The Complete HMV Recordings
AlbumTracklist 1307:15
CD 1
| 1 | Il barbiere di Siviglia: Overture Gioachino Rossini | 7:01 | |
| 2 | La scala di seta: Overture Gioachino Rossini | 6:28 | |
| 3 | Guillaume Tell: Overture Gioachino Rossini | 11:55 | |
| 4 | La gazza ladra: Overture Gioachino Rossini | 10:31 | |
| 5 | L’italiana in Algeri: Overture Gioachino Rossini | 7:50 | |
| 6 | La Cenerentola: Overture Gioachino Rossini | 7:37 | |
| 7 | Symphony no. 4 in A op. 90 “Italian”: I. Allegro vivace Felix Mendelssohn | 7:38 | |
| 8 | Symphony no. 4 in A op. 90 “Italian”: II. Andante con moto Felix Mendelssohn | 4:56 | |
| 9 | Symphony no. 4 in A op. 90 “Italian”: III. Con moto moderato Felix Mendelssohn | 5:45 | |
| 10 | Symphony no. 4 in A op. 90 “Italian”: IV. Saltarello: Presto Felix Mendelssohn | 5:57 |
CD 2
| 1 | Le Bourgeois Gentilhomme op. 60: I. Overture Richard Strauss | 3:53 | |
| 2 | Le Bourgeois Gentilhomme op. 60: II. Jourdain Minuet Richard Strauss | 1:40 | |
| 3 | Le Bourgeois Gentilhomme op. 60: III. The Fencing Master Richard Strauss | 1:33 | |
| 4 | Le Bourgeois Gentilhomme op. 60: IV. Entrance and Dance of the Tailors Richard Strauss | 5:12 | |
| 5 | Le Bourgeois Gentilhomme op. 60: V. Minuet of Lully Richard Strauss | 1:57 | |
| 6 | Le Bourgeois Gentilhomme op. 60: VI. Courante Richard Strauss | 2:36 | |
| 7 | Le Bourgeois Gentilhomme op. 60: VII. Entrance of Cleonte (after Lully) Richard Strauss | 3:56 | |
| 8 | Le Bourgeois Gentilhomme op. 60: VIII. Intermezzo (Prelude to Act II) Richard Strauss | 3:19 | |
| 9 | Le Bourgeois Gentilhomme op. 60: IX. The Dinner Richard Strauss | 10:19 | |
| 10 | The Musical Offering BWV 1079 (orch. Markevitch): Ricercare a 3 Johann Sebastian Bach | 6:00 | |
| 11 | The Musical Offering BWV 1079 (orch. Markevitch): Thema Regium Johann Sebastian Bach | 0:26 | |
| 12 | The Musical Offering BWV 1079 (orch. Markevitch): Canon a 2 “à l’écrevisse” Johann Sebastian Bach | 0:58 | |
| 13 | The Musical Offering BWV 1079 (orch. Markevitch): Canon perpetual Johann Sebastian Bach | 1:09 | |
| 14 | The Musical Offering BWV 1079 (orch. Markevitch): Canon a 2 “par mouvement contraire” Johann Sebastian Bach | 0:43 | |
| 15 | The Musical Offering BWV 1079 (orch. Markevitch): Canon a 2 “à l’unisson” Johann Sebastian Bach | 0:42 | |
| 16 | The Musical Offering BWV 1079 (orch. Markevitch): Canon a 2 “cherchez et vous trouverez” Johann Sebastian Bach | 1:01 | |
| 17 | The Musical Offering BWV 1079 (orch. Markevitch): Fuga canonical in Epidiapente Johann Sebastian Bach | 1:54 | |
| 18 | The Musical Offering BWV 1079 (orch. Markevitch): Canon a 2 par augmentation et mouvement contraire Johann Sebastian Bach | 1:53 | |
| 19 | The Musical Offering BWV 1079 (orch. Markevitch): Canon a 2 “par tous” Johann Sebastian Bach | 2:35 | |
| 20 | The Musical Offering BWV 1079 (orch. Markevitch): Canon circulaire a 4 Johann Sebastian Bach | 3:52 | |
| 21 | The Musical Offering BWV 1079 (orch. Markevitch): Sonata a 4: I. Largo Johann Sebastian Bach | 4:14 | |
| 22 | The Musical Offering BWV 1079 (orch. Markevitch): Sonata a 4: II. Allegro (Tempo di giga) Johann Sebastian Bach | 6:31 | |
| 23 | The Musical Offering BWV 1079 (orch. Markevitch): Sonata a 4: III. Andante Johann Sebastian Bach | 4:41 | |
| 24 | The Musical Offering BWV 1079 (orch. Markevitch): Sonata a 4: IV. Allegro Johann Sebastian Bach | 3:24 |
CD 3
| 1 | The Musical Offering (orch. Markevitch): Ricercar a 6 Johann Sebastian Bach | 8:20 | |
| 2 | Symphony no. 101 in D “The Clock”: I. Adagio – Presto Joseph Haydn | 6:22 | |
| 3 | Symphony no. 101 in D “The Clock”: II. Andante Joseph Haydn | 5:30 | |
| 4 | Symphony no. 101 in D “The Clock”: III. Menuetto: Allegretto Joseph Haydn | 7:23 | |
| 5 | Symphony no. 101 in D “The Clock”: IV. Finale: Vivace Joseph Haydn | 4:24 | |
| 6 | Symphony no. 102 in B‐flat: I. Largo – Vivace Joseph Haydn | 6:31 | |
| 7 | Symphony no. 102 in B‐flat: II. Adagio Joseph Haydn | 5:47 | |
| 8 | Symphony no. 102 in B‐flat: III. Menuetto: Allegro Joseph Haydn | 5:51 | |
| 9 | Symphony no. 102 in B‐flat: IV. Finale: Presto Joseph Haydn | 4:19 | |
| 10 | Symphony no. 8 in B minor D 759 “Unfinished”: I. Allegro moderato Franz Schubert | 11:10 | |
| 11 | Symphony no. 8 in B minor D 759 “Unfinished”: II. Andante con moto Franz Schubert | 10:52 |
CD 4
| 1 | Symphony no. 4 in F minor op. 36: I. Andante sostenuto Tchaikovsky | 17:39 | |
| 2 | Symphony no. 4 in F minor op. 36: II. Andantino in modo di canzona Tchaikovsky | 8:43 | |
| 3 | Symphony no. 4 in F minor op. 36: III. Scherzo: Pizzicato ostinato – Allegro Tchaikovsky | 5:37 | |
| 4 | Symphony no. 4 in F minor op. 36: IV. Finale: Allegro con fuoco Tchaikovsky | 9:10 | |
| 5 | Symphony no. 1 in F minor op. 10: I. Allegretto – Allegro non troppo Shostakovich | 7:54 | |
| 6 | Symphony no. 1 in F minor op. 10: II. Allegro Shostakovich | 3:48 | |
| 7 | Symphony no. 1 in F minor op. 10: III. Lento – Largo Shostakovich | 7:47 | |
| 8 | Symphony no. 1 in F minor op. 10: IV. Allegro molto Shostakovich | 9:18 |
CD 5
| 1 | Le Sacre du printemps (1951): Part I: Adoration of the Earth Stravinsky | 16:46 | |
| 2 | Le Sacre du printemps (1951): Part II: The Sacrifice Stravinsky | 17:57 | |
| 3 | Le Sacre du printemps (1951): Part I: Adoration of the Earth Stravinsky | 15:49 | |
| 4 | Le Sacre du printemps (1951): Part II: The Sacrifice Stravinsky | 16:20 |
CD 6
| 1 | Symphony no. 1 in D op. 25 “Classical”: I. Allegro Prokofiev | 4:11 | |
| 2 | Symphony no. 1 in D op. 25 “Classical”: II. Larghetto Prokofiev | 3:50 | |
| 3 | Symphony no. 1 in D op. 25 “Classical”: III. Gavotte: Non troppo allegro Prokofiev | 1:26 | |
| 4 | Symphony no. 1 in D op. 25 “Classical”: IV. Finale: Molto vivace Prokofiev | 4:03 | |
| 5 | Suite no. 2: II. Valse Stravinsky | 1:29 | |
| 6 | The Nutcracker Suite op. 71a: I. Miniature Ouverture Tchaikovsky | 3:15 | |
| 7 | The Nutcracker Suite op. 71a: II. March Tchaikovsky | 1:34 | |
| 8 | The Nutcracker Suite op. 71a: III. Dance of the Sugarplum Fairy Tchaikovsky | 1:53 | |
| 9 | The Nutcracker Suite op. 71a: IV. Russian dance “Trepak” Tchaikovsky | 1:05 | |
| 10 | The Nutcracker Suite op. 71a: V. Arabian dance Tchaikovsky | 2:58 | |
| 11 | The Nutcracker Suite op. 71a: VI. Chinese dance Tchaikovsky | 1:04 | |
| 12 | The Nutcracker Suite op. 71a: VII. Dance of the Reed Flutes Tchaikovsky | 2:38 | |
| 13 | The Nutcracker Suite op. 71a: VIII. Waltz of the Flowers Tchaikovsky | 5:00 | |
| 14 | Swan Lake Suite op. 20a: No. 10 Scene: Moderato Tchaikovsky | 2:40 | |
| 15 | Swan Lake Suite op. 20a: No. 11 Scene: Allegro moderato Tchaikovsky | 5:10 | |
| 16 | Swan Lake no. 5: Pas de deux: b) Andante – Allegro Tchaikovsky | 3:32 | |
| 17 | Swan Lake no. 5: Pas de deux: c) Tempo di valse Tchaikovsky | 1:20 | |
| 18 | Swan Lake no. 5: Pas de deux: d) Coda (Allegro molto vivace) Tchaikovsky | 1:44 | |
| 19 | Swan Lake no. 19 Pas de six: b) Variation 2 (Andante con moto) Tchaikovsky | 3:18 | |
| 20 | Swan Lake no. 8 Dance with Goblets: Tempo di polacca Tchaikovsky | 3:10 | |
| 21 | Swan Lake no. 13 Dance of the Swans: g) Coda (Allegro molto) Tchaikovsky | 1:35 | |
| 22 | Romeo and Juliet (Fantasy Ouverture) Tchaikovsky | 21:03 |
CD 7
| 1 | Dance Suite BB 86a: I. Moderato Béla Bartók | 3:20 | |
| 2 | Dance Suite BB 86a: II. Allegro molto Béla Bartók | 2:13 | |
| 3 | Dance Suite BB 86a: III. Allegro vivace Béla Bartók | 2:40 | |
| 4 | Dance Suite BB 86a: IV. Molto tranquillo Béla Bartók | 2:40 | |
| 5 | Dance Suite BB 86a: V. Comodo Béla Bartók | 0:46 | |
| 6 | Dance Suite BB 86a: VI. Finale Béla Bartók | 3:42 | |
| 7 | La Valse Maurice Ravel | 11:10 | |
| 8 | Parade: I. Choral Erik Satie | 1:11 | |
| 9 | Parade: Prélude du rideau rouge Erik Satie | 0:57 | |
| 10 | Parade: Prestidigitateur chinois Erik Satie | 3:46 | |
| 11 | Parade: II. Petite fille américaine Erik Satie | 3:27 | |
| 12 | Parade: III. Acrobates Erik Satie | 3:29 | |
| 13 | Parade: Final – Suite au “Prélude du rideau rouge” Erik Satie | 0:36 | |
| 14 | Tanzwalzer op. 53 Ferruccio Busoni | 9:09 | |
| 15 | Kikimora op. 63 Lyadov | 7:34 | |
| 16 | Le Roi malgré lui: Fête polonaise Emmanuel Chabrier | 7:39 | |
| 17 | Zwei Episoden aus Lenaus Faust S 110: No. 2 Der Tanz in der Dorfschenke Franz Liszt | 11:34 |
CD 8
| 1 | Aufforderung zum Tanze op. 65 (orch. Berlioz) Carl Maria von Weber | 9:04 | |
| 2 | Les Sylphides. Mazurka in D op. 33 no. 2 (orch. Douglas) Chopin | 2:21 | |
| 3 | Prélude à l’après‐midi d’un faune Claude Debussy | 9:40 | |
| 4 | L’Apprenti sorcier Paul Dukas | 11:17 | |
| 5 | El sombrero de tres picos (Suite no. 2): I. Danza de los vecinos Manuel de Falla | 3:17 | |
| 6 | El sombrero de tres picos (Suite no. 2): II. Danza del molinero Manuel de Falla | 2:57 | |
| 7 | El sombrero de tres picos (Suite no. 2): III. Danza final Manuel de Falla | 6:41 | |
| 8 | Le donne di buon umore (Suite): I. Presto (from… Vincenzo Tommasini | 1:52 | |
| 9 | Le donne di buon umore (Suite): II. Allegro (from sonata in D K 435) Vincenzo Tommasini | 3:12 | |
| 10 | Le donne di buon umore (Suite): III. Andante (from sonata in b minor K 87) Vincenzo Tommasini | 4:05 | |
| 11 | Le donne di buon umore (Suite): IV. Non presto, in tempo di ballo (from sonata in D K 430) Vincenzo Tommasini | 2:48 | |
| 12 | Le donne di buon umore (Suite): V. Presto (from sonata in G K 455) Vincenzo Tommasini | 3:08 | |
| 13 | Daphnis et Chloé (Suite no. 2): I. Lever du jour Maurice Ravel | 5:25 | |
| 14 | Daphnis et Chloé (Suite no. 2): II. Pantomime Maurice Ravel | 5:52 | |
| 15 | Daphnis et Chloé (Suite no. 2): III. Danse générale Maurice Ravel | 4:37 |
CD 9
| 1 | Giovanna d ’Arco: Overture Giuseppe Verdi | 7:50 | |
| 2 | Macbeth: Act III: Ballet music Giuseppe Verdi | 11:12 | |
| 3 | La battaglia di Legnano: Overture Giuseppe Verdi | 9:32 | |
| 4 | Luisa Miller: Overture Giuseppe Verdi | 5:46 | |
| 5 | La forza del destino: Overture Giuseppe Verdi | 7:48 | |
| 6 | Aida: Prelude Giuseppe Verdi | 4:50 | |
| 7 | Aufforderung zum Tanze op. 65 Carl Maria von Weber | 8:38 | |
| 8 | German Dance in C, K 605 no. 2 “Die Schlittenfahrt” Wolfgang Amadeus Mozart | 2:36 | |
| 9 | La Damnation de Faust op. 24: Ballet des sylphes Hector Berlioz | 2:32 | |
| 10 | Danse macabre op. 40 Camille Saint‐Saëns | 7:25 | |
| 11 | Valse triste op. 44 no.1 Jean Sibelius | 4:45 |
CD 10
| 1 | The Carnival of the Animals: I. Introduction & Royal March of the Lion Camille Saint‐Saëns | 2:07 | |
| 2 | The Carnival of the Animals: II. Hens and Roosters Camille Saint‐Saëns | 0:52 | |
| 3 | The Carnival of the Animals: III. Wild Asses Camille Saint‐Saëns | 0:34 | |
| 4 | The Carnival of the Animals: IV. Tortoises Camille Saint‐Saëns | 1:57 | |
| 5 | The Carnival of the Animals: V. The Elephant Camille Saint‐Saëns | 1:11 | |
| 6 | The Carnival of the Animals: VI. Kangaroos Camille Saint‐Saëns | 0:58 | |
| 7 | The Carnival of the Animals: VII. Aquarium Camille Saint‐Saëns | 2:08 | |
| 8 | The Carnival of the Animals: VIII. People with Long Ears Camille Saint‐Saëns | 0:41 | |
| 9 | The Carnival of the Animals: IX. The Cuckoo in the Depths of the Woods Camille Saint‐Saëns | 2:03 | |
| 10 | The Carnival of the Animals: X. Aviary Camille Saint‐Saëns | 1:09 | |
| 11 | The Carnival of the Animals: XI. Pianists Camille Saint‐Saëns | 1:26 | |
| 12 | The Carnival of the Animals: XII. Fossils Camille Saint‐Saëns | 1:11 | |
| 13 | The Carnival of the Animals: XIII. The Swan Camille Saint‐Saëns | 2:41 | |
| 14 | The Carnival of the Animals: XIV. Finale Camille Saint‐Saëns | 1:47 | |
| 15 | Peter and the Wolf op. 67 (Wilfred Pickles – narrator) Prokofiev | 28:05 | |
| 16 | The Young Person’s Guide to the Orchestra op. 34 (Peter Pears – narrator) Benjamin Britten | 19:40 |
CD 11
| 1 | A Life for the Tsar: Overture Mikhail Glinka | 8:16 | |
| 2 | A Life for the Tsar: Act I. Introduction Mikhail Glinka | 5:50 | |
| 3 | A Life for the Tsar: Act I. Cavatina and Rondo (Antonida) Mikhail Glinka | 7:40 | |
| 4 | A Life for the Tsar: Act I. Scene and Chorus (Susanin, Choruses, Antonida) Mikhail Glinka | 5:16 | |
| 5 | A Life for the Tsar: Act I. Scene, Trio and Finale (Sobinin, Susanin, Antonida, Chorus) Mikhail Glinka | 16:53 | |
| 6 | A Life for the Tsar: Act II. Polonaise (Chorus of Polish countryfolk) Mikhail Glinka | 4:12 | |
| 7 | A Life for the Tsar: Act II. Krakowiak Mikhail Glinka | 5:58 | |
| 8 | A Life for the Tsar: Act II. Mazurka and Finale Mikhail Glinka | 11:08 | |
| 9 | A Life for the Tsar: Act III. Entr’acte Mikhail Glinka | 2:59 | |
| 10 | A Life for the Tsar: Act III. Aria and Duet (Vanya, Susanin) Mikhail Glinka | 8:29 |
CD 12
| 1 | A Life for the Tsar: Act III. Chorus Mikhail Glinka | 3:30 | |
| 2 | A Life for the Tsar: Act III. Quartet (Susanin, Sobinin, Vanya, Antonida) Mikhail Glinka | 10:59 | |
| 3 | A Life for the Tsar: Act III. Scene and Chorus Mikhail Glinka | 13:17 | |
| 4 | A Life for the Tsar: Act III. Nuptial Chorus and Scene (Chorus of young girls) Mikhail Glinka | 2:15 | |
| 5 | A Life for the Tsar: Act III. Romance and Chorus (Chorus of young girls) Mikhail Glinka | 5:43 | |
| 6 | A Life for the Tsar: Act III. Finale Mikhail Glinka | 1:53 | |
| 7 | A Life for the Tsar: Act IV. Entr’acte Mikhail Glinka | 0:49 | |
| 8 | A Life for the Tsar: Act IV. Chorus and Aria (Sobinin) Mikhail Glinka | 6:29 | |
| 9 | A Life for the Tsar: Act IV. Aria and Chorus (Vanya, Chorus of servants) Mikhail Glinka | 9:22 | |
| 10 | A Life for the Tsar: Act IV. Chorus (Chorus of Polish soldiers, Susanin) Mikhail Glinka | 3:51 | |
| 11 | A Life for the Tsar: Act IV. Aria (Susanin) Mikhail Glinka | 5:43 | |
| 12 | A Life for the Tsar: Act IV. Recitative and Finale (Susanin, Chorus of Polish soldiers) Mikhail Glinka | 11:04 | |
| 13 | A Life for the Tsar: Act IV. Epilogue (Chorus of celebrating Moscovites) Mikhail Glinka | 3:08 |
CD 13
| 1 | Romeo and Juliet (Fantasy Overture) Tchaikovsky | 20:11 | |
| 2 | The Love for Three Oranges Suite op. 33bis: I. The Eccentrics Prokofiev | 2:38 | |
| 3 | The Love for Three Oranges Suite op. 33bis: II. Chello the magician and Fata Morgana play cards Prokofiev | 2:52 | |
| 4 | The Love for Three Oranges Suite op. 33bis: III. March Prokofiev | 1:25 | |
| 5 | The Love for Three Oranges Suite op. 33bis: IV. Scherzo Prokofiev | 1:20 | |
| 6 | The Love for Three Oranges Suite op. 33bis: V. The Prince and the Princess Prokofiev | 3:27 | |
| 7 | The Love for Three Oranges Suite op. 33bis: VI. Flight Prokofiev | 2:09 | |
| 8 | Ala i Lolli Suite Op. 20 “Scythian Suite”: I. The Adoration of … Prokofiev | 5:03 | |
| 9 | Ala i Lolli Suite Op. 20 “Scythian Suite”: II. The Enemy God and Dance of the Black Spirits Prokofiev | 3:03 | |
| 10 | Ala i Lolli Suite Op. 20 “Scythian Suite”: III. Night Prokofiev | 4:49 | |
| 11 | Ala i Lolli Suite Op. 20 “Scythian Suite”: IV. The Glorious Departure of Lolli and Procession of the Sun Prokofiev | 4:54 | |
| 12 | The Steel Step Suite op. 41bis: I. Entry of the People Prokofiev | 2:40 | |
| 13 | The Steel Step Suite op. 41bis: I. II. The Officials Prokofiev | 6:37 | |
| 14 | The Steel Step Suite op. 41bis: I. III. The Sailor and the Factory Worker Prokofiev | 2:03 | |
| 15 | The Steel Step Suite op. 41bis: I. IV. The Factory Prokofiev | 10:13 |
CD 14
| 1 | A Night on the Bare Mountain (orch. Rimsky‐Korsakov) Mussorgsky | 9:36 | |
| 2 | Divertimento (Suite after Le Baiser de la fée): I. Sinfonia Stravinsky | 6:22 | |
| 3 | Divertimento (Suite after Le Baiser de la fée): II. Danses suisses Stravinsky | 6:37 | |
| 4 | Divertimento (Suite after Le Baiser de la fée): III. Scherzo Stravinsky | 3:52 | |
| 5 | Divertimento (Suite after Le Baiser de la fée): IV. Pas de deux – a) Adagio Stravinsky | 3:28 | |
| 6 | Divertimento (Suite after Le Baiser de la fée): IV. Pas de deux – b) Variation Stravinsky | 1:15 | |
| 7 | Divertimento (Suite after Le Baiser de la fée): IV. Pas de deux – c) Coda Stravinsky | 2:05 | |
| 8 | Pulcinella (Suite after Pergolesi): I. Sinfonia Stravinsky | 1:55 | |
| 9 | Pulcinella (Suite after Pergolesi): II. Serenata Stravinsky | 2:43 | |
| 10 | Pulcinella (Suite after Pergolesi): III. Scherzino – Allegretto – Andantino Stravinsky | 4:13 | |
| 11 | Pulcinella (Suite after Pergolesi): IV. Tarantella Stravinsky | 2:02 | |
| 12 | Pulcinella (Suite after Pergolesi): V. Toccata Stravinsky | 0:57 | |
| 13 | Pulcinella (Suite after Pergolesi): VI. Gavotte – Variation no.1 – Variation no.2 Stravinsky | 3:48 | |
| 14 | Pulcinella (Suite after Pergolesi): VII. Vivo Stravinsky | 1:22 | |
| 15 | Pulcinella (Suite after Pergolesi): VIII. Minuetto Stravinsky | 2:35 | |
| 16 | Pulcinella (Suite after Pergolesi): Finale Stravinsky | 1:56 | |
| 17 | Petrushka (excerpts), Part I (The Shrovetide Fair): IV. Russia… Stravinsky | 2:28 | |
| 18 | Petrushka (excerpts), Part II (Petrushka’s Cell) Stravinsky | 4:19 | |
| 19 | Petrushka (excerpts), Part III (The Shrovetide Fair [Evening]) Stravinsky | 9:36 |
CD 15
| 1 | Till Eulenspiegels lustige Streiche op. 28 Richard Strauss | 14:43 | |
| 2 | Prince Igor: Chorus and Dance of the Polovtsian Maidens Borodin | 2:25 | |
| 3 | Polovtsian Dances Borodin | 9:27 | |
| 4 | Peter and the Wolf op. 67 Prokofiev | 27:28 | |
| 5 | The Young Person Guide to the Orchestra op. 34 Benjamin Britten | 18:45 |
CD 16
| 1 | La Périchole: Overture Jacques Offenbach | 2:28 | |
| 2 | La Périchole: Acte I. Festival Chorus « Du Vice‐roi, c’est aujourd’hui la fête » Jacques Offenbach | 1:48 | |
| 3 | La Périchole: Acte I. Song of the three cousins « Promptes à servir la pratique » Jacques Offenbach | 4:02 | |
| 4 | La Périchole: Acte I. Chorus & Couplets of the disguised « C’est lui, c’est notre Vice‐roi ! » Jacques Offenbach | 2:50 | |
| 5 | La Périchole: Acte I. Text: The Viceroy tries his best to speak to the three cousins Jacques Offenbach | 1:12 | |
| 6 | La Périchole: Acte I. Romance of the Spaniard and the Indian Girl « Le conquérant dit à la jeune indienne » Jacques Offenbach | 2:20 | |
| 7 | La Périchole: Acte I. Text: They make a collection but without any success – Seguidilla Jacques Offenbach | 2:34 | |
| 8 | La Périchole: Acte I. Text: Alas how they prepare themselves to make a collection – Chorus of Monte… Jacques Offenbach | 0:40 | |
| 9 | La Périchole: Acte I. Text: Piquillo and La Périchole are annoyed Jacques Offenbach | 1:12 | |
| 10 | La Périchole: Acte I. La Périchole’s letter « Ô mon cher amant » Jacques Offenbach | 2:57 | |
| 11 | La Périchole: Acte I. Text: The regulations of the Court Jacques Offenbach | 2:01 | |
| 12 | La Périchole: Acte I. Chorus and Duet of the lawyers « Holà ! Oh ! Holà ! » Jacques Offenbach | 2:46 | |
| 13 | La Périchole: Acte I. Tipsy‐Arietta « Ah ! quel diner » Jacques Offenbach | 1:44 | |
| 14 | La Périchole: Acte I. Sung Recitative « C’est un ange, messieurs ! » Jacques Offenbach | 3:29 | |
| 15 | La Périchole: Acte I. Marriage Duet « Je dois vous prévenir, Madame » Jacques Offenbach | 1:48 | |
| 16 | La Périchole: Acte I. Text: Good gracious!… How fussy they are – Finale and March of the townspeople Jacques Offenbach | 4:15 | |
| 17 | La Périchole: Acte II. Introduction Jacques Offenbach | 2:44 | |
| 18 | La Périchole: Acte II. Text: We are now in the throne room of the Viceroy’s palace Jacques Offenbach | 1:28 | |
| 19 | La Périchole: Acte II. Dialogue « Ah ! je reprends mes esprits » Jacques Offenbach | 1:32 | |
| 20 | La Périchole: Acte II. Cancans‐Couplets « On vante partout son sourire » Jacques Offenbach | 2:26 | |
| 21 | La Périchole: Acte II. Text: The “Dames de la Cour” leave Jacques Offenbach | 0:37 | |
| 22 | La Périchole: Acte II. Courtiers’ Chorus « Quel marché de bassesse » Jacques Offenbach | 1:27 | |
| 23 | La Périchole: Acte II. Text: The courtiers disperse Jacques Offenbach | 0:18 | |
| 24 | La Périchole: Acte II. Couplets « Et là, maintenant que nous sommes seuls » Jacques Offenbach | 1:22 | |
| 25 | La Périchole: Acte II. Dialogue « Moi, Piquillo, je voudrais m’en aller » Jacques Offenbach | 0:59 | |
| 26 | La Périchole: Acte II. Finale: Présentation Chorus « Nous allons donc voir un mari » Jacques Offenbach | 0:59 | |
| 27 | La Périchole: Acte II. Récitative « De tout ce que j’ai dit » Jacques Offenbach | 1:36 | |
| 28 | La Périchole: Acte II. Couplets « Que veulent dire ces colères… » Jacques Offenbach | 2:25 | |
| 29 | La Périchole: Acte II. Text: You’re right, I should not lose my temper – Rondo « Écoute, ô Roi » Jacques Offenbach | 1:42 | |
| 30 | La Périchole: Acte II. Gallop of the arrest « Sautez dessus » Jacques Offenbach | 0:45 | |
| 31 | La Périchole: Acte II. Rondo des maris ré…cal…ci…trants ! : « Et maintenant, que faut‐il faire » Jacques Offenbach | 3:36 |
CD 17
| 1 | La Périchole: Acte III. Text: We are now in a dungeon Jacques Offenbach | 0:53 | |
| 2 | La Périchole: Acte III. Couplets‐Boléro « Les maris courbaient la tête » Jacques Offenbach | 1:37 | |
| 3 | La Périchole: Acte III. Text: And Piquillo laments his fate – Aria « On me proposait d’être infâme » Jacques Offenbach | 3:32 | |
| 4 | La Périchole: Acte III. Text: What will La Perichole do? – Duo & Couplets of confession Jacques Offenbach | 5:25 | |
| 5 | La Périchole: Acte III. Text: But how can it be done – Trio of the Pretty Jailer Jacques Offenbach | 2:07 | |
| 6 | La Périchole: Acte III. « Il est gentil, ce petit géôlier » Jacques Offenbach | 1:28 | |
| 7 | La Périchole: Acte III. Prison Trio « Roi pas plus haut qu’une botte » Jacques Offenbach | 2:55 | |
| 8 | La Périchole: Acte III. Dialogue « Oui, divine Périchole » Jacques Offenbach | 1:24 | |
| 9 | La Périchole: Acte III. Finale « Je t’adore, si je suis folle » Jacques Offenbach | 1:31 | |
| 10 | La Périchole: Acte III. Text: The Town Square of Lima – Patrols’ Chorus « En avant, en avant soldats » Jacques Offenbach | 2:34 | |
| 11 | La Périchole: Acte III. Three Cousins’ Arietta « Pauvres gens, où sont‐ils ? » Jacques Offenbach | 1:54 | |
| 12 | La Périchole: Acte III. Dialogue « Et voici qu’accourt le Vice‐roi » Jacques Offenbach | 3:04 | |
| 13 | La Périchole: Acte III. Finale – Lovers’ lament « Écoutez, peuple d’Amérique, de l’Espagne et du Pérou » Jacques Offenbach | 2:12 | |
| 14 | La Périchole: Acte III. Duo with chorus « Tous deux, au temps de peine et de misère » Jacques Offenbach | 1:19 | |
| 15 | Concerto Grosso in D op. 6 no. 5 HWV 323: I. Adagio (Larghetto e staccato) George Frideric Handel | 2:00 | |
| 16 | Concerto Grosso in D op. 6 no. 5 HWV 323: II. Allegro George Frideric Handel | 2:53 | |
| 17 | Concerto Grosso in D op. 6 no. 5 HWV 323: III. Presto George Frideric Handel | 2:24 | |
| 18 | Concerto Grosso in D op. 6 no. 5 HWV 323: IV. Largo George Frideric Handel | 3:31 | |
| 19 | Concerto Grosso in D op. 6 no. 5 HWV 323: V. Menuet: Un poco larghetto George Frideric Handel | 3:37 | |
| 20 | Concerto Grosso in D op. 6 no. 5 HWV 323: VI. Allegro George Frideric Handel | 3:19 | |
| 21 | Variations on a Theme by Haydn op. 56a: Theme: Andante Johannes Brahms | 2:00 | |
| 22 | Variations on a Theme by Haydn op. 56a: I. Poco piu animato Johannes Brahms | 1:21 | |
| 23 | Variations on a Theme by Haydn op. 56a: II. Piu vivace Johannes Brahms | 0:51 | |
| 24 | Variations on a Theme by Haydn op. 56a: III. Con moto Johannes Brahms | 2:01 | |
| 25 | Variations on a Theme by Haydn op. 56a: IV. Andante con moto Johannes Brahms | 2:23 | |
| 26 | Variations on a Theme by Haydn op. 56a: V. Vivace Johannes Brahms | 0:50 | |
| 27 | Variations on a Theme by Haydn op. 56a: VI. Vivace Johannes Brahms | 1:12 | |
| 28 | Variations on a Theme by Haydn op. 56a: VII. Grazioso Johannes Brahms | 2:11 | |
| 29 | Variations on a Theme by Haydn op. 56a: VIII. Presto non troppo Johannes Brahms | 0:57 | |
| 30 | Variations on a Theme by Haydn op. 56a: IX. Finale: Andante Johannes Brahms | 3:49 |
CD 18
| 1 | Canti di prigionia: No. 1. Preghiera di Maria Stuarda Luigi Dallapiccola | 9:45 | |
| 2 | Canti di prigionia: No. 2. Invocazione di Boezio Luigi Dallapiccola | 4:40 | |
| 3 | Canti di prigionia: No. 3. Congedo di Girolamo Savonarola Luigi Dallapiccola | 9:03 | |
| 4 | L’Envol d’Icare: I. Prélude | 2:04 | |
| 5 | L’Envol d’Icare: II. Jeux des Adolescents | 2:20 | |
| 6 | L’Envol d’Icare: III. Icare attrape deux colombes | 6:29 | |
| 7 | L’Envol d’Icare: IV. Icare se fait fixer des ailes aux épaules | 1:53 | |
| 8 | L’Envol d’Icare: V. L’Envol d’Icare | 4:55 | |
| 9 | L’Envol d’Icare: VI. Ou I’on apprend la chute | 0:39 | |
| 10 | L’Envol d’Icare: VII. La Mort d’Icare | 5:02 | |
| 11 | Le Nouvel Age: I. Overture | 9:13 | |
| 12 | Le Nouvel Age: II. Adagio | 7:13 | |
| 13 | Le Nouvel Age: III. Hymne | 7:19 |