marke) Richard Wagner | 8:39 | |
| 8 | Tristan und Isolde, WWV 90: Akt III. Szene III. "Mild unde leise wie er lachelt" (Isolde) Richard Wagner | 8:29 |
CD 59
| 1 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio Ludwig van Beethoven | 14:38 | |
| 2 | Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre. Adagio assai Ludwig van Beethoven | 17:47 | |
| 3 | Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace Ludwig van Beethoven | 5:38 | |
| 4 | Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto Ludwig van Beethoven | 12:21 | |
| 5 | Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "Simplicity itself..." (1st movement) [dialogue] | 13:24 | |
| 6 | Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "I always feel this gigantism..." (2nd movement) [dialogue] | 6:07 | |
| 7 | Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "We have just been examining..." (3rd movement) [dialogue] | 5:25 |
CD 60
| 1 | Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "All that we have said..." (4th movement) [dialogue] | 9:12 | |
| 2 | Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "The study of Eroica is a lifetime work..." [dialogue] | 1:11 | |
| 3 | Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio – Allegro molto Antonín Dvořák | 8:51 | |
| 4 | Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo Antonín Dvořák | 13:32 | |
| 5 | Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo. Molto vivace Antonín Dvořák | 7:16 | |
| 6 | Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco Antonín Dvořák | 11:33 | |
| 7 | Musical Analysis (Bernstein on Dvorák's Symphony No.9): "Does this music sound like the New World to you?" (3rd movement, Trio II; 1st movement) [dialogue] | 9:51 | |
| 8 | Musical Analysis (Bernstein on Dvorák's Symphony No.9): "We come now to the second movement, which has a charming melody, ..." (2nd movement) [dialogue] | 3:22 | |
| 9 | Musical Analysis (Bernstein on Dvorák's Symphony No.9): "The third movement is a marvel of ingenuity and deftness" (3rd movement) [dialogue] | 1:40 | |
| 10 | Musical Analysis (Bernstein on Dvorák's Symphony No.9): "And now the last movement. In general I should say that this is the most Slavic of all" (4th movement) [dialogue] | 5:00 | |
| 11 | Musical Analysis (Bernstein on Dvorák's Symphony No.9): "The final claim of those who argue for the New World Symphony as American music, ..." (4th movement, continued) [dialogue] | 1:01 |
CD 61
| 1 | Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Un poco più vivace - Allegro ma non troppo - Con fuoco Robert Schumann | 12:27 | |
| 2 | Symphony no. 2 in C major, op. 61: II. Scherzo: Allegro vivace Robert Schumann | 6:58 | |
| 3 | Symphony no. 2 in C major, op. 61: III. Adagio espressivo Robert Schumann | 11:53 | |
| 4 | Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace Robert Schumann | 8:14 | |
| 5 | Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Robert Schumann has been dead..." (3rd movement, opening theme) [dialogue] | 4:22 | |
| 6 | Musical Analysis (Bernstein on Schumann's Symphony No. 2): "To my mind, Schumann follows in this tradition..." [dialogue] | 1:48 | |
| 7 | Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Now let's look at the Symphony itself..." (1st movement) [dialogue] | 8:39 | |
| 8 | Musical Analysis (Bernstein on Schumann's Symphony No. 2): "And so we have arrived at the allegro section..." (1st movement, continued) [dialogue] | 6:51 | |
| 9 | Musical Analysis (Bernstein on Schumann's Symphony No. 2): "In the marvelous Scherzo that follows..." (2nd movement) [dialogue] | 4:49 | |
| 10 | Musical Analysis (Bernstein on Schumann's Symphony No. 2): "But perhaps the greatest beauty...." (3rd movement) [dialogue] | 7:31 | |
| 11 | Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Even in the final movement...." (4th movement) [dialogue] | 5:15 |
CD 62
| 1 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo Johannes Brahms | 11:50 | |
| 2 | Symphony no. 4 in E minor, op. 98: II. Andante moderato Johannes Brahms | 11:53 | |
| 3 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso - Poco meno presto - Tempo I Johannes Brahms | 6:07 | |
| 4 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più allegro Johannes Brahms | 11:01 | |
| 5 | Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Brahms' Fourth Symphony in E minor is today ..." (4th movement., opening theme) [dialogue] | 4:44 | |
| 6 | Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Our journey begins without introduction..." (1st movement) [dialogue] | 5:15 | |
| 7 | Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Do you see now what a symphonic theme is?" (1st movement) [dialogue] | 3:23 | |
| 8 | Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Now, think of it - we have so far only had 44 bars of music" (1st movement) [dialogue] | 5:47 | |
| 9 | Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Here is that second theme" (1st movement) [dialogue] | 2:41 | |
| 10 | Musical Analysis (Bernstein on Brahms's Symphony No. 4): "This brings us to the development section proper" (1st movement) [dialogue] | 9:34 | |
| 11 | Musical Analysis (Bernstein on Brahms's Symphony No. 4): And here we are back home, ready for the rehearing of the exposition,..." (1st movement) [dialogue] | 2:16 | |
| 12 | Musical Analysis (Bernstein on Brahms's Symphony No. 4): "So we arrive at the coda" (1st movement) [dialogue] | 3:18 | |
| 13 | Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Well, we have had a microscopic look at symphonic method" (1st movement) [dialogue] | 2:11 |
CD 63
| 1 | Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": I. Adagio – Allegro non troppo – Andante – Moderato mosso – Andante – Moderato assai – Allegro vivo – Andante come prima – Andante mosso Pyotr Ilyich Tchaikovsky | 18:43 | |
| 2 | Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": II. Allegro con grazia Pyotr Ilyich Tchaikovsky | 8:14 | |
| 3 | Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": III. Allegro molto vivace Pyotr Ilyich Tchaikovsky | 9:08 | |
| 4 | Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": IV. Finale. Adagio lamentoso – Andante Pyotr Ilyich Tchaikovsky | 11:26 | |
| 5 | Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now there is a melody, a pure orchestral song..." (1st movement) [dialogue] | 9:18 | |
| 6 | Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now the development section erupts..." (1st movement continued) [dialogue] | 1:58 | |
| 7 | Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now one would think that Tchaikovsky had really exploited the device of scales" (2nd movement) [dialogue] | 1:56 | |
| 8 | Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Jumping now to the famous third movement, the great March..." (3rd movement) [dialogue] | 1:50 | |
| 9 | Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Perhaps the most admirable example of this is to be found in the wonderful last movement, ..." (4th movement) [dialogue] | 3:40 | |
| 10 | Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now I don't want to give you the impression that scales are the only unifying force in this work" [dialogue] | 6:01 |
CD 64
| 1 | Fancy Free: Big Stuff (Prologue) Billie Holiday | 2:31 | |
| 2 | Fancy Free: I. Opening Dance | 2:50 | |
| 3 | Fancy Free: II. Scene at the Bar | 2:55 | |
| 4 | Fancy Free: IV. Pas de deux | 3:03 | |
| 5 | Fancy Free: V. Competition Scene | 3:00 | |
| 6 | Fancy Free: VIa. Three Dance Variations: 2. Waltz | 2:16 | |
| 7 | Fancy Free: VIb. Three Dance Variations: 3. Danzon | 2:33 | |
| 8 | Fancy Free: VIc. Three Dance Variations: 1. Galop / VII. Finale | 3:15 | |
| 9 | On the Town: Opening Lyn Murray Chorus | 3:11 | |
| 10 | On the Town: I Get Carried Away Betty Comden, Adolph Green | 3:03 | |
| 11 | On the Town: Lucky to Be Me Mary Martin | 2:32 | |
| 12 | On the Town: Lonely Town Mary Martin | 3:16 | |
| 13 | On the Town: I Can Cook Too Nancy Walker | 2:25 | |
| 14 | On the Town: Ya Got Me Nancy Walker | 2:45 | |
| 15 | On the Town: Opening (extended version) Lyn Murray Chorus | 3:45 |