The Stereo Years
AlbumTracklist 6193:50
CD 1
| 1 | Suite no. 2 in B minor, BWV 1067: I. Ouverture Johann Sebastian Bach | 6:18 | |
| 2 | Suite no. 2 in B minor, BWV 1067: II. Rondeau Johann Sebastian Bach | 1:37 | |
| 3 | Suite no. 2 in B minor, BWV 1067: III. Sarabande Johann Sebastian Bach | 3:56 | |
| 4 | Suite no. 2 in B minor, BWV 1067: IV. Bourée I-II Johann Sebastian Bach | 2:00 | |
| 5 | Suite no. 2 in B minor, BWV 1067: V. Polonaise Johann Sebastian Bach | 3:38 | |
| 6 | Suite no. 2 in B minor, BWV 1067: VI. Menuet Johann Sebastian Bach | 1:13 | |
| 7 | Suite no. 2 in B minor, BWV 1067: VII. Badinerie Johann Sebastian Bach | 1:34 | |
| 8 | Suite no. 3 in D, BWV 1068: I. Ouverture Johann Sebastian Bach | 6:52 | |
| 9 | Suite no. 3 in D, BWV 1068: II. Air Johann Sebastian Bach | 5:55 | |
| 10 | Suite no. 3 in D, BWV 1068: III. Gavotte I-II Johann Sebastian Bach | 3:50 | |
| 11 | Suite no. 3 in D, BWV 1068: IV. Bourée Johann Sebastian Bach | 1:20 | |
| 12 | Suite no. 3 in D, BWV 1068: V. Gigue Johann Sebastian Bach | 2:58 | |
| 13 | Cantata “Herr Gott, dich loben wir”, BWV 130: I. Chorus: “Herr Gott dich loben alle wir” Johann Sebastian Bach | 3:43 | |
| 14 | Cantata “Herr Gott, dich loben wir”, BWV 130: II. Recitative: “Ihr heller Glanz und hohe Weisheit zeigt” Johann Sebastian Bach | 1:11 | |
| 15 | Cantata “Herr Gott, dich loben wir”, BWV 130: III. Aria: “Der alte Drache brennt vor Neid” Johann Sebastian Bach | 5:08 | |
| 16 | Cantata “Herr Gott, dich loben wir”, BWV 130: IV. Recitative: “Wohl aber uns, daß Tag und Nacht” Johann Sebastian Bach | 1:42 | |
| 17 | Cantata “Herr Gott, dich loben wir”, BWV 130: V. Aria: “Laß, o Fürst der Cherubinen” Johann Sebastian Bach | 4:35 | |
| 18 | Cantata “Herr Gott, dich loben wir”, BWV 130: VI. Choral: “Darum wir billig loben dich” Johann Sebastian Bach | 1:14 | |
| 19 | Cantata “Halt im Gedächtnis Jesum Christ”, BWV 67: I. Chorus: “Halt im Gedächtnis Jesum Christ” Johann Sebastian Bach | 3:23 | |
| 20 | Cantata “Halt im Gedächtnis Jesum Christ”, BWV 67: II. Aria: “Mein Jesus ist erstanded” Johann Sebastian Bach | 2:57 | |
| 21 | Cantata “Halt im Gedächtnis Jesum Christ”, BWV 67: III. Recitative: “Mein Jesu, Heißest du des Todes Gift” Johann Sebastian Bach | 0:35 | |
| 22 | Cantata “Halt im Gedächtnis Jesum Christ”, BWV 67: IV. Chorale: “Erschienen ist der herrlich Tag” Johann Sebastian Bach | 0:56 | |
| 23 | Cantata “Halt im Gedächtnis Jesum Christ”, BWV 67: V. Recitative: “Doch scheinet fast” Johann Sebastian Bach | 0:58 | |
| 24 | Cantata “Halt im Gedächtnis Jesum Christ”, BWV 67: VI. Aria: “Freide sei mit euch” Johann Sebastian Bach | 5:46 | |
| 25 | Cantata “Halt im Gedächtnis Jesum Christ”, BWV 67: VII. Chorus: “Du Friedefürst, Herr Jesu Christ” Johann Sebastian Bach | 1:21 |
CD 2
| 1 | Cantata “Der Himmel lacht! Die Erde jubilieret”, BWV 31: I. Sonata Johann Sebastian Bach | 2:52 | |
| 2 | Cantata “Weinen, Klagen, Sorgen, Zagen”, BWV 12: I. Sinfonia Johann Sebastian Bach | 4:26 | |
| 3 | Cantata “Herr, gehe nicht ins Gericht mit deinem Knecht”, BWV 105: I. Chorus: “Herr gehe nicht ins Gericht mit deinem Knecht” Johann Sebastian Bach | 7:16 | |
| 4 | Cantata “Herr, gehe nicht ins Gericht mit deinem Knecht”, BWV 105: II. Recitative: “Mein Gott, verwirf mich nicht” Johann Sebastian Bach | 1:11 | |
| 5 | Cantata “Herr, gehe nicht ins Gericht mit deinem Knecht”, BWV 105: III. Aria: “Wie zittern und wanken der Sünder Gedanken” Johann Sebastian Bach | 6:46 | |
| 6 | Cantata “Herr, gehe nicht ins Gericht mit deinem Knecht”, BWV 105: IV. Recitative: “Wohl aber dem, der seinen Bürgen weiß” Johann Sebastian Bach | 2:19 | |
| 7 | Cantata “Herr, gehe nicht ins Gericht mit deinem Knecht”, BWV 105: V. Aria: “Kann ich nur Jesum mir zum Freunde machen” Johann Sebastian Bach | 6:36 | |
| 8 | Cantata “Herr, gehe nicht ins Gericht mit deinem Knecht”, BWV 105: VI. Chorale: “Nun, ich weiß, du wirst mir stillen, mein Gewissen, das mich plagt” Johann Sebastian Bach | 2:28 | |
| 9 | Cantata “Es ist dir gesagt, Mensch, was gut ist”, BWV 45: I. Chorus: “Es ist dir gesagt, Mensch, was gut ist” Johann Sebastian Bach | 5:26 | |
| 10 | Cantata “Es ist dir gesagt, Mensch, was gut ist”, BWV 45: II. Recitative: “Der Höchste läßt mich seinen Willen wissen” Johann Sebastian Bach | 1:02 | |
| 11 | Cantata “Es ist dir gesagt, Mensch, was gut ist”, BWV 45: III. Aria: “Weiß ich Gottes Rechte” Johann Sebastian Bach | 4:52 | |
| 12 | Cantata “Es ist dir gesagt, Mensch, was gut ist”, BWV 45: IV. Arioso: “Es werden viele zu mir sagen an jenem Tage” Johann Sebastian Bach | 3:37 | |
| 13 | Cantata “Es ist dir gesagt, Mensch, was gut ist”, BWV 45: V. Aria: “Wer Gott bekennt aus wahrem Herzensgrund” Johann Sebastian Bach | 4:13 | |
| 14 | Cantata “Es ist dir gesagt, Mensch, was gut ist”, BWV 45: VI. Recitative: “So wird denn Herz und Mund seibst von mir Richter sein” Johann Sebastian Bach | 1:03 | |
| 15 | Cantata “Es ist dir gesagt, Mensch, was gut ist”, BWV 45: VII. Chorale: “Gib, daß ich tu mit Fleiß” Johann Sebastian Bach | 1:36 | |
| 16 | Cantata “Nimm von uns, Herr, du treuer Gott”. BWV 101: I. Chorus: “Nimm von uns, Herr, du treuer Gott” Johann Sebastian Bach | 8:38 | |
| 17 | Cantata “Nimm von uns, Herr, du treuer Gott”. BWV 101: VI. Duet: “Gedenk an Jesu bittern Tod” Johann Sebastian Bach | 8:08 | |
| 18 | Cantata “Nimm von uns, Herr, du treuer Gott”. BWV 101: VII. Chorale: “Leit uns mit deiner rechten Hand” Johann Sebastian Bach | 1:25 |
CD 3
| 1 | Symphony no. 82, Hob. I:82 “L'Ours”: I. Vivace assai Joseph Haydn | 7:34 | |
| 2 | Symphony no. 82, Hob. I:82 “L'Ours”: II. Allegretto Joseph Haydn | 7:15 | |
| 3 | Symphony no. 82, Hob. I:82 “L'Ours”: III. Menuetto e Trio Joseph Haydn | 4:22 | |
| 4 | Symphony no. 82, Hob. I:82 “L'Ours”: IV. Finale: Vivace Joseph Haydn | 5:54 | |
| 5 | Symphony no. 83, Hob. I:83 “La Poule”: I. Allegro Spiritoso Joseph Haydn | 5:49 | |
| 6 | Symphony no. 83, Hob. I:83 “La Poule”: II. Andante Joseph Haydn | 5:09 | |
| 7 | Symphony no. 83, Hob. I:83 “La Poule”: III. Menuet Joseph Haydn | 4:21 | |
| 8 | Symphony no. 83, Hob. I:83 “La Poule”: IV. Finale: Vivace Joseph Haydn | 4:02 | |
| 9 | Symphony no. 84, Hob. I:84: I. Largo - Allegro Joseph Haydn | 6:52 | |
| 10 | Symphony no. 84, Hob. I:84: II. Andante Joseph Haydn | 7:41 | |
| 11 | Symphony no. 84, Hob. I:84: III. Menuet Joseph Haydn | 3:39 | |
| 12 | Symphony no. 84, Hob. I:84: IV. Finale: Vivace Joseph Haydn | 6:01 |
CD 4
| 1 | Symphony no. 85, Hob. I:85 “La Reine”: I. Adagio - Vivace Joseph Haydn | 7:52 | |
| 2 | Symphony no. 85, Hob. I:85 “La Reine”: II. Romance: Allegretto Joseph Haydn | 7:52 | |
| 3 | Symphony no. 85, Hob. I:85 “La Reine”: III. Menuetto: Allegretto Joseph Haydn | 4:26 | |
| 4 | Symphony no. 85, Hob. I:85 “La Reine”: IV. Finale: Presto Joseph Haydn | 3:30 | |
| 5 | Symphony no. 86, Hob. I:86: I. Adagio - Allegro Spiritoso Joseph Haydn | 7:05 | |
| 6 | Symphony no. 86, Hob. I:86: II. Capriccio: Largo Joseph Haydn | 5:54 | |
| 7 | Symphony no. 86, Hob. I:86: III. Menuetto: Allegretto Joseph Haydn | 5:38 | |
| 8 | Symphony no. 86, Hob. I:86: IV. Finale: Allegro con spirito Joseph Haydn | 6:36 | |
| 9 | Symphony no. 87, Hob. I:87: I. Vivace Joseph Haydn | 7:16 | |
| 10 | Symphony no. 87, Hob. I:87: II. Adagio Joseph Haydn | 6:18 | |
| 11 | Symphony no. 87, Hob. I:87: III. Menuet e trio Joseph Haydn | 4:31 | |
| 12 | Symphony no. 87, Hob. I:87: IV. Finale: Vivace Joseph Haydn | 4:31 |
CD 5
| 1 | Symphony no. 22, Hob. I:22 “Der Philosoph”: I. Adagio Joseph Haydn | 6:29 | |
| 2 | Symphony no. 22, Hob. I:22 “Der Philosoph”: II. Presto Joseph Haydn | 5:07 | |
| 3 | Symphony no. 22, Hob. I:22 “Der Philosoph”: III. Menuet e trio Joseph Haydn | 3:25 | |
| 4 | Symphony no. 22, Hob. I:22 “Der Philosoph”: IV. Finale: Presto Joseph Haydn | 3:44 | |
| 5 | Symphony no. 90, Hob. I:90: I. Adagio - Allegro assai Joseph Haydn | 7:16 | |
| 6 | Symphony no. 90, Hob. I:90: II. Andante Joseph Haydn | 7:21 | |
| 7 | Symphony no. 90, Hob. I:90: III. Menuetto Joseph Haydn | 5:20 | |
| 8 | Symphony no. 90, Hob. I:90: IV. Finale: Allegro assai Joseph Haydn | 5:12 | |
| 9 | Trumpet Concerto in E-flat, Hob. VIIe:1: I. Allegro Joseph Haydn | 5:56 | |
| 10 | Trumpet Concerto in E-flat, Hob. VIIe:1: II. Andante Joseph Haydn | 3:33 | |
| 11 | Trumpet Concerto in E-flat, Hob. VIIe:1: III. Allegro Joseph Haydn | 5:35 | |
| 12 | Trumpet Concerto in E-flat: I. Allegro con spirito Johann Nepomuk Hummel | 8:45 | |
| 13 | Trumpet Concerto in E-flat: II. Andante Johann Nepomuk Hummel | 4:23 | |
| 14 | Trumpet Concerto in E-flat: III. Rondo Johann Nepomuk Hummel | 4:34 |
CD 6
| 1 | Flute Concerto in D, K. 314: I. Allegro aperto Wolfgang Amadeus Mozart | 8:14 | |
| 2 | Flute Concerto in D, K. 314: II. Andante ma non troppo Wolfgang Amadeus Mozart | 5:18 | |
| 3 | Flute Concerto in D, K. 314: III. Allegro Wolfgang Amadeus Mozart | 5:51 | |
| 4 | Adagio & Allegro in A-flat, op. 70 Robert Schumann | 8:01 | |
| 5 | Bassoon Concerto in A minor, RV 497: I. Allegro molto Antonio Vivaldi | 4:20 | |
| 6 | Bassoon Concerto in A minor, RV 497: II. Andate molto Antonio Vivaldi | 2:51 | |
| 7 | Bassoon Concerto in A minor, RV 497: III. Allegro Antonio Vivaldi | 3:50 | |
| 8 | Trumpet Concerto in D: I. Adagio Leopold Mozart | 5:50 | |
| 9 | Trumpet Concerto in D: II. Allegro moderato Leopold Mozart | 3:12 |
CD 7
| 1 | Symphony no. 1 in C, op. 21: I. Adagio molto - Allegro con brio Ludwig van Beethoven | 9:41 | |
| 2 | Symphony no. 1 in C, op. 21: II. Andante cantabile con moto Ludwig van Beethoven | 7:10 | |
| 3 | Symphony no. 1 in C, op. 21: III. Menuetto: Allegro molto e vivace Ludwig van Beethoven | 4:04 | |
| 4 | Symphony no. 1 in C, op. 21: IV. Adagio - Allegro molto e vivace Ludwig van Beethoven | 6:07 | |
| 5 | Symphony no. 3 in E-flat, op. 55 “Eroica”: I. Allegro con brio Ludwig van Beethoven | 14:34 | |
| 6 | Symphony no. 3 in E-flat, op. 55 “Eroica”: II. Marcia funebre: Adagio assai Ludwig van Beethoven | 15:15 | |
| 7 | Symphony no. 3 in E-flat, op. 55 “Eroica”: III. Scherzo: Allegro vivace Ludwig van Beethoven | 5:59 | |
| 8 | Symphony no. 3 in E-flat, op. 55 “Eroica”: IV. Finale: Allegro molto Ludwig van Beethoven | 12:15 |
CD 8
| 1 | Symphony no. 2 in D, op. 36: I. Adagio molto - Allegro con brio Ludwig van Beethoven | 10:34 | |
| 2 | Symphony no. 2 in D, op. 36: II. Larghetto Ludwig van Beethoven | 11:59 | |
| 3 | Symphony no. 2 in D, op. 36: III. Scherzo: Allegro Ludwig van Beethoven | 3:46 | |
| 4 | Symphony no. 2 in D, op. 36: IV. Allegro molto Ludwig van Beethoven | 7:08 | |
| 5 | Symphony no. 4 in B-flat, op. 60: I. Adagio - Allegro vivace Ludwig van Beethoven | 12:30 | |
| 6 | Symphony no. 4 in B-flat, op. 60: II. Adagio Ludwig van Beethoven | 9:46 | |
| 7 | Symphony no. 4 in B-flat, op. 60: III. Allegro vivace Ludwig van Beethoven | 5:54 | |
| 8 | Symphony no. 4 in B-flat, op. 60: IV. Allegro ma non troppo Ludwig van Beethoven | 7:25 | |
| 9 | Coriolan Overture, op. 62 Ludwig van Beethoven | 7:06 |
CD 9
| 1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio Ludwig van Beethoven | 7:35 | |
| 2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto Ludwig van Beethoven | 9:48 | |
| 3 | Symphony no. 5 in C minor, op. 67: III. Scherzo: Allegro Ludwig van Beethoven | 5:11 | |
| 4 | Symphony no. 5 in C minor, op. 67: IV. Allegro Ludwig van Beethoven | 8:40 | |
| 5 | Symphony no. 6 in F, op. 68 “Pastoral”: I. Erwachen heiterer Empfindungen bei der Ankuft auf dem Lande: Allegro ma non troppo Ludwig van Beethoven | 9:42 | |
| 6 | Symphony no. 6 in F, op. 68 “Pastoral”: II. Szene am Bach: Andante molto mosso Ludwig van Beethoven | 12:39 | |
| 7 | Symphony no. 6 in F, op. 68 “Pastoral”: III. Lustiges Zusammensein der Landleute: Allegro Ludwig van Beethoven | 5:49 | |
| 8 | Symphony no. 6 in F, op. 68 “Pastoral”: IV. Gewitter, Sturm: Allegro Ludwig van Beethoven | 3:42 | |
| 9 | Symphony no. 6 in F, op. 68 “Pastoral”: V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm: Allegretto Ludwig van Beethoven | 8:32 |
CD 10
| 1 | Symphony no. 7 in A, op. 92: I. Poco sostenuto - Vivace Ludwig van Beethoven | 11:45 | |
| 2 | Symphony no. 7 in A, op. 92: II. Allegretto Ludwig van Beethoven | 8:53 | |
| 3 | Symphony no. 7 in A, op. 92: III. Presto Ludwig van Beethoven | 9:25 | |
| 4 | Symphony no. 7 in A, op. 92: IV. Allegro con brio Ludwig van Beethoven | 8:57 | |
| 5 | Symphony no. 8 in F, op. 93: I. Allegro vivace e con brio Ludwig van Beethoven | 10:03 | |
| 6 | Symphony no. 8 in F, op. 93: II. Allegretto scherzando Ludwig van Beethoven | 3:58 | |
| 7 | Symphony no. 8 in F, op. 93: III. Tempo di menuetto Ludwig van Beethoven | 5:27 | |
| 8 | Symphony no. 8 in F, op. 93: IV, Allegro vivace Ludwig van Beethoven | 8:11 | |
| 9 | Egmont Overture, op. 84 Ludwig van Beethoven | 8:27 |
CD 11
| 1 | Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso Ludwig van Beethoven | 16:21 | |
| 2 | Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace Ludwig van Beethoven | 11:18 | |
| 3 | Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile Ludwig van Beethoven | 15:16 | |
| 4 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale Ludwig van Beethoven | 24:14 |
CD 12
| 1 | Symphony no. 1 in C, op. 21: I. Adagio molto - Allegro con brio Ludwig van Beethoven | 8:38 | |
| 2 | Symphony no. 1 in C, op. 21: II. Andante cantabile con moto Ludwig van Beethoven | 6:21 | |
| 3 | Symphony no. 1 in C, op. 21: III. Menuetto: Allegro molto e vivace Ludwig van Beethoven | 3:35 | |
| 4 | Symphony no. 1 in C, op. 21: IV. Finale: Adagio - Allegro molto e vivace Ludwig van Beethoven | 5:37 | |
| 5 | Die Geschöpfe des Prometheus Overture, op. 43 Ludwig van Beethoven | 5:25 | |
| 6 | Fidelio Overture, op. 72c Ludwig van Beethoven | 5:59 | |
| 7 | Leonore Overture, no. 2, op. 72a Ludwig van Beethoven | 13:48 | |
| 8 | Leonore Overture, no. 3, op. 72b Ludwig van Beethoven | 13:51 | |
| 9 | Grosse Fuge in B-flat, op. 133 Ludwig van Beethoven | 17:06 |
CD 13
| 1 | Der Freischütz, op. 77: Overture Carl Maria von Weber | 9:07 | |
| 2 | Preciosa, op. 78: Overture Carl Maria von Weber | 7:07 | |
| 3 | Der Beherrscher der Geister Overture, op. 27 Carl Maria von Weber | 5:52 | |
| 4 | Oberon, J. 306: Overture Carl Maria von Weber | 8:25 | |
| 5 | Euryanthe, op. 81: Overture Carl Maria von Weber | 8:26 | |
| 6 | Abu Hassan, J. 106: Overture Carl Maria von Weber | 3:20 | |
| 7 | Jubel Overture, op. 59 Carl Maria von Weber | 7:27 | |
| 8 | Bassoon Concerto in F, op. 75: I. Allegro ma non troppo Carl Maria von Weber | 9:05 | |
| 9 | Bassoon Concerto in F, op. 75: II. Adagio Carl Maria von Weber | 4:45 | |
| 10 | Bassoon Concerto in F, op. 75: III. Rondo: Allegro Carl Maria von Weber | 4:55 |
CD 14
| 1 | Ruy Blas Overture, op. 95 Felix Mendelssohn | 8:12 | |
| 2 | Das Märchen von der schönen Melusine Overture, op. 32 Felix Mendelssohn | 10:58 | |
| 3 | Die Hebriden Overture, op. 26 Felix Mendelssohn | 9:46 | |
| 4 | Symphony no. 4 in A, op. 90 “Italian”: I. Allegro vivace Felix Mendelssohn | 8:20 | |
| 5 | Symphony no. 4 in A, op. 90 “Italian”: II. Andante con moto Felix Mendelssohn | 6:45 | |
| 6 | Symphony no. 4 in A, op. 90 “Italian”: III. Con moto moderato Felix Mendelssohn | 7:14 | |
| 7 | Symphony no. 4 in A, op. 90 “Italian”: IV. Saltarello: Presto Felix Mendelssohn | 6:10 |
CD 15
| 1 | A Midsummer Night's Dream: Overture, op. 21 Felix Mendelssohn | 11:50 | |
| 2 | A Midsummer Night's Dream: Incidental Music, op. 61: 1. Scherzo Felix Mendelssohn | 4:41 | |
| 3 | A Midsummer Night's Dream: Incidental Music, op. 61: 2. Nocturne Felix Mendelssohn | 6:32 | |
| 4 | A Midsummer Night's Dream: Incidental Music, op. 61: 3. Wedding March Felix Mendelssohn | 5:03 | |
| 5 | Rosamunde: Overture (to Die Zauberharfe, D. 644) Franz Schubert | 9:50 | |
| 6 | Rosamunde: Incidental Music, D. 797: 2. Ballet Music no. 1 Franz Schubert | 7:55 | |
| 7 | Rosamunde: Incidental Music, D. 797: 3a. Entr'acte after Act 2 Franz Schubert | 3:06 | |
| 8 | Rosamunde: Incidental Music, D. 797: 5. Entr'acte after Act 3 Franz Schubert | 6:48 | |
| 9 | Rosamunde: Incidental Music, D. 797: 9. Ballet Music no. 2 Franz Schubert | 6:42 |
CD 16
| 1 | Symphony no. 8 in F, op. 93: I. Allegro vivace e con brio Ludwig van Beethoven | 7:24 | |
| 2 | Symphony no. 8 in F, op. 93: II. Allegretto scherzando Ludwig van Beethoven | 3:50 | |
| 3 | Symphony no. 8 in F, op. 93: III. Tempo di Minuetto Ludwig van Beethoven | 5:28 | |
| 4 | Symphony no. 8 in F, op. 93: IV. Allegro vivace Ludwig van Beethoven | 7:44 | |
| 5 | Manfred Overture, op. 115 Robert Schumann | 11:58 | |
| 6 | Symphony no. 2 in C, op. 61: I. Sostenuto assai - Allegro ma non troppo Robert Schumann | 12:33 | |
| 7 | Symphony no. 2 in C, op. 61: II. Scherzo: Allegro vivace Robert Schumann | 6:56 | |
| 8 | Symphony no. 2 in C, op. 61: III. Adagio espressivo Robert Schumann | 9:16 | |
| 9 | Symphony no. 2 in C, op. 61: IV. Allegro molto vivace Robert Schumann | 8:56 |
CD 17
| 1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto - Allegro Johannes Brahms | 12:42 | |
| 2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto Johannes Brahms | 8:50 | |
| 3 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso Johannes Brahms | 4:51 | |
| 4 | Symphony no. 1 in C minor, op. 68: IV. Adagio - Più andante - Allegro non troppo ma con brio Johannes Brahms | 16:36 | |
| 5 | Symphony no. 3 in F, op. 90: I. Allegro con brio - Un poco sostenuto Johannes Brahms | 11:55 | |
| 6 | Symphony no. 3 in F, op. 90: II. Andante Johannes Brahms | 7:46 | |
| 7 | Symphony no. 3 in F, op. 90: III. Poco allegretto Johannes Brahms | 6:09 | |
| 8 | Symphony no. 3 in F, op. 90: IV. Allegro Johannes Brahms | 8:39 |
CD 18
| 1 | Symphony no. 2 in D, op. 73: I. Allegro non troppo Johannes Brahms | 19:40 | |
| 2 | Symphony no. 2 in D, op. 73: II. Adagio non troppo Johannes Brahms | 9:53 | |
| 3 | Symphony no. 2 in D, op. 73: III. Allegretto non troppo Johannes Brahms | 5:13 | |
| 4 | Symphony no. 2 in D, op. 73: IV. Allegro con spirito Johannes Brahms | 9:22 | |
| 5 | St. Anthony Variations, op. 56a Johannes Brahms | 17:02 | |
| 6 | Tragic Overture, op. 81 Johannes Brahms | 13:11 |
CD 19
| 1 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo Johannes Brahms | 11:47 | |
| 2 | Symphony no. 4 in E minor, op. 98: II. Andante moderato Johannes Brahms | 11:24 | |
| 3 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso Johannes Brahms | 6:30 | |
| 4 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato Johannes Brahms | 9:47 | |
| 5 | Academic Festival Overture, op. 80 Johannes Brahms | 9:37 | |
| 6 | Nänie, op. 82 Johannes Brahms | 13:16 | |
| 7 | Alto Rhapsody, op. 53 Johannes Brahms | 13:18 |
CD 20
| 1 | Ein deutsches Requiem, op. 45: I. Selig sind, die da Lied tragen Johannes Brahms | 11:16 | |
| 2 | Ein deutsches Requiem, op. 45: II. Denn alles Fleisch, es ist wie Gras Johannes Brahms | 14:39 | |
| 3 | Ein deutsches Requiem, op. 45: III. Herr, lehre doch mich1 Johannes Brahms | 9:24 | |
| 4 | Ein deutsches Requiem, op. 45: IV. Wie lieblich sind deine Wohnungen Johannes Brahms | 5:59 | |
| 5 | Ein deutsches Requiem, op. 45: V. Ihr habt nun Traurigkeit Johannes Brahms | 7:24 | |
| 6 | Ein deutsches Requiem, op. 45: VI. Denn wir haben hie keine bleibende Statt Johannes Brahms | 12:12 | |
| 7 | Ein deutsches Requiem, op. 45: VII. Selig sind die Toten, die in dem Herrn sterben Johannes Brahms | 11:24 |
CD 21
| 1 | Lohengrin: Prelude to Act I Richard Wagner | 9:03 | |
| 2 | Götterdammerung: Siegfried's Funeral March Richard Wagner | 6:56 | |
| 3 | Die Meistersinger von Nürnberg: Prelude to Act I Richard Wagner | 9:40 | |
| 4 | Parsifal: Prelude Richard Wagner | 11:58 | |
| 5 | Parsifal: Good Friday Music Richard Wagner | 13:10 |
CD 22
| 1 | A Faust Symphony, S. 108ii: I. Faust: Lento assai Franz Liszt | 26:46 | |
| 2 | A Faust Symphony, S. 108ii: II. Gretchen: Andante soave Franz Liszt | 16:11 | |
| 3 | A Faust Symphony, S. 108ii: III. Mephistopheles: Allegro vivace, ironico - Final chorus: Andante mistico “Alles Vergängliche ist nur ein Gleichnis” Franz Liszt | 24:22 | |
| 4 | 2 Episodes from Lenau's Faust, S. 110: 2. The Dance in the Village Inn (1st Mephisto Waltz) Franz Liszt | 12:01 |
CD 23
| 1 | 2 Episodes from Lenau's Faust, S. 110: 1. The Nocturnal Procession Franz Liszt | 15:03 | |
| 2 | Hunnenschlacht (Symphonic Poem no. 11), S. 105 Franz Liszt | 14:47 | |
| 3 | Symphony no. 3 in B-flat minor, op. 11: I. Introduction et Ouverture: Modéré Albéric Magnard | 12:27 | |
| 4 | Symphony no. 3 in B-flat minor, op. 11: II. Danses: Très vif Albéric Magnard | 6:32 | |
| 5 | Symphony no. 3 in B-flat minor, op. 11: III. Pastorale: Modéré Albéric Magnard | 9:57 | |
| 6 | Symphony no. 3 in B-flat minor, op. 11: IV. Finale: Vif Albéric Magnard | 9:26 |
CD 24
| 1 | Symphonie fantastique, op. 14: I. Rêveries - Passions (Largo - Allegro agitato ed appassionato assai) Hector Berlioz | 13:40 | |
| 2 | Symphonie fantastique, op. 14: II. Un bal (Valse: Allegro non troppo) Hector Berlioz | 6:11 | |
| 3 | Symphonie fantastique, op. 14: III. Scène aux champ (Adagio) Hector Berlioz | 16:06 | |
| 4 | Symphonie fantastique, op. 14: IV. Marche au supplice (Allegretto non troppo) Hector Berlioz | 5:08 | |
| 5 | Symphonie fantastique, op. 14: V. Songe d'une nuit du Sabbat (Larghetto - Allegro) Hector Berlioz | 10:24 | |
| 6 | La Damnation de Faust, op. 24: I. Danse des sylphes Hector Berlioz | 2:20 | |
| 7 | La Damnation de Faust, op. 24: II. Menuet des follets Hector Berlioz | 5:46 | |
| 8 | La Damnation de Faust, op. 24: III. Marche hongroise Hector Berlioz | 4:52 |
CD 25
| 1 | Le Corsaire Overture, op. 21 Hector Berlioz | 8:40 | |
| 2 | Béatrice et Bénédict, op. 27: Overture Hector Berlioz | 8:38 | |
| 3 | La Carnaval romain Overture, op. 9 Hector Berlioz | 9:34 | |
| 4 | Benvenuto Cellini, op. 23: Overture Hector Berlioz | 10:53 | |
| 5 | Les Nuits d'été, op. 7: I. Villanelle Hector Berlioz | 2:20 | |
| 6 | Les Nuits d'été, op. 7: II. Le Spectre de la rose Hector Berlioz | 7:08 | |
| 7 | Les Nuits d'été, op. 7: III. Absence Hector Berlioz | 5:27 | |
| 8 | Les Nuits d'été, op. 7: IV. Sur les lagunes: Lamento Hector Berlioz | 6:09 | |
| 9 | Les Nuits d'été, op. 7: V. Au cimetière: Claire de lune Hector Berlioz | 5:43 | |
| 10 | Les Nuits d'été, op. 7: VI. L'Île inconnue Hector Berlioz | 3:44 |
CD 26
| 1 | Symphonie fantastique, op. 14 (in rehearsal): I. from the First Movement Hector Berlioz | 11:57 | |
| 2 | Symphonie fantastique, op. 14 (in rehearsal): II. from the Second Movement Hector Berlioz | 7:34 | |
| 3 | Symphonie fantastique, op. 14 (in rehearsal): III. from the Third Movement Hector Berlioz | 7:17 | |
| 4 | Symphonie fantastique, op. 14 (in rehearsal): IV. from the Fourth Movement Hector Berlioz | 3:38 | |
| 5 | Symphonie fantastique, op. 14 (in rehearsal): V. from the Fifth Movement Hector Berlioz | 12:45 |
CD 27
| 1 | Symphony in D minor, FWV 48: I. Lento - Allegro ma non troppo César Franck | 18:18 | |
| 2 | Symphony in D minor, FWV 48: II. Allegretto César Franck | 10:48 | |
| 3 | Symphony in D minor, FWV 48: III. Allegro non troppo César Franck | 10:36 | |
| 4 | Les Éolides, FWV 43 César Franck | 10:44 | |
| 5 | Le Chasseur maudit, FWV 44 César Franck | 14:38 |
CD 28
| 1 | Coppélia, ou La Fille aux yeux d'émail: Tableau I. Prélude - Mazurka Léo Delibes | 5:04 | |
| 2 | Coppélia, ou La Fille aux yeux d'émail: Tableau I. 1. Valse lente Léo Delibes | 2:00 | |
| 3 | Coppélia, ou La Fille aux yeux d'émail: Tableau I. 2. Scène (Swanhilde et Franz) Léo Delibes | 3:50 | |
| 4 | Coppélia, ou La Fille aux yeux d'émail: Tableau I. 3. Mazurka Léo Delibes | 3:36 | |
| 5 | Coppélia, ou La Fille aux yeux d'émail: Tableau I. 4. Scène (Préparatifs de fête) Léo Delibes | 1:50 | |
| 6 | Coppélia, ou La Fille aux yeux d'émail: Tableau I. 5. Ballade de l'épi Léo Delibes | 2:10 | |
| 7 | Coppélia, ou La Fille aux yeux d'émail: Tableau I. 6. Thème salve varié Léo Delibes | 6:25 | |
| 8 | Coppélia, ou La Fille aux yeux d'émail: Tableau I. 7a. Csárdás (Danse hongroise) Léo Delibes | 3:27 | |
| 9 | Coppélia, ou La Fille aux yeux d'émail: Tableau I. 7b. Sortie Léo Delibes | 5:40 | |
| 10 | Coppélia, ou La Fille aux yeux d'émail: Tableau II. 8. Entr'acte - Valse Léo Delibes | 1:34 | |
| 11 | Coppélia, ou La Fille aux yeux d'émail: Tableau II. 9. Scène Léo Delibes | 2:11 | |
| 12 | Coppélia, ou La Fille aux yeux d'émail: Tableau II. 10. Scène Léo Delibes | 2:41 | |
| 13 | Coppélia, ou La Fille aux yeux d'émail: Tableau II. 11a. Musique des automates Léo Delibes | 1:37 | |
| 14 | Coppélia, ou La Fille aux yeux d'émail: Tableau II. 11b. Scène Léo Delibes | 1:16 | |
| 15 | Coppélia, ou La Fille aux yeux d'émail: Tableau II. 12. Scène Léo Delibes | 2:25 | |
| 16 | Coppélia, ou La Fille aux yeux d'émail: Tableau II. 13. Chanson à boire - Scène Léo Delibes | 3:38 | |
| 17 | Coppélia, ou La Fille aux yeux d'émail: Tableau II. 14. Scène et Valse de la poupée Léo Delibes | 3:34 | |
| 18 | Coppélia, ou La Fille aux yeux d'émail: Tableau II. 15. Scène Léo Delibes | 3:51 | |
| 19 | Coppélia, ou La Fille aux yeux d'émail: Tableau II. 16. Boléro Léo Delibes | 1:38 | |
| 20 | Coppélia, ou La Fille aux yeux d'émail: Tableau II. 17. Gigue Léo Delibes | 1:27 | |
| 21 | Coppélia, ou La Fille aux yeux d'émail: Tableau II. 18. Scène (Final) Léo Delibes | 2:13 |
CD 29
| 1 | Coppélia, ou La Fille aux yeux d'émail: 19. Marche de la cloche Léo Delibes | 3:09 | |
| 2 | Coppélia, ou La Fille aux yeux d'émail: 20. Fête del la cloche (8 Divertissements): a) Valse des heures Léo Delibes | 3:41 | |
| 3 | Coppélia, ou La Fille aux yeux d'émail: 20. Fête del la cloche (8 Divertissements): b) L'Aurore Léo Delibes | 2:23 | |
| 4 | Coppélia, ou La Fille aux yeux d'émail: 20. Fête del la cloche (8 Divertissements): c) La Prière Léo Delibes | 2:09 | |
| 5 | Coppélia, ou La Fille aux yeux d'émail: 20. Fête del la cloche (8 Divertissements): d) Le Travail (La Fileuse) Léo Delibes | 1:24 | |
| 6 | Coppélia, ou La Fille aux yeux d'émail: 20. Fête del la cloche (8 Divertissements): e) L'Hymen (Noce villageoise) Léo Delibes | 1:48 | |
| 7 | Coppélia, ou La Fille aux yeux d'émail: 20. Fête del la cloche (8 Divertissements): f) La Discorde et la Guerre Léo Delibes | 2:43 | |
| 8 | Coppélia, ou La Fille aux yeux d'émail: 20. Fête del la cloche (8 Divertissements): g) La Paix Léo Delibes | 2:58 | |
| 9 | Coppélia, ou La Fille aux yeux d'émail: 20. Fête del la cloche (8 Divertissements): h) Galop final Léo Delibes | 3:58 | |
| 10 | Sylvia, ou La Nymphe de Diane: I. Prélude: Les Chasseresses Léo Delibes | 5:11 | |
| 11 | Sylvia, ou La Nymphe de Diane: II. Intermezzo et Valse lente Léo Delibes | 3:28 | |
| 12 | Sylvia, ou La Nymphe de Diane: III. Pizzicati Léo Delibes | 1:51 | |
| 13 | Sylvia, ou La Nymphe de Diane: IV. Marche et Cortège de Bacchus Léo Delibes | 5:52 | |
| 14 | Daphnis et Chloé Suite no. 2, M. 57b: I. Lever du jour Maurice Ravel | 6:03 | |
| 15 | Daphnis et Chloé Suite no. 2, M. 57b: II. Pantomime Maurice Ravel | 6:43 | |
| 16 | Daphnis et Chloé Suite no. 2, M. 57b: III. Danse générale Maurice Ravel | 3:48 | |
| 17 | Shéhérazade, M. 41: I. Asie Maurice Ravel | 9:12 | |
| 18 | Shéhérazade, M. 41: II. La Flûte enchantée Maurice Ravel | 2:42 | |
| 19 | Shéhérazade, M. 41: III. L'Indifférent Maurice Ravel | 3:52 | |
| 20 | Coppélia, ou La Fille aux yeux d'émail (alternate takes): Prélude - 3. Mazurka Léo Delibes | 5:36 | |
| 21 | Coppélia, ou La Fille aux yeux d'émail (alternate takes): Andante (from the end of the Prélude) - 1. Valse lente Léo Delibes | 2:59 | |
| 22 | Coppélia, ou La Fille aux yeux d'émail (alternate takes): Danse de fête (from 20g. La Paix) Léo Delibes | 1:18 | |
| 23 | Coppélia, ou La Fille aux yeux d'émail (alternate takes): 20h. Galop final Léo Delibes | 2:38 |
CD 30
| 1 | Carmen Suite: Prélude. Acte 1 Georges Bizet | 3:40 | |
| 2 | Carmen Suite: Prélude. Acte 4: Aragonise Georges Bizet | 2:12 | |
| 3 | Carmen Suite: Prélude. Acte 3: Intermezzo Georges Bizet | 2:32 | |
| 4 | Carmen Suite: Prélude. Acte 2: Les Dragons d'Alcala Georges Bizet | 1:39 | |
| 5 | Carmen Suite: Marche des contrebandiers (Acte 3) Georges Bizet | 3:52 | |
| 6 | Carmen Suite: Habanera (Acte 1) Georges Bizet | 1:46 | |
| 7 | Carmen Suite: Nocturne (Acte 3) Georges Bizet | 5:04 | |
| 8 | Carmen Suite: La Garde montante (Acte 1) Georges Bizet | 3:46 | |
| 9 | Carmen Suite: Danse Bohème (Acte 2) Georges Bizet | 4:29 | |
| 10 | L'Arlésienne Suite: Prélude Georges Bizet | 6:27 | |
| 11 | L'Arlésienne Suite: Minuetto Georges Bizet | 3:02 | |
| 12 | L'Arlésienne Suite: Adagietto Georges Bizet | 2:52 | |
| 13 | L'Arlésienne Suite: Carillon Georges Bizet | 4:31 | |
| 14 | L'Arlésienne Suite: Pastorale Georges Bizet | 5:45 | |
| 15 | L'Arlésienne Suite: Intermezzo Georges Bizet | 3:32 | |
| 16 | L'Arlésienne Suite: Menuet Georges Bizet | 4:03 | |
| 17 | L'Arlésienne Suite: Farandole Georges Bizet | 3:29 | |
| 18 | Patrie Overture Georges Bizet | 12:09 |
CD 31
| 1 | Symphony in C: I. Allegro vivo Georges Bizet | 7:30 | |
| 2 | Symphony in C: II. Adagio Georges Bizet | 8:18 | |
| 3 | Symphony in C: III. Allegro vivace Georges Bizet | 4:26 | |
| 4 | Symphony in C: IV. Allegro vivace Georges Bizet | 6:53 | |
| 5 | Petite Suite d'orchestre: I. Marche: Trompette et Tambour Georges Bizet | 2:16 | |
| 6 | Petite Suite d'orchestre: II. Berceuse: La Poupée Georges Bizet | 2:27 | |
| 7 | Petite Suite d'orchestre: III. Impromptu: La Toupie Georges Bizet | 1:01 | |
| 8 | Petite Suite d'orchestre: IV. Duo: Petit mari, Petite femme Georges Bizet | 3:24 | |
| 9 | Petite Suite d'orchestre: V. Galop: Le Bal Georges Bizet | 1:50 | |
| 10 | La Jolie Fille de Perth Suite: I. Prélude Georges Bizet | 3:56 | |
| 11 | La Jolie Fille de Perth Suite: II. Sérénade Georges Bizet | 2:08 | |
| 12 | La Jolie Fille de Perth Suite: III. Marche Georges Bizet | 3:09 | |
| 13 | La Jolie Fille de Perth Suite: IV. Danse bohémienne Georges Bizet | 3:05 | |
| 14 | Le Tombeau de Couperin, M. 68a: I. Prélude Maurice Ravel | 3:36 | |
| 15 | Le Tombeau de Couperin, M. 68a: II. Forlane Maurice Ravel | 5:32 | |
| 16 | Le Tombeau de Couperin, M. 68a: III. Menuet Maurice Ravel | 4:52 | |
| 17 | Le Tombeau de Couperin, M. 68a: IV. Rigaudon Maurice Ravel | 3:01 | |
| 18 | Tzigane, M. 76a Maurice Ravel | 10:14 |
CD 32
| 1 | Symphonie espagnole in D minor, op. 21: I. Allegro non troppo Édouard Lalo | 7:43 | |
| 2 | Symphonie espagnole in D minor, op. 21: II. Scherzando: Allegro molto Édouard Lalo | 4:29 | |
| 3 | Symphonie espagnole in D minor, op. 21: III. Intermezzo: Allegretto non troppo Édouard Lalo | 6:10 | |
| 4 | Symphonie espagnole in D minor, op. 21: IV. Andante Édouard Lalo | 6:18 | |
| 5 | Symphonie espagnole in D minor, op. 21: V. Rondo: Allegro Édouard Lalo | 8:28 | |
| 6 | Namouna: Prélude (Suite no. 1/1) Édouard Lalo | 6:10 | |
| 7 | Namouna: Sérénade (Suite no. 1/2) Édouard Lalo | 2:55 | |
| 8 | Namouna: Thème varié (Suite no. 1/3) Édouard Lalo | 5:39 | |
| 9 | Namouna: Parades de foire (Suite no. 1/4) Édouard Lalo | 5:21 | |
| 10 | Namouna: Fête foraine (Suite no. 1/5) Édouard Lalo | 3:56 | |
| 11 | Namouna: La Sieste (Suite no. 2/3) Édouard Lalo | 5:20 | |
| 12 | Namouna: La Valse de la cigarette Édouard Lalo | 5:25 | |
| 13 | Divertissement for Orchestra (Ballet music from the opera Fiesque): III. Andantino Édouard Lalo | 3:58 | |
| 14 | Scherzo for Orchestra in D minor Édouard Lalo | 4:46 |
CD 33
| 1 | Rapsodie norvégienne Édouard Lalo | 11:53 | |
| 2 | Habanera Emmanuel Chabrier | 3:40 | |
| 3 | España, Rhapsody for Orchestra Emmanuel Chabrier | 6:59 | |
| 4 | Suite pastorale: I. Idylle Emmanuel Chabrier | 4:50 | |
| 5 | Suite pastorale: II. Danse villageoise Emmanuel Chabrier | 4:57 | |
| 6 | Suite pastorale: III. Sous-bois Emmanuel Chabrier | 6:09 | |
| 7 | Suite pastorale: IV. Scherzo-Valse Emmanuel Chabrier | 5:30 | |
| 8 | Joyeuse marche Emmanuel Chabrier | 4:00 | |
| 9 | Le Roi malgré lui: I. Danse slave Emmanuel Chabrier | 5:05 | |
| 10 | Le Roi malgré lui: II. Fête polonaise Emmanuel Chabrier | 8:30 |
CD 34
| 1 | Requiem, op. 48: I. Introit et Kyrie Gabriel Fauré | 7:03 | |
| 2 | Requiem, op. 48: II. Offertoire Gabriel Fauré | 9:10 | |
| 3 | Requiem, op. 48: III. Sanctus Gabriel Fauré | 3:15 | |
| 4 | Requiem, op. 48: IV. Pie Jesu Gabriel Fauré | 3:11 | |
| 5 | Requiem, op. 48: V. Agnus Dei Gabriel Fauré | 5:15 | |
| 6 | Requiem, op. 48: VI. Libera me Gabriel Fauré | 5:23 | |
| 7 | Requiem, op. 48: VII. In paradisum Gabriel Fauré | 4:11 | |
| 8 | Pelléas et Mélisande, op. 80: I. Prélude (Quasi adagio) Gabriel Fauré | 5:53 | |
| 9 | Pelléas et Mélisande, op. 80: II. La Fileuse (Andantino quasi allegretto) Gabriel Fauré | 3:07 | |
| 10 | Pelléas et Mélisande, op. 80: IV. Mort de Mélisande (Molto adagio) Gabriel Fauré | 4:10 | |
| 11 | Pelléas et Mélisande, op. 80: III. Sicilienne (Allegro molto moderato) Gabriel Fauré | 3:49 | |
| 12 | Pénélope: Prélude Gabriel Fauré | 7:58 | |
| 13 | Masques et bergamasques, op. 112: I. Ouverture Gabriel Fauré | 3:28 | |
| 14 | Masques et bergamasques, op. 112: II. Menuet Gabriel Fauré | 2:42 | |
| 15 | Masques et bergamasques, op. 112: III. Gavotte Gabriel Fauré | 3:10 | |
| 16 | Masques et bergamasques, op. 112: IV. Pastorale Gabriel Fauré | 4:21 |
CD 35
| 1 | Le Festin de l'araignée, op. 17: I. Lent Albert Roussel | 10:46 | |
| 2 | Le Festin de l'araignée, op. 17: II. Lent Albert Roussel | 9:55 | |
| 3 | Le Festin de l'araignée, op. 17: III. Très modéré Albert Roussel | 3:38 | |
| 4 | Le Festin de l'araignée, op. 17: IV. Très lent Albert Roussel | 4:42 | |
| 5 | Symphony no. 3 in G minor, op. 42: I. Allegro vivo Albert Roussel | 5:13 | |
| 6 | Symphony no. 3 in G minor, op. 42: II. Adagio Albert Roussel | 8:50 | |
| 7 | Symphony no. 3 in G minor, op. 42: III. Vivace Albert Roussel | 3:04 | |
| 8 | Symphony no. 3 in G minor, op. 42: IV. Allegro con spirito Albert Roussel | 6:01 | |
| 9 | Symphony no. 4 in A, op. 53: I. Lento - Allegro con brio Albert Roussel | 6:02 | |
| 10 | Symphony no. 4 in A, op. 53: II. Lento molto Albert Roussel | 9:38 | |
| 11 | Symphony no. 4 in A, op. 53: III. Allegro scherzando Albert Roussel | 2:57 | |
| 12 | Symphony no. 4 in A, op. 53: IV. Allegro molto Albert Roussel | 4:09 |
CD 36
| 1 | Petite Suite, op. 39: I. Aubade Albert Roussel | 3:03 | |
| 2 | Petite Suite, op. 39: II. Pastorale Albert Roussel | 6:46 | |
| 3 | Petite Suite, op. 39: III. Masquerade Albert Roussel | 2:56 | |
| 4 | L'Apprenti sorcier Paul Dukas | 11:01 | |
| 5 | La Péri: Fanfare Paul Dukas | 2:17 | |
| 6 | La Péri: Poème dansé en un tableau Paul Dukas | 18:09 | |
| 7 | Symphony in B-flat, op. 20: I. Lent - Allegro vivo Ernest Chausson | 12:40 | |
| 8 | Symphony in B-flat, op. 20: II. Très lent Ernest Chausson | 9:23 | |
| 9 | Symphony in B-flat, op. 20: III. Animé - Très animé Ernest Chausson | 13:29 |
CD 37
| 1 | La Mer, L. 111 (109): I. De l'aube à midi sur la mer Claude Debussy | 8:30 | |
| 2 | La Mer, L. 111 (109): II. Jeux de vagues Claude Debussy | 6:31 | |
| 3 | La Mer, L. 111 (109): III. Dialogue du vent et de la mer Claude Debussy | 7:59 | |
| 4 | Première rhapsodie, L. 124b (116b) Claude Debussy | 7:30 | |
| 5 | Suite bergamasque, L. 82 (75): III. Clair de lune Claude Debussy | 4:16 | |
| 6 | Petite suite, L. 71b (65b): I. En Bateau Claude Debussy | 3:45 | |
| 7 | Petite suite, L. 71b (65b): II. Cortège Claude Debussy | 2:57 | |
| 8 | Petite suite, L. 71b (65b): III. Menuet Claude Debussy | 3:13 | |
| 9 | Petite suite, L. 71b (65b): IV. Ballet Claude Debussy | 3:21 | |
| 10 | Prélude à l'après-midi d'un faune, L. 87a (86a) Claude Debussy | 9:02 | |
| 11 | Jeux, L. 133 (126) Claude Debussy | 16:58 |
CD 38
| 1 | Images, Set 3, L. 118 (122): I. Gigues Claude Debussy | 7:33 | |
| 2 | Images, Set 3, L. 118 (122): II. Ibéria: a. Par les rues et par les chemins Claude Debussy | 6:51 | |
| 3 | Images, Set 3, L. 118 (122): II. Ibéria: b. Les Parfums de la buit Claude Debussy | 7:10 | |
| 4 | Images, Set 3, L. 118 (122): II. Ibéria: c. Le Matin d'un jour de fête Claude Debussy | 4:14 | |
| 5 | Images, Set 3, L. 118 (122): III. Rondes de printemps Claude Debussy | 7:57 | |
| 6 | Printemps, Suite symphonique, L. 68b (61b): I. Très modéré Claude Debussy | 8:49 | |
| 7 | Printemps, Suite symphonique, L. 68b (61b): II. Modéré Claude Debussy | 6:04 | |
| 8 | Nocturnes, L. 98 (91): I. Nuages Claude Debussy | 7:00 | |
| 9 | Nocturnes, L. 98 (91): II. Fêtes Claude Debussy | 6:21 | |
| 10 | Nocturnes, L. 98 (91): III. Sirènes Claude Debussy | 9:25 |
CD 39
| 1 | Le Martyre de saint Sébastien, L. 130 (124): I. La Cour de Lys: Prélude Claude Debussy | 15:32 | |
| 2 | Le Martyre de saint Sébastien, L. 130 (124): II. La Chambre magique Claude Debussy | 9:56 | |
| 3 | Le Martyre de saint Sébastien, L. 130 (124): III. Le Concile des faux dieux Claude Debussy | 11:54 | |
| 4 | Le Martyre de saint Sébastien, L. 130 (124): IV. Le Laurier blessé Claude Debussy | 8:08 | |
| 5 | Le Martyre de saint Sébastien, L. 130 (124): V. Le Paradis Claude Debussy | 7:21 | |
| 6 | La Péri Paul Dukas | 17:18 |
CD 40
| 1 | La Mer, L. 111 (109): I. De l'aube à midi sur la mer Claude Debussy | 8:16 | |
| 2 | La Mer, L. 111 (109): II. Jeux de vagues Claude Debussy | 6:03 | |
| 3 | La Mer, L. 111 (109): III. Dialogue du vent et de la mer Claude Debussy | 7:36 | |
| 4 | Khamma, Légende dansée, L. 132a (125b) Claude Debussy | 19:48 | |
| 5 | La Boîte à joujoux, L. 136b: Prélude: Le sommeil de la boîte - Tableau 1: Le Magasin de jouets Claude Debussy | 12:44 | |
| 6 | La Boîte à joujoux, L. 136b: Tableau 2: Le Champ de bataille Claude Debussy | 8:06 | |
| 7 | La Boîte à joujoux, L. 136b: Tableau 3: La Bergerie à vendre - Claude Debussy | 5:32 | |
| 8 | La Boîte à joujoux, L. 136b: Tableau 4: Aprs fortune faite - Épilogue Claude Debussy | 3:27 | |
| 9 | Marche écossaise sur un thème populaire, L. 83b (77) Claude Debussy | 5:44 | |
| 10 | Danse (Tarantelle styrienne), L. 77 (69) Claude Debussy | 5:50 |
CD 41
| 1 | Pelléas et Mélisande: Acte I, Scène 1. Introduction - “Je ne pourrai plus sortir de cette forêt” (Golaud) Claude Debussy | 3:09 | |
| 2 | Pelléas et Mélisande: Acte I, Scène 1. “Pourquoi pleures-tu?” (Golaud, Mélisande) Claude Debussy | 6:21 | |
| 3 | Pelléas et Mélisande: Acte I, Scène 1. “Je suis perdu aussi” (Golaud) - Interlude Claude Debussy | 2:59 | |
| 4 | Pelléas et Mélisande: Acte I, Scène 2. “Voici ce qu'il écrit à son frère Pelléas” (Geneviève) Claude Debussy | 2:52 | |
| 5 | Pelléas et Mélisande: Acte I, Scène 2. “Qu'en dites-vous? / Je n'en dis rien” … “C'est Pelléas” (Geneviève, Arkel, Pelléas) Claude Debussy | 5:16 | |
| 6 | Pelléas et Mélisande: Acte I, Scène 3. Interlude - “Il fait sombre dans les jardins” … “Hoé! Hisse hoé!” (Mélisande, Geneviève, Pelléas, voix) Claude Debussy | 8:11 | |
| 7 | Pelléas et Mélisande: Acte II, Scène 1. “Vous ne savez pas où je vous ai menée?” (Pelléas, Mélisande) Claude Debussy | 6:53 | |
| 8 | Pelléas et Mélisande: Acte II, Scène 1. Interlude Claude Debussy | 3:14 | |
| 9 | Pelléas et Mélisande: Acte II, Scène 2. “Ah! Ah! Tout va bien, cela ne sera nien” (Golaud, Mélisande) Claude Debussy | 8:34 | |
| 10 | Pelléas et Mélisande: Acte II, Scène 2. “Voyons, donne-moi la main” (Golaud, Mélisande) Claude Debussy | 3:22 | |
| 11 | Pelléas et Mélisande: Acte II, Scène 2. Interlude Claude Debussy | 2:13 | |
| 12 | Pelléas et Mélisande: Acte II, Scène 3. “Oui, c'est ici, nous y sommes” (Pelléas, Mélisande) Claude Debussy | 4:51 | |
| 13 | Pelléas et Mélisande: Acte III, Scène 1. “Mes longs cheveux descendent jusqu'au seuil de la tour” … “Holà! Holà! Ho!” (Mélisande, Pelléas) Claude Debussy | 6:08 | |
| 14 | Pelléas et Mélisande: Acte III, Scène 1. “Je les tiens dans les mains, je les tiens dans la bouche” (Pelléas, Mélisande) Claude Debussy | 4:42 | |
| 15 | Pelléas et Mélisande: Acte III, Scène 1. “Que faites-vous ici?” - Interlude (Golaud, Mélisande) Claude Debussy | 4:02 | |
| 16 | Pelléas et Mélisande: Acte III, Scène 2. “Prenez garde; par ici” (Golaud, Pelléas, Mélisande) Claude Debussy | 2:35 |
CD 42
| 1 | Pelléas et Mélisande: Acte III, Scène 3. “Ah! Je respire enfin!” (Pelléas, Golaud) Claude Debussy | 4:30 | |
| 2 | Pelléas et Mélisande: Acte III, Scène 3. Interlude Claude Debussy | 1:21 | |
| 3 | Pelléas et Mélisande: Acte III, Scène 4. “Viens, nous allons nous asseoir ivi, Yniold” (Golaud, Yniold) Claude Debussy | 5:57 | |
| 4 | Pelléas et Mélisande: Acte III, Scène 4. “Qu'ils s'embrassent, petit père? Non, non” (Yniold, Golaud) Claude Debussy | 4:33 | |
| 5 | Pelléas et Mélisande: Acte IV, Scène 1. “Où vas-tu? Il faut que je te parle ce soir” (Pelléas, Mélisande) Claude Debussy | 3:03 | |
| 6 | Pelléas et Mélisande: Acte IV, Scène 2. “Maintenant que le père de Pelléas est sauvé” (Arkel, Mélisande) Claude Debussy | 5:24 | |
| 7 | Pelléas et Mélisande: Acte IV, Scène 2. “Pelléas part ce soir” (Golaud, Arkel, Mélisande) Claude Debussy | 3:23 | |
| 8 | Pelléas et Mélisande: Acte IV, Scène 2. “Ne mettez pas ainsi votre main à la gorge” (Golaud, Arkel, Mélisande) Claude Debussy | 3:37 | |
| 9 | Pelléas et Mélisande: Acte IV, Scène 2. Interlude Claude Debussy | 3:46 | |
| 10 | Pelléas et Mélisande: Acte IV, Scène 3. “Oh! Cette pierre est lourde” (Yniold, the shepherd) Claude Debussy | 3:56 | |
| 11 | Pelléas et Mélisande: Acte IV, Scène 4. “C'est le dernier soir” … “Pelléas! / Mélisande!” (Pelléas, Mélisande) Claude Debussy | 3:45 | |
| 12 | Pelléas et Mélisande: Acte IV, Scène 4. “Nous sommes venus ici il y a bien longtemps” (Pelléas, Mélisande) Claude Debussy | 1:53 | |
| 13 | Pelléas et Mélisande: Acte IV, Scène 4. “On dirait que ta voix a passé sur la mer au printemps!” (Pelléas, Mélisande) Claude Debussy | 4:01 | |
| 14 | Pelléas et Mélisande: Acte IV, Scène 4. “Quel est ce bruit?” … “Golaud!” … “Ta bouche! Ta bouche!” (Pelléas, Mélisande) Claude Debussy | 4:03 | |
| 15 | Pelléas et Mélisande: Acte V. “Ce n'est pas de cette petite blessure qu'elle peut mourir” (The doctor, Arkel, Golaud) Claude Debussy | 3:06 | |
| 16 | Pelléas et Mélisande: Acte V. “Attention: je crois qu'elle s'éveille / Ouvrez la fenêtre” (The doctor, Mélisande, Arkel, Golaud) Claude Debussy | 5:25 | |
| 17 | Pelléas et Mélisande: Acte V. “Mélisande, as-tu pitié de moi comme j'ai pitié de toi?” (Golaud, Mélisande) Claude Debussy | 2:51 | |
| 18 | Pelléas et Mélisande: Acte V. “Non, non, nous n'avons pas été coupables” (Golaud, Mélisande) Claude Debussy | 2:09 | |
| 19 | Pelléas et Mélisande: Acte V. “Qu'avez-vous fait? Vous allez la tuer” … “Veux-tu voir ton enfant?” (Arkel, Golaud, Mélisande) Claude Debussy | 2:46 | |
| 20 | Pelléas et Mélisande: Acte V. “Qu'y a-t-il? Qu'est-ce que toutes ces femmes viennent faire ici?” (Golaud, The doctor, Arkel) Claude Debussy | 2:35 | |
| 21 | Pelléas et Mélisande: Acte V. “Attention… il faut parler à voix basse. maintenant” (Golaud, The doctor, Arkel) Claude Debussy | 5:55 |
CD 43
| 1 | Iberia Suite: I. Evocación Isaac Albéniz | 5:40 | |
| 2 | Iberia Suite: II. Corpus Christi en Sevilla Isaac Albéniz | 8:18 | |
| 3 | Iberia Suite: III. Triana Isaac Albéniz | 4:35 | |
| 4 | Iberia Suite: V. El Puerto Isaac Albéniz | 4:21 | |
| 5 | Iberia Suite: IV. El Albaici Isaac Albéniz | 6:52 | |
| 6 | Iberia Suite: IV. Navarra Isaac Albéniz | 5:10 | |
| 7 | Danzas fantásticas: I. Exaltación Joaquín Turina | 5:31 | |
| 8 | Danzas fantásticas: II. Ensueño Joaquín Turina | 5:35 | |
| 9 | Danzas fantásticas: III. Orgia Joaquín Turina | 4:23 |
CD 44
| 1 | El amor brujo: 1. Introducción - En la cueva Manuel de Falla | 2:25 | |
| 2 | El amor brujo: 2. Canción del amor dolido Manuel de Falla | 1:32 | |
| 3 | El amor brujo: 3. El aparecido - Danza del terror Manuel de Falla | 2:16 | |
| 4 | El amor brujo: 4. El círculo mágico - A media noche Manuel de Falla | 2:55 | |
| 5 | El amor brujo: 5. Danza ritual del fuego Manuel de Falla | 3:50 | |
| 6 | El amor brujo: 6. Escena Manuel de Falla | 0:55 | |
| 7 | El amor brujo: 7. Canción del fuego fatuo Manuel de Falla | 1:37 | |
| 8 | El amor brujo: 8. Pantomima Manuel de Falla | 4:41 | |
| 9 | El amor brujo: 9. Danza del juego del amor Manuel de Falla | 2:46 | |
| 10 | El amor brujo: 10. Final: Las campanas del amanecer Manuel de Falla | 1:21 | |
| 11 | La vida breve: Act II. Danza española no. 1 Manuel de Falla | 3:32 | |
| 12 | El sombrero de tres picos: Part I. Introducción Manuel de Falla | 1:35 | |
| 13 | El sombrero de tres picos: Part I. La tarde Manuel de Falla | 5:05 | |
| 14 | El sombrero de tres picos: Part I. Danza de la molinera Manuel de Falla | 3:38 | |
| 15 | El sombrero de tres picos: Part I. Las uvas Manuel de Falla | 4:05 | |
| 16 | El sombrero de tres picos: Part II. Danza de los vecinos Manuel de Falla | 3:13 | |
| 17 | El sombrero de tres picos: Part II. Danza del molinero Manuel de Falla | 6:59 | |
| 18 | El sombrero de tres picos: Part II. Danza del corregidor Manuel de Falla | 6:01 | |
| 19 | El sombrero de tres picos: Part II. Danza final Manuel de Falla | 6:14 | |
| 20 | La vida breve: Act II. Interludio y Danza Manuel de Falla | 7:05 |
CD 45
| 1 | L'Enfant et les sortilèges, M. 71: Introduction - “J'ai pas envie de faire ma page” Maurice Ravel | 4:31 | |
| 2 | L'Enfant et les sortilèges, M. 71: “Votre serviteur humble, Bergère” Maurice Ravel | 5:37 | |
| 3 | L'Enfant et les sortilèges, M. 71: “Oh! Ma belle lasse chinoise!” Maurice Ravel | 5:52 | |
| 4 | L'Enfant et les sortilèges, M. 71: “Ah! C'est elle! C'est elle!” Maurice Ravel | 7:22 | |
| 5 | L'Enfant et les sortilèges, M. 71: “Deux robinets coulent dans un réservoir!” Maurice Ravel | 3:57 | |
| 6 | L'Enfant et les sortilèges, M. 71: “Ah! Quelle joie de le retrouver, Jardin” Maurice Ravel | 4:52 | |
| 7 | L'Enfant et les sortilèges, M. 71: Danse des rainettes Maurice Ravel | 4:22 | |
| 8 | L'Enfant et les sortilèges, M. 71: “Ah! C'est l'enfant au couteau!” Maurice Ravel | 5:25 | |
| 9 | Shéhérazade, M. 41: I. Asie Maurice Ravel | 9:03 | |
| 10 | Shéhérazade, M. 41: II. La Flûte enchantée Maurice Ravel | 2:31 | |
| 11 | Shéhérazade, M. 41: III. L'Indifférent Maurice Ravel | 3:12 | |
| 12 | 2 Mélodies hébraïques, M. A22: I. Kaddish Maurice Ravel | 4:39 | |
| 13 | 2 Mélodies hébraïques, M. A22: II. L'Énigme éternelle Maurice Ravel | 1:26 |
CD 46
| 1 | Boléro, M. 81 Maurice Ravel | 14:23 | |
| 2 | Valses nobles et sentimentales, M. 61a Maurice Ravel | 15:35 | |
| 3 | Rapsodie espagnole, M. 54: I. Prélude à la nuit Maurice Ravel | 3:51 | |
| 4 | Rapsodie espagnole, M. 54: II. Malagueña Maurice Ravel | 1:55 | |
| 5 | Rapsodie espagnole, M. 54: III. Habanera Maurice Ravel | 2:20 | |
| 6 | Rapsodie espagnole, M. 54: IV. Feria Maurice Ravel | 6:02 | |
| 7 | Pavane pour une infante défunte, M. 19a Maurice Ravel | 5:47 | |
| 8 | Ma mère l'Oye Suite, M. 60a: I. Prélude et Danse du rouet Maurice Ravel | 6:14 | |
| 9 | Ma mère l'Oye Suite, M. 60a: II. Pavane de la Belle au bois dormant Maurice Ravel | 1:32 | |
| 10 | Ma mère l'Oye Suite, M. 60a: III. Petit Poucet Maurice Ravel | 3:02 | |
| 11 | Ma mère l'Oye Suite, M. 60a: IV. Laideronnette, impératrice des pagodes Maurice Ravel | 3:31 | |
| 12 | Ma mère l'Oye Suite, M. 60a: V. Les Entretiens de la Belle et de la Bête Maurice Ravel | 3:58 | |
| 13 | Ma mère l'Oye Suite, M. 60a: VI. Le Jardin féerique Maurice Ravel | 3:58 |
CD 47
| 1 | Daphnis et Chloé, M. 57: Part I. Introduction et danse religeuse Maurice Ravel | 7:31 | |
| 2 | Daphnis et Chloé, M. 57: Part I. Scène - Danse générale Maurice Ravel | 3:02 | |
| 3 | Daphnis et Chloé, M. 57: Part I. Danse grotesque de Dorcon - Scène Maurice Ravel | 2:23 | |
| 4 | Daphnis et Chloé, M. 57: Part I. Danse légère et gracieuse de Daphnis Maurice Ravel | 2:17 | |
| 5 | Daphnis et Chloé, M. 57: Part I. Scène - Danse de Lycéion - Scène (Les Pirates) Maurice Ravel | 4:19 | |
| 6 | Daphnis et Chloé, M. 57: Part I. Nocturne - Danse lente et mystérieuse des Nymphes Maurice Ravel | 5:15 | |
| 7 | Daphnis et Chloé, M. 57: Part II. Introduction Maurice Ravel | 2:58 | |
| 8 | Daphnis et Chloé, M. 57: Part II. Danse guerrière Maurice Ravel | 4:00 | |
| 9 | Daphnis et Chloé, M. 57: Part II. Scène - Danse suppliante de Chloé Maurice Ravel | 5:45 | |
| 10 | Daphnis et Chloé, M. 57: Part III. Lever du jour - Scène Maurice Ravel | 7:13 | |
| 11 | Daphnis et Chloé, M. 57: Part III. Daphnis et Chloé miment l'aventure de Pan et Syrinx Maurice Ravel | 5:21 | |
| 12 | Daphnis et Chloé, M. 57: Part III. Danse générale Maurice Ravel | 5:03 | |
| 13 | Alborada del gracioso, M. 43c Maurice Ravel | 7:04 | |
| 14 | La Valse, M. 72 Maurice Ravel | 13:09 |
CD 48
| 1 | Symphony no. 3 in C minor, op. 78 “Organ”: I. a. Adagio - Allegro moderato Camille Saint‐Saëns | 10:53 | |
| 2 | Symphony no. 3 in C minor, op. 78 “Organ”: I. b. Poco adagio Camille Saint‐Saëns | 10:00 | |
| 3 | Symphony no. 3 in C minor, op. 78 “Organ”: II. a. Allegro moderato - Presto - Allegro moderato Camille Saint‐Saëns | 7:50 | |
| 4 | Symphony no. 3 in C minor, op. 78 “Organ”: II. b. Maestoso - Più allegro - Molto allegro Camille Saint‐Saëns | 8:36 | |
| 5 | Fontane di Roma, P. 106: I. La fontana di Valle Giulia all'Alba Ottorino Respighi | 3:53 | |
| 6 | Fontane di Roma, P. 106: II. La fontana del Tritone al mattino Ottorino Respighi | 2:24 | |
| 7 | Fontane di Roma, P. 106: III. La fontana di Trevi al merrigio Ottorino Respighi | 3:14 | |
| 8 | Fontane di Roma, P. 106: IV. La fontana di Villa Medici al tramonto Ottorino Respighi | 5:12 | |
| 9 | Pini di Roma, P. 141: I. I pini di Villa Borghese Ottorino Respighi | 2:38 | |
| 10 | Pini di Roma, P. 141: II. I pini presso una catacomba Ottorino Respighi | 6:28 | |
| 11 | Pini di Roma, P. 141: III. I pini del Gianicolo Ottorino Respighi | 6:23 | |
| 12 | Pini di Roma, P. 141: IV. I pini della Via Appia Ottorino Respighi | 4:34 |
CD 49
| 1 | Symphony no. 2: I. Molto moderato - Allegro Arthur Honegger | 11:31 | |
| 2 | Symphony no. 2: II. Adagio mesto Arthur Honegger | 7:33 | |
| 3 | Symphony no. 2: III. Vivace, non troppo Arthur Honegger | 5:15 | |
| 4 | Symphony no. 3: I. “Dies irae”: Allegro marcato Arthur Honegger | 7:34 | |
| 5 | Symphony no. 3: II. “De profundis clamavi”: Adagio Arthur Honegger | 11:05 | |
| 6 | Symphony no. 3: III. “Dona nobis pacem”: Andante Arthur Honegger | 10:45 | |
| 7 | Symphony no. 4: I. Lento e misterioso - Allegro Arthur Honegger | 11:30 | |
| 8 | Symphony no. 4: II. Larghetto Arthur Honegger | 5:31 | |
| 9 | Symphony no. 4: III. Allegro Arthur Honegger | 8:17 |
CD 50
| 1 | Le Roi David: Part I. Prélude Arthur Honegger | 2:08 | |
| 2 | Le Roi David: Part I. Cantique: L'Éternal est mon berger Arthur Honegger | 1:35 | |
| 3 | Le Roi David: Part I. Psaume: Loué soit le Seigneur Arthur Honegger | 1:23 | |
| 4 | Le Roi David: Part I. Chant de victoire: Vive David Arthur Honegger | 2:14 | |
| 5 | Le Roi David: Part I. Psaume: Ne crains rien Arthur Honegger | 1:37 | |
| 6 | Le Roi David: Part I. Psaume: Ah! si j'avais des alles de colombe Arthur Honegger | 2:48 | |
| 7 | Le Roi David: Part I. Cantique: L'Homme né de la femme Arthur Honegger | 1:31 | |
| 8 | Le Roi David: Part I. Psaume: Pitié de moi, mon Dieu Arthur Honegger | 2:40 | |
| 9 | Le Roi David: Part I. Le Camp de Saül Arthur Honegger | 2:53 | |
| 10 | Le Roi David: Part I. Le Récitant: En vain Saül désespéré Arthur Honegger | 4:30 | |
| 11 | Le Roi David: Part I. Lamentations de Guilboa Arthur Honegger | 4:53 | |
| 12 | Le Roi David: Part II. Le Récitant: Jérusalem! Jérusalem! Arthur Honegger | 1:43 | |
| 13 | Le Roi David: Part II. Le Récitant: Et voici les bergers Arthur Honegger | 11:11 | |
| 14 | Le Roi David: Part III. Cantique: De mon cœur jaillit un cantique Arthur Honegger | 1:36 | |
| 15 | Le Roi David: Part III. Chant de la servante: Bien-aimé, prends ma main Arthur Honegger | 1:47 | |
| 16 | Le Roi David: Part III. Psaume: Miséricorde, ô Dieu Arthur Honegger | 2:21 | |
| 17 | Le Roi David: Part III. Psaume: Je fus conçu dans le péché Arthur Honegger | 4:04 | |
| 18 | Le Roi David: Part III. Psaume: Je lève mes regards vers la montagne Arthur Honegger | 1:39 | |
| 19 | Le Roi David: Part III. La Chanson d'Ephraïm: Ô forêt d'Ephraïm Arthur Honegger | 1:12 | |
| 20 | Le Roi David: Part III. Marche des Hébreux Arthur Honegger | 2:14 | |
| 21 | Le Roi David: Part III. Psaume: Je t'aimerai, Seigneur Arthur Honegger | 2:49 | |
| 22 | Le Roi David: Part III. Psaume: Dans cet effroi Arthur Honegger | 0:50 | |
| 23 | Le Roi David: Part III. Le Récitant: Ayant promis à Dieu Arthur Honegger | 7:59 | |
| 24 | Pacific 231 Arthur Honegger | 6:09 |
CD 51
| 1 | Une cantate de Noël: I. Ah… De profundis clamavi Arthur Honegger | 10:01 | |
| 2 | Une cantate de Noël: II. Ne craignez point Arthur Honegger | 6:04 | |
| 3 | Une cantate de Noël: III. Gloria in excelsis Deo Arthur Honegger | 7:20 | |
| 4 | In Terra Pax: Part 1. I. Lorsque l'Agneau rompit le premier sceau Frank Martin | 5:28 | |
| 5 | In Terra Pax: Part 1. II. Mon Dieu, mon Dieu Frank Martin | 1:38 | |
| 6 | In Terra Pax: Part 1. III. Malheur au peuple chargé de péchés! Frank Martin | 1:46 | |
| 7 | In Terra Pax: Part 1. IV. Éternel, Dieu de mon salut Frank Martin | 3:52 | |
| 8 | In Terra Pax: Part 2. V. Sentinelle, que dis-tu de la nuit? Frank Martin | 2:04 | |
| 9 | In Terra Pax: Part 2. VI. Mais les ténèbres ne régneront pas toujours Frank Martin | 2:19 | |
| 10 | In Terra Pax: Part 2. VII. Consolez, consolez mon peuple Frank Martin | 5:53 | |
| 11 | In Terra Pax: Part 3. VIII. Voici mon serviteur, mon élu Frank Martin | 9:28 | |
| 12 | In Terra Pax: Part 3. IX. Heureux les affligés Frank Martin | 2:55 | |
| 13 | In Terra Pax: Part 3. X. Notre Père qui est aux cieux Frank Martin | 2:36 | |
| 14 | In Terra Pax: Part 4. XI. Puis je vis un nouveau ciel Frank Martin | 8:26 |
CD 52
| 1 | The Nutcracker Suite, op. 71a: March Pyotr Ilyich Tchaikovsky | 2:34 | |
| 2 | The Nutcracker Suite, op. 71a: Dance of the Sugar Plum Fairy Pyotr Ilyich Tchaikovsky | 1:45 | |
| 3 | The Nutcracker Suite, op. 71a: Arabian Dance (Coffee) Pyotr Ilyich Tchaikovsky | 3:35 | |
| 4 | The Nutcracker Suite, op. 71a: Chinese Dance (Tea) Pyotr Ilyich Tchaikovsky | 1:08 | |
| 5 | The Nutcracker Suite, op. 71a: Dance of the Mirlitons Pyotr Ilyich Tchaikovsky | 2:17 | |
| 6 | The Nutcracker Suite, op. 71a: Waltz of the Flowers Pyotr Ilyich Tchaikovsky | 6:33 | |
| 7 | La Boutique fantasque, P. 120: Tarantella Ottorino Respighi | 2:08 | |
| 8 | La Boutique fantasque, P. 120: Andantino mosso Ottorino Respighi | 2:39 | |
| 9 | La Boutique fantasque, P. 120: Can-Can Ottorino Respighi | 2:02 | |
| 10 | Coppélia: Act 1. Prélude - Mazurka Léo Delibes | 4:21 | |
| 11 | Coppélia: Act 1. Introduction and Waltz Léo Delibes | 2:58 | |
| 12 | Coppélia: Act 1. Csárdás (Danse hongroise) Léo Delibes | 3:44 | |
| 13 | Coppélia: Act 2. Valse de la poupée Léo Delibes | 2:05 | |
| 14 | Giselle: Act 1. Introduction and Waltz Adolphe Adam | 5:01 | |
| 15 | Giselle: Act 2. Pas de deux and Variation Adolphe Adam | 4:45 |
CD 53
| 1 | Swan Lake, op. 20: Scene: Moderato Pyotr Ilyich Tchaikovsky | 2:56 | |
| 2 | Swan Lake, op. 20: Danse de petits cygnes: Moderato Pyotr Ilyich Tchaikovsky | 1:22 | |
| 3 | Swan Lake, op. 20: Scene - Pas de deux Pyotr Ilyich Tchaikovsky | 6:32 | |
| 4 | Swan Lake, op. 20: Valse Pyotr Ilyich Tchaikovsky | 7:48 | |
| 5 | Carnaval, op. 9: Pierrot Robert Schumann | 1:09 | |
| 6 | Carnaval, op. 9: Reconnaissance Robert Schumann | 1:34 | |
| 7 | Carnaval, op. 9: Aveu Robert Schumann | 1:06 | |
| 8 | Carnaval, op. 9: Pantalon et Columbine Robert Schumann | 1:05 | |
| 9 | The Sleeping Beauty, op. 66: Introduction: Prologue - The Lilac Fairy Pyotr Ilyich Tchaikovsky | 4:41 | |
| 10 | The Sleeping Beauty, op. 66: Rose: Adagio Pyotr Ilyich Tchaikovsky | 6:15 | |
| 11 | The Sleeping Beauty, op. 66: Pas d'action: Valse Pyotr Ilyich Tchaikovsky | 4:29 | |
| 12 | Les Sylphides: Prélude Frédéric Chopin | 1:48 | |
| 13 | Les Sylphides: Mazurka Frédéric Chopin | 1:56 | |
| 14 | Les Sylphides: Valse Frédéric Chopin | 5:38 |
CD 54
| 1 | Le Roi d'Ys: Overture Édouard Lalo | 12:12 | |
| 2 | Le Domino noir: Overture Daniel Auber | 7:07 | |
| 3 | Zampa: Overture Ferdinand Hérold | 8:08 | |
| 4 | Raymond: Overture Ambroise Thomas | 7:43 | |
| 5 | La Dame blanche: Overture François‐Adrien Boïeldieu | 7:38 | |
| 6 | Mignon: Overture Ambroise Thomas | 8:29 | |
| 7 | La Belle Hélène: Overture Jacques Offenbach | 8:46 | |
| 8 | Fra Diavolo: Overture Daniel Auber | 8:00 | |
| 9 | Orphée aux enfers: Overture Jacques Offenbach | 9:16 |
CD 55
| 1 | Pictures at an Exhibition: I. Promenade / The Gnome Modest Mussorgsky | 3:55 | |
| 2 | Pictures at an Exhibition: II. Promenade / The Old Castle Modest Mussorgsky | 5:38 | |
| 3 | Pictures at an Exhibition: III. Promenade / Tuileries Modest Mussorgsky | 1:33 | |
| 4 | Pictures at an Exhibition: IV. Bydlo / Promenade Modest Mussorgsky | 3:15 | |
| 5 | Pictures at an Exhibition: V. Ballet of the Unhatched Chicks Modest Mussorgsky | 1:16 | |
| 6 | Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuyle Modest Mussorgsky | 2:10 | |
| 7 | Pictures at an Exhibition: VII. The Marketplace of Limoges Modest Mussorgsky | 1:20 | |
| 8 | Pictures at an Exhibition: VIII. The Catacombs (Sepulchrum Romanum) Modest Mussorgsky | 3:30 | |
| 9 | Pictures at an Exhibition: IX. The Hut on Fowl's Legs (Baba Yaga) Modest Mussorgsky | 3:16 | |
| 10 | Pictures at an Exhibition: X. The Great Gate of Kiev Modest Mussorgsky | 5:11 | |
| 11 | La Valse, M. 72 Maurice Ravel | 12:51 | |
| 12 | Rossiniana, P. 148: I. Capri e Taomina (Barcarola e Siciliana) Ottorino Respighi | 6:37 | |
| 13 | Rossiniana, P. 148: II. Lamento Ottorino Respighi | 7:04 | |
| 14 | Rossiniana, P. 148: III. Intermezzo Ottorino Respighi | 1:58 | |
| 15 | Rossiniana, P. 148: IV. Tarantella “puro sangue” (con passaggio della Processione) Ottorino Respighi | 7:08 |
CD 56
| 1 | Pictures at an Exhibition: Promenade / The Gnome Modest Mussorgsky | 4:05 | |
| 2 | Pictures at an Exhibition: Promenade / The Old Castle Modest Mussorgsky | 5:21 | |
| 3 | Pictures at an Exhibition: Promenade / Tuileries Modest Mussorgsky | 1:35 | |
| 4 | Pictures at an Exhibition: Bydlo / Promenade Modest Mussorgsky | 3:09 | |
| 5 | Pictures at an Exhibition: Ballet of the Unhatched Chicks Modest Mussorgsky | 1:19 | |
| 6 | Pictures at an Exhibition: Samuel Goldenberg & Schmuyle Modest Mussorgsky | 2:06 | |
| 7 | Pictures at an Exhibition: The Marketplace at Limoges Modest Mussorgsky | 1:23 | |
| 8 | Pictures at an Exhibition: The Catacombs (Sepulchrum Romanum) Modest Mussorgsky | 3:47 | |
| 9 | Pictures at an Exhibition: The Hut on Fowl's Legs Modest Mussorgsky | 3:18 | |
| 10 | Pictures at an Exhibition: The Great Gate of Kiev Modest Mussorgsky | 5:31 | |
| 11 | Night on the Bare Mountain Modest Mussorgsky | 11:09 | |
| 12 | Khovanshchina: Prelude Modest Mussorgsky | 5:14 | |
| 13 | Khovanshchina: Dance of the Persian Slaves Modest Mussorgsky | 7:21 | |
| 14 | Sorochintsy Fair: Gopak Modest Mussorgsky | 2:03 | |
| 15 | Tamara Mily Balakirev | 20:39 |
CD 57
| 1 | Symphony no. 2: I. Allegro Alexander Borodin | 7:19 | |
| 2 | Symphony no. 2: II. Scherzo: Prestissimo Alexander Borodin | 5:35 | |
| 3 | Symphony no. 2: III. Andante Alexander Borodin | 6:38 | |
| 4 | Symphony no. 2: IV. Finale: Allegro Alexander Borodin | 6:36 | |
| 5 | Symphony no. 3: I. Moderato Alexander Borodin | 7:14 | |
| 6 | Symphony no. 3: II. Scherzo: Vivo Alexander Borodin | 8:43 | |
| 7 | Prince Igor: Overture Alexander Borodin | 10:40 | |
| 8 | Prince Igor: No. 8 Dance of the Polovtsian Maidens Alexander Borodin | 2:28 | |
| 9 | Prince Igor: No. 17 Polovtsian Dance with Chorus Alexander Borodin | 11:21 | |
| 10 | In the Steppes of Central Asia Alexander Borodin | 6:45 |
CD 58
| 1 | Swan Lake: Act I. Introduction: Moderato assai - No. 1 Scène: Allegro giusto Pyotr Ilyich Tchaikovsky | 5:42 | |
| 2 | Swan Lake: Act I. No. 2 Valse Pyotr Ilyich Tchaikovsky | 6:45 | |
| 3 | Swan Lake: Act I. No. 4 Pas de trois: a. Intrada: Allegro / b. Andante sostenuto / c. Allegro semplice / d. Moderato / e. Allegro / f. Coda: Allegro vivace Pyotr Ilyich Tchaikovsky | 6:59 | |
| 4 | Swan Lake: Act I. No. 7 Sujet / No. 8 Danse des coupes: Tempo di Polacca Pyotr Ilyich Tchaikovsky | 4:51 | |
| 5 | Swan Lake: Act II. No. 10 Scène: Moderato Pyotr Ilyich Tchaikovsky | 2:35 | |
| 6 | Swan Lake: Act II. No. 11 Scène: Allegro moderato / No. 12 Scène: Allegro Pyotr Ilyich Tchaikovsky | 7:56 | |
| 7 | Swan Lake: Act II. No. 13 Danse des cygnes: a. Tempo di valse Pyotr Ilyich Tchaikovsky | 2:15 | |
| 8 | Swan Lake: Act II. No. 13 Danse des cygnes: b. Pas d'action: Andante non troppo Pyotr Ilyich Tchaikovsky | 5:43 | |
| 9 | Swan Lake: Act II. No. 13 Danse des cygnes: d. Danse des petits cygnes: Allegro moderato Pyotr Ilyich Tchaikovsky | 1:16 | |
| 10 | Swan Lake: Act II. No. 13 Danse des cygnes: f. Danse générale: Tempo di valse Pyotr Ilyich Tchaikovsky | 1:32 | |
| 11 | Swan Lake: Act II. No. 13 Danse des cygnes: b. Odette solo, 1ère dance de la reine des cygnes: Moderato assai Pyotr Ilyich Tchaikovsky | 1:43 | |
| 12 | Swan Lake: Act II. No. 13 Danse des cygnes: g. Coda: Allegro vivace Pyotr Ilyich Tchaikovsky | 2:18 | |
| 13 | Swan Lake: Act III. No. 15 Danse des fiaçailles: Allegro giusto Pyotr Ilyich Tchaikovsky | 2:54 | |
| 14 | Swan Lake: Act III. No. 17 Scène et Valse Pyotr Ilyich Tchaikovsky | 3:33 | |
| 15 | Swan Lake: Act III. No. 18 Scène: Allegro Pyotr Ilyich Tchaikovsky | 1:52 | |
| 16 | Swan Lake: Act III. No. 21 Danse espagnole Pyotr Ilyich Tchaikovsky | 2:16 | |
| 17 | Swan Lake: Act III. No. 22 Danse napolitaine Pyotr Ilyich Tchaikovsky | 2:08 |
CD 59
| 1 | Swan Lake: Act III. No. 23 Mazurka Pyotr Ilyich Tchaikovsky | 2:53 | |
| 2 | Swan Lake: Act III. No. 20 Danse hongroise (Csárdás) Pyotr Ilyich Tchaikovsky | 2:27 | |
| 3 | Swan Lake: Act III. No. 5. Pas de deux: a. Intrada: Tempo di valse / b. Andante / c. Tempo di valse / d. Coda: Allegro molto vivace Pyotr Ilyich Tchaikovsky | 7:32 | |
| 4 | Swan Lake: Act IV. No. 28 Scène: Allegro agitato Pyotr Ilyich Tchaikovsky | 2:00 | |
| 5 | Swan Lake: Act IV. No. 29 Scène finale: Andante Pyotr Ilyich Tchaikovsky | 6:06 | |
| 6 | Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio - Allegro non troppo Pyotr Ilyich Tchaikovsky | 18:11 | |
| 7 | Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia Pyotr Ilyich Tchaikovsky | 7:05 | |
| 8 | Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace Pyotr Ilyich Tchaikovsky | 8:46 | |
| 9 | Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale: Adagio lamentoso - Andante Pyotr Ilyich Tchaikovsky | 9:42 |
CD 60
| 1 | The Nutcracker, op. 71: Ouverture miniature: Allegro giusto Pyotr Ilyich Tchaikovsky | 3:09 | |
| 2 | The Nutcracker, op. 71: Act I, Tableau 1. No. 1 Scene: The Christmas Tree Pyotr Ilyich Tchaikovsky | 4:10 | |
| 3 | The Nutcracker, op. 71: Act I, Tableau 1. No. 2 March of the Toy Soldiers Pyotr Ilyich Tchaikovsky | 2:27 | |
| 4 | The Nutcracker, op. 71: Act I, Tableau 1. No. 3 Children's Gallop - Dance of the Parents Pyotr Ilyich Tchaikovsky | 2:14 | |
| 5 | The Nutcracker, op. 71: Act I, Tableau 1. No. 4 Dance Scene: Arrival of Drosselmeyer - Distribution of presents Pyotr Ilyich Tchaikovsky | 5:16 | |
| 6 | The Nutcracker, op. 71: Act I, Tableau 1. No. 5 Scene: Grandfather Waltz Pyotr Ilyich Tchaikovsky | 5:34 | |
| 7 | The Nutcracker, op. 71: Act I, Tableau 1. No. 6 Scene: Departure of the guests - Clara and the Nutcracker Pyotr Ilyich Tchaikovsky | 6:35 | |
| 8 | The Nutcracker, op. 71: Act I, Tableau 1. No. 7 Scene: The Battle Pyotr Ilyich Tchaikovsky | 3:29 | |
| 9 | The Nutcracker, op. 71: Act I, Tableau 2. No. 8 Scene: A Pine Forest in Winter Pyotr Ilyich Tchaikovsky | 3:23 | |
| 10 | The Nutcracker, op. 71: Act I, Tableau 2. No. 9 Waltz of the Snowflakes Pyotr Ilyich Tchaikovsky | 6:08 | |
| 11 | The Nutcracker, op. 71: Act II, Tableau 3. No. 10 Scene: The Magic Castle on the Mountain of Sweets Pyotr Ilyich Tchaikovsky | 4:01 | |
| 12 | The Nutcracker, op. 71: Act II, Tableau 3. No. 11 Scene: Clara and Nutcracker Prince Pyotr Ilyich Tchaikovsky | 4:41 | |
| 13 | The Nutcracker, op. 71: Act II, Tableau 3. No. 12 Divertissement: a. Chocolate (Spanish Dance) Pyotr Ilyich Tchaikovsky | 1:11 | |
| 14 | The Nutcracker, op. 71: Act II, Tableau 3. No. 12 Divertissement: b. Coffee (Arabian Dance) Pyotr Ilyich Tchaikovsky | 3:10 | |
| 15 | The Nutcracker, op. 71: Act II, Tableau 3. No. 12 Divertissement: c. Tea (Chinese Dance) Pyotr Ilyich Tchaikovsky | 1:03 | |
| 16 | The Nutcracker, op. 71: Act II, Tableau 3. No. 12 Divertissement: d. Trepak (Russian Dance) Pyotr Ilyich Tchaikovsky | 1:07 | |
| 17 | The Nutcracker, op. 71: Act II, Tableau 3. No. 12 Divertissement: e. Dance of the Reed Pipes Pyotr Ilyich Tchaikovsky | 2:14 | |
| 18 | The Nutcracker, op. 71: Act II, Tableau 3. No. 12 Divertissement: f. Clowns Dance Pyotr Ilyich Tchaikovsky | 2:42 | |
| 19 | The Nutcracker, op. 71: Act II, Tableau 3. No. 13 Waltz of the Flowers Pyotr Ilyich Tchaikovsky | 6:26 |
CD 61
| 1 | The Nutcracker, op. 71: Act II, Tableau 3. No. 14 Pas de deux Pyotr Ilyich Tchaikovsky | 5:36 | |
| 2 | The Nutcracker, op. 71: Act II, Tableau 3. No. 14 Pas de deux: Variation 1: Tarantelle Pyotr Ilyich Tchaikovsky | 0:40 | |
| 3 | The Nutcracker, op. 71: Act II, Tableau 3. No. 14 Pas de deux: Variation 2: Dance of The Sugar Plum Fairy Pyotr Ilyich Tchaikovsky | 1:59 | |
| 4 | The Nutcracker, op. 71: Act II, Tableau 3. No. 14 Pas de deux: Coda Pyotr Ilyich Tchaikovsky | 1:22 | |
| 5 | The Nutcracker, op. 71: Act II, Tableau 3. No. 15 Final Waltz and Apotheosis Pyotr Ilyich Tchaikovsky | 5:00 | |
| 6 | Suite no. 3, op. 55: I. Elegy Pyotr Ilyich Tchaikovsky | 9:32 | |
| 7 | Suite no. 3, op. 55: II. Valse mélancolique Pyotr Ilyich Tchaikovsky | 5:45 | |
| 8 | Suite no. 3, op. 55: III. Scherzo Pyotr Ilyich Tchaikovsky | 4:38 | |
| 9 | Suite no. 3, op. 55: IV. Theme and Variations Pyotr Ilyich Tchaikovsky | 17:37 | |
| 10 | Suite no. 4, op. 61 “Mozartiana”: I. Gigue Pyotr Ilyich Tchaikovsky | 1:51 | |
| 11 | Suite no. 4, op. 61 “Mozartiana”: II. Menuet Pyotr Ilyich Tchaikovsky | 5:00 | |
| 12 | Suite no. 4, op. 61 “Mozartiana”: III. Preghiera Pyotr Ilyich Tchaikovsky | 5:04 | |
| 13 | Suite no. 4, op. 61 “Mozartiana”: IV. Theme and Variations Pyotr Ilyich Tchaikovsky | 14:14 |
CD 62
| 1 | The Sleeping Beauty, op. 66: Prologue: The Christening. Introduction - March Pyotr Ilyich Tchaikovsky | 7:52 | |
| 2 | The Sleeping Beauty, op. 66: Prologue: The Christening. No. 2 Dance scene: Entrance of Fairies Pyotr Ilyich Tchaikovsky | 4:13 | |
| 3 | The Sleeping Beauty, op. 66: Prologue: The Christening. No. 3 Pas de six: a. Intrada - Adagio Pyotr Ilyich Tchaikovsky | 4:14 | |
| 4 | The Sleeping Beauty, op. 66: Prologue: The Christening. No. 3 Pas de six: b. Var. I: Candide Pyotr Ilyich Tchaikovsky | 0:44 | |
| 5 | The Sleeping Beauty, op. 66: Prologue: The Christening. No. 3 Pas de six: c. Var. II: Coulante Pyotr Ilyich Tchaikovsky | 0:34 | |
| 6 | The Sleeping Beauty, op. 66: Prologue: The Christening. No. 3 Pas de six: d. Var. III: Breadcrumb Pyotr Ilyich Tchaikovsky | 0:56 | |
| 7 | The Sleeping Beauty, op. 66: Prologue: The Christening. No. 3 Pas de six: e. Var. IV: Canaries Pyotr Ilyich Tchaikovsky | 0:30 | |
| 8 | The Sleeping Beauty, op. 66: Prologue: The Christening. No. 3 Pas de six: f. Var. V: Violente Pyotr Ilyich Tchaikovsky | 0:56 | |
| 9 | The Sleeping Beauty, op. 66: Prologue: The Christening. No. 3 Pas de six: g. Var. VI: Lilac Fairy (Waltz) Pyotr Ilyich Tchaikovsky | 0:57 | |
| 10 | The Sleeping Beauty, op. 66: Prologue: The Christening. No. 3 Pas de six: h. Coda Pyotr Ilyich Tchaikovsky | 1:29 | |
| 11 | The Sleeping Beauty, op. 66: Prologue: The Christening. No. 4 Finale: Exit of the Lilac Fairy (Waltz) Pyotr Ilyich Tchaikovsky | 8:09 | |
| 12 | The Sleeping Beauty, op. 66: Act I: The Spell. No. 5 Scene: The Palace Garden Pyotr Ilyich Tchaikovsky | 6:35 | |
| 13 | The Sleeping Beauty, op. 66: Act I: The Spell. No. 6 Valse Pyotr Ilyich Tchaikovsky | 4:20 | |
| 14 | The Sleeping Beauty, op. 66: Act I: The Spell. No. 7 Scene: The Four Princes Pyotr Ilyich Tchaikovsky | 1:49 | |
| 15 | The Sleeping Beauty, op. 66: Act I: The Spell. No. 8 Pas d'action: a. Introduction: Andante - “Rose” Adagio Pyotr Ilyich Tchaikovsky | 6:05 | |
| 16 | The Sleeping Beauty, op. 66: Act I: The Spell. No. 8 Pas d'action: b. Dance of the Maids of Honour and Pages Pyotr Ilyich Tchaikovsky | 1:58 | |
| 17 | The Sleeping Beauty, op. 66: Act I: The Spell. No. 8 Pas d'action: c. Aurora's Variation Pyotr Ilyich Tchaikovsky | 2:38 | |
| 18 | The Sleeping Beauty, op. 66: Act I: The Spell. No. 8 Pas d'action: d. Coda Pyotr Ilyich Tchaikovsky | 3:37 | |
| 19 | The Sleeping Beauty, op. 66: Act I: The Spell. No. 9 Finale: Arrival of the Lilac Fairy Pyotr Ilyich Tchaikovsky | 5:39 |
CD 63
| 1 | The Sleeping Beauty, op. 66: Act II: The Vision. No. 10 Entr'acte - Scene Pyotr Ilyich Tchaikovsky | 2:46 | |
| 2 | The Sleeping Beauty, op. 66: Act II: The Vision. No. 11 Colin-Maillard: Allegro vivo Pyotr Ilyich Tchaikovsky | 1:39 | |
| 3 | The Sleeping Beauty, op. 66: Act II: The Vision. No. 12 Scenes and Dances: a. Scene: Moderato Pyotr Ilyich Tchaikovsky | 0:39 | |
| 4 | The Sleeping Beauty, op. 66: Act II: The Vision. No. 12 Scenes and Dances: b. Dance of the Duchesses: Minuet Pyotr Ilyich Tchaikovsky | 0:51 | |
| 5 | The Sleeping Beauty, op. 66: Act II: The Vision. No. 12 Scenes and Dances: c. Dance of the Baronesses: Gavotte Pyotr Ilyich Tchaikovsky | 0:46 | |
| 6 | The Sleeping Beauty, op. 66: Act II: The Vision. No. 12 Scenes and Dances: d. Dance of the Countesses Pyotr Ilyich Tchaikovsky | 0:31 | |
| 7 | The Sleeping Beauty, op. 66: Act II: The Vision. No. 12 Scenes and Dances: e. Dance of the Marquises Pyotr Ilyich Tchaikovsky | 0:45 | |
| 8 | The Sleeping Beauty, op. 66: Act II: The Vision. No. 13 Farandole: Scene - Dance (Tempo di Mazurka) Pyotr Ilyich Tchaikovsky | 1:35 | |
| 9 | The Sleeping Beauty, op. 66: Act II: The Vision. No. 14 Scene: Arrival of the Huntsmen Pyotr Ilyich Tchaikovsky | 4:46 | |
| 10 | The Sleeping Beauty, op. 66: Act II: The Vision. No. 15 Coda: a. Pas d'action: Vision Pyotr Ilyich Tchaikovsky | 5:00 | |
| 11 | The Sleeping Beauty, op. 66: Act II: The Vision. No. 15 Coda: b. Aurora's Variation: Allegro comodo Pyotr Ilyich Tchaikovsky | 1:25 | |
| 12 | The Sleeping Beauty, op. 66: Act II: The Vision. No. 15 Coda: c. Coda Pyotr Ilyich Tchaikovsky | 1:22 | |
| 13 | The Sleeping Beauty, op. 66: Act II: The Vision. No. 16 Scene: Allegro agitato Pyotr Ilyich Tchaikovsky | 0:46 | |
| 14 | The Sleeping Beauty, op. 66: Act II: The Vision. No. 17 Panorama: Andantino Pyotr Ilyich Tchaikovsky | 2:49 | |
| 15 | The Sleeping Beauty, op. 66: Act II: The Vision. No. 19 Scène / No. 20 Finale Pyotr Ilyich Tchaikovsky | 4:19 | |
| 16 | The Sleeping Beauty, op. 66: Act III: The Wedding. No. 21 March Pyotr Ilyich Tchaikovsky | 2:25 | |
| 17 | The Sleeping Beauty, op. 66: Act III: The Wedding. No. 22 Polonaise: Allegro moderato Pyotr Ilyich Tchaikovsky | 4:29 | |
| 18 | The Sleeping Beauty, op. 66: Act III: The Wedding. No. 23 Pas de quatre: a. Intrada: Allegro non tanto Pyotr Ilyich Tchaikovsky | 1:51 | |
| 19 | The Sleeping Beauty, op. 66: Act III: The Wedding. No. 23 Pas de quatre: b. Var. I: Valse (The Gold Fairy) Pyotr Ilyich Tchaikovsky | 1:03 | |
| 20 | The Sleeping Beauty, op. 66: Act III: The Wedding. No. 23 Pas de quatre: c. Var. II: Polka (The Silver Fairy) Pyotr Ilyich Tchaikovsky | 0:57 | |
| 21 | The Sleeping Beauty, op. 66: Act III: The Wedding. No. 23 Pas de quatre: e. Var. IV (The Diamond Fairy) / f. Coda Pyotr Ilyich Tchaikovsky | 1:27 | |
| 22 | The Sleeping Beauty, op. 66: Act III: The Wedding. No. 24 Pas de caractère: Puss-In-Boots and the White Cat Pyotr Ilyich Tchaikovsky | 1:55 | |
| 23 | The Sleeping Beauty, op. 66: Act III: The Wedding. No. 25 Pas de quatre: a. Adagio Pyotr Ilyich Tchaikovsky | 2:14 | |
| 24 | The Sleeping Beauty, op. 66: Act III: The Wedding. No. 25 Pas de quatre: b. Var. I: Valse (Cinderella and the Prince) Pyotr Ilyich Tchaikovsky | 0:47 | |
| 25 | The Sleeping Beauty, op. 66: Act III: The Wedding. No. 25 Pas de quatre: c. Var. II: Bluebird and Florine Pyotr Ilyich Tchaikovsky | 0:45 | |
| 26 | The Sleeping Beauty, op. 66: Act III: The Wedding. No. 25 Pas de quatre: d. Coda Pyotr Ilyich Tchaikovsky | 1:30 | |
| 27 | The Sleeping Beauty, op. 66: Act III: The Wedding. No. 26 Pas de caractère: Red Riding Hood Pyotr Ilyich Tchaikovsky | 1:19 | |
| 28 | The Sleeping Beauty, op. 66: Act III: The Wedding. No. 27a Pas berrichon: Hop o' my Thumb Pyotr Ilyich Tchaikovsky | 1:16 | |
| 29 | The Sleeping Beauty, op. 66: Act III: The Wedding. No. 27b Pas de caractère: Cinderella and Prince Fortuné Pyotr Ilyich Tchaikovsky | 2:31 | |
| 30 | The Sleeping Beauty, op. 66: Act III: The Wedding. No. 28 Pas de deux: a. Intrada / b. Adagio Pyotr Ilyich Tchaikovsky | 3:40 | |
| 31 | The Sleeping Beauty, op. 66: Act III: The Wedding. No. 28 Pas de deux: c. Var. I (Prince Desiré) Pyotr Ilyich Tchaikovsky | 1:00 | |
| 32 | The Sleeping Beauty, op. 66: Act III: The Wedding. No. 28 Pas de deux: d. Var. II (Aurora) Pyotr Ilyich Tchaikovsky | 1:26 | |
| 33 | The Sleeping Beauty, op. 66: Act III: The Wedding. No. 28 Pas de deux: e. Coda: Allegro vivace (The Three Ivans) Pyotr Ilyich Tchaikovsky | 1:23 | |
| 34 | The Sleeping Beauty, op. 66: Act III: The Wedding. No. 29 Sarabande Pyotr Ilyich Tchaikovsky | 2:03 | |
| 35 | The Sleeping Beauty, op. 66: Act III: The Wedding. No. 30 Finale and Apotheosis: a. Allegro brillante: Mazurka Pyotr Ilyich Tchaikovsky | 3:55 | |
| 36 | The Sleeping Beauty, op. 66: Act III: The Wedding. No. 30 Finale and Apotheosis: b. Allegro brillante: Apotheosis Pyotr Ilyich Tchaikovsky | 1:54 |
CD 64
| 1 | Scheherazade: I. The Sea and Sinbad's Ship Nikolai Rimsky-Korsakov | 9:27 | |
| 2 | Scheherazade: II. The Story of the Kalendar Prince Nikolai Rimsky-Korsakov | 10:50 | |
| 3 | Scheherazade: III. The Young Prince and Princess Nikolai Rimsky-Korsakov | 9:11 | |
| 4 | Scheherazade: IV. Festival at Baghdad - The Sea - The Ship Breaks against a Cliff surmounted by a Bronze Horseman Nikolai Rimsky-Korsakov | 12:20 | |
| 5 | Scheherazade: I. The Sea and Sinbad's Shi Nikolai Rimsky-Korsakov | 10:04 | |
| 6 | Scheherazade: II. The Story of the Kalendar Prince Nikolai Rimsky-Korsakov | 11:08 | |
| 7 | Scheherazade: III. The Young Prince and Princes Nikolai Rimsky-Korsakov | 9:33 | |
| 8 | Scheherazade: IV. Festival at Baghdad - The Sea - The Ship Breaks against a Cliff surmounted by a Bronze Horseman Nikolai Rimsky-Korsakov | 12:25 |
CD 65
| 1 | Antar, op. 9: I. Largo - Allegro giocoso - Adagio - Largo Nikolai Rimsky-Korsakov | 11:45 | |
| 2 | Antar, op. 9: II. Allegro - Nolto allegro - Meno mosso, allargando Nikolai Rimsky-Korsakov | 5:11 | |
| 3 | Antar, op. 9: III. Allegro risoluto alla marcia Nikolai Rimsky-Korsakov | 5:42 | |
| 4 | Antar, op. 9: IV. Allegretto vivace - Andante amoroso - Animato assai Nikolai Rimsky-Korsakov | 8:27 | |
| 5 | May Night Overture Nikolai Rimsky-Korsakov | 8:14 | |
| 6 | The Tale of Tsar Saltan: Suite, op. 57: I. The Tsar's Departure and Farewell Nikolai Rimsky-Korsakov | 4:35 | |
| 7 | The Tale of Tsar Saltan: Suite, op. 57: II. The Tsarina and her Son Afloat in the Cask Nikolai Rimsky-Korsakov | 6:51 | |
| 8 | The Tale of Tsar Saltan: Suite, op. 57: III. The Three Wonders Nikolai Rimsky-Korsakov | 7:34 | |
| 9 | The Tale of Tsar Saltan: Flight of the Bumblebee Nikolai Rimsky-Korsakov | 1:42 |
CD 66
| 1 | Russian Easter Festival Overture, op. 36 Nikolai Rimsky-Korsakov | 14:49 | |
| 2 | Christmas Eve Suite Nikolai Rimsky-Korsakov | 23:51 | |
| 3 | Dubinushka, op. 62 Nikolai Rimsky-Korsakov | 4:21 | |
| 4 | Episode from the Bylina of Sadko, op. 5 Nikolai Rimsky-Korsakov | 11:00 | |
| 5 | The Snow Maiden, Suite: I. Introduction / II. Dance of the Birds / III. Procession of Tsar Berendey (Cortège) / IV. Dance of the Skomorokhi (Dance of the Tumblers) Nikolai Rimsky-Korsakov | 12:37 |
CD 67
| 1 | The Seasons, op. 67: I. Winter Alexander Glazunov | 9:46 | |
| 2 | The Seasons, op. 67: II. Spring Alexander Glazunov | 5:28 | |
| 3 | The Seasons, op. 67: III. Summer Alexander Glazunov | 11:11 | |
| 4 | The Seasons, op. 67: IV. Autumn Alexander Glazunov | 9:31 | |
| 5 | Concert Waltz no. 1, op. 47 Alexander Glazunov | 8:19 | |
| 6 | Concert Waltz no. 2, op. 51 Alexander Glazunov | 8:28 | |
| 7 | Carnaval, op. 9: 1. Préambule Robert Schumann | 2:32 | |
| 8 | Carnaval, op. 9: 2. Pierrot Robert Schumann | 1:17 | |
| 9 | Carnaval, op. 9: 3. Arlequin Robert Schumann | 1:09 | |
| 10 | Carnaval, op. 9: 4. Valse noble Robert Schumann | 1:37 | |
| 11 | Carnaval, op. 9: 5. Eusebius Robert Schumann | 1:27 | |
| 12 | Carnaval, op. 9: 6. Florestan Robert Schumann | 0:59 | |
| 13 | Carnaval, op. 9: 7. Coquette Robert Schumann | 1:36 | |
| 14 | Carnaval, op. 9: 8. Papilons Robert Schumann | 0:59 | |
| 15 | Carnaval, op. 9: 9. A.S.C.H. - S.C.H.A. Robert Schumann | 0:52 | |
| 16 | Carnaval, op. 9: 10. Chiarina Robert Schumann | 0:56 | |
| 17 | Carnaval, op. 9: 11. Chopin Robert Schumann | 1:47 | |
| 18 | Carnaval, op. 9: 12. Estrella Robert Schumann | 0:33 | |
| 19 | Carnaval, op. 9: 13. Reconnaissance Robert Schumann | 1:33 | |
| 20 | Carnaval, op. 9: 14. Pantalon et Colombine Robert Schumann | 1:05 | |
| 21 | Carnaval, op. 9: 15. Valse allemande Robert Schumann | 0:57 | |
| 22 | Carnaval, op. 9: 16. Paganini Robert Schumann | 1:26 | |
| 23 | Carnaval, op. 9: 17. Aveu Robert Schumann | 1:00 | |
| 24 | Carnaval, op. 9: 18. Promenade Robert Schumann | 1:33 | |
| 25 | Carnaval, op. 9: 19. Pause Robert Schumann | 0:26 | |
| 26 | Carnaval, op. 9: 20. Marche des “Davidsbündler” contre les Philistins Robert Schumann | 2:51 |
CD 68
| 1 | Stenka Razin, op. 13 Alexander Glazunov | 14:53 | |
| 2 | Ruslan and Lyudmila Overture Mikhail Glinka | 5:32 | |
| 3 | Kamarinskaya Mikhail Glinka | 6:51 | |
| 4 | A Life for the Tear Overture Mikhail Glinka | 9:17 | |
| 5 | Waltz-Fantasia in B minor Mikhail Glinka | 8:27 | |
| 6 | Spanish Overture no. 1 “Capriccio brilliante on the Jote aragonesa” Mikhail Glinka | 9:28 | |
| 7 | Baba-Yaga, op. 56 Anatoly Lyadov | 3:05 | |
| 8 | Kikimora, op. 63 Anatoly Lyadov | 6:20 | |
| 9 | 8 Russian Folksongs, op. 58: I. Sacred Song Anatoly Lyadov | 1:54 | |
| 10 | 8 Russian Folksongs, op. 58: II. Christmas Song Anatoly Lyadov | 1:25 | |
| 11 | 8 Russian Folksongs, op. 58: III. Lament Anatoly Lyadov | 2:54 | |
| 12 | 8 Russian Folksongs, op. 58: IV. Comic Song Anatoly Lyadov | 0:55 | |
| 13 | 8 Russian Folksongs, op. 58: V. Tale of the Birds Anatoly Lyadov | 1:34 | |
| 14 | 8 Russian Folksongs, op. 58: VI. Lullaby Anatoly Lyadov | 1:53 | |
| 15 | 8 Russian Folksongs, op. 58: VII. Dance Anatoly Lyadov | 0:50 | |
| 16 | 8 Russian Folksongs, op. 58: VIII. Choral Dance Anatoly Lyadov | 1:25 |
CD 69
| 1 | Symphony no. 2 in D, op. 43: I. Allegretto Jean Sibelius | 9:48 | |
| 2 | Symphony no. 2 in D, op. 43: II. Tempo andante ma rubato Jean Sibelius | 13:25 | |
| 3 | Symphony no. 2 in D, op. 43: III. Vivacissimo Jean Sibelius | 5:59 | |
| 4 | Symphony no. 2 in D, op. 43: IV. Allegro moderato Jean Sibelius | 13:37 | |
| 5 | Tapiola, op. 112 Jean Sibelius | 16:23 |
CD 70
| 1 | Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio Jean Sibelius | 9:46 | |
| 2 | Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace Jean Sibelius | 4:31 | |
| 3 | Symphony no. 4 in A minor, op. 63: III. Il tempo largo Jean Sibelius | 9:47 | |
| 4 | Symphony no. 4 in A minor, op. 63: IV. Allegro Jean Sibelius | 11:49 | |
| 5 | Isle of the Dead, op. 29 Sergei Rachmaninoff | 19:33 |
CD 71
| 1 | Romeo and Juliet Suite no. 2, op. 64ter: 1. Montagues and Capulets Sergei Prokofiev | 5:40 | |
| 2 | Romeo and Juliet Suite no. 2, op. 64ter: 2. Juliet as a girl Sergei Prokofiev | 3:27 | |
| 3 | Romeo and Juliet Suite no. 1, op. 64bis: 3. Madrigal Sergei Prokofiev | 3:14 | |
| 4 | Romeo and Juliet Suite no. 1, op. 64bis: 4. Minuet Sergei Prokofiev | 2:41 | |
| 5 | Romeo and Juliet Suite no. 1, op. 64bis: 6. Romeo and Juliet Sergei Prokofiev | 7:34 | |
| 6 | Romeo and Juliet Suite no. 1, op. 64bis: 7. The end of Tybalt Sergei Prokofiev | 4:14 | |
| 7 | Romeo and Juliet Suite no. 1, op. 64bis: 5. Masks Sergei Prokofiev | 1:49 | |
| 8 | Romeo and Juliet Suite no. 1, op. 64bis: 1. Dance Sergei Prokofiev | 1:51 | |
| 9 | Romeo and Juliet Suite no. 2, op. 64ter: 5. Romeo with Juliet before his departure Sergei Prokofiev | 8:31 | |
| 10 | Romeo and Juliet Suite no. 2, op. 64ter: 7. Romeo at Juliet's tomb Sergei Prokofiev | 6:33 | |
| 11 | The Prodigal Son Suite, op. 46bis: 1. Adagio Sergei Prokofiev | 5:43 | |
| 12 | The Prodigal Son Suite, op. 46bis: 2. Allegro fastoso Sergei Prokofiev | 3:00 | |
| 13 | The Prodigal Son Suite, op. 46bis: 3. Presto Sergei Prokofiev | 2:41 | |
| 14 | The Prodigal Son Suite, op. 46bis: 4. Andante assai Sergei Prokofiev | 3:18 | |
| 15 | The Prodigal Son Suite, op. 46bis: 5. Andante pomposo Sergei Prokofiev | 4:33 | |
| 16 | Violin Concerto no. 1 in D, op. 19: I. Andantino Sergei Prokofiev | 9:14 | |
| 17 | Violin Concerto no. 1 in D, op. 19: II. Scherzo: Vivacissimo Sergei Prokofiev | 3:43 | |
| 18 | Violin Concerto no. 1 in D, op. 19: III. Moderato Sergei Prokofiev | 7:32 |
CD 72
| 1 | Cinderella Suite no. 1, op. 107: 1. Introduction Sergei Prokofiev | 2:39 | |
| 2 | Cinderella Suite no. 1, op. 107: 2. Pas de châle Sergei Prokofiev | 3:32 | |
| 3 | Cinderella Suite no. 1, op. 107: 3. Quarrel Sergei Prokofiev | 3:18 | |
| 4 | Cinderella Suite no. 2, op. 108: 1. Cinderella's Dream Sergei Prokofiev | 3:28 | |
| 5 | Cinderella Suite no. 1, op. 107: 4. Fairy Godmother and Fairy Winter Sergei Prokofiev | 4:25 | |
| 6 | Cinderella Suite no. 1, op. 107: 5. Mazurka Sergei Prokofiev | 4:51 | |
| 7 | Cinderella Suite no. 1, op. 107: 6. Cinderella leaves for the ball Sergei Prokofiev | 2:30 | |
| 8 | Cinderella Suite no. 2, op. 108: 5. Cinderella arrives at the castle Sergei Prokofiev | 6:51 | |
| 9 | Cinderella Suite no. 2, op. 108: 4. Bourée Sergei Prokofiev | 1:20 | |
| 10 | Cinderella Suite no. 2, op. 108: 7. Galop Sergei Prokofiev | 4:15 | |
| 11 | Cinderella Suite no. 1, op. 107: 7. Cinderella's Waltz / 8. Midnight Sergei Prokofiev | 4:54 | |
| 12 | Scythian Suite, op. 20: I. The Adoration of Veles and Ala Sergei Prokofiev | 6:46 | |
| 13 | Scythian Suite, op. 20: II. The Enemy God and Dance of the Black Spirits Sergei Prokofiev | 3:01 | |
| 14 | Scythian Suite, op. 20: III. Night Sergei Prokofiev | 5:59 | |
| 15 | Scythian Suite, op. 20: IV. The Glorius Departure of Lolly and Procession of the Sun Sergei Prokofiev | 5:13 | |
| 16 | The Love for Three Oranges Suite, op. 33bis: 3. March Sergei Prokofiev | 1:41 | |
| 17 | The Love for Three Oranges Suite, op. 33bis: 4. Scherzo Sergei Prokofiev | 2:34 |
CD 73
| 1 | Violin Concerto no. 2 in G minor, op. 63: I. Allegro moderato Sergei Prokofiev | 10:06 | |
| 2 | Violin Concerto no. 2 in G minor, op. 63: II. Andante assai Sergei Prokofiev | 8:41 | |
| 3 | Violin Concerto no. 2 in G minor, op. 63: III. Allegro, ben marcato Sergei Prokofiev | 6:39 | |
| 4 | Symphony no. 1 in D, op. 25 “Classical”: I. Allegro Sergei Prokofiev | 4:47 | |
| 5 | Symphony no. 1 in D, op. 25 “Classical”: II. Larghetto Sergei Prokofiev | 4:25 | |
| 6 | Symphony no. 1 in D, op. 25 “Classical”: III. Gavotta: Non troppo allegro Sergei Prokofiev | 1:29 | |
| 7 | Symphony no. 1 in D, op. 25 “Classical”: IV. Finale: Vivace Sergei Prokofiev | 4:19 | |
| 8 | Symphony no. 5 in B-flat, op. 100: I. Andante Sergei Prokofiev | 11:45 | |
| 9 | Symphony no. 5 in B-flat, op. 100: II. Allegro marcato Sergei Prokofiev | 7:57 | |
| 10 | Symphony no. 5 in B-flat, op. 100: III. Adagio Sergei Prokofiev | 12:08 | |
| 11 | Symphony no. 5 in B-flat, op. 100: IV. Allegro giocoso Sergei Prokofiev | 9:46 |
CD 74
| 1 | Concerto for Orchestra, Sz. 116: I. Introduzione Béla Bartók | 9:39 | |
| 2 | Concerto for Orchestra, Sz. 116: II. Presentando le coppie Béla Bartók | 7:05 | |
| 3 | Concerto for Orchestra, Sz. 116: III. Elegia Béla Bartók | 6:38 | |
| 4 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto Béla Bartók | 3:53 | |
| 5 | Concerto for Orchestra, Sz. 116: V. Finale Béla Bartók | 9:44 | |
| 6 | Dance Suite, Sz. 77: I. Moderato Béla Bartók | 3:37 | |
| 7 | Dance Suite, Sz. 77: II. Allegro molto Béla Bartók | 2:33 | |
| 8 | Dance Suite, Sz. 77: III. Allegro vivace Béla Bartók | 3:06 | |
| 9 | Dance Suite, Sz. 77: IV. Molto tranquillo Béla Bartók | 3:33 | |
| 10 | Dance Suite, Sz. 77: V. Comodo Béla Bartók | 0:52 | |
| 11 | Dance Suite, Sz. 77: VI. Finale: Allegro Béla Bartók | 4:17 | |
| 12 | 2 Portraits, Sz. 37: I. Ideal: Andante sostenuto Béla Bartók | 10:15 | |
| 13 | 2 Portraits, Sz. 37: II. Distorted: Presto Béla Bartók | 2:23 | |
| 14 | Romanian Folk Dances, Sz. 68: I. Jocul cu bâtá Béla Bartók | 1:26 | |
| 15 | Romanian Folk Dances, Sz. 68: II. Brâul Béla Bartók | 0:26 | |
| 16 | Romanian Folk Dances, Sz. 68: III. Pe loc Béla Bartók | 0:56 | |
| 17 | Romanian Folk Dances, Sz. 68: IV. Buciumeana Béla Bartók | 1:30 | |
| 18 | Romanian Folk Dances, Sz. 68: V. Poarge Românească Béla Bartók | 0:29 | |
| 19 | Romanian Folk Dances, Sz. 68: VI. Mărunţel: Allegro - Béla Bartók | 0:15 | |
| 20 | Romanian Folk Dances, Sz. 68: VI. Più allegro Béla Bartók | 0:40 |
CD 75
| 1 | Music for Strings, Percussion and Celesta, Sz. 106: I. Andante tranquillo Béla Bartók | 7:48 | |
| 2 | Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro Béla Bartók | 7:40 | |
| 3 | Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio Béla Bartók | 6:35 | |
| 4 | Music for Strings, Percussion and Celesta, Sz. 106: IV. Allegro molto Béla Bartók | 6:42 | |
| 5 | Concerto for 7 wind instruments, timpani, percussion & string orchestra: I. Allegro Frank Martin | 6:20 | |
| 6 | Concerto for 7 wind instruments, timpani, percussion & string orchestra: II. Adagietto Frank Martin | 6:04 | |
| 7 | Concerto for 7 wind instruments, timpani, percussion & string orchestra: III. Allegro vivace Frank Martin | 6:43 | |
| 8 | Études: Ouverture Frank Martin | 4:01 | |
| 9 | Études: I. Pour l'enchaînement des traits Frank Martin | 2:27 | |
| 10 | Études: II. Pour le pizzicato Frank Martin | 3:03 | |
| 11 | Études: III. Pour l'expression et le sostenuto Frank Martin | 3:28 | |
| 12 | Études: IV. Pour le style fugué Frank Martin | 5:56 |
CD 76
| 1 | The Firebird: 1. Introduction Igor Stravinsky | 2:34 | |
| 2 | The Firebird: First Tableau. 2. The Enchanted Garden of Koschei Igor Stravinsky | 1:38 | |
| 3 | The Firebird: First Tableau. 3. Appearance of the Firebird, Pursued by Prince Ivan Igor Stravinsky | 2:18 | |
| 4 | The Firebird: First Tableau. 4. Dance of the Firebird Igor Stravinsky | 1:27 | |
| 5 | The Firebird: First Tableau. 5. Capture of the Firebird by Prince Ivan Igor Stravinsky | 0:57 | |
| 6 | The Firebird: First Tableau. 6. Supplication of the Firebird / Appearance of the 13 Enchanted Princesses Igor Stravinsky | 7:27 | |
| 7 | The Firebird: First Tableau. 7. The Princesses' Game with the Golden Apples: Scherzo Igor Stravinsky | 2:32 | |
| 8 | The Firebird: First Tableau. 8. Sudden Appearance of Prince Ivan Igor Stravinsky | 1:16 | |
| 9 | The Firebird: First Tableau. 9. Khorovod (Round Dance) of the Princesses Igor Stravinsky | 3:48 | |
| 10 | The Firebird: First Tableau. 10. Daybreak - Prince Ivan Penetrates Koschei's Palace Igor Stravinsky | 1:29 | |
| 11 | The Firebird: First Tableau. 11. Magic Carillon, Appearance of Koschei's Monster Guardians, and Capture of Prince Ivan / Arrival of Koschei the Immortal - Dialogue of Koschei and Prince Ivan - Intercession of the Princesses / Appearancee of the Firebird Igor Stravinsky | 5:07 | |
| 12 | The Firebird: First Tableau. 12. Dance of the Koschei's Retinue, Enchanted by the Firebird Igor Stravinsky | 0:48 | |
| 13 | The Firebird: First Tableau. 13. Infernal Dance of All Koschei's Subjects Igor Stravinsky | 4:47 | |
| 14 | The Firebird: First Tableau. 14. Lullaby / Koschei's Awakening - Koschei's Death - Profound Darkness Igor Stravinsky | 4:59 | |
| 15 | The Firebird: Second Tableau. 15. Disappearance of Koschei's Palace and Magical Creations, Return to Life of the Petrified Knights, General Rejoicing Igor Stravinsky | 3:24 | |
| 16 | Petrushka (1911 version): Tableau I: The Shrovetide Fair Igor Stravinsky | 9:58 | |
| 17 | Petrushka (1911 version): Tableau II: In Petrushka's Room Igor Stravinsky | 4:19 | |
| 18 | Petrushka (1911 version): Tableau III: In the Moor's Room Igor Stravinsky | 7:26 | |
| 19 | Petrushka (1911 version): Tableau IV: The Shrovetide Fair (Evening) Igor Stravinsky | 13:33 |
CD 77
| 1 | Apollon musagète: First Tableau. I. Prologue: The birth of Apollo Igor Stravinsky | 4:42 | |
| 2 | Apollon musagète: Second Tableau. II. Variation of Apollo Igor Stravinsky | 2:41 | |
| 3 | Apollon musagète: Second Tableau. III. Pas d'action: Apollo and the 3 muses Igor Stravinsky | 4:29 | |
| 4 | Apollon musagète: Second Tableau. IV. Variation of Calliope (the Alexandrine) Igor Stravinsky | 1:26 | |
| 5 | Apollon musagète: Second Tableau. V. Variation of Polyhymnia Igor Stravinsky | 1:16 | |
| 6 | Apollon musagète: Second Tableau. VI. Variation of Terpsichore Igor Stravinsky | 1:43 | |
| 7 | Apollon musagète: Second Tableau. VII. Second variation of Apollo Igor Stravinsky | 2:24 | |
| 8 | Apollon musagète: Second Tableau. VIII. Pas de deux Igor Stravinsky | 3:51 | |
| 9 | Apollon musagète: Second Tableau. IX. Coda Igor Stravinsky | 2:54 | |
| 10 | Apollon musagète: Second Tableau. X. Apotheosis Igor Stravinsky | 3:29 | |
| 11 | Le Chant du rossignol: I. La Fête au palais de l'empereur de Chine Igor Stravinsky | 5:58 | |
| 12 | Le Chant du rossignol: II. Les Deux Rossignols Igor Stravinsky | 6:31 | |
| 13 | Le Chant du rossignol: III. Maladie et guérison de l'empereur de Chine Igor Stravinsky | 9:18 | |
| 14 | The Rite of Spring: Part I: Adoration of the Earth. I. Introduction Igor Stravinsky | 3:24 | |
| 15 | The Rite of Spring: Part I: Adoration of the Earth. II. Harbingers of Spring - Dances of the Adolescents Igor Stravinsky | 3:35 | |
| 16 | The Rite of Spring: Part I: Adoration of the Earth. III. Mock Abduction Igor Stravinsky | 1:17 | |
| 17 | The Rite of Spring: Part I: Adoration of the Earth. IV. Spring Rounds Igor Stravinsky | 3:15 | |
| 18 | The Rite of Spring: Part I: Adoration of the Earth. V. Games of the Rival Tribes Igor Stravinsky | 1:32 | |
| 19 | The Rite of Spring: Part I: Adoration of the Earth. VI. Procession of the Sage Igor Stravinsky | 1:05 | |
| 20 | The Rite of Spring: Part I: Adoration of the Earth. VII. Adoration of the Earth (The Sage) Igor Stravinsky | 0:24 | |
| 21 | The Rite of Spring: Part I: Adoration of the Earth. VIII. Dance of the Earth Igor Stravinsky | 1:17 | |
| 22 | The Rite of Spring: Part II: The Sacrifice: I. Introduction Igor Stravinsky | 3:53 | |
| 23 | The Rite of Spring: Part II: The Sacrifice: II. Mystical Circles of the Adolescents Igor Stravinsky | 3:06 | |
| 24 | The Rite of Spring: Part II: The Sacrifice: III. Glorification of the Victim Igor Stravinsky | 1:42 | |
| 25 | The Rite of Spring: Part II: The Sacrifice: IV. Evocation of the Ancestors Igor Stravinsky | 0:45 | |
| 26 | The Rite of Spring: Part II: The Sacrifice: V. Ritual of the Ancestors Igor Stravinsky | 3:34 | |
| 27 | The Rite of Spring: Part II: The Sacrifice: VI. Sacred Dance (The Victim) Igor Stravinsky | 5:01 |
CD 78
| 1 | Renard Igor Stravinsky | 16:02 | |
| 2 | The Soldier's Tale: I. The Soldier's March Igor Stravinsky | 1:42 | |
| 3 | The Soldier's Tale: II. Music to Scene 1 Igor Stravinsky | 2:37 | |
| 4 | The Soldier's Tale: III. Music to Scene 2 Igor Stravinsky | 2:21 | |
| 5 | The Soldier's Tale: IV. The Royal March Igor Stravinsky | 2:40 | |
| 6 | The Soldier's Tale: V. The Little Concert Igor Stravinsky | 2:53 | |
| 7 | The Soldier's Tale: VI. 3 Dances (Tango - Waltz - Ragtime) Igor Stravinsky | 6:10 | |
| 8 | The Soldier's Tale: VII. The Devil's Dance Igor Stravinsky | 1:25 | |
| 9 | The Soldier's Tale: VIII. Great Chorale Igor Stravinsky | 3:05 | |
| 10 | The Soldier's Tale: IX. Triumphal March of the Devil Igor Stravinsky | 2:12 | |
| 11 | Pulcinella Suite: I. Sinfonia Igor Stravinsky | 1:52 | |
| 12 | Pulcinella Suite: II. Serenata Igor Stravinsky | 3:11 | |
| 13 | Pulcinella Suite: IIIa. Scherzino Igor Stravinsky | 1:32 | |
| 14 | Pulcinella Suite: IIIb. Allegro Igor Stravinsky | 1:12 | |
| 15 | Pulcinella Suite: IIIc. Andantino Igor Stravinsky | 1:17 | |
| 16 | Pulcinella Suite: IV. Tarantella Igor Stravinsky | 2:00 | |
| 17 | Pulcinella Suite: V. Toccata Igor Stravinsky | 0:52 | |
| 18 | Pulcinella Suite: VI. Gavotta con due variazioni Igor Stravinsky | 4:07 | |
| 19 | Pulcinella Suite: VII. Vivo Igor Stravinsky | 1:28 | |
| 20 | Pulcinella Suite: VIIIa. Minuet Igor Stravinsky | 2:30 | |
| 21 | Pulcinella Suite: VIIIb. Finale Igor Stravinsky | 2:09 | |
| 22 | Renard Igor Stravinsky | 16:38 |
CD 79
| 1 | Symphony in C: I. Moderato alla breve Igor Stravinsky | 10:45 | |
| 2 | Symphony in C: II. Larghetto concertante Igor Stravinsky | 8:01 | |
| 3 | Symphony in C: III. Allegretto Igor Stravinsky | 5:02 | |
| 4 | Symphony in C: IV. Largo - Tempo giusto alla breve Igor Stravinsky | 7:17 | |
| 5 | Symphony in 3 Movements: I. ♪ = 160 Igor Stravinsky | 10:33 | |
| 6 | Symphony in 3 Movements: II. Andante Igor Stravinsky | 5:48 | |
| 7 | Symphony in 3 Movements: III. Con moto Igor Stravinsky | 6:23 | |
| 8 | Symphonies of Wind Instruments Igor Stravinsky | 9:14 |
CD 80
| 1 | Concerto for Piano & Wind Instruments: I. Largo - Allegro Igor Stravinsky | 6:46 | |
| 2 | Concerto for Piano & Wind Instruments: II. Larghissimo Igor Stravinsky | 6:17 | |
| 3 | Concerto for Piano & Wind Instruments: III. Allegro Igor Stravinsky | 4:45 | |
| 4 | Capriccio for Piano & Orchestra: I. Presto Igor Stravinsky | 6:32 | |
| 5 | Capriccio for Piano & Orchestra: II. Andante rapsodico Igor Stravinsky | 4:56 | |
| 6 | Capriccio for Piano & Orchestra: III. Allegro capriccioso ma tempo giusto Igor Stravinsky | 5:32 | |
| 7 | Suite no. 1: I. Andante Igor Stravinsky | 1:16 | |
| 8 | Suite no. 1: II. Napolitana Igor Stravinsky | 1:05 | |
| 9 | Suite no. 1: III. Española Igor Stravinsky | 0:58 | |
| 10 | Suite no. 1: IV. Balalaika Igor Stravinsky | 0:52 | |
| 11 | Suite no. 2: I. Marche Igor Stravinsky | 1:15 | |
| 12 | Suite no. 2: II. Valse Igor Stravinsky | 1:58 | |
| 13 | Suite no. 2: III. Polka Igor Stravinsky | 1:00 | |
| 14 | Suite no. 2: IV. Galop Igor Stravinsky | 2:17 | |
| 15 | 4 Studies: I. Danse Igor Stravinsky | 0:59 | |
| 16 | 4 Studies: II. Exentrique Igor Stravinsky | 1:55 | |
| 17 | 4 Studies: III. Cantique Igor Stravinsky | 4:06 | |
| 18 | 4 Studies: IV. Madrid Igor Stravinsky | 2:46 | |
| 19 | Scherzo à la russe Igor Stravinsky | 4:25 | |
| 20 | Divertimento from Le Baiser de la fée: I. Sinfonia Igor Stravinsky | 6:27 | |
| 21 | Divertimento from Le Baiser de la fée: II. Danses suisses Igor Stravinsky | 7:07 | |
| 22 | Divertimento from Le Baiser de la fée: III. Scherzo (By the mill) Igor Stravinsky | 4:01 | |
| 23 | Divertimento from Le Baiser de la fée: IV. Pas de deux (a. Adagio - b. Variation - c. Coda) Igor Stravinsky | 7:07 |
CD 81
| 1 | Symphony of Psalms: I. Psalmus XXXVIII (Vulgate) vv. 13-14 Igor Stravinsky | 3:36 | |
| 2 | Symphony of Psalms: II. Psalmus XXXIX (Vulgate) vv. 2-4 Igor Stravinsky | 7:11 | |
| 3 | Symphony of Psalms: III. Psalmus CL (Vulgate) Igor Stravinsky | 10:33 | |
| 4 | Les Noces: Tableau 1: La Tresse Igor Stravinsky | 4:58 | |
| 5 | Les Noces: Tableau 2: Chez le marié Igor Stravinsky | 6:18 | |
| 6 | Les Noces: Tableau 3: Le Départ de la mariée Igor Stravinsky | 3:30 | |
| 7 | Les Noces: Tableau 4: Le Repas de noces Igor Stravinsky | 10:15 | |
| 8 | Mavra: 1. Overture Igor Stravinsky | 2:45 | |
| 9 | Mavra: 2. Air (Parasha) Igor Stravinsky | 1:16 | |
| 10 | Mavra: 3. Gypsy Song (Hussar, Parasha) Igor Stravinsky | 3:46 | |
| 11 | Mavra: 4. Dialogue (Mother, Parasha) Igor Stravinsky | 0:47 | |
| 12 | Mavra: 5. Air (Mother) Igor Stravinsky | 2:20 | |
| 13 | Mavra: 6. Dialogue (Mother, Neighbour) Igor Stravinsky | 0:15 | |
| 14 | Mavra: 7. Duet (Mother, Neighbour) Igor Stravinsky | 3:12 | |
| 15 | Mavra: 8. Dialogue (Mother, Neighbour, Parasha, Hussar) Igor Stravinsky | 0:39 | |
| 16 | Mavra: 9. Quartet (Mother, Neighbour, Parasha, Hussar) Igor Stravinsky | 2:08 | |
| 17 | Mavra: 10. Dialogue (Mother, Neighbour) Igor Stravinsky | 0:44 | |
| 18 | Mavra: 11. Duet (Parasha, Hussar) Igor Stravinsky | 4:46 | |
| 19 | Mavra: 12. Dialogue (Hussar, Parasha, Mother) Igor Stravinsky | 0:47 | |
| 20 | Mavra: 13. Air (Hussar) Igor Stravinsky | 2:28 | |
| 21 | Mavra: 14. Coda (Hussar, Parasha, Mother, Neighbour) Igor Stravinsky | 1:44 |
CD 82
| 1 | Le Baiser de la fée: Scene 1 (Prologue): The lullaby in a snowstorm Igor Stravinsky | 8:23 | |
| 2 | Le Baiser de la fée: Scene 2: A village fête Igor Stravinsky | 11:04 | |
| 3 | Le Baiser de la fée: Scene 3: By the mill - Pas de deux (a. Entrée - b. Adagio - c. Variation - d. Coda) - Scene Igor Stravinsky | 14:42 | |
| 4 | Le Baiser de la fée: Scene 4 (Epilogue): The lullaby of the land beyond time and place Igor Stravinsky | 8:48 | |
| 5 | Pulcinella: 1. Ouverture: Allegro moderato Igor Stravinsky | 1:52 | |
| 6 | Pulcinella: 2. Serenata (Larghetto): “Mentre l'erbetta” (tenor) Igor Stravinsky | 3:30 | |
| 7 | Pulcinella: 3. Scherzino: Allegro Igor Stravinsky | 1:35 | |
| 8 | Pulcinella: 4. Allegro Igor Stravinsky | 1:18 | |
| 9 | Pulcinella: 5. Andantino Igor Stravinsky | 1:16 | |
| 10 | Pulcinella: 6. Allegro Igor Stravinsky | 1:45 | |
| 11 | Pulcinella: 7. Ancora poco meno: “Contento forse vivere” (soprano) Igor Stravinsky | 1:46 | |
| 12 | Pulcinella: 8. Allegro assai Igor Stravinsky | 1:55 | |
| 13 | Pulcinella: 9. Allegro alla breve: “Con queste paroline” (bass) Igor Stravinsky | 2:13 | |
| 14 | Pulcinella: 10. Largo: “Sento dire no'ncè pace” (soprano, tenor, bass) Igor Stravinsky | 5:25 | |
| 15 | Pulcinella: 11. Allegro alla breve Igor Stravinsky | 1:15 | |
| 16 | Pulcinella: 12. Tarantella Igor Stravinsky | 1:19 | |
| 17 | Pulcinella: 13. Andantino: “Se tu m'ami” (soprano) Igor Stravinsky | 2:36 | |
| 18 | Pulcinella: 14. Allegro Igor Stravinsky | 0:52 | |
| 19 | Pulcinella: 15. Allegro Igor Stravinsky | 3:59 | |
| 20 | Pulcinella: 16. Gavotta con due variazioni Igor Stravinsky | 1:31 | |
| 21 | Pulcinella: 17. Tempo di Minuetto: “Pupilette, fiammette d'amore” (soprano, tenor, bass) Igor Stravinsky | 2:23 | |
| 22 | Pulcinella: 18. Allegro assai Igor Stravinsky | 2:19 |
CD 83
| 1 | The Firebird: 1. Introduction Igor Stravinsky | 3:02 | |
| 2 | The Firebird: 2. First Tableau. The Enchanted Garden of Koschei Igor Stravinsky | 1:56 | |
| 3 | The Firebird: 3. First Tableau. Appearance of the Firebird, Pursued by Prince Ivan Igor Stravinsky | 2:32 | |
| 4 | The Firebird: 4. First Tableau. Dance of the Firebird Igor Stravinsky | 1:33 | |
| 5 | The Firebird: 5. First Tableau. Capture of the Firebird by Prince Ivan Igor Stravinsky | 0:59 | |
| 6 | The Firebird: 6. First Tableau. Supplication of the Firebird - Appearance of the 13 Enchanted Princesses Igor Stravinsky | 7:51 | |
| 7 | The Firebird: 7. First Tableau. The Princesses' Game with the Golden Apple: Scherzo Igor Stravinsky | 2:36 | |
| 8 | The Firebird: 8. First Tableau. Sudden Appearance of Prince Ivan Igor Stravinsky | 2:40 | |
| 9 | The Firebird: 9. First Tableau. Khorovod (Round Dance) of the Princesses Igor Stravinsky | 2:50 | |
| 10 | The Firebird: 10. First Tableau. Daybreak - Prince Ivan Penetrates Koschei's Palace Igor Stravinsky | 1:41 | |
| 11 | The Firebird: 11. First Tableau. Magic Carillon, Appearance of Koschei's Monster Guardians, and Capture of Prince Ivan - Arrival of Koschei the Immortal - Dialogue of Koschei and Prince Ivan - Intercession of the Princesses - Appearance of the Firebird Igor Stravinsky | 5:37 | |
| 12 | The Firebird: 12. First Tableau. Dance of the Koschei's Retinue, Enchanted by the Firebird Igor Stravinsky | 0:53 | |
| 13 | The Firebird: 13. First Tableau. Infernal Dance of All Koschei's Subjects - Igor Stravinsky | 4:58 | |
| 14 | The Firebird: 13. First Tableau. Lullaby of the Firebird - Koschei's Awakening - Koschei's Death - Profound Darkness Igor Stravinsky | 5:11 | |
| 15 | The Firebird: 14. Second Tableau. Disappearance of Koschei's Palace and Magical Creations, Return to Life of the Petrified Knights, General Rejoicing Igor Stravinsky | 3:23 |
CD 84
| 1 | Ansermet Rehearses The Firebird: Start Igor Stravinsky | 5:57 | |
| 2 | Ansermet Rehearses The Firebird: “Everybody take three bars before 7” Igor Stravinsky | 9:05 | |
| 3 | Ansermet Rehearses The Firebird: “Figure 33, Bassoon and Bass Clarinet” Igor Stravinsky | 6:49 | |
| 4 | Ansermet Rehearses The Firebird: “From 74” Igor Stravinsky | 5:53 | |
| 5 | Ansermet Rehearses The Firebird: “Now, everybody, 109” Igor Stravinsky | 8:50 | |
| 6 | Ansermet Rehearses The Firebird: “Again from 165” Igor Stravinsky | 5:51 | |
| 7 | Ansermet Rehearses The Firebird: “Play from 202” Igor Stravinsky | 6:54 |
CD 85
| 1 | “You all speak a language…” Music as language | 3:26 | |
| 2 | “You hear a violinist…” The perception of pitch: pitch as tonal position | 2:16 | |
| 3 | “On the other hand, the ear perceived the successive sounds…” The birth of melody | 2:15 | |
| 4 | “Now, in nature, there is nothing that propels the sound from one position to another…” Melody and feeling | 2:39 | |
| 5 | “What goes through the creative musician's mind…” Feeling as “affective tension” | 1:43 | |
| 6 | “But what deceives us, and what makes music so mystifying, is this…” Music as feeling brought into play in the presence of sound | 2:43 | |
| 7 | “But such transitions give rise to different kinds of effective tensions…” Extrovert vs introvert tensions, passive vs active tensions | 3:38 | |
| 8 | Rhythm and respiratory cadence; binary and ternary cadences. “The fact that melody is an incidence of feeling will now make clear to us why it has a rhythmic structure…” | 2:55 | |
| 9 | Rhythm and respiratory cadence; binary and ternary cadences. “Thus time in music is cadential…” | 2:48 | |
| 10 | Rhythm and respiratory cadence; binary and ternary cadences. “Nut how does musical feeling constitute the tonal world in which it is able to express itself?…” | 3:34 | |
| 11 | Rhythm and respiratory cadence; binary and ternary cadences. “Thus, from its very birth, music introduced the musician into a structured sound space…” | 2:29 | |
| 12 | Rhythm and respiratory cadence; binary and ternary cadences. “The movements if fourth and fifth are the mainsprings of the mvements of feeling…” | 1:53 | |
| 13 | Rhythm and respiratory cadence; binary and ternary cadences. “In the age of monody, the various tonal perspectives were termed modes…” | 4:00 | |
| 14 | Enharmonic relations: tonal positions vs tonal meaning; modulation. “At this point, the relational power of musical auditory consciousness comes to a halt…” | 4:21 | |
| 15 | Enharmonic relations: tonal positions vs tonal meaning; modulation. “The major and minor chords are called perfect…” | 4:22 | |
| 16 | “I have been concerned so far only with melodic or harmonic movements of tonal duration…” Music as continuous discourse: Beethoven's Coriolan Overture | 1:31 | |
| 17 | “Why is the first motif sounded three times?…” Motifs, repition and the relation of identity | 6:09 | |
| 18 | “I have said that at this point we are due for something new…” Repitition and variety | 4:12 | |
| 19 | “This middle section has transported us back to the very beginning of the overture…” Exposition, commentary, resolution, music as dialectic | 6:22 | |
| 20 | “I said at the start that musical feeling is as clear to itself in lived experience as thought is clear to itself in spoken language…” The sources of musical meeaning | 3:13 |
CD 86
| 1 | Vous parlez tous une langue… La musique comme langage | 2:54 | |
| 2 | Vous entendez un violoniste… La perception du son : La qualification du son par la hauteur | 2:07 | |
| 3 | D'autre part, le sons qu'émet le violon l'un après l'autre… La naissance de la mélodie | 1:55 | |
| 4 | Or rien dans la nature ne porte le son d'une position à une autre… La musique et le sentiment | 2:07 | |
| 5 | Ce qui se passe chez le musician créateur… Le sentiment comme « tension affective » | 1:29 | |
| 6 | Mais on voit ce qui nous trompe et ce qui fait le mystère de la musique… La sentiment musical se fait en présence du son | 2:20 | |
| 7 | Mais ces passages donnent lieu à des tensions affective différenciées… Tensions extraverties vs tensions introverties ; tensions passives vs tensions acitves | 3:16 | |
| 8 | Le rythme et la cadence respiratoire ; des cadences binaires et ternaires. Le fait que la mélodie est un événement de sentiments nous fera comprendre maintenant pourquoi elle a une structure rythmique… | 2:12 | |
| 9 | Le rythme et la cadence respiratoire ; des cadences binaires et ternaires. Ainsi le temps musical est cadentiel… | 2:33 | |
| 10 | Le rythme et la cadence respiratoire ; des cadences binaires et ternaires. Mais comment le sentiment musical constitue-t-il le monde tonal dans lequel il peut se signifier ?… | 3:17 | |
| 11 | Le rythme et la cadence respiratoire ; des cadences binaires et ternaires. Ainsi, dès sa naissance, la musique introdusait le musician dans un espace sonore structuré… | 2:19 | |
| 12 | Le rythme et la cadence respiratoire ; des cadences binaires et ternaires. Les mouvements de quartes et de quintes sont les ressorts fondamentaux… | 1:52 | |
| 13 | Le rythme et la cadence respiratoire ; des cadences binaires et ternaires. À l'époque de la mélodie pure, les diverses perspectives tonales s'appelaient des modes… | 3:54 | |
| 14 | Les liaisons enharmoniques : position tonale vs signification tonale ; Modulation. À cet état de choses s'arrête le pouvoir relationnel de la conscience auditive musicale… | 3:54 | |
| 15 | Les liaisons enharmoniques : position tonale vs signification tonale ; Modulation. Si les accord parfaits majeurs et mineurs… | 3:58 | |
| 16 | Je n'ai envisagé jusq'ici que des mouvements mélodiques ou harmoniques… La musique comme discours continu : l'Ouverture Coriolan de Beethoven | 1:23 | |
| 17 | Pourquoi le premier motif se fait-il entendre trois fois ?… Motifs, répétition et relation d'identité | 5:24 | |
| 18 | Je vous ai dit qu'ici i; faudrait passer à autre chose… Répétition et variété | 4:04 | |
| 19 | Cette partie médians nous a remenés au début d l'ouverture… Exposition, commentaire, résolution : la musique comme dialectique | 5:59 | |
| 20 | Je vous disais en début de temps que le sentiment musical est aussi clair à lui-même en tant que sentiment vécu… Les origines du sens musical | 2:41 |
CD 87
| 1 | Jeder von Ihnen, meine Zuhörer, spricht eine Sprach …usik als Sprache | 3:45 | |
| 2 | Sie hören einem Violinspieler zu … Die Wahrnehmung des Tones: Bestimmung des Tones durch seine Höhe | 2:44 | |
| 3 | Des welleren werden die von der Violine nacheinander hervorgebrachten Töne … Die Enstehung der Melodie | 2:28 | |
| 4 | Nun gibt es aber im natürlich physikalischen Ablauf nichts … Melodie und Geluhi | 3:08 | |
| 5 | Was sich hierbel im Innern des schöpferischen Musikers abspielt … Das Gefühl als „affektive Spannung” | 1:55 | |
| 6 | Aber man kann sich denken, was uns irre macht … Die Musik als Gefühl wird beim Klang ausgelöst | 3:22 | |
| 7 | Aber diese Übergange geben unterschiedlichen affektiven Spannungen Raum … Extrovertiete vs. Introvierte Spannungen; passive vs. aktive Spannungen | 4:21 | |
| 8 | Rhythmus und Atemkadenz; zweizeitige und dreizeitige Kadenzen. Die Tatsache, dass die Melodie ein Gefühlsereignis ist, gibt uns nun auch die Erklärung, warum sie eine rhythmische Struktur hat … | 2:51 | |
| 9 | Rhythmus und Atemkadenz; zweizeitige und dreizeitige Kadenzen. Und daher ist auch die musikalische Zeit kadenziell … | 3:16 | |
| 10 | Rhythmus und Atemkadenz; zweizeitige und dreizeitige Kadenzen. Wie aber schafft sich das musikalische Gefühl die Welt der Töne in der es sich bekunden kann? … | 4:07 | |
| 11 | Rhythmus und Atemkadenz; zweizeitige und dreizeitige Kadenzen. So hat unsere Musik von ihrer Geburt an den Musiker in einen strukturierten Tonraum eingeführt … | 2:42 | |
| 12 | Rhythmus und Atemkadenz; zweizeitige und dreizeitige Kadenzen. Die Quart- und Quint-Bewegungen sind die haptsächlichen Triebfedern … | 2:04 | |
| 13 | Rhythmus und Atemkadenz; zweizeitige und dreizeitige Kadenzen. Zur Zeit der reinen Melodie wurden die Tonperspecktiven Modi gennant … | 4:19 | |
| 14 | Enharmonische Beziehungen; Tonposition vs. tonale Bedeutung; Modulation. Bei diesem Stand der Dinge sind wir an der Grenze der Fähigkeit des musikalischen Hörbewusstseins Beziehungen zwischen den Tönen zu erkennen; angelangt … | 4:41 | |
| 15 | Enharmonische Beziehungen; Tonposition vs. tonale Bedeutung; Modulation. Wenn uns die vollkommenen Dur- und Moll-Akkorde … | 4:26 | |
| 16 | Ich habe bisher nur melodische oder harmonische Bewegungen von kurzer Daur behandeit … Musik als ständige Zwiesprache: Beethoven Coriolan-Ouvertüre | 1:38 | |
| 17 | Warum wird wohl das erste Motiv dieser Phrase dreimal hintereinander vorgetragen? … Motive, Wiederholung und Identitätsbeziehung | 6:57 | |
| 18 | Ich habe Ihnen angekündigt … Wiederholung und Mannigfaltigkeit | 4:16 | |
| 19 | Dieser Mittelteil der Ouverture hat uns zu ihrem Anfang zurückgeführt … Exposition, Kommentar, Lösung: Musik als Dialektik | 6:36 | |
| 20 | Ich habe ihnen zu Anfang geagt, dass das musikalische Gefühl sich selbst als Gefühlserlebnis ebenso klar ist … Die Ursprünge des musikalischen Sinns | 3:06 |
CD 88
| 1 | Introduction: Background and Overview | 3:37 | |
| 2 | History of the OSR | 5:20 | |
| 3 | Ansermet's approach to interpretation | 2:04 | |
| 4 | Ansermet's landmark Petrushka | 9:41 | |
| 5 | Ansermet and Stravinsky | 8:53 | |
| 6 | Ansermet and Ravel | 10:46 | |
| 7 | Ansermet and Falla | 2:31 | |
| 8 | L'Orchestre de la Suisse Romande | 6:22 | |
| 9 | Ansermet and 19th-century Romantic music | 6:53 | |
| 10 | Ansermet and stereo | 7:41 | |
| 11 | Ansermet's personality | 3:23 | |
| 12 | The educational talk | 8:15 | |
| 13 | Conclusion | 2:42 |