| 1 |
The Five Practice Tools
|
3:11 |
|
| 2 |
The Musical Alphabet
|
0:31 |
|
| 3 |
Key Note Locations
|
0:54 |
|
| 4 |
Half and Whole Steps
|
1:11 |
|
| 5 |
Sharps and Flats
|
1:49 |
|
| 6 |
Accidentals
|
1:28 |
|
| 7 |
Enharmonic Notes
|
0:24 |
|
| 8 |
Musical Notes
|
0:09 |
|
| 9 |
Treble and Bass Clefs
|
0:12 |
|
| 10 |
The Grand Staff with Notes
|
0:24 |
|
| 11 |
Tied Notes
|
0:11 |
|
| 12 |
Time Signatures
|
0:48 |
|
| 13 |
Opus de Dos Notes
|
0:24 |
|
| 14 |
Walkin'
|
0:25 |
|
| 15 |
The Perfect Relative Pitch Drill
|
2:08 |
|
| 16 |
The Five Finger Drill
|
0:35 |
|
| 17 |
The Key Regimen
|
1:01 |
|
| 18 |
The Nine basic Rhythms Drill
|
0:35 |
|
| 19 |
Free Improvisation 36a
|
0:20 |
|
| 20 |
Free Improvisation 36b
|
0:19 |
|
| 21 |
Free Improvisation 36c
|
0:30 |
|
| 22 |
Free Improvisation 36d
|
1:22 |
|
| 23 |
Etude #1
|
0:44 |
|
| 24 |
Reverse Relative Pitch Drill
|
1:35 |
|
| 25 |
Five Finger Drill for Speed and Endurance
|
0:35 |
|
| 26 |
C Blues Scal
|
0:08 |
|
| 27 |
The 12 Blues Scales
|
0:38 |
|
| 28 |
The Diatonic Major Progression
|
0:37 |
|
| 29 |
The Basic Rhythm Etude
|
0:45 |
|
| 30 |
Key Center Improvising
|
0:25 |
|
| 31 |
Making the Changes
|
0:27 |
|
| 32 |
The Six Fundamental Basic Chord Breakdowns
|
2:04 |
|
| 33 |
Etude #2
|
0:47 |
|
| 34 |
The Five Finger Drill, Rhythm #5
|
0:21 |
|
| 35 |
The Five Finger Drill, Rhythm #6
|
0:22 |
|
| 36 |
The Chromatic Scale
|
0:45 |
|
| 37 |
The Diatonic Progression Circle of Fifths
|
0:42 |
|
| 38 |
The Tie Drill
|
0:26 |
|
| 39 |
Etude #3
|
0:52 |
|
| 40 |
The Triad Drill
|
0:51 |
|
| 41 |
The Double Thirds Drill
|
0:24 |
|
| 42 |
The Diatonic Circle of Fifths Voice Led
|
0:47 |
|
| 43 |
The Nine Basic Rhythms Rest Drill
|
0:26 |
|
| 44 |
Stylistic Blues Licks
|
2:52 |
|
| 45 |
Blue Intros and Turnarounds
|
0:39 |
|
| 46 |
Blues Endings
|
0:48 |
|
| 47 |
Etude #4
|
1:18 |
|
| 48 |
The Scat and Play Drill
|
1:39 |
|
| 49 |
The Double Thirds Drill (Four notes per beat)
|
0:33 |
|
| 50 |
The Rhythm Combination Tie and Rest Etude
|
0:35 |
|
| 51 |
Etude #5
|
0:37 |
|
| 52 |
The Scat and Play Drill Phrases
|
0:52 |
|
| 53 |
The Five Finger Trill Drill
|
1:09 |
|
| 54 |
Cadences
|
0:51 |
|
| 55 |
The II-V-I Major Progressions
|
2:57 |
|
| 56 |
The II-V-I Minor Progressions
|
1:03 |
|
| 57 |
Three Against Two
|
0:51 |
|
| 58 |
Three Against Four
|
0:52 |
|
| 59 |
Four Against Three
|
0:43 |
|
| 60 |
Permutation #1: Melodic Thirds
|
0:28 |
|
| 61 |
Permutation #2: Melodic Fourths
|
0:19 |
|
| 62 |
Permutation #3: Melodic Double Thirds
|
0:21 |
|
| 63 |
Permutation #4: Melodic Double Fourths
|
0:22 |
|
| 64 |
Permutation #5: Melodic Free Form
|
0:55 |
|
| 65 |
One Chord Jazz Improvisation
|
0:14 |
|
| 66 |
Motific Playing
|
0:10 |
|
| 67 |
Etude #6
|
0:38 |
|
| 68 |
Melodic Transposition Drill
|
3:42 |
|
| 69 |
C Major Scale
|
1:13 |
|
| 70 |
C Mixolydian Scale
|
0:35 |
|
| 71 |
C Altered Dominant Scale
|
0:37 |
|
| 72 |
C Symmetrical Diminished Half Whole Scall
|
0:39 |
|
| 73 |
C Dominant b9 Scale
|
0:35 |
|
| 74 |
C Whole Tone Scale
|
1:43 |
|
| 75 |
C Dorian Scale
|
0:38 |
|
| 76 |
C Locrian Scale
|
1:32 |
|
| 77 |
C Symmetrical Diminished Whole Half Scale
|
1:07 |
|
| 78 |
C Melodic minor Scale (Ascending)
|
0:23 |
|
| 79 |
Basic Chord Conversion
|
1:31 |
|
| 80 |
"Dear Old Stockholm" Chord Conversions
|
1:32 |
|
| 81 |
Advanced Rhythm Subdivisions
|
1:45 |
|
| 82 |
Jazz Improvisation
|
0:55 |
|
| 83 |
Note Bending Examples a-g
|
2:43 |
|
| 84 |
"Hair of the Dog"
Niacin
|
1:02 |
|